In the Dark

The tune Carioca was a big hit in 1933 as a result of the film Flying Down to Rio (which, incidentally, saw the first pairing on screen of Fred Astaire and Ginger Rogers). There is a dance that goes with the tune, which involves the two dancers pressing their foreheads together, which always seem to me to risk an accidental headbutt (or present an opportunity for non-accidental one). Incidentally, “Carioca” is a slang term for a native of Rio de Janeiro.

Anyway, the popularity of the tune meant that many swing bands did versions: Benny Goodman, Artie Shaw and Woody Herman all had a go at it; the Artie Shaw version being particularly good. Later on, after the end of World War 2 and the arrival of the bebop era, many jazz musicians began to incorporate Latin-American rhythms and melodies into their work and this tune survived in various forms. There’s a very nice version by Chet Baker and Gerry Mulligan, for example.

My favourite is this marvellous up-tempo rendition by the shamefully underrated pianist Hampton Hawes and his trio recorded in 1955 with Red Mitchell on bass and Chuck Thompson on drums.

The pre-eminent modern piano stylists of the early fifties were Thelonious Monk and Bud Powell; Hawes was closer to the latter in approach, but it always seemed to me that he was the pianist paid the most direct musical homage to the great Charlie Parker; his solo on this is full of bebop licks and is taken at such a breakneck pace that even the nimble tread of the feet of Fred Astaire wouldn’t have been able to keep up.

This entry was posted on January 11, 2026 at 6:46 pm and is filed under Film, Jazz with tags Carioca, Charlie Parker, Flying Down to Rio, Hampton Hawes. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.