Archive for 2024 Olympic Games

The Mechanics of the Pole Vault

Posted in Sport, The Universe and Stuff with tags , , , on August 11, 2024 by telescoper

One of the many highlights of the 2024 Olympics was the amazing achievement of Armand Duplantis in winning the Gold Medal in Pole Vault and in the process breaking his own world record at a height of 6.25m. Here he is

He seemed to clear that height quite comfortably, actually, so I dare say he’ll break quite a few more records in his time. On the other hand, when I first wrote about this back in 2011 the world record for the pole vault was held by the legendary Ukrainian athlete Sergey Bubka at a height of 6.14m which he achieved in 1994. That record stood for almost 20 years but has since been broken several times since. The fact that the world record has only increased by 11 cm in 30 years tells you that the elite pole vaulters are working at the limits of what the human body can achieve. A little bit of first-year mechanics will convince you why, as I have pointed out in previous posts (e.g. here).

What a pole-vaulter does is rather complicated and requires a lot of strength, flexibility and skill, but as in many physics problems one can bypass the complications and just look at the beginning and the end and use an energy conservation argument. Basically, the pole is a device that converts the horizontal kinetic energy of the vaulter \frac{1}{2} m v^2,  as he/she runs in, to the gravitational potential energy m g h acquired at the apex of his/her  vertical motion, i.e. at the top of the vault.

Now assume that the approach is at the speed of a sprinter, i.e. about 10 ms^{-1}, and work out the height h = v^2/2g that the vaulter can gain if the kinetic energy is converted with 100% efficiency. Since g = 9.8 \, ms^{-2} the answer to that little sum turns out to be about 5 metres.

This suggests that  6.25 metres should not just be at, but beyond, the limit of a human vaulter,  unless the pole were super-elastic. However, there are two things that help. The first is that the centre of mass of the combined vaulter-plus-pole does not start at ground level; it is at a height of a bit less than 1m for an an average-sized person.  Note also that the centre of mass of pole (which weighs about 15 kg and is about 5 m long) only ends up about 2.5 m off the ground when it is vertical, so there’s a significant effect there.  Note also that the centre of mass of the vaulter does not actually pass over the bar after letting go of the pole.  That  doesn’t happen in the high jump, either. Owing to the flexibility of the athlete’s back, the arc is such that the centre of mass remains under the bar while the different parts of the athlete’s body go over it.

Moreover, it’s not just the kinetic energy related to the horizontal motion of the vaulter that’s involved. A human can jump vertically from a standing position using elastic energy stored in muscles. In fact the world record for the standing high jump is an astonishing 1.9m. In the context of the pole vault it seems likely to me that this accounts for at least a few tens of centimetres.

Despite these complications, it is clear that pole vaulters are remarkably efficient athletes. And not a little brave either – as someone who is scared of heights I can tell you that I’d be absolutely terrified being shot up to 6.25 metres on the end of  a bendy stick, even with something soft to land on!

Ireland’s First Olympic Medal

Posted in Art with tags , , , on July 26, 2024 by telescoper

Ahead of the opening ceremony of the 2024 Paris Olympic Games, I thought I’d post a reminder of Ireland’s first ever Olympic medal. A silver medal was awarded to Ireland at the 1924 Olympic Games for this painting by Jack Butler Yeats, brother of the poet William Butler Yeats:

The Liffey Swim, by Jack B. Yeats (1923, 61cm x 91cm, oil on canvas)

Ireland only gained independence in 1922 so 1924 was the first Olympics at which Ireland competed as a separate nation. It may surprise you to learn that art competitions were a part of the Olympic Games from 1912 until 1948, as were competitions in music and literature. The 1924 Gold Medal for painting was won by an artist from Luxembourg called Jean Jacoby who specialized in sporting themes.

Although it was a style Yeats only started to experiment with around 1920, The Liffey Swim (which you can see in the National Gallery of Ireland) is clearly an Expressionist work – the unusual colour palette and texture of the paint are characteristics of that movement – but it also serves as an interesting bit of social history. The Liffey Swim is a regular event in Dublin (except during the Covid-19 pandemic) but only began in 1920 so it was fairly new when Yeats painted it. He captures the excited atmosphere surrounding the event by placing the viewer in the middle of a huge crowd struggling to get a good view, with the swimmers only shown in cursory detail. You see far more of the spectators than you do of the race!