Archive for the R.I.P. Category

R.I.P. Sonny Rollins (1930-2026)

Posted in Jazz, R.I.P. with tags , , , , , , , , on May 26, 2026 by telescoper

I woke this morning to the sad news that the great tenor saxophonist Sonny Rollins passed away yesterday at the age of 95. He was one of the most influential and creative musicians of his time and there are many justifiably glowing obituaries of him. I can’t add much that hasn’t already been said by them, other than say that I consider myself deeply privileged to have been able see and hear Sonny Rollins play live, not once but twice, during the 1980s. The first was in the relatively intimate surroundings of Ronnie Scott’s club in London and the second in the Royal Festival Hall. On both occasions he was fantastic. Sonny Rollins was one of those musicians who made me think when I watched him that if you took the instrument out of his mouth it would somehow carry on playing on its own. At Ronnie Scott’s club he opened one set by starting to play in the band room, walking out through the audience onto the stage still playing and then about an hour later walked off back the way he came, still playing. The tune was Thelonious Monk’s 52nd Street Theme. He ended his set at the Festival Hall with an unstoppable version of Don’t Stop The Carnival that had everyone leaping about in the aisles. There was so much music in him it just had to come out. Was he playing the music or was it playing him?

Sonny Rollins began playing professionally when he was a teenager in the late 1940s but came to the attention of the jazz world in earnest when he teamed up with Miles Davis for a 1954 recording session that led to a record called Miles Davis with Sonny Rollins. (Coincidentally, today would have been Miles Davis’s 100th birthday). That record, originally issued on a 10″ LP, showcased Rollins’s big muscular sound on tenor sax, but also consisted of four tracks, three of which were compositions by Sonny Rollins, including a now-standard Oleo. That record was really Sonny’s breakthrough and he went on to record dozens of superb albums both as leader: A Night at the Village Vanguard, Saxophone Colossus, Newk’s Time, and Way Out West, to name just four. He also made many records as a side man, including the must-have album, Brilliant Corners with Thelonious Monk.

Having established himself as a major artist, Rollins suddenly took a three-year break from playing between 1959 to 1961 to develop his technique. Lacking space to practice in his apartment, he did so every day on the Williamsburg Bridge. When he returned to a recording studio in early 1962, the result was another classic album, The Bridge.

(Left: Sonny Rollins c. 1960)

Having established himself as a major artist, Rollins suddenly took a three-year break from playing between 1959 to 1961 to develop his technique. Lacking space to practice in his apartment, he did so every day on the Williamsburg Bridge. When he returned to a recording studio in early 1962, the result was another classic album, The Bridge.

In all he made over 60 albums, of which I have about a dozen. I’ll be listening to them a lot over the next few days and may post a few further items about them in due course.One thing I always liked about Sonny Rollins was his tendency to take a shine to very unexpected tunes and turn them into something magical. Off the top of my head I can think of The Surrey with the Fringe on Top, How are Things in Glocca Morra? and I’m an Old Cowhand.

It’s impossible to pick a single track than can do justice to Sonny Rollins so I’m just going to include a couple here. The first is the very first track I ever heard by him, on a Blue Note sampler album. It’s a Miles Davis tune called Tune Up and it’s from the 1957 Blue Note album Newk’s Time with Wynton Kelly (piano), Doug Watkins (bass), and Philly Joe Jones (drums). Perhaps listening to the energy and invention of his playing, delivered with that characteristically leathery tone then you’ will understand why I fell instantly in love with his music and wanted to hear more.

The second is one of my favourite records of all time. It’s called Hold’ Em Joe and it was recorded in 1965 with Ray Bryant (piano), Walter Booker (bass) and the fabulous Mickey Roker on drums:

As a sad footnote on this sad occasion, the passing of Sonny Rollins means that not one of the great musicians in this famous photograph A Great Day in Harlem, taken on August 12th 1958, is still with us:

Rest in Peace Sonny Rollins (1930-1954), Saxophone Colossus indeed.

R.I.P. Len Deighton (1929-2026)

Posted in Literature, R.I.P. with tags , , , on March 18, 2026 by telescoper

With all the excitement yesterday I missed the news that novelist Len Deighton had passed away (at the age of 97). I learnt from his obituary that he began his career as an illustrator and cartoonist, but he is far more famous as an excellent writer, especially of spy stories. The IPCRESS File (left) is one of my favourite novels in this genre.

It’s superbly written in a very down-to-earth fashion, and as a result far more credible than the more famous James Bond stories of Ian Fleming. In my opinion Deighton was a far better writer than Fleming. The IPCRESS File was in fact, Deighton’s first espionage novel, written in 1962, and the first appearance of Harry Palmer. Deighton was roughly contemporary with John le Carré though the characters of Harry Palmer and George Smiley could hardly be more different!

I found the copy shown above on my shelves and must read it again. Funeral in Berlin is another cracker, but I can’t find my copy. I probably lent it to someone and never got it back…

Rest in peace, Len Deighton (1929-2026)

Remembering David MacKay

Posted in R.I.P. with tags , on February 25, 2026 by telescoper

Approaching the 10th anniversary of the untimely death at the age of 48 of David MacKay, who was Regius Professor of Engineering at the University of Cambridge. I wrote about him at the time of his passing here. I’ve just been told about a one-day meeting in Cambridge on March 27th 2026 to remember David and his work and thought I would do a quick post to pass on a flier (below) about the meeting in case any readers of this blog would like to attend.

R.I.P. Yannick Mellier (1958-2025)

Posted in Euclid, R.I.P., The Universe and Stuff with tags , , , , on December 21, 2025 by telescoper

Last night I received a message via the Euclid Consortium conveying the very sad news of the death, at the age of 67, of the French astrophysicist and cosmologist Yannick Mellier (pictured left). Among many other things, Yannick was the Euclid Consortium Lead in which role he took on enormous responsibility for getting the project started and, with his team, keeping everything running. His loss is incalculable.

Yannick’s research work focussed on cosmology and the search for dark matter using gravitational lensing. Back in 1987 he was part of the observational team that discovered the first giant arc produced by strong gravitational lensing. He also did pioneering work in the field of weaking gravitational lensing with the Canada-France Hawaii Telescope in that regard starting back in 2000.

For well over a decade now Yannick had been involved with the European Space Agency’s Euclid mission. He was a major force right from the beginning, making the proposal, and after it was accepted leading the Consortium assembled to bring the project into being, preparing for launch, and dealing with the first data. The Euclid Consortium is a huge collaboration and it is impossible to overestimate the scale of the task facing the Lead. The first full data release (DR1) from Euclid will take place towards the end of next year (2026). It is sad beyong words that he did not live to see this.

During the period when I was Chair of the Euclid Consortium Diversity Committee I had a number of interactions with Yannick, sometimes dealing with difficult and confidential matters. I found him to be a man of great wisdom and sensitivity. Despite having many other things to deal with, including a long-term illness, he was unfailingly supportive and his advice was always sound.

The following is an excerpt from the message sent out yesterday:

Yannick’s death leaves a huge void within the consortium and our community. Those of us who have been here the longest know how hard he worked to make the Euclid project a success. He became its embodiment, working tirelessly to ensure its success; we owe him an immense debt of gratitude, and we will surely have the opportunity to reflect in detail on all that we owe him.

Indeed. I hope the Euclid Consortium – and the international cosmological community generally – will, at some stage, organize an appropriate tribute to Yannick.

Rest in Peace, Yannick Mellier (1958-2025)

Ar dheis Dé go raibh a anam

R.I.P. Patricia Routledge (1929-2025)

Posted in R.I.P., Television with tags , , , on October 3, 2025 by telescoper

Very sad news arrived today of the death at the age of 96 of the wonderful Patricia Routledge. I guess she is best known for her portrayal of Hyacinth Bucket of Keeping Up Appearances, but to me she will always be Kitty in Victoria Wood: As Seen on TV back in the 1980s. She did many other things besides, but here by way of a tribute is an example of Kitty holding forth as was her wont (although usually not in inebriated fashion). Cheadle just won’t be the same without her.

R.I.P. Patricia Routledge (1929-2025)

R.I.P. George F. Smoot (1945-2025)

Posted in Biographical, R.I.P., The Universe and Stuff with tags , , , , , , on September 26, 2025 by telescoper
George F. Smoot (1945-2025)

I’m very sad to have to report the death, at the age of 80, of eminent cosmologist George Smoot, who passed away at his home in Paris on 18th September. The news has been reported in France, where George had been living in recent years, but doesn’t seem to have been covered in the international media yet. I thought I would just record some personal relfections and reminiscences here, rather than try to pre-empt the official biographies.

George Smoot was an experimental astrophysicist who is best known for his research in observational cosmology, particularly on the cosmic microwave background. In 2006, jointly with John Mather, he was awarded the Nobel Prize for Physics for measurements made by the COBE satellite that, without exaggeration, ushered in a new era of cosmology. George led the paper Structure in the COBE Differential Microwave Radiometer First-Year Maps that reported the first detection of variations in temperature of the cosmic microwave background across the sky predicted by theories of cosmological structure formation.

I was fortunate enough to meet George many times over the years and to get to know him quite well. The first time was at a meeting in Durham for which this was the conference photo:

George is just to the left of centre in the front row with the red-and-white sweater.

What I remember about that meeting is that I gave a contributed talk there (a short one, because I was a mere postdoc at the time). Some time after that, George Smoot gave an invited talk during the course of which he mentioned (positively) the work I had spoken about. I was gobsmacked to have my little contribution recognized by someone so eminent, and it did wonders for my scientific self-confidence. I got the chance to have a conversation with George in person some time later at that meeting and found him very good value: he was both interesting and amusing to talk to. He was someone who took mentorship seriously, and didn’t confine it to those people he was working with directly.

Over the years I met George regularly at scientific meetings, including numerous times at the (then) Daniel Chalonge schools in Sicily and in Paris where we often chatted about science and other things over coffee breaks and dinner. I always found him hugely knowledgeable about many things, but he also had an almost child-like curiosity about things he didn’t previously know. He didn’t quite jump up and down with excitement when he learnt something interesting, but almost. He could also be very direct when disagreeing, which meant that some people found him a bit abrasive. He fell out with other members of the COBE time when he threw away the agreed protocol for the announcement of results in 1992. That caused a lot of bad feeling at the time, but it seems that by the time the Nobel Prize was awarded, some degree of reconciliation had been achieved. I was lucky enough to attend the Prize Ceremonies and at the ball afterwards chatted with both George and John Mather who seemed on very amiable terms then.

Anyway, in the early noughties George invited me to spend some time at the Lawrence Berkeley Laboratory, a visit that I enjoyed enormously. He was a very generous and thougtful host and I was looked after very well. One day at LBL he asked me if the hotel was OK. I replied that it was, but one thing I didn’t like about staying in a hotel was that I liked to cook and that was impossible in a hotel room. I thought nothing more of that conversation until the end of the day when George appeared and asked me if I wanted to “do dinner” at his house that evening. I answered in the affirmative so he drove me to his house, which was very fancy, set into the hillside overlooking Berkeley – like the sort of place I imagine a film star would live – and had a very large and well-provisioned kitchen.

It soon became clear that I’d misunderstood the invitation, in that “do dinner” didn’t mean “eat dinner” but “make dinner”. Although I was slightly taken aback I set about finding what he had in the refrigerator and on the shelves. There being a plentiful supply of spices, I decided to make a tandoori-style dish of chicken baked with yoghurt, with a couple of side dishes, none of which took long to cook. When everything was getting ready I wanted to add some lemon juice but couldn’t find any lemons in the fridge. I asked George if he had any lemons, at which point he showed me into the garden where he had several lemon trees in full fruit. I’ve never lived anywhere that this would be possible! I think he enjoyed the dinner because he paid me back a few days later with a dinner at Chez Panisse. He was quite the bon viveur.

(After that short visit, I was planning to spend a sabbatical year in Berkeley in 2005, but the United States Embassy in London put paid to that idea and I went to CITA in Toronto instead.)

The last encounters I had with George were online; he was in the audience when I gave talks in the Chalonge-de Vega series organized by Norma Sanchez in 2021 (here and here). I think he had already moved to Paris by that time. The first of these talks was about open access publishing in astrophysics; George subsequently co-authored a paper in the Open Journal of Astrophysics.

My favourite quote from George came during a discussion we had at Berkeley when I suggested that some methods used for studying the cosmic microwave background could be applied to the distribution of galaxies. His response was “Galaxies are shit”. To avoid offending my friends who work on galaxies, what he meant by that was that he thought galaxies were too messy for any statistical measurements to sufficiently reliable to compete with the CMB. I think he would have preferred a universe in which all galaxies were identical, like electrons.

I’m sure many others will have their own personal reflections on their interactions with George Smoot, but he also had a huge influence on many people who never met him personally, through his enormous contributions to astrophysics and cosmology. We will no doubt read many professionally-written official obituaries in days to come, but all I can say in a personal blog post is that he was a character, a very original thinker, a fine scientist, and a very nice man. Along with many others, I will miss him enormously.

Rest in Peace, George Fitzgerald Smoot III (1945-2025) .

Update: Here is an `In Memoriam’ piece from from the Berkeley Lab.

R.I.P. Tom Lehrer (1928-2025)

Posted in Music, R.I.P. with tags , on July 27, 2025 by telescoper

I just heard that the great musical satirist Tom Lehrer has passed away at the age of 97. I was trying to pick one of his songs to post as a tribute but I couldn’t decide which one to choose. I was going to go with “The Elements” but that would be lost on an audience of astronomers for whom there are only Hydrogen, Helium and Metals…

So instead of picking one tune I thought I’d share an entire concert of his, recorded in 1967 in Denmark, that contains no fewer than 17 of his songs including such favourites such “The Elements” and “The Vatican Rag” but also some less familiar numbers. There are even Danish subtitles to help you.

The Sixties were a hot time for satire, and it’s amazing how well some of Tom Lehrer’s songs stand up sixty years later, even today when satire is mostly impossible. Tom Lehrer”s irreverent, and sometimes rather dark, humour brought laughter into the lives of so many people.

It’s worth mentioning that, having decided  that he’d made quite enough money,  Tom Lehrer released all his songs into the public domain. Class.

R.I.P. Tom Lehrer (1928-2025)

Norman Tebbit: a Nation Mourns

Posted in Politics, R.I.P. on July 8, 2025 by telescoper

R.I.P. Lalo Schifrin (1932-2025)

Posted in Jazz, R.I.P. with tags , , on June 30, 2025 by telescoper

I’ve just caught up with the news of the death last week of composer, arranger and pianist Lalo Schifrin. He was 93. Most of the media coverage of his passing concentrates on his many excellent TV and movie scores, such as Mission Impossible*, Dirty Harry and Bullitt, but he was first and foremost a Jazz musician so I thought I’d pay tribute by posting a relatively early work by him.

Lalo Schifrin was a huge fan of trumpeter Dizzy Gillespie whom he met when Gillespie toured Schifrin’s home country of Argentina in 1956. This long piece, Gillespiana was written for Gillespie’s big band in 1958. You can here in it many of the musical ideas that Schifrin was later to include in his film scores. In 1960, Lalo Schifrin moved to York and joined Gillespie’s band as a pianist after the departure of Junior Mance. He only stayed with the band for a couple of years but together they made some great records, especially Dizzy on the French Riviera (which I have blogged about here).

Anyway, Gillespiana is suite in five movements (Prelude, Blues, Panamerica, Africana, and Toccata) that takes up an entire album that was released in 1960. It’s not so well known nowadays but I think it’s great. It gives ample opportunity not only to listen to Dizzy’s trumpet and Lalo Schifrin’s piano – as well as the enormously underrated alto saxophonist and flautist Leo Wright – but also to enjoy the wonderful arrangements.

*The original theme for Mission Impossible is written in 5/4 time. Not a lot of people know that the resulting rhythmic pattern (dash dash dot dot) is Morse code for the letters M I…

R.I.P. Edmund White (1940-2025)

Posted in Biographical, LGBTQ+, Literature, R.I.P. with tags , on June 6, 2025 by telescoper

I was saddened to hear of the death on Tuesday at the age of 85 of novelist Edmund White. Like many gay men of my age I read his semi-autobiographical novel A Boy’s Own Story as a teenager, and it had a profound effect on me.

It’s the story of an adolescent boy coming to terms with his sexuality in the American mid-West during the 1950s. It is as frank about the description of gay sex as it is truthful about the confusion that goes with being a teenager. When I bought it I didn’t realize it was going to be so sexually explicit, as the whole subject of gay sex was very much taboo in those days. I didn’t think it was possible to write about such things in such a matter-of-fact way and at the same time so beautifully. The book is also unflinching in its description of the personality flaws of the central character.

The Irish Times has a collection of reflections by various writers on Edmund White that say far more, and far more eloquently, than I ever could. I’ll just say, as a (now) sixty-something gay man that Edmund White helped me on my journey to self-acceptance when I was a struggling teenager all those years ago, and for that I will always be profoundly grateful.

Rest in peace, Edmund White (1940-2025).