The Original Peaky Blinders Jazz Band

I’ve been greatly enjoying the boxed set of six seasons of Peaky Blinders that I received as a gift recently. I may do a sort of review when I get to the end, but until then I thought I’d throw in a few tangential things. This post is an example. Here’s another one. This clip is from Episode 2 of Series 1, when the Shelby family are celebrating the reopening of the Garrison pub after it was destroyed by a firebomb earlier on. Listen to the background music at the start.

The music being played is Livery Stable Blues by the Original Dixieland Jazz Band, a record I blogged about here. Released in 1917, it is no exaggeration to say that this was the first every commercial jazz record; I blogged about the 100th anniversary of its release.

The band was originally called the “Original Dixieland Jass Band“. A few months later they changed the “Jass” to “Jazz” – it is claimed because people kept defacing their posters by removing the letter “J” – and the new name stuck. The Original Dixieland Jazz Band is usually referred by Jazz buffs as the ODJB.

Led by cornettist Nick LaRocca and clarinettist Larry Shields, the ODJB was a group of white musicians from in and around New Orleans who had picked up their musical ideas from listening to musicians there, including playing for the pioneering mixed-race band led by Papa Laine, before moving to Chicago which is where they were spotted by representatives of the Victor label. Although the sound quality isn’t great, it gives a good insight to what ealy jazz drummers were like – thumping bass and tom-toms but little use of the cymbals – and shows Larry Shields was a dab hand at glissandi

Series 1 of Peaky Blinders is set in 1919 (mainly in Birmingham but also with scenes in London). Not a lot of people know that the ODJB actually visited England in 1919. They performed in review at the Hammersmith Palais and then did a command performance in front of King George V, who (apparently) particularly enjoyed their version of Tiger Rag. There is no evidence that they visited Birmingham, but we get a glimpse before the above clip of a band decked out to look like them, playing live in the Garrison pub. I very much enjoy little details like that!

6 Responses to “The Original Peaky Blinders Jazz Band”

  1. Anton Garrett's avatar
    Anton Garrett Says:

    Highlights I’ve seen of Peaky Blinders on YouTube look excellent. An obvious but unacknowledged inspiration for it was a mid-1970s BBC Play for Today and subsequent couple of series called Gangsters, essentially a multicultural version of Get Carter in which the Mr Bigs of the various ethnic communities in Birmingham contend to be king of the city’s underworld. All six episodes of the first series were uploaded to a YouTube channel called ‘don’t want your poison’ three years ago.

    • telescoper's avatar
      telescoper Says:

      I came to Peaky Blinders ridiculously late but I’m find it very enjoyable. It’s got a great cast, including a superb performance by Sam Neill in Series 1 and 2. It is well written. On several occasions you think it’s heading in one direction but there’s an unexpected change of tack. There’s one scene where a big shoot-out looks inevitable but…
      Also the Season 2 Final at Epsom on Derby Day doesn’t go at all the way I imagined.

      The production values are good too. There are a few outdoor location shots which are cgi-generated and don’t look convincing, but the interiors and general style look very good.

  2. John Simmons's avatar
    John Simmons Says:

    Have enjoyed looking at the Peaky Blinders which is generally excellent. What didn’t like was the really quiet dialog, with difficult to understand dialect. So turn up volume, and then the background music is deafening. This music is typically not period music either. None of this was in clip being shown, lol

    • telescoper's avatar
      telescoper Says:

      The incidental music is generally not period (e.g. Johnny Cash, Leonard Cohen) but when there’s music played within the drama it is carefully chosen.

      I didn’t mind the sound balance, actually.

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