The Victoria and Albert…
I can’t remember when I was last in the Victoria and Albert Museum but it’s long enough ago for me to have forgotten how big it is. It being free to get in and very near to why I am we are staying it was an easy decision to head there this morning before going to the Pride festivities. In fact it was so enjoyable and so extensive we were a bit late leaving. It’s definitely well worth a visit if you’re in London.
I remember the Raphael Cartoons from when I was last at the V&A. They’re very well done – an example is on the right below – but I didn’t find them very funny. In fact I couldn’t see the joke in any of them!
Just so you don’t think I’m a complete ignoramus, the “cartoons” are complete designs for tapestries – they would be placed underneath the loom as a template for the weavers to follow. Incidentally, the Bayeux “Tapestry” – currently on display in the British Museum – is not a tapestry at all. Being stitched rather than woven, it’s an embroidery not a tapestry. The Raphael cartoons were made for tapestries that hang on the walls in the Sistine Chapel in the Vatican, intended to complement Michelangelo’s famous ceiling. I still don’t know who did the floor.
I’m not very good at taking pictures in galleries, especially when I’ve got company as I had today, but in the light of yesterday’s post I couldn’t resist this:
It’s a plaster study by Alfred Stevens for a sculpture that would form part of the memorial to the Duke of Wellington in St Paul’s Cathedral. It’s called Truth and Falsehood (there is another called Valour and Cowardice).
In this work Truth tears out the double tongue of Falsehood and pushes aside the mask concealing his grotesque features. His serpent-tails are exposed beneath the drapery.
Another thing I was reminded of by today’s visit is the prominent role played in the early days of the Victoria & Albert Museum in South Kensington by the artist Frederic Leighton, who featured in a recent post.
In the Dark 
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