Having bitten on life like a sharp apple
Or, playing it like a fish, been happy,
Having felt with fingers that the sky is blue,
What have we after that to look forward to?
Not the twilight of the gods but a precise dawn
of sallow and grey bricks, and newsboys crying war.
by Louis MacNeice (1907-1963)
What a thrill -
My thumb instead of an onion.
The top quite gone
Except for a sort of hinge
Of skin,
A flap like a hat,
Dead white.
Then that red plush.
Little pilgrim,
The Indian's axed your scalp.
Your turkey wattle
Carpet rolls
Straight from the heart.
I step on it,
Clutching my bottle
Of pink fizz. A celebration, this is.
Out of a gap
A million soldiers run,
Redcoats, every one.
Whose side are they on?
O my
Homunculus, I am ill.
I have taken a pill to kill
The thin
Papery feeling.
Saboteur,
Kamikaze man -
The stain on your
Gauze Ku Klux Klan
Babushka
Darkens and tarnishes and when
The balled
Pulp of your heart
Confronts its small
Mill of silence
How you jump -
Trepanned veteran,
Dirty girl,
Thumb stump.
by Sylvia Plath (1932-1963)
Love, the world
Suddenly turns, turns color. The streetlight
Splits through the rat's tail
Pods of the laburnum at nine in the morning.
It is the Arctic,
This little black
Circle, with its tawn silk grasses - babies hair.
There is a green in the air,
Soft, delectable.
It cushions me lovingly.
I am flushed and warm.
I think I may be enormous,
I am so stupidly happy,
My Wellingtons
Squelching and squelching through the beautiful red.
This is my property.
Two times a day
I pace it, sniffing
The barbarous holly with its viridian
Scallops, pure iron,
And the wall of the odd corpses.
I love them.
I love them like history.
The apples are golden,
Imagine it ----
My seventy trees
Holding their gold-ruddy balls
In a thick gray death-soup,
Their million
Gold leaves metal and breathless.
O love, O celibate.
Nobody but me
Walks the waist high wet.
The irreplaceable
Golds bleed and deepen, the mouths of Thermopylae.
by Silvia Plath (1932-1963)
Today saw the end of this year’s County Championship cricket season, which I take to be definition of the official end of summer. It seems to have come very late this year, and the weather not particularly clement for the last day.
I like county cricket, and hope to be able to see more when I retire and have the time, but I haven’t followed many games this year. I was away for much of the season and a bit busy to pay too much attention for the rest. I still keep an eye on how Glamorgan are doing, though, because of the time I spent living in Cardiff. In fact they won their last game against Gloucestershire yesterday to finish 6th in the 2nd Division. The match had been affected by rain but both captains decided to try to make a game of it by each forfeiting an innings after Glamorgan declared their first innings 381/4with the best part of two days to play. Gloucestershire never looked like reaching that total and were bowled out for 189. The other Championship game between these two teams, in June, ended in a remarkable tie as Glamorgan were bowled out for 592 needing 593 to win. Of course the great success of the year for Glamorgan was winning the One Day Trophy, beating Somerset in a final deferred by a day and truncated by rain.
Elsewhere in the County Championship, Surrey won the 1st Division while Lancashire and Kent were relegated. Sussex won the 2nd division title and they and Yorkshire were promoted to Division 1 for next season. With Lancs and Yorks in different divisions, there wasn’t be a Roses match this summer, and there won’t be one next season either!
Anyway, as I’ve done before, it seems apt to mark the end of the County Championship with one of the classic cricket poems, Close of Play by Thomas Moult.
How shall we live, now that the summer’s ended,
And bat and ball (too soon!) are put aside,
And all our cricket deeds and dreams have blended —
The hit for six, the champion bowled for none,
The match we planned to win and never won? …
Only in Green-winged memory they abide.
How shall we live, who love our loveliest game
With such bright ardour that when stumps are drawn
We talk into the twilight, always the same
Old talk with laughter round off each tale —
Laughter of friends across a pint of ale
In the blue shade of the pavilion.
For the last time a batsman is out, the day
Like the drained glass and the dear sundown field
is empty; what instead of Summer’s play
Can occupy these darkling months ere spring
Hails willows once again the crowned king?
How shall we live so life may not be chilled?
Well, what’s a crimson hearth for, and the lamp
Of winter nights, and these plump yellow books
That cherish Wisden’s soul and bear his stamp —
And bat and ball (too soon!) are put aside,
Time’s ever changing, unalterable score-board,
Thick-clustered with a thousand names adored:
Half the game’s magic in their very looks!
And when we’ve learnt those almanacs by heart,
And shared with Nyren … Cardus ….the distant thrill
That cannot fade since they have had their part,
We’ll trudge wet streets through fog and mire
And praise our heroes by the club-room fire:
O do not doubt the game will hold us still!
“The Croppy Boy”, a monument in Tralee, County Kerry. Created by Kglavin, CC BY-SA 3.0 <http://creativecommons.org/licenses/by-sa/3.0/> via Wikimedia Commons
The pockets of our greatcoats full of barley…
No kitchens on the run, no striking camp…
We moved quick and sudden in our own country.
The priest lay behind ditches with the tramp.
A people hardly marching… on the hike…
We found new tactics happening each day:
We’d cut through reins and rider with the pike
And stampede cattle into infantry,
Then retreat through hedges where cavalry must be thrown.
Until… on Vinegar Hill… the final conclave.
Terraced thousands died, shaking scythes at cannon.
The hillside blushed, soaked in our broken wave.
They buried us without shroud or coffin
And in August… the barley grew up out of our grave.
by Seamus Heaney (1939-2013)
This poem is about the Battle of Vinegar Hill which took place outside Enniscorthy in County Wexford on 21st June 1798. It was part of the Rebellion of the United Irishmen. The term “croppy” refers to the short cropped hair worn by the rebels, most of whom went into battle carrying only pikes against the artillery and muskets of the crown forces. The battle was a heavy defeat for the United Irishmen over a thousand of whom were killed in what Heaney calls the “final conclave” where the last hopes for the rebellion to succeed were finally crushed. The poem’s final line depicts the barley in the pockets of dead rebels growing through the soil used to bury them, suggesting that the dream of independence would live on.
And now, some poetry…
1) Not felt. Smoke still rises vertically. In sensitive individuals, déjà vu, mild amnesia. Sea like a mirror.
2) Detected by persons at rest or favourably placed, i.e. in upper floors, hammocks, cathedrals, etc. Leaves rustle.
3) Light sleepers wake. Glasses chink. Hairpins, paperclips display slight magnetic properties. Irritability. Vibration like passing of light trucks.
4) Small bells ring. Small increase in surface tension and viscosity of certain liquids. Domestic violence. Furniture overturned.
5) Heavy sleepers wake. Public demonstrations. Large flags fly. Vibration like passing of heavy trucks.
6) Large bells ring. Bookburning. Aurora visible in daylight hours. Unprovoked assaults on strangers. Glassware broken. Loose tiles fly from roof.
7) Weak chimneys broken off at roofline. Waves on small ponds, water turbid with mud. Unprovoked assaults on neighbors. Large static charges built up on windows, mirrors, television screens.
8) Perceptible increase in weight of stationary objects: books, cups, pens heavy to lift. Fall of stucco and some masonry. Systemic rape of women and young girls. Sand craters. Cracks in wet ground.
9) Small trees uprooted. Bathwater drains in reverse vortex. Wholesale slaughter of religious and ethnic minorities. Conspicuous cracks in ground. Damage to reservoirs and underground pipelines.
10) Large trees uprooted. Measurable tide in puddles, teacups, etc. Torture and rape of small children. Irreparable damage to foundations. Rails bend. Sand shifts horizontally on beaches.
11) Standing impossible. Widespread self-mutilation. Corposant visible on pylons, lampposts, metal railings. Most bridges destroyed.
12) Damage total. Movement of hour hand perceptible. Large rack masses displaced. Sea white.
by Don Paterson (b. 1963)
Another character who appears in Hilary Mantel’s novel Wolf Hall is Sir Thomas Wyatt (1503-1542) who was a diplomat and member of the Court of Henry VIII, as well as being a fine poet. I thought I would post two of his famous poems.
The first is a sonnet, written some time in the 1530s, is ostensibly a (loose) translation of Petrarch’s Una Candida Cerva and thus one of the first examples of a Petrarchan Sonnet written in English. That makes it interesting in its own right, but many people think that it is actually about Anne Boleyn. The use of hunting as a metaphor for courtly love was widespread and, despite being married, Wyatt seems to have had his eye on Anne Boleyn. As far as is known, however, they didn’t have a sexual relationship. Wyatt wisely backed off when he realized he was competing with Henry VIII (thinly disguised as “Caesar”) in the penultimate line; Noli me tangere means “do not touch me” in Latin.
Whoso list to hunt, I know where is an hind,
But as for me, hélas, I may no more.
The vain travail hath wearied me so sore,
I am of them that farthest cometh behind.
Yet may I by no means my wearied mind
Draw from the deer, but as she fleeth afore
Fainting I follow. I leave off therefore,
Sithens in a net I seek to hold the wind.
Who list her hunt, I put him out of doubt,
As well as I may spend his time in vain.
And graven with diamonds in letters plain
There is written, her fair neck round about:
Noli me tangere, for Caesar’s I am,
And wild for to hold, though I seem tame.
Wyatt was in fact confined to the Tower of London in 1536 on suspicion of having committed adultery with Anne Boleyn; adultery with the King’s wife was considered treason, a capital offence. While in the Tower, where he witnessed executions, possibly including that of Anne Boleyn herself and others accused of treason with her, he wrote this other famous poem
Who list his wealth and ease retain,
Himself let him unknown contain.
Press not too fast in at that gate
Where the return stands by disdain,
For sure, circa Regna tonat.
The high mountains are blasted oft
When the low valley is mild and soft.
Fortune with Health stands at debate.
The fall is grievous from aloft.
And sure, circa Regna tonat.
These bloody days have broken my heart.
My lust, my youth did them depart,
And blind desire of estate.
Who hastes to climb seeks to revert.
Of truth, circa Regna tonat.
The bell tower showed me such sight
That in my head sticks day and night.
There did I learn out of a grate,
For all favour, glory, or might,
That yet circa Regna tonat.
By proof, I say, there did I learn:
Wit helpeth not defence too yerne,
Of innocency to plead or prate.
Bear low, therefore, give God the stern,
For sure, circa Regna tonat.
The repeated Latin phrase circa Regna tonat is usually translated “Thunder rolls around the Throne”, a reference to the dangerous temperament of the King.
Wyatt was not executed in 1536, but released after the intervention of none other than Thomas Cromwell. It seems he had a habit of sailing rather close to the wind, and was in and out of trouble with the King, being charged again with treason in 1541 and again released. He died, apparently of natural causes, in 1541, at the age of 39.
It’s St David’s Day today, so although I’m still Down Under and far from any daffodils, I wish you all a big
Gratuitous Picture of some Daffodils near the Maynooth University Library.
It has become a bit of a St David’s Day tradition on this this blog to post a piece of verse by the great Welsh poet R.S. Thomas. This is The Bright Field.
I have seen the sun break through
to illuminate a small field
for a while, and gone my way
and forgotten it. But that was the pearl
of great price, the one field that had
treasure in it. I realize now
that I must give all that I have
to possess it. Life is not hurrying
on to a receding future, nor hankering after
an imagined past. It is the turning
aside like Moses to the miracle
of the lit bush, to a brightness
that seemed as transitory as your youth
once, but is the eternity that awaits you.
Victoria Park, Sydney
She sits in the park. Her clothes are out of date.
Two children whine and bicker, tug her skirt.
A third draws aimless patterns in the dirt
Someone she loved once passed by – too late
to feign indifference to that casual nod.
“How nice” et cetera. “Time holds great surprises.”
From his neat head unquestionably rises
a small balloon…”but for the grace of God…”
They stand a while in flickering light, rehearsing
the children’s names and birthdays. “It’s so sweet
to hear their chatter, watch them grow and thrive, ”
she says to his departing smile. Then, nursing
the youngest child, sits staring at her feet.
To the wind she says, “They have eaten me alive.”
by Gwen Harwood (1920-1995)
In the Dark 