Archive for the Poetry Category

Climbing to Seefin Passage Tomb on the Summer Solstice – Tarn MacArthur

Posted in Poetry with tags , , on June 20, 2025 by telescoper
Seefin Passage Tomb, County Wicklow, photographed by Joe King – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=26328239

The Summer Solstice in the Northern Hemisphere takes place tomorrow, on Saturday June 21 2025, at 02:42 UTC (03:42am local Irish Time). In advance of the big event I thought I’d share this poem I found online, which seems appropriate to the occasion.

No one knows what calls us, days like this
that seem to stretch all sense of reason:
the hillside scrub abuzz with silver-washed

and dark green fritillary, the red grouse
and hare, a lone buzzard counterpoised
on the breeze overhead, near motionless,

weighing the balance of each warm
and distant heartbeat. And who would
claim the old gods dead when the sudden

cadence of your breath slips to the sound
of something pulsing through from the far side
of the ridge, neither ghost nor glossolalia

but wholly of the earth, like the hum
that guided you through summer nights
in childhood when you found yourself alone,

and a field too far from home, as the light
began to fade. Sometimes what we love
is the incongruity of things: the latent sense

of having been here yet having never been
before, that strangely familiar clutch of stones,
how every shadow beckons with a promise

of safekeeping. If, as someone said,
it’s true that the souls to match our souls
lie patiently in wait to take our places

when we step aside, then we should lower
our sights from the brilliance of the sky
and down towards this aperture of darkness.

To enter the tomb is to enter the one world
we know, the cool walls of the passage
summoning us forth with the chance hope

of an earthly meeting. Alone, you are
not alone, the carved stone appears to say.
Nothing is eternal, and everything remains.

by Tarn MacArthur

He Asked About the Quality – C.P. Cavafy

Posted in LGBTQ+, Poetry with tags , , , on June 15, 2025 by telescoper
He left the office where he'd been given
a trivial, poorly paid job
(something like eight pounds a month, including bonuses)-
left at the end of the dreary work
that kept him bent all afternoon,
came out at seven and walked off slowly,
idling his way down the street. Good-looking,
and interesting: showing as he did that he'd reached
his full sensual capacity.
He'd turned twenty-nine the month before.

He idled his way down the main street
and the poor side-streets that led to his home.

Passing in front of a small shop that sold
cheap and flimsy merchandise for workers,
he saw a face inside, a figure
that compelled him to go in, and he pretended
he wanted to look at some coloured handkerchiefs.

He asked about the quality of the handkerchiefs
and how much they cost, his voice choking,
almost silenced by desire.
And the answers came back in the same mood,
distracted, the voice hushed,
offering hidden consent.

They kept on talking about the merchandise-
but the only purpose: that their hands might touch
over the handkerchiefs, that their faces, their lips,
might move close together as though by chance-
a moment's meeting of limb against limb.

Quickly, secretly, so the shop owner sitting at the back
wouldn't realize what was going on.

by C.P. Cavafy (1863-1933; from Collected Poems, translated by Edmund Heeley and Philip Sherrard)

Litotes – Paul Muldoon

Posted in Poetry with tags , , , on May 18, 2025 by telescoper
Though it wasn’t until 411 BC he took up the oar
in the Peloponnesian War
against “man-loosening” Lysander,

our hero was not unknown
to Thucydides, who’d evenhandedly intone
“What’s sauce for Aegeus is sauce for the gander.”

Despite his background
being less than sound,
he nonetheless managed to drive a phaeton

through the Spartan ranks
or, on more than one occasion, an oar-bank.
If his circumstances were quite often straitened

he couldn’t say no
to manning up and having a go
at the slightest hint of an old school oligarchy.

No scanty there, then?
Faced with the very same problem time and again
he would resort to being snide or snarky

and immediately made a dent
in it. It was no small accomplishment
that he somehow managed to claim kin with Nestor

and, since he was far
from the sharpest ray in the earthstar,
was quite likely an ancestor

of the not exactly inspiring Greek
who would eke
out an existence in the precincts of the Abbey

where he’d been married sword in hand, ye Gads,
turning out to be not half bad
or, as Thucydides would have it, “None too shabby.”

by Paul Muldoon (b. 1951).

I recently discovered the poetry of Paul Muldoon who, as once described in the New York Times, “… takes some honest-to-God reading. He’s a riddler, enigmatic, distrustful of appearances, generous in allusion, doubtless a dab hand at crossword puzzles.” This poem is from Joy in Service on Rue Tagore (2024), which is published by Faber & Faber.

May and the Poets – Leigh Hunt

Posted in Poetry with tags , , , , on May 1, 2025 by telescoper

I almost forgot that today is Poetry Day Ireland which this year has a theme of “May Day” so here’s a romantic yet whimsical offering that seems tailor-made to mark the start of the month of May.

There is May in books forever;
May will part from Spenser never;
May's in Milton, May's in Prior,
May's in Chaucer, Thomson, Dyer;
May's in all the Italian books:—
She has old and modern nooks,
Where she sleeps with nymphs and elves,
In happy places they call shelves,
And will rise and dress your rooms
With a drapery thick with blooms.
Come, ye rains, then if ye will,
May's at home, and with me still;
But come rather, thou, good weather,
And find us in the fields together.

by James Henry Leigh Hunt (1784-1859)

Easter Monday (In Memoriam E.T.) – Eleanor Farjeon

Posted in Poetry with tags , , , , , , on April 21, 2025 by telescoper
In the last letter that I had from France
You thanked me for the silver Easter egg
Which I had hidden in the box of apples
You liked to munch beyond all other fruit.
You found the egg the Monday before Easter,
And said, 'I will praise Easter Monday now -
It was such a lovely morning'. Then you spoke
Of the coming battle and said, 'This is the eve.
Good-bye. And may I have a letter soon.'

That Easter Monday was a day for praise,
It was such a lovely morning. In our garden
We sowed our earliest seeds, and in the orchard
The apple-bud was ripe. It was the eve.
There are three letters that you will not get.

by Eleanor Farjeon (1881-1965)

Eleanor Farjeon, who is probably best known for having written the words to the hymn Morning has Broken, wrote this poem shortly after she heard news of the death of her close friend the poet Edward Thomas (the E.T. in the title) who was killed in action at the Battle of Arras on Easter Monday, 9th April 1917.

Sonnet No. 19

Posted in Poetry with tags , , , , on April 11, 2025 by telescoper
Devouring time, blunt thou the lion's paws
And make the earth devour her own sweet brood,
Pluck the keen teeth from the fierce tiger's jaws
And burn the long-liv'd phoenix in her blood,
Make glad and sorry seasons as thou fleet'st,
And do what e'er thou wilt, swift-footed time,
To the wide world and all her fading sweets:
But I forbid thee one most heinous crime,
O carve not with thy hours my love's fair brow,
Nor draw no lines there with thine antique pen,
Him in thy course untainted do allow
For beauty's pattern to succeeding men.
Yet do thy worst, old time, despite thy wrong,
My love shall in my verse ever live young.

by William Shakespeare (1564-1616)

(I don’t know why it’s been such a long time since I last posted one of Shakespeare’s sonnets.)

The Market-Place – Walter de la Mare

Posted in Poetry with tags , , , on April 4, 2025 by telescoper
My mind is like a clamorous market-place.
All day in wind, rain, sun, its babel wells;
Voice answering to voice in tumult swells.
Chaffering and laughing, pushing for a place,
My thoughts haste on, gay, strange, poor, simple, base;
This one buys dust, and that a bauble sells:
But none to any scrutiny hints or tells
The haunting secrets hidden in each sad face.

The clamour quietens when the dark draws near;
Strange looms the earth in twilight of the West,
Lonely with one sweet star serene and clear,
Dwelling, when all this place is hushed to rest,
On vacant stall, gold, refuse, worst and best,
Abandoned utterly in haste and fear.

by Walter de la Mare (1873-1956)

A Poem for St David’s Day

Posted in Poetry with tags , , , , on March 1, 2025 by telescoper
Daffodils photographed yesterday at Maynooth University

It’s St David’s Day so, notwithstanding the fact that I’ve just watched Leinster beat Cardiff 42-24 at Rugby,

Dydd Gŵyl Dewi Hapus!

On this day I usually post a poem by a Welsh poet. This, by Dylan Thomas, which was published in 1936 and seems to me to be rather topical, featured in the concert I went to about a month ago.

The hand that signed the paper felled a city;
Five sovereign fingers taxed the breath,
Doubled the globe of dead and halved a country;
These five kings did a king to death.

The mighty hand leads to a sloping shoulder,
The finger joints are cramped with chalk;
A goose's quill has put an end to murder
That put an end to talk.

The hand that signed the treaty bred a fever,
And famine grew, and locusts came;
Great is the hand that holds dominion over
Man by a scribbled name.

The five kings count the dead but do not soften
The crusted wound nor pat the brow;
A hand rules pity as a hand rules heaven;
Hands have no tears to flow.

Aubade – Louis MacNeice

Posted in Poetry with tags , , , on February 11, 2025 by telescoper
Having bitten on life like a sharp apple 
Or, playing it like a fish, been happy,

Having felt with fingers that the sky is blue,
What have we after that to look forward to?

Not the twilight of the gods but a precise dawn
of sallow and grey bricks, and newsboys crying war.

by Louis MacNeice (1907-1963)

The Celestial Stranger – Thomas Traherne

Posted in History, Music, Poetry with tags , , on February 2, 2025 by telescoper

I promised yesterday that I would post the poem that gives its title to the song cycle, The Celestial Stranger, which was performed at the National Concert Hall on Friday night, so here it is as it appeared in the programme:

It’s very interesting to see such thoughts expressed in the mid-17th Century!

Thomas Traherne is an interesting poet in many ways and the associated story of his poetical manuscripts is strange and fascinating. The son of  a cobbler, Traherne was a devoutly religious man who lived most of his short life (1637-1674) in relative obscurity as a clergyman and theologian. He was a prolific writer of both prose and poetry, but very little of his work was published during his lifetime. A vast number of handwritten manuscripts survived his death, however, and many of these remained in the safekeeping of a local family in his native Herefordshire. However, in 1888 the estate of this family was wound up, sold, and the manuscripts became dispersed. Eventually, in 1897, one set of papers was  accidentally discovered in a bookstall. Traherne’s first volume of verse was published in 1903 and a second collection followed in 1908.

When these poems finally found their way into the literary world they were greeted with astonishment as well as deep appreciation and they were widely  influential: T.S. Eliot was a great admirer of Traherne, as was Dorothy L Sayers. There are also truly wonderful musical settings of some of Traherne’s poetry made by a young Gerald Finzi in his cantata Dies Natalis.

Over the years further manuscripts  have also come to light – literally, in one case, because in 1967 another lost Traherne manuscript was found, on fire, in a  rubbish dump and rescued in the nick of time! As late as 1997 more works by Traherne were discovered among 4,000 manuscripts in the Library of Lambeth Palace, the London residence of the Archbishop of Canterbury. The Lambeth manuscripts, from which the above poem is taken, are mostly prose writings, actually, but there are many poems in there too.

Traherne is sometimes described as the last metaphysical poet. However, it seems to me he might equally be described as the first romantic poet. The themes he tackles – love of nature and loss of childhood innocence – and his visionary, rhapsodic style have as much in common with William Blake and, especially, William Wordsworth as they do with better known metaphysical poets such as John Donne.