Archive for the Literature Category

The Moon and the Yew Tree

Posted in Poetry with tags , on December 3, 2017 by telescoper

This is the light of the mind, cold and planetary.
The trees of the mind are black. The light is blue.
The grasses unload their griefs at my feet as if I were God,
Prickling my ankles and murmuring of their humility.
Fumy spiritous mists inhabit this place
Separated from my house by a row of headstones.
I simply cannot see where there is to get to.

The moon is no door. It is a face in its own right,
White as a knuckle and terribly upset.
It drags the sea after it like a dark crime; it is quiet
With the O-gape of complete despair. I live here.
Twice on Sunday, the bells startle the sky –
Eight great tongues affirming the Resurrection.
At the end, they soberly bong out their names.

The yew tree points up. It has a Gothic shape.
The eyes lift after it and find the moon.
The moon is my mother. She is not sweet like Mary.
Her blue garments unloose small bats and owls.
How I would like to believe in tenderness –
The face of the effigy, gentled by candles,
Bending, on me in particular, its mild eyes.

I have fallen a long way. Clouds are flowering
Blue and mystical over the face of the stars.
Inside the church, the saints will be all blue,
Floating on their delicate feet over cold pews,
Their hands and faces stiff with holiness.
The moon sees nothing of this. She is bald and wild.
And the message of the yew tree is blackness – blackness and silence.

by Sylvia Plath (1932-1963)

Gravity begins at home

Posted in Music, Poetry with tags , , on November 30, 2017 by telescoper

 

The Stare’s Nest

Posted in Poetry with tags , , , , on November 28, 2017 by telescoper

The bees build in the crevices
Of loosening masonry, and there
The mother birds bring grubs and flies.
My wall is loosening; honey-bees,
Come build in the empty house of the stare.

We are closed in, and the key is turned
On our uncertainty; somewhere
A man is killed, or a house burned,
Yet no cleat fact to be discerned:
Come build in he empty house of the stare.

A barricade of stone or of wood;
Some fourteen days of civil war;
Last night they trundled down the road
That dead young soldier in his blood:
Come build in the empty house of the stare.

We had fed the heart on fantasies,
The heart’s grown brutal from the fare;
More Substance in our enmities
Than in our love; O honey-bees,
Come build in the empty house of the stare.

by William Butler Yeats (1865-1939)

Dublin, by Louis MacNeice

Posted in Poetry with tags on November 4, 2017 by telescoper

Grey brick upon brick,
Declamatory bronze
On sombre pedestals –
O’Connell, Grattan, Moore –
And the brewery tugs and the swans
On the balustraded stream
And the bare bones of a fanlight
Over a hungry door
And the air soft on the cheek
And porter running from the taps
With a head of yellow cream
And Nelson on his pillar
Watching his world collapse.

This never was my town,
I was not born or bred
Nor schooled here and she will not
Have me alive or dead
But yet she holds my mind
With her seedy elegance,
With her gentle veils of rain
And all her ghosts that walk
And all that hide behind
Her Georgian facades –
The catcalls and the pain,
The glamour of her squalor,
The bravado of her talk.

The lights jig in the river
With a concertina movement
And the sun comes up in the morning
Like barley-sugar on the water
And the mist on the Wicklow hills
Is close, as close
As the peasantry were to the landlord,
As the Irish to the Anglo-Irish,
As the killer is close one moment
To the man he kills,
Or as the moment itself
Is close to the next moment.

She is not an Irish town
And she is not English,
Historic with guns and vermin
And the cold renown
Of a fragment of Church latin,
Of an oratorical phrase.
But oh the days are soft,
Soft enough to forget
The lesson better learnt,
The bullet on the wet
Streets, the crooked deal,
The steel behind the laugh,
The Four Courts burnt.

Fort of the Dane,
Garrison of the Saxon,
Augustan capital
Of a Gaelic nation,
Appropriating all
The alien brought,
You give me time for thought
And by a juggler’s trick
You poise the toppling hour –
O greyness run to flower,
Grey stone, grey water,
And brick upon grey brick.

by Louis MacNeice (1907-1963)

 

I Grant You Ample Leave

Posted in Poetry with tags , , , on September 28, 2017 by telescoper

“I grant you ample leave
To use the hoary formula ‘I am’
Naming the emptiness where thought is not;
But fill the void with definition, ‘I’
Will be no more a datum than the words
You link false inference with, the ‘Since’ & ‘so’
That, true or not, make up the atom-whirl.
Resolve your ‘Ego’, it is all one web
With vibrant ether clotted into worlds:
Your subject, self, or self-assertive ‘I’
Turns nought but object, melts to molecules,
Is stripped from naked Being with the rest
Of those rag-garments named the Universe.
Or if, in strife to keep your ‘Ego’ strong
You make it weaver of the etherial light,
Space, motion, solids & the dream of Time–
Why, still ’tis Being looking from the dark,
The core, the centre of your consciousness,
That notes your bubble-world: sense, pleasure, pain,
What are they but a shifting otherness,
Phantasmal flux of moments?–“

by George Eliot (1819-1880)

 

Song of Creation

Posted in Poetry with tags , on September 20, 2017 by telescoper

Then there was neither Aught nor Nought, no air nor sky beyond.
What covered all? Where rested all? In watery gulf profound?
Nor death was then, nor deathlessness, nor change of night and day.
That One breathed calmly, self-sustained; nought else beyond it lay.

Gloom hid in gloom existed first – one sea, eluding view.
That One, a void in chaos wrapt, by inward fervour grew.
Within it first arose desire, the primal germ of mind,
Which nothing with existence links, as sages searching find.

The kindling ray that shot across the dark and drear abyss-
Was it beneath? or high aloft? What bard can answer this?
There fecundating powers were found, and mighty forces strove-
A self-supporting mass beneath, and energy above.

Who knows, who ever told, from whence this vast creation rose?
No gods had then been born – who then can e’er the truth disclose?
Whence sprang this world, and whether framed by hand divine or no-
Its lord in heaven alone can tell, if even he can show.

Translated by John Muir from the original (anonymous) Sanskrit text of a hymn.

Nothing, by Basil Bunting

Posted in Poetry with tags , , on September 4, 2017 by telescoper

I spent this weekend catching up with some old friends in London, and making the most of the opportunity to behave as a tourist. Most of my visits to the Capital are on business so it was nice to have the chance to wander around aimlessly. Anyway, when I got to Charing Cross I suddenly remembered I had a half-spent book token in my wallet, so popped into Foyles and bought this hefty tome, which had been on my list since I read about it when it was reviewed in TLS.

Basil Bunting was born in 1900 in the Scotswood area of Newcastle upon Tyne (i.e. not in the Midlands). His life story is fascinating. Imprisoned as a conscientious objector during World War 1, Bunting worked for the intelligence services in Persia during World War 2, after which he remained as the Times Correspondent in Iran. Eventually, after much travelling, he returned to England, winding up as a journalist working for the Newcastle Evening Chronicle. Largely through a very long poem called Briggflats Bunting established a reputation as a very important modernist poet who some felt was a worthy successor to T.S. Eliot, though Eliot did not rate his work particularly highly and Bunting’s main poetic influence was clearly Ezra Pound.

One thing I particularly like about the poems of Basil Bunting is that they sound so great when read out loud. `Compose aloud. Poetry is a sound.’ is a famous quotation of his. Unlike many poets he was utterly compelling when reading his own work ; see here for an excerpt of him reading Briggflats. He has a wonderful voice, and there’s music in the way he speaks.

Briggflats  is too long to reproduce here, so here’s a shorter one called Nothing:

Nothing
substance utters or time
stills and restrains
joins design and

supple measure deftly
as thought’s intricate polyphonic
score dovetails with the tread
sensuous things
keep in our consciousness.

Celebrate man’s craft
and the word spoken in shapeless night, the
sharp tool paring away
waste and the forms
cut out of mystery!

When taut string’s note
passes ears’ reach or red rays or violet
fade, strong over unseen
forces the word
ranks and enumerates…

mimes clouds condensed
and hewn hills and bristling forests,
steadfast corn in its season
and the seasons
in their due array,

life of man’s own body
and death…
The sound thins into melody,
discourse narrowing, craft
failing, design
petering out.

Ears heavy to breeze of speech and
thud of the ictus.

 

by Basil Bunting (1900-85).

Misty, by Ruth Padel

Posted in Poetry with tags , , on August 21, 2017 by telescoper

How I love

The darkwave music
Of a sun’s eclipse
You can’t see for cloud

The saxophonist playing ‘Misty’
In the High Street outside Barclays

Accompanied by mating-calls
Sparked off
In a Jaguar alarm

The way you’re always there
Where I’m thinking

Or several beats ahead.

by Ruth Padel

Grave Thoughts Again

Posted in Biographical, History, Literature with tags , , , , on August 13, 2017 by telescoper

This is my last full day in Copenhagen before flying back tomorrow evening, so I decided to take care of some unfinished business by visiting the famous Assistens Kirkegård  in the Nørrebro district of the city. I went there five years ago (almost to the day) but on that occasion I didn’t find the memorial I was looking for, that of the great Heldentenor Lauritz Melchior.

I was surprised to find at the time that his name was absent from the main index, and still doesn’t appear on the maps displayed at the cemetery. Its location is however now on a guide you can find online so I had little difficulty locating it this time round. In case anyone is interested it is in section F, near the western end of the park. Lauritz Melchior was cremated, and his remains interred in a small family plot:

The small slab to the left marks the burial of Lauritz Melchior:

In fact this memorial is not far from that of another famous Dane I missed last time, pioneering physicist Hans Christian Ørsted:

The Hans Christian Ørsted Institute, part of the University of Copenhagen, is a short walk from the main buildings of the Niels Bpohr Institute. It houses Chemistry and Mathematical Sciences and some physicists of the Niels Bohr Institute.

You might think that a cemetery was a rather morbid choice of place to go for a stroll in the sunshine, but actually it’s not that way at all. It’s actually a rather beautiful place, a very large green space criss-crossed by pleasant tree-lined paths. These are poplars:

We British have a much more reserved attitude to cemeteries than the Danes seem to have, at least judging by  their behaviour in this place; joggers and cyclists pass through Assistens Cemetery at regular intervals, and many people were having picnics or just sitting and reading between the gravestones.  I find this matter-of-fact attitude to the dead rather refreshing, actually.

Part of the attraction of Assistens Kirkegård – the name derives from the fact that it was originally an auxiliary burial place, outside the main city, designed to take some of the pressure off the smaller cemeteries in the inner areas – is the large number of famous people buried there, many of whose graves I found last time. I didn’t however notice the large area devoted to common graves nor did I realise that there was a memorial to French and Belgian soldiers of World War 1. Most of these died in 1919, which puzzled me. It turns out that they had been prisoners of war and many of them were ill or injured and had been sent to Copenhagen to recuperate only to be struck down by the Spanish ‘flu epidemic of 1919.

It’s noticeable that some of the smaller graves are extremely well-tended whereas many of the more opulent memorials are in a state of considerable disrepair. I think there’s a moral in there somewhere. My ambition is to be forgotten as quickly as possible after my death so the idea of anyone erecting some grandiose marble monument on my behalf fills me with horror, but I have to say I do find graveyards are strangely comforting places. Rich and poor, clever and stupid, ugly and beautiful; death comes to us all in the end. At least it’s very democratic.

August, a poem by Viggo Stuckenberg

Posted in Poetry with tags , , , on August 1, 2017 by telescoper

Hr. Preben pusler i Skovens Bryn,
fæster Doner, binder Bær, Bær saa rosenrøde,
bryder et Blad og bøjer en Kvist,
at liflig de Bær kunne gløde.

‘Kramsfugl! Kramsfugl! nu er det Tid!
Falder Havren, synger Segl over alle Agre,
bliver ej større en eneste Blomst,
ej Lundene mere fagre!

Gunild! Gunild! nu gulnes goldt
alle Løfter, al Lokken, al Leg fra Skærsommer!
Viger den Haand, som ikke jeg greb,
og aldrig vi sammen kommer!

Thi længst er leden den lyse Vaar,
levnet Nætter i Mulm, levnet flygtende Fugle!
Den, som ved det, maa sidde kvær
og skogre som gammel Ugle!’

Hr. Preben pusler i Skovens Bryn,
fæster Doner, binder Bær, Bær saa lifligt røde:
‘Kramsfugl! Dig sender jeg hende kvalt
og ler stor Elskov til Døde!’

by Viggo Stuckenberg (1863-1905)