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Various Portents

Posted in Poetry with tags , on March 18, 2010 by telescoper

I recently stumbled across a book of poetry by Alice Oswald, a name that was then quite new to me. Since then she’s quickly established herself as one of my absolute favourites, and I’ve acquired as many of her collections as I’ve been able to get my hands on.

Her verse is full of energy and vitality and she has an uncanny ability to make her words pull you along with them. Her favourite themes include many relating to the natural world, but she handles such material in a way that manages to be inspirational without being sentimental (or just plain vacuous). I recommend her brilliant third collection Woods etc particularly strongly.

I’ve taken this one, Various Portents, as an example. I first saw it on Jeanette Winterson’s blog. It’s a Christmas poem, so a bit out of season, but I love the playful way she mixes the lexicon of modern astronomy with the familiar language of the nativity scene. Superb.

Various stars. Various kings.
Various sunsets, signs, cursory insights.

Many minute attentions, many knowledgeable watchers,
Much cold, much overbearing darkness.

Various long midwinter Glooms.
Various Solitary and Terrible stars.
Many Frosty Nights, many previously Unseen Sky-flowers.
Many people setting out (some of them kings) all clutching at stars.

More than one North star, more than one South star.
Several billion elliptical galaxies, bubble nebulae, binary systems.
Various dust lanes, various routes through varying thickness of Dark,
Many tunnels into deep space, minds going back and forth.

Many visions, many digitally enhanced heavens,
All kinds of glistenings being gathered into telescopes:
Fireworks, gasworks, white-streaked works of Dusk,
Works of wonder and or water, snowflakes, stars of frost …

Various dazed astronomers dilating their eyes,
Various astronauts setting out into laughterless earthlessness,
Various 5,000-year-old moon maps,
Various blindmen feeling across the heavens in Braille.

Various gods making beautiful works in bronze,
Brooches, crowns, triangles, cups and chains,
Various crucifixes, all sorts of nightsky necklaces.
Many Wise Men remarking the irregular weather.

Many exile energies, many low-voiced followers,
Watchers of whisps of various glowing spindles,
Soothsayers, hunters in the High Country of the Zodiac,
Seafarers tossing, tied to a star…

Various people coming home (some of them kings). Various headlights.

Two or three children standing or sitting on the low wall.
Various winds, the Sea Wind, the sound-laden Winds of Evening
Blowing the stars towards them, bringing snow.

1 Comment »

To look at a star by glances..

Posted in Literature, The Universe and Stuff with tags , , , , , on March 9, 2010 by telescoper

I’ve blogged before about my love of classic detective stories and about the intriguing historical connections between astronomy and forensic science. However, I recently finished reading a book that gave me a few more items to hang on that line of thought so I thought I’d do a quick post about them today.

I picked up a copy of The Suspicions of Mr Whicher by Kate Summerscale when I saw it in a stack of discounted books in Tesco a few monthsa go. I thought it might be mildly diverting, so I bought it. It turned out to be a fascinating read. I won’t spoil it by telling too much about the story, but it is basically an investigation into the circumstances surrounding a real-life murder that happened on 30th June 1860. The case involved a truly shocking crime, the brutal slaying of a young boy, but it also offers great insights into the history of the Criminal Investigation Division (CID) of the Metropolitan Police, which was based at Scotland Yard from about 1842 onwards. Mr Jack Whicher was the Yard’s most celebrated detective at the time, but this crime went unsolved until, about five years later, the perpetrator walked into a police station and confessed to the murder.

In telling the story, Kate Summerscale touches on a lot of fascinating social history. For example, I had never realised that in the early days of the CID people were strongly opposed to the idea that plain clothes policemen might be snooping about so all detectives were required to wear their uniforms even when off duty! It’s also fascinating to note that the rise of the true-life detective coincided with the rise of the detective story in popular fiction.

Edgar Allan Poe’s short story The Murders in the Rue Morgue, generally accepted to have been the first real detective story, was first published in 1841. Even in this first example of the genre, we find a clear parallel being drawn with astronomy by the detective Dupin:

Thus there is such a thing as being too profound. Truth is not always in a well. In fact, as regards the more important knowledge, I do believe that she is invariably superficial. The depth lies in the valleys where we seek her, and not upon the mountain-tops where she is found. The modes and sources of this kind of error are well typified in the contemplation of the heavenly bodies. To look at a star by glances–to view it in a side-long way, by turning toward it the exterior portions of the retina (more susceptible of feeble impressions of light than the interior), is to behold the star distinctly–is to have the best appreciation of its lustre–a lustre which grows dim just in proportion as we turn our vision fully upon it. A greater number of rays actually fall upon the eye in the latter case, but in the former, there is the more refined capacity for comprehension. By undue profundity we perplex and enfeeble thought; and it is possible to make even Venus herself vanish from the firmament by a scrutiny too sustained, too concentrated, or too direct.

No less a figure than Charles Dickens also had thoughts along these lines. In 1850 in a short article called A Detective House Party, he compared detectives with the astronomers Urbain Leverrier and John Couch Adams who in 1846 had simultaneously discovered the planet Neptune. Dickens died in 1870 leaving his own detective story The Mystery of Edwin Drood still unfinished but his good friend Wilkie Collins did a great deal to establish the literary genre of detective fiction with The Moonstone and The Woman in White. Indeed, in the mid-19th Century the idea of detection seems to have imprinted itself on fields as diverse as natural history and journalism as well as astronomy.

The point that strikes me is that astronomy and criminal investigations are primarily observational rather than experimental. One has one Universe and one scene of the crime. In both disciplines the task is to reconstruct what happened from what is seen and what is not.

The detective instinct, brightened by genius, marked unerringly the place of that missing planet which no eye had seen, and whose only register was found in the calculations of astronomy.

I use metaphors like this quite often in popular lectures, and they seem to go down quite well. On the other hand, I’ve often had my leg pulled for admitting to watching TV programmes like CSI: Crime Scene Investigation. Admittedly, the characterisation is very weak and the plots often ridiculously far-fetched. However, these stories do at least attempt to portray something of what the scientific method is about. And that’s something that not many so-called science programmes bother to do these days.

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Two Poems for March

Posted in Poetry with tags , , on March 8, 2010 by telescoper

Just time to post a couple of poems today, both of them to do with the month of March. I posted my absolute favourite poem about March around this time last year.

This is one by A.E. Housman, and is taken from his collection A Shropshire Lad.

The sun at noon to higher air,
Unharnessing the silver Pair
That late before his chariot swam,
Rides on the gold wool of the Ram.

So braver notes the storm-cock sings
To start the rusted wheel of things,
And brutes in field and brutes in pen
Leap that the world goes round again.

The boys are up the woods with day
To fetch the daffodils away,
And home at noonday from the hills
They bring no dearth of daffodils.

Afield for palms the girls repair,
And sure enough the palms are there,
And each will find by hedge or pond
Her waving silver-tufted wand.

In farm and field through all the shire
The eye beholds the heart’s desire;
Ah, let not only mine be vain,
For lovers should be loved again.

And the second is by Emily Dickinson

Dear March, come in!
How glad I am!
I looked for you before.
Put down your hat–
You must have walked–
How out of breath you are!
Dear March, how are you?
And the rest?
Did you leave Nature well?
Oh, March, come right upstairs with me,
I have so much to tell!

I got your letter, and the birds’;
The maples never knew
That you were coming,–I declare,
How red their faces grew!
But, March, forgive me–
And all those hills
You left for me to hue;
There was no purple suitable,
You took it all with you.

Who knocks? That April!
Lock the door!
I will not be pursued!
He stayed away a year, to call
When I am occupied.
But trifles look so trivial
As soon as you have come,
That blame is just as dear as praise
And praise as mere as blame.

8 Comments »

A Poem for St David’s Day

Posted in Poetry with tags , , on March 1, 2010 by telescoper

Today is St David’s Day, and it seems apt to celebrate it with a poem by Dylan Thomas. I’ve loved this particular one since I first heard it when I was a student many years ago. I say “heard it” rather than “read it” because it was through buying a tape of the man himself reading his poems that got me hooked. Fern Hill reflects about the passage of time, the loss of childhood happiness and the inevitability of death but its mood is defiant rather than gloomy. It’s full of vibrant imagery, but it’s also written with a wonderful feeling for the natural rhythms and cadences of the English language. You can listen to Dylan Thomas reading this exactly as if it were music.

 Fern Hill

Now as I was young and easy under the apple boughs
     About the lilting house and happy as the grass was green,
       The night above the dingle starry,
         Time let me hail and climb
       Golden in the heydays of his eyes,
     And honoured among wagons I was prince of the apple towns
     And once below a time I lordly had the trees and leaves
         Trail with daisies and barley
       Down the rivers of the windfall light.

     And as I was green and carefree, famous among the barns
     About the happy yard and singing as the farm was home,
       In the sun that is young once only,
         Time let me play and be
       Golden in the mercy of his means,
     And green and golden I was huntsman and herdsman, the calves
     Sang to my horn, the foxes on the hills barked clear and cold,
         And the sabbath rang slowly
       In the pebbles of the holy streams.

     All the sun long it was running, it was lovely, the hay
     Fields high as the house, the tunes from the chimneys, it was air
       And playing, lovely and watery
         And fire green as grass.
       And nightly under the simple stars
     As I rode to sleep the owls were bearing the farm away,
     All the moon long I heard, blessed among stables, the nightjars
       Flying with the ricks, and the horses
         Flashing into the dark.

     And then to awake, and the farm, like a wanderer white
     With the dew, come back, the cock on his shoulder: it was all
       Shining, it was Adam and maiden,
         The sky gathered again
       And the sun grew round that very day.
     So it must have been after the birth of the simple light
     In the first, spinning place, the spellbound horses walking warm
       Out of the whinnying green stable
         On to the fields of praise.

     And honoured among foxes and pheasants by the gay house
     Under the new made clouds and happy as the heart was long,
       In the sun born over and over,
         I ran my heedless ways,
       My wishes raced through the house high hay
     And nothing I cared, at my sky blue trades, that time allows
     In all his tuneful turning so few and such morning songs
       Before the children green and golden
         Follow him out of grace.

     Nothing I cared, in the lamb white days, that time would take me
     Up to the swallow thronged loft by the shadow of my hand,
       In the moon that is always rising,
         Nor that riding to sleep
       I should hear him fly with the high fields
     And wake to the farm forever fled from the childless land.
     Oh as I was young and easy in the mercy of his means,
         Time held me green and dying
       Though I sang in my chains like the sea.

2 Comments »

Eidolons

Posted in Poetry, The Universe and Stuff with tags , , on February 17, 2010 by telescoper

Off early this morning, as I have to travel to the frozen North to give a seminar in a foreign land. Time, therefore, to pad this blog thing out with another poem. I haven’t posted much by Walt Whitman so now seems like a good time to correct the omission. This is called Eidolons, and it’s taken from Whitman’s famous and, at the time of its publication, controversial, collection of poems Leaves of Grass.

The word itself is from the Greek ειδωλον, meaning an image, spectre or phantom and, according to the Oxford English Dictionary (which Whitman would of course not have been using), it can have the additional meanings in English of a “mental image” or an “insubstantial appearance”, a “false image or fallacy”. It  also has the meaning of “an image of an idealised person or thing”, and is thus the origin of the word Idol.

Eidolons is written in Whitman’s characteristic free verse style, with a broad sweep and strong cadences which really should be read out loud rather than silently on the page.

I’ve heard it said that this poem is anti-scientific. I suppose it is, in some respects, but only if you think that science is capable of telling us everything there is to know about the Universe. I don’t think of science like that, so I don’t see this poem as anti-scientific. It celebrates world beyond that which we perceive directly and that which our minds comprehend. Our representations of true reality are eidolons because they are incomplete and imperfect and not, I think, because they are mere fallacies. Whitman is not saying science is wrong, just that it only gives us part of the picture.

Anyway, that’s why I think. Read for yourself and see what you think. But whether or not it is anti-science it is definitely about science. The references to professors, stars, spectroscopes and the like are all clear. He even seems to be having a pre-emptive dig at the multiverse theory!

I met a seer,
Passing the hues and objects of the world,
The fields of art and learning, pleasure, sense,
To glean eidolons.

Put in thy chants said he,
No more the puzzling hour nor day, nor segments, parts, put in,
Put first before the rest as light for all and entrance-song of all,
That of eidolons.

Ever the dim beginning,
Ever the growth, the rounding of the circle,
Ever the summit and the merge at last, (to surely start again,)
Eidolons! eidolons!

Ever the mutable,
Ever materials, changing, crumbling, re-cohering,
Ever the ateliers, the factories divine,
Issuing eidolons.

Lo, I or you,
Or woman, man, or state, known or unknown,
We seeming solid wealth, strength, beauty build,
But really build eidolons.

The ostent evanescent,
The substance of an artist’s mood or savan’s studies long,
Or warrior’s, martyr’s, hero’s toils,
To fashion his eidolon.

Of every human life,
(The units gather’d, posted, not a thought, emotion, deed, left out,)
The whole or large or small summ’d, added up,
In its eidolon.

The old, old urge,
Based on the ancient pinnacles, lo, newer, higher pinnacles,
From science and the modern still impell’d,
The old, old urge, eidolons.

The present now and here,
America’s busy, teeming, intricate whirl,
Of aggregate and segregate for only thence releasing,
To-day’s eidolons.

These with the past,
Of vanish’d lands, of all the reigns of kings across the sea,
Old conquerors, old campaigns, old sailors’ voyages,
Joining eidolons.

Densities, growth, facades,
Strata of mountains, soils, rocks, giant trees,
Far-born, far-dying, living long, to leave,
Eidolons everlasting.

Exalte, rapt, ecstatic,
The visible but their womb of birth,
Of orbic tendencies to shape and shape and shape,
The mighty earth-eidolon.

All space, all time,
(The stars, the terrible perturbations of the suns,
Swelling, collapsing, ending, serving their longer, shorter use,)
Fill’d with eidolons only.

The noiseless myriads,
The infinite oceans where the rivers empty,
The separate countless free identities, like eyesight,
The true realities, eidolons.

Not this the world,
Nor these the universes, they the universes,
Purport and end, ever the permanent life of life,
Eidolons, eidolons.

Beyond thy lectures learn’d professor,
Beyond thy telescope or spectroscope observer keen, beyond all mathematics,
Beyond the doctor’s surgery, anatomy, beyond the chemist with his chemistry,
The entities of entities, eidolons.

Unfix’d yet fix’d,
Ever shall be, ever have been and are,
Sweeping the present to the infinite future,
Eidolons, eidolons, eidolons.

The prophet and the bard,
Shall yet maintain themselves, in higher stages yet,
Shall mediate to the Modern, to Democracy, interpret yet to them,
God and eidolons.

And thee my soul,
Joys, ceaseless exercises, exaltations,
Thy yearning amply fed at last, prepared to meet,
Thy mates, eidolons.

Thy body permanent,
The body lurking there within thy body,
The only purport of the form thou art, the real I myself,
An image, an eidolon.

Thy very songs not in thy songs,
No special strains to sing, none for itself,
But from the whole resulting, rising at last and floating,
A round full-orb’d eidolon.

9 Comments »

Of the Last Verses in the Book

Posted in Biographical, Columbo, Poetry with tags , , , on February 5, 2010 by telescoper

I was having some quality Columbo time last night, giving my old moggy a good going-over with his favourite brush while watching a DVD featuring the detective with the  same name. Columbo (the cat) loves being brushed with a metal brush, especially on his head and his face. If I stop he grabs hold of it and pulls it back onto his muzzle as if to say “All right then, I’ll do it myself.” He likes such a firm application of the brush that it seems incredible to me that it doesn’t hurt him, but he clearly enjoys it,  so what the hell…

When I’d finished he looked even more handsome than usual, but as he sat next to me on the sofa I reflected on the fact that he is starting to show his age a bit especially around the face – possibly owing to his penchant for the brush! Nowadays his purring sounds more like snoring, his kittenish moments are rarer and crotchety episodes a bit more common. He also gets stiffness in his legs from time to time, which the vet attributes to rheumatism and, although it doesn’t cause him actual pain, this problem  makes him a lot less active than he used to be.  Still, he has a right to take things easy. He’ll be 16 next month, which is quite a venerable age for a Tom cat.

I’ve been feeling pretty old myself this week,  probably caused by fatigue associated with the onset of lecturing. All that walking up and down and waving your arms about can be quite tiring, I can tell you. Not sleeping much might have something to do with it too. I’m also feeling miserable because I  need new spectacles,  another sign of ongoing physical deterioration.  I’ve got less excuse for feeling my age than Columbo, however, as I’m only 46. I think that’s only about 6 in cat years!

However, getting older definitely has its good points too.  Twenty years ago I would never have envisaged myself sitting at home reading dusty old poetry books rather than going out to some sleazy nightclub, but the cardigan, carpet slippers and Columbo are suiting me just fine these days. Next week I’m going to go wild and have a night at the Opera, something that always makes me feel young. I may be no chicken, but I’m still younger than the average  opera-goer!

I haven’t posted any poems for a few days, so here’s one that seems to fit. It’s by a relatively obscure poet and politician called Edmund Waller. The wikipedia page about him isn’t very complimetary about his talents as a poet, but he is at least credited with having pioneered the use of heroic couplets in English verse. His biography is interesting too. He narrowly escaped being executed in 1643, during the English Civil War,  and was instead imprisoned in the Tower of London. He was only released after paying a fine of £10,000 – a truly enormous amount of money for the time. Although banished on his release, he subsequently returned to politics and lived to the ripe old age of 81.

Although his poetry is very unfashionable, this one is quite well known and – I think – rather marvellous, especially the last verse which puts me in mind of the lines from Leonard Cohen‘s great song Anthem:

There is a crack in everything
That’s how the light gets in.

The poem is called Of the Last Verses in the Book.

When we for age could neither read nor write,
The subject made us able to indite.
The soul, with nobler resolutions deckt,
The body stooping, does herself erect:
No mortal parts are requisite to raise
Her, that unbodied can her Maker praise.

The seas are quiet, when the winds give o’er,
So calm are we, when passions are no more:
For then we know how vain it was to boast
Of fleeting things, so certain to be lost.
Clouds of affection from our younger eyes
Conceal that emptiness, which age descries.

The soul’s dark cottage, batter’d and decay’d,
Lets in new light through chinks that time has made;
Stronger by weakness, wiser men become
As they draw near to their eternal home:
Leaving the old, both worlds at once they view,
That stand upon the threshold of the new

(And, please, no jokes about “cottages”….)

16 Comments »

The World

Posted in Poetry, The Universe and Stuff with tags , , on January 28, 2010 by telescoper

The  poet Henry Vaughan was born in Trenewydd (Newton), near Brecon, in Wales, in 1622 and lived most of his life not far from there in the small village of Llansantffraed, where he also practised as a physician. He died in 1695. His twin brother Thomas Vaughan was a noted philosopher (and alchemist), so theirs was clearly an interesting family! Henry Vaughan followed in the footsteps of another famous Welsh metaphysical poet, George Herbert, although literary experts seem to argue about their relative merits, as literary experts are wont to do…

I’ve recently developed a bit of a thing for English (and Welsh) metaphysical poets and have included a few examples on here, partly because they are totally new to me and might therefore be new to people reading this blog, and partly because they often deal with grand themes about the Universe which gives me an excuse to include them on what I sometimes pretend is a science blog.

Like many of his ilk (including Thomas Traherne, who I’ve blogged about before) Henry Vaughan wasn’t particularly celebrated in his lifetime but he was increasingly appreciated after his death;  William Wordsworth acknowledged him as a major influence, for example. Recurring themes in Vaughan’s poems – like those of Wordsworth – are the loss of childhood innocence and a love for Nature. I’ve picked one of his most famous works as an example. It doesn’t have as strong an astronomical connection as some others, but the opening lines are so beautiful I hope you won’t mind!

The World

I saw Eternity the other night
Like a great Ring of pure and endless light
All calm as it was bright;
And round beneath it, Time, in hours, days, years,
Driven by the spheres,
Like a vast shadow moved, in which the world
And all her train were hurled.
The doting Lover in his quaintest strain
Did there complain;
Near him, his lute, his fancy, and his flights,
Wit’s sour delights;
With gloves and knots, the silly snares of pleasure;
Yet his dear treasure
All scattered lay, while he his eyes did pour
Upon a flower.

The darksome Statesman hung with weights and woe,
Like a thick midnight fog, moved there so slow
He did nor stay nor go;
Condemning thoughts, like sad eclipses, scowl
Upon his soul,
And clouds of crying witnesses without
Pursued him with one shout.
Yet digged the mole, and, lest his ways be found,
Worked under ground,
Where he did clutch his prey; but One did see
That policy.
Churches and altars fed him, perjuries
Were gnats and flies;
It rained about him blood and tears, but he
Drank them as free.

The fearful Miser on a heap of rust
Sat pining all his life there, did scarce trust
His own hands with the dust;
Yet would not place one piece above, but lives
In fear of thieves.
Thousands there were as frantic as himself,
And hugged each one his pelf.
The downright Epicure placed heaven in sense
And scorned pretence;
While others, slipped into a wide excess,
Said little less;
The weaker sort, slight, trivial wares enslave,
Who think them brave;
And poor despisèd Truth sat counting by
Their victory.

Yet some, who all this while did weep and sing,
And sing and weep, soared up into the Ring;
But most would use no wing.
‘Oh, fools,’ said I, ‘thus to prefer dark night
Before true light,
To live in grots and caves, and hate the day
Because it shows the way,
The way which from this dead and dark abode
Leaps up to God,
A way where you might tread the sun, and be
More bright than he.’
But as I did their madness so discuss,
One whispered thus,
This Ring the Bridegroom did for none provide
But for his Bride.

5 Comments »

There’s a certain slant of light

Posted in Poetry with tags , on January 18, 2010 by telescoper

Once again I haven’t had time to put together anything of much significance for the old blog today so, as usual when this happens, I’ll cheat by posting a poem. I picked this one for its wintry and appropriately melancholic theme; it is by the great American poet Emily Dickinson. I bought a collection of her poems in a very cheap edition in a bookshop in the States many years ago, but have never really managed to figure many of them out. I gather she features much more regularly in Eng. Lit. classes on the other side of the Atlantic than over here in Britain, and its probably my foreigner status that makes me find her poems so difficult.

This a very famous example of her work. At one level it expresses the unsettling effect that changes in light can have on the human psyche, but that’s just the start. The deeper meanings elude me, except that it is probably to do with the poet’s uncomfortable relationship with organized religion.  At least when she was young,  Emily Dickinson was a devotee of the Transcendentalist movement, which saw human experience, Nature and God as aspects of a transcendent unity. The  view expressed in this poem is certainly nothing like that. This is a fractured, lonely world where Nature and God are both alien and oppressive influences.

The strange use of punctuation and capitalization is also very typical.

There’s a certain Slant of light,
Winter Afternoons —
That oppresses, like the Heft
Of Cathedral Tunes —

Heavenly Hurt, it gives us —
We can find no scar,
But internal difference,
Where the Meanings, are —

None may teach it — Any —
‘Tis the Seal Despair —
An imperial affliction
Sent us of the Air —

When it comes, the Landscape listens —
Shadows — hold their breath —
When it goes, ’tis like the Distance
On the look of Death —

24 Comments »

From Sunset to Star Rise

Posted in Poetry with tags , , on January 11, 2010 by telescoper

It was just a last-minute thought to borrow the title for a recent post from a poem by Christina Rossetti, but since doing that I’ve been thinking I should perhaps post something a bit more appropriate to the greatest female poet in England before the 20th Century. Christina Rossetti was both prolific and popular, but suffered long periods of depression and ill-health and cultivated a reclusive image until she died in 1894. Her reputation suffered after her death, and the arrival of modernism, as she was considered old-fashioned and sentimental but more recently her work has become much more widely appreciated. Much of her poetry is devotional – she was a committed and pious Anglican – and some was written especially for children. However, her love poems are often  highly erotic and somtimes express desire for women as well as men. She made a virtue of ambiguity in many aspects of her work, in fact. Other recurring themes are loneliness, loss and unattainable hope.

I bought an edition of her Selected Poems for £1 in the closing down sale at Borders bookshop just before Christmas, thinking I wouldn’t really like them, but I was taken aback by their range and complexity. I especially recommend Goblin Market, one of her best-known poems and also one of her strangest. I thought it was a bit long to put on here, however, so here’s a less well-known one, not so much because it has a vaguely astronomical title, but because its wintry theme beautifully expresses a sense of love of solitude tinged with regret.

Go from me, summer friends, and tarry not:
I am no summer friend, but wintry cold,
A silly sheep benighted from the fold,
A sluggard with a thorn-choked garden plot.
Take counsel, sever from my lot your lot,
Dwell in your pleasant places, hoard your gold;
Lest you with me should shiver on the wold,
Athirst and hungering on a barren spot.
For I have hedged me with a thorny hedge,
I live alone, I look to die alone:
Yet sometimes, when a wind sighs through the sedge,
Ghosts of my buried years, and friends come back,
My heart goes sighing after swallows flown
On sometime summer’s unreturning track.

2 Comments »

In the Bleak Midwinter

Posted in Biographical, Cricket, Poetry, Science Politics with tags , , , , , , on January 9, 2010 by telescoper

Apologies for my posts being a bit thin lately. It turned out to be quite a strange week, as I’ll explain in due course, but I thought I’d take the opportunity now to catch up a little bit. I apologize in advance for the rambling nature of this contribution, but if you read this blog regularly you’ll be used to that.

We’re all now back at work after the Christmas break, but this was always going to be an unusual week because it’s the last one before the mid-year examinations start. During this time there are revision lectures, but the timetable isn’t as full as in term-time proper, so  it’s more like a half-way house than a genuine return to full-time work. Although I’m always glad not to be thrown into full-time teaching or examination marking straight away after the break, I always find this hiatus slightly disorienting.

This year things are even stranger than usual because, after largely escaping the bad weather that has affected the rest of the country since before Christmas, snow and ice finally arrived with a vengeance in Cardiff on Tuesday night. It wasn’t too bad where I live, quite near the city centre, but a lot of snow fell up in rural areas, especially up in the valleys, with the result that quite a few members of staff couldn’t make it into work.

Talking of the weather gives me the excuse to include this absolutely beautiful picture of snow-bound Britain taken by NASA’s Earth Observatory satellite:

The problem wasn’t so much the snow itself, but the fact that the temperature dropped steeply soon after it fell leaving roads and pavements coated with sheets of ice. My regular refuse collection, scheduled for Wednesday, didn’t happen because the trucks couldn’t make it through the treacherous conditions, and buses and trains were severely disrupted. I think there’s been a similar picture across most of the United Kingdom.

Incidentally, the well-known Christmas carol from which I took the title of this post began life as a poem by Christina Rossetti, the first verse of which goes

In the bleak mid-winter
Frosty wind made moan,
Earth stood hard as iron,
Water like a stone;
Snow had fallen, snow on snow,
Snow on snow,
In the bleak mid-winter
Long ago.

I don’t know why but, as the snow was falling heavily in the early hours of Wednesday morning, I woke up with terrible stomach pains, so bad that they kept me awake all night. I assume that this was some sort of belated reaction to yuletide over- indulgence rather than anything more serious because the discomfort eventually died away and I was left with mere exhaustion after losing a whole night’s sleep. Rather than risk walking in through the snow, I retreated to bed and slept most of Wednesday although I didn’t eat or drink anything the whole day.

Columbo kept me good company during this unpleasant episode. Usually if we’re in the house at the same time he sometimes stays by my side, but he’s at other times quite happy to potter around, or sleep on his own in  a place of his choosing.  I think he knew something wasn’t right, because he never left me alone all day which is quite unusual. Alternatively, he may just have found it warmer being next to me than elsewhere. Who knows?

My guts apparently having recovered, I went into the department on Thursday for a busy day of project interviews. These are held half-way through the third year in order to assess the students progress on their projects. In between the interviews I was trying to keep up with progress on the last day of the test match between South Africa and England taking place in Cape Town, where the weather was somewhat different to Cardiff. The match had been coming to the boil, eventually ending in a draw as England’s last pair once again staved off what looked likely to be a defeat. Shades of Monty last summer! Although it was clearly a gripping finale, I’m glad in a way that I didn’t get to follow it more closely. I always get an uneasy churning feeling in my stomach during tense passages of play, and after what had happened the day before I think that was best avoided.

Yesterday (Friday) was the date of the January meeting of the Royal Astronomical Society in London, and I decided to show my faith in the public transport system by making the round trip to London.  No-one can accuse me of having lost my spirit of adventure! Some trains had been cancelled, but those still running seemed to be on time and I thought the odds weren’t too bad.

The specialist Discussion Meeting featured a programme dedicated to the legacy of XMM, a highly successful X-ray satellite that has just had its funding axed by STFC. Later on, during the Ordinary Meeting there was an interesting talk by Alan Fitzsimmons about the impact of a small asteroid with the Earth that took place in October 2008,  and Matt Griffin presented some of the stunning new results from Herschel. RAS Discussion meetings are always held on the 2nd Friday of the month. Astronomical historian Alan Chapman reminded the Society that the corresponding meeting 80 years ago, on 10th January 1930,  was an important event in the development of the theory of the expanding universe.

Fully recovered from my tummy problems, I rounded the week off with a trip to the RAS Club for a nice dinner at the Athenaeum. Turnout was a bit lower than usual, presumably because of the inclement weather. This was the so-called Parish Meeting, at which various items of Club business are carried out, including the election of new members and Club officers. Professor Donald Lynden-Bell recently announced his retirement from the position of President and this was his last occasion in the Chair; the resulting Presidential Election was a close-run affair won by Professor Dame Carole Jordan. The election of new members is an archaic and slightly dotty process which always leaves me wondering how I managed to get elected myself. At one point during these proceedings the Club finds itself to be “without Officers”,  whereupon the most junior member (by length of membership rather than age) suddenly becomes important. On this occasion, this turned out to be me but since I didn’t know what I was supposed to do, I fluffed it. If I’d known I might have seized the opportunity to stage a coup d’etat. Other than this, it seemed to go off without any major hitches and eventually we dispersed into the freezing night to make our ways home.

As usual on Club nights I took the 10.45pm train from Paddington to Cardiff. In the prevailing meteorological circumstances I was a bit nervous about getting home, but my fears were groundless. The train was warm and, with Ipod, Guardian and Private Eye crosswords, and the last 100 pages of a novel to occupy me, the journey was remarkably pleasant. We got to Cardiff 4 minutes ahead of schedule.

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