Archive for the Poetry Category

Light, I know, treads the ten million stars

Posted in Poetry, The Universe and Stuff with tags , on January 22, 2018 by telescoper

Light, I know, treads the ten million stars,
And blooms in the Hesperides. Light stirs
Out of the heavenly sea onto the moon’s shores.
Such light shall not illuminate my fears
And catch a turnip ghost in every cranny.
I have been frightened of the dark for years.
When the sun falls and the moon stares,
My heart hurls from my side and tears
Drip from my open eyes as honey
Drips from the humming darkness of the hive.
I am a timid child when light is dead.
Unless I learn the night I shall go mad.
It is night’s terrors I must learn to love,
Or pray for day to some attentive god
Who on his cloud hears all my wishes,
Hears and refuses.
Light walks the sky, leaving no print,
And there is always day, the shining of some sun,
In those high globes I cannot count,
And some shine for a second and are gone,
Leaving no print.
But lunar night will not glow in my blackness,
Make bright its corners where a skeleton
Sits back and smiles, A tiny corpse
Turns to the roof a hideous grimace,
Or mice play with an ivory tooth.
Stars’ light and sun’s light will not shine
As clearly as the light of my own brain,
Will only dim life, and light death.
I must learn night’s light or go mad.

by Dylan Thomas (1914-1953)

Two hundred years of Ozymandias

Posted in Poetry with tags , , , on January 11, 2018 by telescoper

The sonnet Ozymandias by Percy Bysshe Shelley is so famous that it really needs no introduction, especially because I’ve posted it before, but I couldn’t help marking the fact that it was first published in the to the literary magazine The Examiner exactly two hundred years ago today, on January 11th  1818:

 

Here’s the poem in more legible form:

I met a traveller from an antique land
Who said: “Two vast and trunkless legs of stone
Stand in the desert. Near them on the sand,
Half sunk, a shattered visage lies, whose frown
And wrinkled lip and sneer of cold command
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them and the heart that fed.
And on the pedestal these words appear:
`My name is Ozymandias, King of Kings:
Look on my works, ye mighty, and despair!’
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare,
The lone and level sands stretch far away”.

What you may not know, however, is that Shelley’s poem was one of a pair with the same title on the same theme; the  other, composed by Shelley’s friend Horace Smith, appeared about three weeks later on February 1st 2018. The two friends had written their poems as a sort of competition. Here’s the other Ozymandias:

In Egypt’s sandy silence, all alone,
Stands a gigantic Leg, which far off throws
The only shadow that the Desert knows.
“I am great Ozymandias,” saith the stone,
“The King of kings: this mighty city shows
The wonders of my hand.” The city’s gone!
Naught but the leg remaining to disclose
The sight of that forgotten Babylon.
We wonder, and some hunter may express
Wonder like ours, when through the wilderness
Where London stood, holding the wolf in chase,
He meets some fragment huge, and stops to guess
What wonderful, but unrecorded, race
Once dwelt in that annihilated place.

 

Hamiltonian Poetry

Posted in Poetry, The Universe and Stuff with tags , , , , , , on January 8, 2018 by telescoper

I posted a couple of items last week inspired by thoughts of the mathematician William Rowan Hamilton. Another thing I thought I might mention about Hamilton is that he also wrote poetry, and since both science and poetry feature quite regularly on this blog I thought I’d share an example.

In fact during the `Romantic Era‘ (in which Hamilton lived) many scientists wrote poetry related either to their work or to nature generally. One of the most accomplished of these scientist-poets was chemist and inventor Humphry Davy who, inspired by his friendship with the poets Wordsworth and Coleridge, wrote poems throughout his life. Others to do likewise were: physician Erasmus Darwin; and astronomer William Herschel (who was also a noted musician and composer),

William Rowan Hamilton interests me because seems to have been a very colourful character as well as a superb mathematician, and because his work relates directly to physics and is still widely used today. Interestingly, he was a very close friend of William Wordsworth, to whom he often sent poems with requests for comments and feedback. In the subsequent correspondence, Wordsworth was usually not very complimentary, even to the extent of telling Hamilton to stick to his day job (or words to that effect). What I didn’t know was that Hamilton regarded himself as a poet first and a mathematician second. That just goes to show you shouldn’t necessarily trust a man’s judgement when he applies it to himself.

Here’s an example of Hamilton’s verse – a poem written to honour Joseph Fourier, another scientist whose work is still widely used today:

Hamilton-for Fourier

If that’s one of his better poems, then I think Wordsworth may have had a point!

The serious thing that strikes me is not the quality of the verse, but how many scientists of the 19th Century, Hamilton included, saw their scientific interrogation of Nature as a manifestation of the human condition just as the romantic poets saw their artistic contemplation. It is often argued that romanticism is responsible for the rise of antiscience. I’m not really qualified to comment on that but I don’t see any conflict at all between science and romanticism. I certainly don’t see Wordsworth’s poetry as anti-scientific. I just find it inspirational:

I HAVE seen
A curious child, who dwelt upon a tract
Of inland ground, applying to his ear
The convolutions of a smooth-lipped shell;
To which, in silence hushed, his very soul
Listened intensely; and his countenance soon
Brightened with joy; for from within were heard
Murmurings, whereby the monitor expressed
Mysterious union with its native sea.
Even such a shell the universe itself
Is to the ear of Faith; and there are times,
I doubt not, when to you it doth impart
Authentic tidings of invisible things;
Of ebb and flow, and ever-during power;
And central peace, subsisting at the heart
Of endless agitation.

Love in the Asylum

Posted in Poetry with tags , , on January 2, 2018 by telescoper

A stranger has come
To share my room in the house not right in the head,
A girl mad as birds

Bolting the night of the door with her arm her plume.
Strait in the mazed bed
She deludes the heaven-proof house with entering clouds

Yet she deludes with walking the nightmarish room,
At large as the dead,
Or rides the imagined oceans of the male wards.

She has come possessed
Who admits the delusive light through the bouncing wall,
Possessed by the skies

She sleeps in the narrow trough yet she walks the dust
Yet raves at her will
On the madhouse boards worn thin by my walking tears.

And taken by light in her arms at long and dear last
I may without fail
Suffer the first vision that set fire to the stars.

by Dylan Thomas (1914-1953)

The Moon and the Yew Tree

Posted in Poetry with tags , on December 3, 2017 by telescoper

This is the light of the mind, cold and planetary.
The trees of the mind are black. The light is blue.
The grasses unload their griefs at my feet as if I were God,
Prickling my ankles and murmuring of their humility.
Fumy spiritous mists inhabit this place
Separated from my house by a row of headstones.
I simply cannot see where there is to get to.

The moon is no door. It is a face in its own right,
White as a knuckle and terribly upset.
It drags the sea after it like a dark crime; it is quiet
With the O-gape of complete despair. I live here.
Twice on Sunday, the bells startle the sky –
Eight great tongues affirming the Resurrection.
At the end, they soberly bong out their names.

The yew tree points up. It has a Gothic shape.
The eyes lift after it and find the moon.
The moon is my mother. She is not sweet like Mary.
Her blue garments unloose small bats and owls.
How I would like to believe in tenderness –
The face of the effigy, gentled by candles,
Bending, on me in particular, its mild eyes.

I have fallen a long way. Clouds are flowering
Blue and mystical over the face of the stars.
Inside the church, the saints will be all blue,
Floating on their delicate feet over cold pews,
Their hands and faces stiff with holiness.
The moon sees nothing of this. She is bald and wild.
And the message of the yew tree is blackness – blackness and silence.

by Sylvia Plath (1932-1963)

Gravity begins at home

Posted in Music, Poetry with tags , , on November 30, 2017 by telescoper

 

The Stare’s Nest

Posted in Poetry with tags , , , , on November 28, 2017 by telescoper

The bees build in the crevices
Of loosening masonry, and there
The mother birds bring grubs and flies.
My wall is loosening; honey-bees,
Come build in the empty house of the stare.

We are closed in, and the key is turned
On our uncertainty; somewhere
A man is killed, or a house burned,
Yet no cleat fact to be discerned:
Come build in he empty house of the stare.

A barricade of stone or of wood;
Some fourteen days of civil war;
Last night they trundled down the road
That dead young soldier in his blood:
Come build in the empty house of the stare.

We had fed the heart on fantasies,
The heart’s grown brutal from the fare;
More Substance in our enmities
Than in our love; O honey-bees,
Come build in the empty house of the stare.

by William Butler Yeats (1865-1939)

Dublin, by Louis MacNeice

Posted in Poetry with tags on November 4, 2017 by telescoper

Grey brick upon brick,
Declamatory bronze
On sombre pedestals –
O’Connell, Grattan, Moore –
And the brewery tugs and the swans
On the balustraded stream
And the bare bones of a fanlight
Over a hungry door
And the air soft on the cheek
And porter running from the taps
With a head of yellow cream
And Nelson on his pillar
Watching his world collapse.

This never was my town,
I was not born or bred
Nor schooled here and she will not
Have me alive or dead
But yet she holds my mind
With her seedy elegance,
With her gentle veils of rain
And all her ghosts that walk
And all that hide behind
Her Georgian facades –
The catcalls and the pain,
The glamour of her squalor,
The bravado of her talk.

The lights jig in the river
With a concertina movement
And the sun comes up in the morning
Like barley-sugar on the water
And the mist on the Wicklow hills
Is close, as close
As the peasantry were to the landlord,
As the Irish to the Anglo-Irish,
As the killer is close one moment
To the man he kills,
Or as the moment itself
Is close to the next moment.

She is not an Irish town
And she is not English,
Historic with guns and vermin
And the cold renown
Of a fragment of Church latin,
Of an oratorical phrase.
But oh the days are soft,
Soft enough to forget
The lesson better learnt,
The bullet on the wet
Streets, the crooked deal,
The steel behind the laugh,
The Four Courts burnt.

Fort of the Dane,
Garrison of the Saxon,
Augustan capital
Of a Gaelic nation,
Appropriating all
The alien brought,
You give me time for thought
And by a juggler’s trick
You poise the toppling hour –
O greyness run to flower,
Grey stone, grey water,
And brick upon grey brick.

by Louis MacNeice (1907-1963)

 

I Grant You Ample Leave

Posted in Poetry with tags , , , on September 28, 2017 by telescoper

“I grant you ample leave
To use the hoary formula ‘I am’
Naming the emptiness where thought is not;
But fill the void with definition, ‘I’
Will be no more a datum than the words
You link false inference with, the ‘Since’ & ‘so’
That, true or not, make up the atom-whirl.
Resolve your ‘Ego’, it is all one web
With vibrant ether clotted into worlds:
Your subject, self, or self-assertive ‘I’
Turns nought but object, melts to molecules,
Is stripped from naked Being with the rest
Of those rag-garments named the Universe.
Or if, in strife to keep your ‘Ego’ strong
You make it weaver of the etherial light,
Space, motion, solids & the dream of Time–
Why, still ’tis Being looking from the dark,
The core, the centre of your consciousness,
That notes your bubble-world: sense, pleasure, pain,
What are they but a shifting otherness,
Phantasmal flux of moments?–“

by George Eliot (1819-1880)

 

Song of Creation

Posted in Poetry with tags , on September 20, 2017 by telescoper

Then there was neither Aught nor Nought, no air nor sky beyond.
What covered all? Where rested all? In watery gulf profound?
Nor death was then, nor deathlessness, nor change of night and day.
That One breathed calmly, self-sustained; nought else beyond it lay.

Gloom hid in gloom existed first – one sea, eluding view.
That One, a void in chaos wrapt, by inward fervour grew.
Within it first arose desire, the primal germ of mind,
Which nothing with existence links, as sages searching find.

The kindling ray that shot across the dark and drear abyss-
Was it beneath? or high aloft? What bard can answer this?
There fecundating powers were found, and mighty forces strove-
A self-supporting mass beneath, and energy above.

Who knows, who ever told, from whence this vast creation rose?
No gods had then been born – who then can e’er the truth disclose?
Whence sprang this world, and whether framed by hand divine or no-
Its lord in heaven alone can tell, if even he can show.

Translated by John Muir from the original (anonymous) Sanskrit text of a hymn.