Archive for the History Category

An Unmarked Anniversary

Posted in History with tags , , , on April 19, 2024 by telescoper

I didn’t have time to mention yesterday, 18th April 2024, that it was the 75th anniversary of the day that that the Republic of Ireland came into existence. The  Republic of Ireland Act, which provided the legal basis for the establishment of a new Republic, was passed in 1948 but only came into force on 18th April 1949. From that point the Republic no longer had the British monarch as Head of State and was no longer part of the Commonwealth.

That day was marked with parades and celebrations but “Republic Day” never became the public holiday that might have been expected given how many other countries mark such events in their history and indeed is hardly marked at all, not even on its 75th anniversary. I have quite a few Irish friends who were unaware of the significance of yesterday’s date.

The reason is probably explained by the statement made by Éamon De Valera when he declined an invitation extended to him by Taoiseach John A. Costello to attend the official ceremonies on 18th April 1949:

Celebrations such as those now proposed ought to be reserved until the national task which we have set ourselves is accomplished…We still believe that public demonstrations and rejoicings are out of place and are likely to be misunderstood so long as that task remains uncompleted and our country partitioned.

The Last Mughal by William Dalrymple

Posted in History, Literature with tags , , , , , , , on April 15, 2024 by telescoper

The latest item on my sabbatical reading list is The Last Mughal by William Dalrymple. This is about Bahadur Shah Zafur, the last King of the Mughal Dynasty that ruled Hindustan from its capital Delhi for 350 years, but it’s really about the last years of his life, focusing on the Indian Rebellion (Uprising) of 1857, when Mughal rule was already in a state of decline, to his death in exile in Rangoon five years afterwards. His narrative makes much use of the Mutiny Papers, an enormous collection of correspondence from the time of the rebellion collected in India’s National Archive, and there is extensive use of quoted material. There is also an extensive glossary and some excellent illustrations.

I remember learning about the “Indian Mutiny” (as it was called then) when I was doing my O-level History (in 1979) but that was more-or-less entirely from a British perspective. The immediate trigger for the rebellion of the sepoys in the British Army, we were told with some amusement by our teacher, was that a rumour had spread that the grease used to lubricate cartridges for the newly-issued Enfield rifles contained a mixture of beef fat and lard, offensive to both Hindus and Muslims. The implication was that this was a silly and trivial matter. There was, of course, a lot more to it than that…

Dalrymple explains how the British, Hindus and Muslims in Delhi co-existed reasonably peacefully until the middle of the 19th Century; there were many mixed marriages and it was by no means unknown for British representatives of the East India Company to wear Indian dress. This began to change with the arrival of a new British colonial class who disrespected any religion other than their own form of Christianity; the same attitudes were held by this class towards Irish Catholics. Resentment had been building up among both Hindus and Muslims, who felt their beliefs were under threat. The Enfield rifles were just the spark that lit the fire.

Let me quote from the book:

But while Zafar was certainly never cut out to be a heroic or revolutionary leader, he remains, like his ancestor the Emperor Akbar, an attractive symbol of Islamic civilisation at its most tolerant and pluralistic. he himself was a notable poet and calligrapher; his court contained some of the talented and artistic and literary figures in modern South Asian history; and the Delhi he presided over was undergoing one of its great periods of learning, communal amity and prosperity. He is certainly a strikingly liberal and sensitive figure when compared to the Victorian Evangelicals whose insensitivity, arrogance and blindness did so much to bring the Uprising of 1857 down upon their own heads, and those of the people and court of Delhi, engulfing all of northern India in a religious war of terrible violence

The Last Mughal, pp. 483-4

The Indian Rebellion (which took place between May and September 1857) was on a huge scale and involved terrible atrocities: women and children were not spared, many of the executed in sadistic fashion. The rebels (“mutineers” to the British) flocked to Delhi drawn to the idea that the Mughal King would lead them to victory. Unfortunately Zafar was already an old man of 82 and he was in no fit state, either mentally or physically, to be a military leader. By then he had very little power as King anyway; he certainly had only modest financial resources. He was really more of a mascot than anything else.

The lack of military leadership at Delhi was a serious problem for the rebels. In the British army a sepoy was unable to rise to a rank that involved commanding more than about 100 men. There was no-one at Delhi capable of organizing and coordinating the huge rebel army, with the result that they were unable to dislodge a much smaller British force that had assembled on a ridge outside the city. Eventually a much larger British column arrived and Delhi’s fate was sealed. Not without themselves suffering heavy casualties, the British eventually stormed the Kashmiri Gate, entered the city, looted what they could find and massacred the remnants of the rebel army in revenge for the atrocities committed by the sepoys. The famous Red Fort was largely destroyed. A plan to flatten Delhi completely was seriously considered, but eventually rejected. What remained however was a City of the Dead – that’s the title of Chapter 11.

Zafar was eventually captured but in contrast to most of the rest of his family and members of his court, was not summarily executed but exiled to Rangoon where he died in obscurity just five years later.

This book is vividly written with a extraordinary eye for detail as well as a sense of the grand sweep of the history. It must be difficult to combine the large and small scale like that. Although it’s well written it’s not always easy to read. The graphic descriptions of indiscriminate slaughter by both sides made me very uncomfortable, as did the obvious racism of many British officials and army officers revealed by the Mutiny Papers. But these are part of history, and we have to be made aware of them.

Zafar was of course Muslim, but a significant majority – almost two-thirds – of the sepoys who took part in the rebellion were Hindus. It’s interesting that both factions seem to have been content to rally around the Mughal banner. At his “trial” the British authorities in the form of prosecutor Major Harriott tried to argue that Zafar was the leader of a global Muslim conspiracy.

Here’s another quote:

The Uprising in fact showed every sign of being initiated by upper-caste Hindu sepoys reacting against specifically grievances perceived as a threat to their faith and dharma.; it then spread rapidly through the country, attracting a fractured and diffuse collection of other groups alienated by aggressively insensitive and brutal British policies. Among these were the Mughal court and the many Muslim individuals who made their way to Delhi and fought as civilian jihadis united against the kafir enemy. Yet Harriott’s bigoted and Islamophobic argument oversimplified this complex picture down to an easily comprehensible, if quite fictional, global Muslim conspiracy with an appealingly visible and captive hate figure at its centre, towards whom righteous vengeance could now be directed.

The Last Mughal, pp. 439-40

I won’t dwell on the obvious and important lesson about how bigotry and intolerance feed extremism, as the one lesson one can learn from studying history is that nobody ever learns the most obvious and important lesson.

Two Poems by Sir Thomas Wyatt

Posted in History, Poetry with tags , , , , , , , on April 3, 2024 by telescoper

Another character who appears in Hilary Mantel’s novel Wolf Hall is Sir Thomas Wyatt (1503-1542) who was a diplomat and member of the Court of Henry VIII, as well as being a fine poet. I thought I would post two of his famous poems.

The first is a sonnet, written some time in the 1530s, is ostensibly a (loose) translation of Petrarch’s Una Candida Cerva and thus one of the first examples of a Petrarchan Sonnet written in English. That makes it interesting in its own right, but many people think that it is actually about Anne Boleyn. The use of hunting as a metaphor for courtly love was widespread and, despite being married, Wyatt seems to have had his eye on Anne Boleyn. As far as is known, however, they didn’t have a sexual relationship. Wyatt wisely backed off when he realized he was competing with Henry VIII (thinly disguised as “Caesar”) in the penultimate line; Noli me tangere means “do not touch me” in Latin.

Whoso list to hunt, I know where is an hind,
But as for me, hélas, I may no more.
The vain travail hath wearied me so sore,
I am of them that farthest cometh behind.
Yet may I by no means my wearied mind
Draw from the deer, but as she fleeth afore
Fainting I follow. I leave off therefore,
Sithens in a net I seek to hold the wind.
Who list her hunt, I put him out of doubt,
As well as I may spend his time in vain.
And graven with diamonds in letters plain
There is written, her fair neck round about:
Noli me tangere, for Caesar’s I am,
And wild for to hold, though I seem tame.

Wyatt was in fact confined to the Tower of London in 1536 on suspicion of having committed adultery with Anne Boleyn; adultery with the King’s wife was considered treason, a capital offence. While in the Tower, where he witnessed executions, possibly including that of Anne Boleyn herself and others accused of treason with her, he wrote this other famous poem

Who list his wealth and ease retain,
Himself let him unknown contain.
Press not too fast in at that gate
Where the return stands by disdain,
For sure, circa Regna tonat.

The high mountains are blasted oft
When the low valley is mild and soft.
Fortune with Health stands at debate.
The fall is grievous from aloft.
And sure, circa Regna tonat.

These bloody days have broken my heart.
My lust, my youth did them depart,
And blind desire of estate.
Who hastes to climb seeks to revert.
Of truth, circa Regna tonat.

The bell tower showed me such sight
That in my head sticks day and night.
There did I learn out of a grate,
For all favour, glory, or might,
That yet circa Regna tonat.

By proof, I say, there did I learn:
Wit helpeth not defence too yerne,
Of innocency to plead or prate.
Bear low, therefore, give God the stern,
For sure, circa Regna tonat.

The repeated Latin phrase circa Regna tonat is usually translated “Thunder rolls around the Throne”, a reference to the dangerous temperament of the King.

Wyatt was not executed in 1536, but released after the intervention of none other than Thomas Cromwell. It seems he had a habit of sailing rather close to the wind, and was in and out of trouble with the King, being charged again with treason in 1541 and again released. He died, apparently of natural causes, in 1541, at the age of 39.

Thomas Cromwell and his Prayer-Book

Posted in Art, History with tags , , , , , , on April 1, 2024 by telescoper
(1532-1533, Oil on Panel, 78.1 cm × 64.1 cm) by Hans Holbein the Younger – The Frick Collection, Public Domain, https://commons.wikimedia.org/w/index.php?curid=207764

The famous portrait of Thomas Cromwell by Hans Holbein the Younger shown above is in fact a copy; the original is lost. There is another copy in the National Portrait Gallery in London, but it’s not as good. The original was painted around 1533, during the period covered by the novel Wolf Hall (which I reviewed yesterday) and is mentioned in the book. Holbein is known for having sometimes painted excessively flattering portraits – most notably of Anne of Cleves – but he doesn’t seem to have done that here. Cromwell is portrayed as dour, stern-faced and more than a little scary. He probably wanted people to fear him, so wouldn’t have minded this.

As well as the nature of the likeness, the composition is interesting. The subject seems to be squashed into the frame, and hemmed in by the table that juts out towards the viewer. He is also looking out towards the viewer’s left, though not simply staring into space; his eyes are definitely focussed on something. I’m not sure what all this is intended to convey, except that the table carries an ornate prayer-book (the Book of Hours) as if to say “look, here’s a symbol of how devout this man is”.

Interesting, just last year scholars published research that argues that the copy of the Hardouyn Hours which can be found in the Library at Trinity College, Cambridge, is precisely the book depicted on the table. If so, it’s a rare and perhaps unique example of an artefact seen in a Tudor painting that survives to this day.

Wolf Hall by Hilary Mantel

Posted in History, Literature, Uncategorized with tags , , , , , , , on March 31, 2024 by telescoper

Still trying to use the spare time during my sabbatical to catch up on long-neglected reading, this Easter weekend – helped by the rainy weather – I finished Wolf Hall by Hilary Mantel, the first of her novels that I’ve read. This “historical novel” won the Booker Prize in 2009 and I understand was made into a play and a TV series, neither of which I have seen.

The novel is set in Tudor England in the reign of Henry VIII and revolves around Thomas Cromwell, who rose from lowly beginnings in Putney to be one of the powerful men in the country. Cromwell gets a surprisingly sympathetic treatment, at odds with most of the historical record which treats him largely as a cruel and unscrupulous character, undoubtedly clever but given to threats and torture if appeals to reason failed. From a 21st century perspective, it’s hard to find redeeming features in Cromwell. Or anyone else in this story, to be honest.

The historical events of the period covered by the book are dominated by Henry’s attempts to have his marriage of 24 years to Catherine of Aragon annulled so he could marry Anne Boleyn, along the way having himself declared the Supreme Governor of the Church in England, causing a split with Rome. Henry does marry Anne, and she bears him a daughter, destined to become Elizabeth I, though her second pregnancy ends in a miscarriage. The book ends in 1535 just after the execution of Thomas More, beheaded for refusing to swear the Oath of Supremacy.

(More was portrayed sympathetically in the play and film A Man For All Seasons though he was much disposed to persecution of alleged heretics, many of whom he caused to be burned at the stake for such terrible crimes as distributing copies of the Bible printed in English. Significant chunks of the penultimate chapter are lifted from the script of A Man For All Seasons but given a very different spin.)

Henry VIII is also portrayed in a somewhat flattering light; Anne Boleyn rather less so. Mary Tudor, Henry’s eldest daughter by Catherine of Aragon, cuts an unsurprisingly forlorn and intransigent. There are also significant appearances from other figures familiar from schoolboy history: Hugh Latimer, Cardinal Wolsey, and Thomas Cranmer; as well as those whose story is not often told, such as Mary Boleyn (Anne’s older sister). I have a feeling that Hilary Mantel was being deliberately courting controversy with her heterodox approach to characterization. She probably succeeded, as many professional historians are on record as hating Wolf Hall as much of it is of questionable accuracy and some is outright fiction.

Incidentally, one of the most negative reactions to this book that I’ve seen is from Eamon Duffy who is on record as detesting the historical figure of Thomas Cromwell and was “mystified by his makeover in Hilary Mantel’s Wolf Hall from a thuggish ruthless commoner to a thoughtful sensitive figure”. I mention this particularly because Eamon Duffy, an ecclesiastical historian, was my tutor when I was an undergraduate at Magdalene College, Cambridge.

On the other hand, Wolf Hall not meant to be a work of scholarly history: it is a novel and I think you have to judge it by the standards of whether it succeeds as a work of fiction. I would say that it does. Although rather long-winded in places – it’s about 640 pages long – it is vividly written and does bring this period to life with colour and energy, and a great deal of humour, while not shying away from the brutality of the time; the execution scenes are unflinchingly gruesome. The book may not be accurate in terms of actual history, but it certainly creates a credible alternative vision of the time.

It’s interesting that the title of this book is Wolf Hall when that particular place – the seat of the Seymour family – hardly figures in the book. However, one character does make a few appearances, Jane Seymour, who just a year after the ending of this book would become the third wife of Henry VIII. It also happened that Thomas Cromwell’s son, Gregory, married Jane’s sister, Elizabeth. I suppose I will have to read the next book in the trilogy, Bring Up The Bodies, to hear Mantel’s version of those events…

Cavete Quod Idibus Martiis

Posted in Film, History with tags , , on March 15, 2024 by telescoper

I almost forgot that today is the Ides of March , but I’ve remembered now and it’s not too late a priceless bit of cultural history relevant to such this fateful day. This is from the First Folio Edition of Carry On Cleo, and stars the sublime Kenneth Williams as Julius Caesar delivering one of the funniest lines in the whole Carry On series. The joke may be nearly as old as me, but it’s still a cracker…

And if one old joke isn’t enough for you, here is a Caesar Salad:

Euclid Update

Posted in Euclid, History, The Universe and Stuff on February 13, 2024 by telescoper

It’s a lovely sunny Saint Ash Valentine’s Wednesday Day in Australia though I’m not sure what day it is at the 2nd Lagrange Point of the Earth-Sun system. Nevertheless, as I mentioned last week, Euclid’s Wide Survey starts today; here is the official announcement of this from ESA. To mark this momentous event here is another nice video update showing the preparations that have been going on ahead of the arrival of the deluge of real data:

Among other things, you will see an appearance by Henry Joy McCracken whose namesake led the United Irishmen in the Rebellion of 1798.

A Century of Rhapsody in Blue

Posted in History, Jazz, Music with tags , , , on February 12, 2024 by telescoper

It is February 12th 2024, one hundred years to the day since the first performance of George Gershwin’s composition Rhapsody in Blue at the Aeolian Hall in New York by Paul Whiteman and his Palais Royal Orchestra with the composer himself on piano. This piece is has been a concert favourite for decades, but is usually heard in an arrangement for piano and full symphony orchestra which dates from 1942. The orchestration for that version was provided by Ferdi Grofe who had scored the original for Whiteman’s much smaller band back in 1924. Gershwin originally wrote the piece for two pianos, but didn’t know much about orchestration and had handed that task over to Grofe which the latter completed just a few days before the performance on February 12th 1924. It was not until the rehearsal with Whiteman’s band, however, that the famous opening took its now familiar shape.

The clarinet player with Paul Whiteman’s band in 1924 was a chap called Ross Gorman. It was his job to play the first few bars of Rhapsody in Blue, which had been scored for solo clarinet, consisting of a trill and then a long rising scale or arpeggio of more than two octaves. When they did the first play through Gorman didn’t play it as written but instead followed the trill with part of the scale followed by a long smeared glissando. Gorman often used smears to mimic laughing or sobbing noises, so this was a kind of trademark of his and came very naturally to him (though it is quite difficult to play a long glissando like this, especially slowly). There’s no question that it was “jazzed up” with humorous intent, but Grofe and Gershwin loved Gorman’s way of playing it, and that’s how it has been played ever since.

Rhapsody in Blue was a hit with the audience at its first performance, and has remained so with audiences around the world ever since. Sales of sheet music were good too! Critical reception was somewhat different, but those who disliked it were mostly judging it in comparison with classical music forms (e.g. a piano concerto) that it wasn’t attempting to be. I think it’s a piece to be enjoyed for its exuberance and atmosphere rather than thematic development or other more refined criteria.

There isn’t a recording of the original performance of 1924, but there is one of the same arrangement played by Paul Whiteman’s band in 1927 – complete with Ross Gorman on clarinet and George Gershwin again on piano. The difference is that it was played a bit faster for this recording than it was in concert so that it would fit on two sides of a 12″ record. Although I do think some modern performances of Rhapsody in Blue are too slow, this sounds to me rather rushed in places. The sound quality isn’t great either. Nevertheless, it’s an important piece of music history and it did sell over a million copies, so it would be remiss of me not to share it today!

University of Sydney, Physics, and Astronomy…

Posted in Biographical, History with tags , , , , on February 7, 2024 by telescoper

Here’s a gallery of random pictures I took on the way to the Physics Department at the University of Sydney this morning.

The academic year at the University of Sydney is about to start, with the new intake of students beginning to arrive next week and the first lectures taking place the week after that. The rows of tents are for the various student societies which will be hoping to recruit new members. The University was founded in 1850 and the architectural style of the older buildings on campus is what you might call Victorian Gothic Revival. There are also buildings dating from the 1920s, such as the Faculty of Medicine (1922) and the Physics Building (1924); the latter seems much bigger on the inside than the outside, and also has a new building next to it devoted to nanoscience.

I’ve posted before about the famous optical instrument manufacturer, the Grubb Telescope Company, founded in Dublin by Thomas Grubb and later renamed Grubb Parsons after its relocation to Newcastle upon Tyne. I’ve posted about other connections too, including the presence in the Physics Department in Barcelona of a refracting telescope made by Grubb. Imagine my surprise, then, when I saw yet another Grubb Telescope near the entrance to the Physics building of the University of Sydney, this one made in 1893. This is further evidence – as if it were needed – that, in its time, the Grubb Telescope Company really was the world leader in optical instrumentation.

P.S. The later manifestation of the Grubb Telescope Company – Grubb Parsons – also has Australian connections, including making the primary mirror for the Anglo-Australian Telescope (AAT) and building the UK Schmidt situated next to the AAT at Siding Spring Observatory (about 500 km from Sydney).

The Reinvention of Science

Posted in History, Literature, The Universe and Stuff with tags , , , , , on January 28, 2024 by telescoper

I’ve known about the existence of this new book for quite a long time – the first two of the authors are former collaborators of mine and I’m still in fairly regular touch with them – but I only received a copy a few weeks ago. Had I been less busy when it was in proof stage I might have been in a position to add to the many generous comments on the back cover from such luminaries as Martin Rees, Jim Peebles, Alan Heavens and, my hosts in Barcelona, Licia Verde and Raúl Jiménez. Anyway, now that I’ve read it I’m happy to endorse their enthusiastic comments and to give the book a plug on this blog.

One can summarize The Reinvention of Science as a journey through the history of science from ancient times to modern, signposted by mistakes, fallacies and dogma that have hindered rather than facilitated progress. These are, in other words, not so much milestones as stumbling blocks. Examples include the luminiferous aether and phlogiston to name but two. These and many other case studies are used to illustrate, for example, how supposedly rational scientists sometimes hold very irrational beliefs and act accordingly on them. The book presents a view of the evolution of science in spite of the suppression of heterodox ideas and the desire of establishment thinkers to maintain the status quo.

The volume covers a vast territory, not limited to astrophysics and cosmology (in which fields the authors specialize). It is a very well-written and enjoyable read that is strong on accuracy as well as being accessible and pedagogical. I congratulate the authors on a really excellent book.

P.S. I am of course sufficiently vain that I looked in the index before reading the book to see if I got a mention and was delighted to see my name listed not once but twice. The first time is in connection with the coverage of the BICEP2 controversy on this very blog, e.g. here. I am pleased because I did feel I was sticking my head above the parapet at the time, but was subsequently vindicated. The second mention is to do with this article which the authors describe as “beautiful”. And I didn’t even pay them! I’m truly flattered.