Louis Armstrong and Bix Beiderbecke: Singin’ the Blues

 Leon “Bix” Beiderbecke became a jazz-age romantic legend not only by playing brilliant cornet but also by drinking too much bad prohibition liquor resulting his premature death in 1931, at the age of only 28. His short life was punctuated by episodes of very bad health caused by chronic alcoholism in an era when the only booze that was available was bathtub gin or rotgut whisky. Despite all his problems, Bix still gave us some of the greatest ever jazz records.

Although he was of middle-class white origins, Bix’s playing was deeply admired by leading black musicians of the day notably the great Louis Armstrong. Some years ago I listened to a radio play called Bix: Singing the Blues which is a fictional account of the only occasion in which Bix Beiderbecke and Louis Armstrong played together, in a private, after-hours session. Given the description of that as “fictional” I assumed that Bix and Satchmo didn’t know each other well. Recently, however, I came across a recording of Louis Armstrong talking about Bix Beiderbecke that shows I was wrong:

(There is one little bit of confusion in the discussion: Bix wasn’t 31 when he died: he died in 1931, at the age of 28. )

So how good was Bix? Well, make your own mind up. Here is his classic version of Singing the Blues, with Frankie Trumbauer’s Orchestra in 1927, a three minute track in which Bix’s stunning solo starts a minute in and lasts a minute.

Jazz being largely improvised music, it is often a bit rough around the edges; even the Hot Fives and Hot Sevens have their share of duff notes. Bix’s solo on this record with that beautiful ringing, bell-like tone, and effortless swing at what is quite a slow tempo, is as close to perfection as you’ll ever find.

But you don’t need to take my word for it.

During his heyday in the1920s Louis Armstrong played virtually every popular tune that was put in front of him, including many songs that seemed unpromising from a jazz perspective, and in the process turned any amount of base metal into solid gold. Singin’ the Blues was a smash hit, but Louis Armstrong refused to play it. When asked why he replied that he didn’t think he could play it as well as Bix. There is no higher praise.

One Response to “Louis Armstrong and Bix Beiderbecke: Singin’ the Blues”

  1. I barely or distantly know most of the (deservedly famous!) jazz musicians you write about here, having closed my ears to anything non-“classical” through my fast-learning and formative teens and twenties, so pretty much everything is a novelty and delight which leads down long long listening byways. “Come for the cosmology, stay for the playlists.”

    Anyway, this quotation (via Wikipedia) is spot on, even to this failed musician failed mathematician:

    More than that, though, “Singin’ the Blues” has been noted for the way its improvisations feel less improvised than composed, with each phrase building on the last in a logical fashion. Benny Green describes the solo’s effect on practiced ears:

    When a musician hears Bix’s solo on ‘Singing the Blues’, he becomes aware after two bars that the soloist knows exactly what he is doing and that he has an exquisite sense of discord and resolution. He knows also that this player is endowed with the rarest jazz gift of all, a sense of form which lends to an improvised performance a coherence which no amount of teaching can produce. The listening musician, whatever his generation or his style, recognizes Bix as a modern, modernism being not a style but an attitude.

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