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The Three Es for Lecturing

Posted in Education with tags , , , , on October 5, 2011 by telescoper

Yet another very busy day looms in front of me. I’m off to the smoky bigness of London for an examiners’ meeting at Queen Mary this afternoon, but before that I have to squeeze in my first tutorial of the year, with a group of fresh-faced freshers. Actually I don’t know if they’re fresh faced or not because I haven’t met them yet. I had my first teaching encounter with the first years yesterday morning during an exercise class on mechanics, which I enjoyed despite some teething troubles with the facilities in the room we were using. I was very happy with the way the students chipped freely in with answers whenever I asked questions, which is a good sign.

A while ago I attended a session on teaching for our new lecturers. Actually I didn’t attend most of it, I just dropped in at the end to deliver a few tips I’ve picked up from observing other lecturers. Here in Cardiff we have “peer observation” of lectures in which one member of teaching staff sits in on a lecture by another, followed by a feedback and discussion session. While I was at Nottingham it was a different system; two nominated staff members (myself and another Professor) sat in on  lectures by each of the other staff. It was a lot of work, but gave me the chance to see quite a lot of different approaches to teaching and was consequently very interesting.

Anyway, over the years it became obvious that there are some obvious basics which lecturers need to do in order to teach competently, including being prepared, talking sufficiently loudly, writing clearly (if relevant), and so on. And of course turning up at the right theatre at the right time. But there are also those things that turn mere competence into excellence. Of course there are many ways to lecture, and you have to put your own personality into what you do, but the main tips I’d pass on to make your lecturers really popular can be boiled down into the Three Es. I add that these are things that struck me while watching others lecture, rather than me claiming to be brilliant myself (which I know I’m not). Anyway, here we go:

Enthusiasm. The single most obvious response on student questionnaires about lecturing refers to enthusiasm. My take on this is that we’re all professional physicists, earning our keep by doing physics. If we can’t be enthusiastic about it then it’s clearly unreasonable to expect the students to get fired up. So convey the excitement of the subject! I don’t mean by descending into vacuous gee-whizz stuff, but by explaining how interesting things are when you look at them properly as a physicist, mathematics and all.

Engagement. This one cuts both ways. First it is essential to look at your audience, ask questions, and make them feel that they are part of a shared experience not just listening to a monologue. The latter might be fine for a public lecture, but if a teaching session is to be successful as a pedagogical exercise it can’t be passive. And if you ask a question of the audience, make your body language tell them that it’s not just rhetorical; if you don’t look like you want an answer, you won’t get one. More importantly, try to cultivate an atmosphere wherein the students feel they can contribute. You know you’ve succeeded in this when students point out mistakes you have made. On the other hand, you can’t take this too far. The lecturer is the person who is supposed to know the stuff so fundamentally there’s no symmetry between you and the audience. You have to be authoritative, though that doesn’t mean you have to behave like a schoolmaster. Know your subject, explain it well and you’ll earn respect without needing to bluster.

Entertainment. To be absolutely honest, I think lectures  are a  fairly useless as a way of teaching physics. That is not to say that they don’t have a role, which I think is to highlight key concepts and demonstrate their applicability;  the rest, the details, the nuts and bolts are best done by problem-based learning. I therefore think it does no harm at all if you make your lectures enjoyable as pieces of entertainment. By all means introduce the odd joke, refer to surprising examples, amusing analogies, and so on.  As long as you don’t overdo it, you’ll find that a bit of light relief will keep the attention levels up. A key element of this is spontaneity. A lecture should appear as if it develops naturally, in an almost improvised fashion. Of course your spontaneity will probably have to  be very carefully rehearsed, but the sense of a live performance always adds value. A lecture should be a happening, not just a presentation. Lecture demonstrations also play this role, although they seem to be deployed less frequently  nowadays than in the past. Being a showman doesn’t come naturally to everyone, and the audience will know if you’re forcing it so don’t act unnaturally, but at the very least try to move about. Believe me, watching a lecturer drone on for an hour while rooted to the spot is a very tedious experience. You’d be surprised how much difference it makes if you can convey at least the impression of being alive.

On this last point, I’ll offer a few quotes from a physicist who definitely knew a thing or two about lecturing, Michael Faraday. First his opinion was that the lecturer should not be

…glued to the table or screwed to the floor. He must by all means appear as a body distinct and separate from the things around, and must have some motion apart from that which they possess.

Conventional wisdom nowadays suggests that one should take breaks in lectures to stop students losing concentration. I’m not sure I agree with this, actually. It’s certainly the case that attention will flag if you persist with a dreary monotone for an hour, but  I think a lecture can have a natural dynamic to it which keeps the students interested by variation rather than interruption. Faraday also thought this.

A flame should be lighted at the commencement and kept alive with unremitting splendour to the end…I very much disapprove of breaks in the lecture.

Finally, here is one of my all-time  favourite physics quotes, Faraday’s take on the need for lectures to be entertaining:

..for though to all true philosophers science and nature will have charms innumerable in every dress, yet I am sorry to say that the generality of mankind cannot accompany us one short hour unless the path is strewn with flowers.

Well, that’s all I have time for, but please offer your own tips through the comments box if you feel so motivated!

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Back to the Drawing Board

Posted in Art, Education, The Universe and Stuff with tags , , , , , , , , , on August 30, 2011 by telescoper

I came across a press release this morning which contains the following

More should be done to encourage students to use their drawing skills in science education, researchers at The University of Nottingham say.

In a paper being published in Science this week, academics say that although producing visualisations is key to scientific thinking, pupils are often not encouraged to create their own drawings to develop and demonstrate their understanding.

In the paper the authors, led by Dr Shaaron Ainsworth in the University’s School of Psychology and Learning Sciences Research Institute, said: “Scientists do not use words only but rely on diagrams, graphs, videos, photographs and other images to make discoveries, explain findings, and excite public interest.

In the light of this I thought it would be topical to post an updated version of an old piece I wrote on the theme of sketching. This is quite a strange subject for me to have picked pick because drawing is something I’m completely useless at, but I hope you’ll bear with me and hopefully it will make some sense in the end. I always thought that drawing was an important and neglected aspect of education, but I hadn’t until today any solid research to back it up!

-0-

What  spurred me on to think about this subject was the exhibit I was  involved with for the  Architecture Biennale in Venice as part of a project called Beyond Entropy organized by the Architectural Association School of Architecture. In the course of researching this project I came across this image of the Moon as drawn by Galileo

This led to an interesting discussion about the role of drawings like this in science. Of course  the use of sketches for the scientific representation of images has been superseded by photographic techniques, initially using film and more recently by digital techniques. The advantage of these methods is that they are quicker and also more “objective”. However, there are still many amateur astronomers who make drawings of the Moon as well as objects such as Jupiter and Saturn (which Galileo also drew). Moreover there are other fields in which experienced practioners continue to use pencil drawings in preference to photographic techniques. Archaeology provides many good examples, e.g.

The reason sketching still has a role in such fields is not that it can compete with photography for accuracy or objectivity but that there’s something about the process of sketching that engages the sketcher’s brain in a  way that’s very different from taking a photograph. The connection between eye, brain and hand seems to involve a cognitive element that is extremely useful in interpreting notes at a later date. In fact it’s probably their very subjectivity that makes them useful.  A thicker stroke of the pencil, or deliberately enhanced shading, or leaving out seemingly irrelevant detail, can help pick out  features that seem to the observer to be of particular significance. Months later when you’re trying to write up what you saw from your notes, those deliberate interventions against objectivity will take you back to what you  saw with your mind, not just with your eyes.

It doesn’t even matter whether or not you can draw well. The point isn’t so much to explain to other people what you’ve seen, but to record your own interaction with the object you’ve sketched in a way that allows you to preserve something more than a surface recollection.

You might think this is an unscientific thing to do, but I don’t think it is. The scientific process involves an interplay between objective reality and theoretical interpretation and drawing can be a useful part of this discourse. It’s as if the pencil allows the observer to interact with what is observed, forming a closer bond and probably a deeper level of understanding patterns and textures. I’m not saying it replaces a purely passive recording method like photography, but it can definitely help it.

I have not a shred of psychological evidence to back this up, but I’d also assert that sketching is very good for the learning process too.  Nowadays we tend to give out handouts of diagrams involved in physics, whether they relate to the design of apparatus or the geometrical configuration of a physical system. There’s a reason for doing this – they take a long time to draw and there’s a likelihood students will make mistakes copying them down. However, I’ve always  found that the only way to really take in what a diagram is saying is to try to draw it again myself. Even if the level of draftsmanship is worse, the level of understanding is undoubtedly better.Merely looking at someone else’s representation of something won’t give your brain as a good a feeling for what it is trying to say  as you would get if you tried to draw it yourself.

Perhaps what happens is that simply looking at a diagram only involves the connection between eye and brain. Drawing a copy requires also the connection between brain and hand. Maybe  this additional connection brings in additional levels of brain functionality. Sketching iinvolves your brain in an interaction that is different from merely looking.

The problem with excessive use of handouts – and this applies not only to figures  but also to lecture notes – is that they turn teaching into a very passive process. Taking notes in your own hand, and supplementing them with your own sketches – however scribbly and incomprehensible they may appear to other people – is  a much more active way to learn than collecting a stack of printed notes and meticulously accurate diagrams. And if it was good enough for Galileo, it should good enough for most of us!

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Take a note from me…

Posted in Education with tags , , , , on December 14, 2010 by telescoper

Having just given a lecture on probability and statistics to our first-year postgraduate students I thought I’d indulge in a bit of reflective practice (as the jargon goes) and make a few quick comments on teaching to see if I can generate some reaction. Part of the reason for doing this is that while I was munching my coffee and drinking my toast this morning – I’m never very coordinated first thing – I noticed an interesting post by a student on a blog  that somehow wound up referring some traffic to one of my old posts about lecture notes.

I won’t repeat the entire content of my earlier discussion, but one of the main points I made was about how inefficient many students are at taking notes during lectures, so much so that the effort of copying things onto paper must surely prevent them absorbing the intellectual content of the lecture.

I dealt with this problem when I was an undergraduate by learning to write very quickly without looking at the paper as I did so. That way I didn’t waste time moving my head to and fro between paper and screen or blackboard. Of course, the notes I produced using this method weren’t exactly aesthetically pleasing, but my handwriting is awful at the best of times so that didn’t make much difference to me. I always wrote my notes up more neatly after the lecture anyway. But the great advantage was that I could write down everything in real time without this interfering with my ability to listen to what the lecturer was saying.

An alternative to this approach is to learn shorthand, or invent your own form of abbreviated language. This approach is, however, unlikely to help you take down mathematical equations quickly…

My experience nowadays is that students aren’t used to taking notes like this, so they struggle to cope with the old-fashioned chalk-and-talk style of teaching that some lecturers still prefer. That’s probably because they get much less practice at school than my generation. Most of my school education was done via the blackboard..

Nowadays,  most lecturers use more “modern” methods than this. Many lecture using powerpoint, and often they give copies of the slides to students. Others give out complete sets of printed notes before, during, or after lectures. That’s all very well, I think, but what are the students supposed to be doing during the lecture if you do that? Listen, of course, but if there is to be a long-term benefit they should take notes too.

Even if I hand out copies of slides or other notes, I always encourage my students to make their own independent set of notes, as complete as possible. I don’t mean copying down what they see on the screen and what they may have on paper already, but trying to write down what I say as I say it. I don’t think many take that advice, which means much of the spoken illustrations and explanations I give don’t find their way into any long term record of the lecture.

And if the lecturer just reads out the printed notes, adding nothing by way of illustration or explanation, then the audience is bound to get bored very quickly.

My argument, then, is that regardless of what technology the lecturer uses, whether he/she gives out printed notes or not, then if the students can’t take notes accurately and efficiently then lecturing is a complete waste of time.

I like lecturing, because I like talking about physics and astronomy, but as I’ve got older I’ve become less convinced that lectures play a useful role in actually teaching anything. I think we should use lectures more sparingly, relying more on problem-based learning to instil proper understanding. When we do give lectures, they should focus much more on stimulating interest by being entertaining and thought-provoking. They should not be for the routine transmission of information, which is far too often the default.

Next year we’ll rolling out a new set of courses here in the School of Physics & Astronomy at Cardiff University. The express intent of this is to pare down the amount of material lectured to create more space for other types of activity, especially more exercise classes for problem-based learning. The only way to really learn physics is by doing it.

I’m not saying we should scrap lectures altogether. At the very least they have the advantage of giving the students a shared experience, which is good for networking and building a group identity. Some students probably get a lot out of lectures anyway, perhaps more than I did when I was their age. But different people benefit from different styles of teaching, so we need to move away from lecturing as the default option.

I don’t think I ever learned very much about physics from lectures, but I’m nevertheless glad I learned out how to take notes the way I did because I find it useful in all kinds of situations. Note-taking is a transferable skill, but it’s also a dying art.


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The Sketch Process

Posted in Art, Education, The Universe and Stuff with tags , , , , , , , , , on August 25, 2010 by telescoper

It’s pouring with rain so, rather than set off home and get drenched, I thought I’d spend a few minutes on the blog and hope that the deluge dies down before I leave. Knowing my luck it will probably get worse.

Anyway, I thought I’d put together a short item on the theme of sketching. This is quite a strange subject for me to pick because drawing is something I’m completely useless at, but I hope you’ll bear with me and hopefully it will make some sense in the end.

What  spurred me on to think about it was the exhibit I’ve been involved with for the forthcoming Architecture Biennale in Venice as part of a project called Beyond Entropy organized by the Architectural Association School of Architecture. Unfortunately, although I’d originally planned to attend I can’t be there for the opening Symposium, but I hope it turns out to be as successful event as it promises to be!

Anyway, in the course of this project I came across this image of the Moon as drawn by Galileo

This led to an interesting discussion about the role of drawings like this in science. Of course  the use of sketches for the scientific representation of images has been superseded by photographic techniques, initially using film and more recently by digital techniques. The advantage of these methods is that they are quicker and also more “objective”. However, there are still many amateur astronomers who make drawings of the Moon as well as objects such as Jupiter and Saturn (which Galileo also drew). Moreover there are other fields in which experienced practioners continue to use pencil drawings in preference to photographic techniques. Archaeology provides many good examples, e.g.

The reason sketching still has a role in such fields is not that it can compete with photography for accuracy or objectivity but that there’s something about the process of sketching that engages the sketcher’s brain in a  way that’s very different from taking a photograph. The connection between eye, brain and hand seems to involve a cognitive element that is extremely useful in interpreting notes at a later date. In fact it’s probably their very subjectivity that makes them useful.  A thicker stroke of the pencil, or deliberately enhanced shading, or leaving out seemingly irrelevant detail, can help pick out  features that seem to the observer to be of particular significance. Months later when you’re trying to write up what you saw from your notes, those deliberate interventions against objectivity will take you back to what you  saw with your mind, not just with your eyes.

It doesn’t even matter whether or not you can draw well. The point isn’t so much to explain to other people what you’ve seen, but to record your own interaction with the object you’ve sketched in a way that allows you to preserve something more than a surface recollection.

You might think this is an unscientific thing to do, but I don’t think it is. The scientific process involves an interplay between objective reality and theoretical interpretation and drawing can be a useful part of this discourse. It’s as if the pencil allows the observer to interact with what is observed, forming a closer bond and probably a deeper level of understanding patterns and textures. I’m not saying it replaces a purely passive recording method like photography, but it can definitely help it.

I have not a shred of psychological evidence to back this up, but I’d also assert that sketching is very good for the learning process too.  Nowadays we tend to give out handouts of diagrams involved in physics, whether they relate to the design of apparatus or the geometrical configuration of a physical system. There’s a reason for doing this – they take a long time to draw and there’s a likelihood students will make mistakes copying them down. However, I’ve always  found that the only way to really take in what a diagram is saying is to try to draw it again myself. Even if the level of draftsmanship is worse, the level of understanding is undoubtedly better.Merely looking at someone else’s representation of something won’t give your brain as a good a feeling for what it is trying to say  as you would get if you tried to draw it yourself.

Perhaps what happens is that simply looking at a diagram only involves the connection between eye and brain. Drawing a copy requires also the connection between brain and hand. Maybe  this additional connection brings in additional levels of brain functionality. Sketching iinvolves your brain in an interaction that is different from merely looking.

The problem with excessive use of handouts – and this applies not only to figures  but also to lecture notes – is that they turn teaching into a very passive process. Taking notes in your own hand, and supplementing them with your own sketches – however scribbly and incomprehensible they may appear to other people – is  a much more active way to learn than collecting a stack of printed notes and meticulously accurate diagrams. And if it was good enough for Galileo, it should good enough for most of us!

Now it’s stopped raining so I’m off home!


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