The other day I was in the local library and walked past the DVD collection on the way to checking out a couple of books. I noticed the boxed set of the first series of Penny Dreadful which was first broadcast in 2014. Ten years is quite a short time for me to catch up with things so I decided to borrow it. I’m glad I did because I thought it was excellent.
It’s hard to describe what Penny Dreadful is about without making it seem absurd, but it’s a horror drama based in Victorian London that features many characters from fiction of that period, including Mary Shelley’s Frankenstein, Oscar Wilde’s Dorian Gray, and numerous others from Bram Stoker’s Dracula including Professor van Helsing and Mina Harker. There are some originals too: Ethan Chandler, a rodeo performer, and the enigmatic Vanessa Ives. These characters join forces with Malcolm Murray who is attempting to find his daughter Mina (the name of the principal female character in Dracula). Mina is the MacGuffin but the quest to find her is mostly sidelined by other plots.
The title of course refers to the “Penny Dreadful“, a form of cheap fiction that was very popular in Victorian London and which often included a supernatural element, as well as lots of gory violence, as does the TV series. Oscar Wilde’s A Picture of Dorian Gray wasn’t a penny dreadful (nor were Frankenstein and Dracula for that matter) but the mix of characters, both mundane and supernatural, is a very ingenious concoction. It was fun trying to spot the literary references and quotations.
It’s also a bit raunchy in places, although when Dorian Gray was about to get it on with hunky cowboy Ethan Chandler, it cut immediately to the closing credits so, disappointingly, we didn’t see any actual rumpy pumpy.
Anyway, it’s a superb cast including Timothy Dalton as Malcolm Murray, Rory Kinnear as The Creature (from the Frankenstein story), and Eva Green as Vanessa Ives. A young Olly Alexander plays the vampire’s familiar Fenton. It’s beautifully photographed, and the sets are a visual feast for lovers of Victoriana. There are one or two anachronisms in the language and setting, but you have to cut a story like this a bit of slack. For example, the Grand Guignol, which supplies a subplot, was really a Parisian phenomenon.
I’ve seen some criticisms of the plotting, as the episodes don’t really resolve: the next one often starts a new thread rather than tying up the existing loose ends. I didn’t actually mind that at all. It seemed to me that this gives it a dreamlike or rather nightmarish quality.
Anyway, I enjoyed this series a lot and I’ll definitely look out for the other two series, as they may well offer excellent binge viewing during the dark autumn months.
In the Dark 