Archive for the Literature Category

Euclid Alone Has looked On Beauty Bare

Posted in Euclid, Poetry, The Universe and Stuff with tags , , on September 25, 2011 by telescoper

Euclid alone has looked on Beauty bare.
Let all who prate of Beauty hold their peace,
And lay them prone upon the earth and cease
To ponder on themselves, the while they stare
At nothing, intricately drawn nowhere
In shapes of shifting lineage; let geese
Gabble and hiss, but heroes seek release
From dusty bondage into luminous air.
O blinding hour, O holy, terrible day,
When first the shaft into his vision shone
Of light anatomized! Euclid alone
Has looked on Beauty bare. Fortunate they
Who, though once only and then but far away,
Have heard her massive sandal set on stone.

by Edna St Vincent Millay (1892-1950)

And Death shall have no Dominion

Posted in Poetry with tags , , on September 17, 2011 by telescoper

I’ve been meaning to post this marvellous reading by Dylan Thomas of his poem, And Death Shall Have No Dominion, and the sad news of the death of four miners in Gleision colliery near Pontardawe not far from Thomas’ own home town of Swansea makes this a fitting time to post it as a mark of respect to the four men and their grieving families.

And death shall have no dominion.
Dead mean naked they shall be one
With the man in the wind and the west moon;
When their bones are picked clean and the clean bones gone,
They shall have stars at elbow and foot;
Though they go mad they shall be sane,
Though they sink through the sea they shall rise again;
Though lovers be lost love shall not;
And death shall have no dominion.

And death shall have no dominion.
Under the windings of the sea
They lying long shall not die windily;
Twisting on racks when sinews give way,
Strapped to a wheel, yet they shall not break;
Faith in their hands shall snap in two,
And the unicorn evils run them through;
Split all ends up they shan’t crack;
And death shall have no dominion.

And death shall have no dominion.
No more may gulls cry at their ears
Or waves break loud on the seashores;
Where blew a flower may a flower no more
Lift its head to the blows of the rain;
Though they be mad and dead as nails,
Heads of the characters hammer through daisies;
Break in the sun till the sun breaks down,
And death shall have no dominion.

Dolor

Posted in Poetry with tags , on September 12, 2011 by telescoper

I have known the inexorable sadness of pencils,
Neat in their boxes, dolor of pad and paper-weight,
All the misery of manila folders and mucilage,
Desolation in immaculate public places,
Lonely reception room, lavatory, switchboard,
The unalterable pathos of basin and pitcher,
Ritual of multigraph, paper-clip, comma,
Endless duplication of lives and objects.
And I have seen dust from the walls of institutions,
Finer than flour, alive, more dangerous than silica,
Sift, almost invisible, through long afternoons of tedium,
Dropping a fine film on nails and delicate eyebrows,
Glazing the pale hair, the duplicate grey standard faces.

by Theordore Roethke (1908-63).

 

The Rainbow

Posted in Poetry with tags , on September 4, 2011 by telescoper

It’s almost sunset, but I just saw a rainbow on the way back from the corner shop. It reminded me of this lovely little poem.

My heart leaps up when I behold
A rainbow in the sky:
So was it when my life began;
So is it now I am a man;
So be it when I shall grow old,
Or let me die!
The Child is father of the Man;
I could wish my days to be
Bound each to each by natural piety.

by William Wordsworth (1770-1850).

MCMXIV

Posted in Poetry with tags , , on August 29, 2011 by telescoper

Those long uneven lines
Standing as patiently
As if they were stretched outside
The Oval or Villa Park,
The crowns of hats, the sun
On moustached archaic faces
Grinning as if it were all
An August Bank Holiday lark;
And the shut shops, the bleached
Established names on the sunblinds,
The farthings and sovereigns,
And dark-clothed children at play
Called after kings and queens,
The tin advertisements
For cocoa and twist, and the pubs
Wide open all day;
And the countryside not caring
The place-names all hazed over
With flowering grasses, and fields
Shadowing Domesday lines
Under wheats’ restless silence;
The differently-dressed servants
With tiny rooms in huge houses,
The dust behind limousines;
Never such innocence,
Never before or since,
As changed itself to past
Without a word–the men
Leaving the gardens tidy,
The thousands of marriages
Lasting a little while longer:
Never such innocence again.

by Philip Larkin (1922-1985).

I came across this while searching for a poem to post on an August Bank Holiday  (because today is one of those). I hadn’t expect to find something like this though! Larkin isn’t known as a war poet, but I find his detachment and use of irony in this poem- e.g. comparing the lines of men in the trenches to those queuing to watch cricket or football – as devastating as some of the more obviously visceral works of the genre.

Murder on the Railway

Posted in History, Literature with tags , , , , , , , , on August 28, 2011 by telescoper

I recently finished reading a book called Mr Briggs’ Hat by Kate Colquhoun, “a sensational account of Britain’s first railway murder”. In fact the subtitle isn’t particularly apt because this is a sober yet fascinating account of a famous Victorian crime, the investigation and trial that followed it. It’s a gripping story because it involves not only the elements of the classic “locked room” murder mystery, but also the pursuit of the suspect across the Atlantic to New York.

I won’t describe the story in full, as the details can be found in many places on the net. In a nutshell, the victim of this crime was a 70-year old well-to-do banker by the name of Thomas Briggs, who was found lying on the tracks of the North London Railway, between Bow and Hackney Wick (also known as Victoria Park) stations on the evening of 9th July 1864. He was carried to a nearby pub, but died later that evening of  extensive injuries to the head.

Briggs had boarded a first class compartment of the 21.45 train from Fenchurch Street station in order to travel to his home in Hackney. When the train had arrived at Hackney Central, at 22.10, one  compartment, with nobody inside, was found to be covered  in bloodstains; an empty leather bag and a walking stick were also found. It wasn’t hard to put two and two together;  some of Briggs’ possessions were found in the compartment, as was a battered hat. After Briggs’ death his family were asked to identify the various items that had been found, which they did, apart from the hat, which wasn’t his. Mr Briggs’ own hat had vanished.

All the evidence suggested that Briggs had been violently attacked and then thrown from the train. Perhaps he had tried to defend himself and in the course of a struggle had knocked off his assailant’s hat. In the rush to leave, or perhaps because his own was damaged, the murderer must have picked up the top hat Mr Briggs had been wearing. Briggs’ watch had apparently also been stolen.

After many false leads and a great deal of frustration the police finally developed a plausible suspect, an impoverished German tailor by the name of Franz Muller. Muller had apaprently been trying to raise money in order to travel to America and had in fact already boarded a ship to make the Atlantic crossing by the time the police were on his trail. However, Muller had travelled the cheapest way possible, on a sailing ship, steerage class.  Detective Richard Tanner, who led the police investigation, realised that if he travelled on a faster steamship he could still get to New York before Muller. So off he went, with a number of key witnesses in tow so he could produce them at an extradition hearing. This was all at the height of the American Civil War, incidentally, but the Muller case still made front page news in New York.

In fact Muller’s ship, the Victoria, took 40 days to reach New York – it must have been a terrible journey! – and Tanner arrived almost three weeks before that, so he had plenty of time to prepare to arrest his man. When Muller arrived he went meekly and when his possessions were searched the police found a watch with a serial number that matched Mr Briggs’. Muller also had a hat, but it didn’t quite match the description of the one belonging to Mr Briggs, as it had apparently been cut down. Such was the fame attached to this case that the style of a cut down top hat subsequently became universally known as a “”Muller” . Winston Churchill liked to wear one, apparently…

Anyway, Tanner secured the extradition warrant and returned to England with Muller, who was committed for trial at the Old Bailey and held on remand at Newgate. The trial lasted only three days, and it took the jury only 15 minutes to return a verdict of guilty. Muller was hanged at the public gallows at Newgate on November 14 1864. A huge crowd turned out to watch and there was so much disorder that the police feared a full-blown riot would break out. Such was the concern about this event that within a few years the practice of public executions was discontinued.

One of the reasons for the unrest at Muller’s execution was that there was a public outcry about the result of the trial. Many questions that had arisen during the trial had never been satisfactorily answered and Muller had continued to protest his innocence. He claimed that he had obtained the hat himself at a second-hand shop and had bought the watch in a similar fashion down at the docks, where stolen goods were regularly flogged. The law of the time, however, considered defendants on murder charges (and their spouses)  to be “incompetent witnesses”, which meant that they were not allowed to take the stand  in their own defence. Muller was therefore never given the opportunity to give his own account of what happened that evening. He had an alibi, in fact, that he’d spent the evening with a ladyfriend so she was called as a defence witness. It turned out however that she was a prostitute, and therefore lacking in credibility to a Victorian jury, and was also profoundly deaf. The prosecution tore her to shreds on the witness stand.

The compartment  in which the crime took place was a mess, with blood spatter and general signs of a disturbance. Why then did nobody else on the train hear anything? And how did Muller avoid getting any blood on his own clothes? A poor man like Muller would not have an extensive wardrobe, and his landlady (who also washed his clothes) hadn’t noticed any bloodstains on the night of the crime, or in the days afterwards before Muller left for New York. And how did he get off the train? Nobody saw him at Hackney station. Did he jump onto the tracks?

An important prosecution witness was a cab driver called Matthews, who testified to having helped Muller pawn various items. However, Matthews reliability was called into question when inconsistencies were found between his testimony on the witness stand and statements he had made earlier to the police. It also transpired that he was heavily in debt and clearly had his eyes on the reward that had been offered in connection with the murder. In fact it was £300, a huge sum in those days…

Another important question was raised at trial by  a railway employee who had noticed Mr Briggs, a regular passenger on the North London railway, on the train at Bow station in a first class compartment with not one but two other men, neither of whom matched the description of Muller (who was short of stature  and of slight build). The prosecution rubbished this testimony too, but it turns out that the police had found four other witnesses who had seen the same thing: Briggs in his compartment with two other men. In those days, however, the police were not obliged to disclose evidence to the defence if it was not used at trial. Had five independent witnesses all delivered corroborating testimony then there might well have been reasonable doubt about Muller’s guilt.

Above all, Muller just didn’t seem to behave like a murderer. He had told his friends well in advance of his departure for the United States, and had travelled in his own name without any attempt to conceal his identity. He was mild mannered and polite, on the small side, and not at all what the public expected of the perpetrator of such a violent crime. He was also quite small. Was he really capable of beating the much larger, if older, Briggs to death and then heaving his body out of the train all on his own?

All the evidence against Muller was circumstantial. No eyewitness put him on the train that night in 1864 and there was no forensic evidence to connect him with the crime scene. There was a bloody thumbprint on the hat left at the scene and a bloody handprint on the carriage door, either of which could have been conclusive, but decades were to pass before fingerprint analysis was to become an established part of forensic science. DNA or other trace evidence could of course also have been used to determine whether any of the blood in the carriage was Muller’s or even if he had worn either hat.

And what was Muller’s motive? Contrary to the suggestion that he was looking for money to allow him to move to New York, he seems to have had enough money already to pay for his ticket, because he had already bought it when the murder happened. It could have been an impulse. Perhaps he saw Briggs, who was wont to doze off on the train, and attempted to rob him but woke him up and a struggle ensued; but this seems very out of character.

However, the final words on this case should perhaps be those uttered by Muller himself just seconds before he took the drop. The prison chaplain, anxious for the confession that would bring closure to the case, stepped forward and asked “Did you do it?”. Muller reportedly answered, in German, “Ich habe es getan…”

Anyway, I found Mr Briggs’ Hat a fascinating read, fully of atmosphere and detail of the period and it yields fascinating insights into the social history of Victorian London. One of the things that got me especially interested in it was that the place it all happened is so close to where I used to live and work in the East End of London. On which note…

..I was curious about the route taken by Thomas Briggs from Fenchurch Street to Hackney, as no underground or overground railway goes that way nowadays. A bit of research (i.e. Google) revealed just how extensive the railway network was in the 1860s. Here is a map showing the relevant routes:

You can see that the service Mr Briggs took travelled in a roughly easterly direction out of Fenchurch street, along the route of the London and Blackwall Railway to Limehouse (the station there was named Stepney in those daysn, before swinging to the north. This railway is long since defunct but for much of its length this part of the route is followed by the modern Docklands Light Railway which carries on towards Poplar and London Docklands. However, the train Mr Briggs diverged from this route; it carried on  over the Regents Canal and across Burdett Road (where apparently there once was a station, although it didn’t open until 1871) before reaching Bow Station where it linked up with the North London Railway.  This part of the route doesn’t exist at all nowadays,  although there is still a railway bridge over Burdett Road carrying trains to and from destinations further to the east. Moreover,   “Bow Station” wasn’t either of the current stations at Bow (Bow Road, on the District and Hammersmith and City Underground lines or Bow Church on the Dockland Light Railway) but a much larger station which has now also vanished, but whose location you can  find next to the blue arrow on this map:

The line extending out of the top of the map is the route taken by the North London Railway at the time, essentially up the eastern side of Victoria Park, passing through Old Ford, before turning to the west to arrive at Hackney.

So what happened to this railway and all its stations? Well, if I tell you that they were all closed to the public in 1944 then you can probably guess. This part of London was heavily bombed during the Second World War, and not only during the Blitz. In fact Bow Station was hit by a V1 flying bomb and damaged beyond repair, but that was after operations on the North London Line had already been suspended because of bomb damage.

You can find a huge amount of fascinating detail about the disused stations on the North London Railway and elsewhere here.

The Salutation

Posted in Poetry with tags , , on August 22, 2011 by telescoper

It’s been far too long since I posted a poem by my favourite of the metaphysical poets, Thomas Traherne (who lived from c. 1636 to 1674), so here’s another of his remarkable works, called The Salutation, in which he ponders the deepest questions of existence complete with authentic 17th century spelling…

These little Limbs,
These Eys and Hands which here I find,
This panting Heart wherwith my Life begins;
Where have ye been? Behind
What Curtain were ye from me hid so long!
Where was, in what Abyss, my new-made Tongue?

When silent I
So many thousand thousand Years
Beneath the Dust did in a Chaos ly,
How could I Smiles, or Tears,
Or Lips, or Hands, or Eys, or Ears perceiv?
Welcom ye Treasures which I now receiv.

I that so long
Was Nothing from Eternity,
Did little think such Joys as Ear and Tongue
To celebrat or see:
Such Sounds to hear, such Hands to feel, such Feet,
Beneath the Skies, on such a Ground to meet.

New burnisht Joys!
Which finest Gold and Pearl excell!
Such sacred Treasures are the Limbs of Boys
In which a Soul doth dwell:
Their organized Joints and azure Veins
More Wealth include than all the World contains.

From Dust I rise
And out of Nothing now awake;
These brighter Regions which salute mine Eys
A Gift from God I take:
The Earth, the Seas, the Light, the lofty Skies,
The Sun and Stars are mine; if these I prize.

A Stranger here,
Strange things doth meet, strange Glory see,
Strange Treasures lodg’d in this fair World appear,
Strange all and New to me:
But that they mine should be who Nothing was,
That Strangest is of all; yet brought to pass.

More Cosmological Haiku

Posted in Poetry, The Universe and Stuff with tags , , , , on August 18, 2011 by telescoper

In view of my current rather hectic schedule – why else would I be up at this ungodly hour? – I thought I’d combine another bit of recycling with some audience participation. I’ve updated below the list of Haiku I posted some time ago with some new ones I’ve jotted down at random intervals over the intervening months.

How about a few Haiku of your own on themes connected to astronomy, cosmology or physics?

Don’t be worried about making the style of your contributions too authentic, just make sure they are 17 syllables in total, and split into three lines of 5, 7 and 5 syllables respectively.

Here are some of my own to get you started:

Quantum Gravity:
The troublesome double-act
Of Little and Large

Gravity’s waves are
Traceless; which does not mean they
Can never be found

The Big Bang wasn’t
So big, at least not when you
Think in decibels.

Cosmological
Constant and Dark Energy
Are vacuous names

Microwave Background
Photons remember a time
When they were hotter

Isotropic and
Homogeneous metric?
Robertson-Walker

Galaxies evolve
In a complicated way
We don’t understand

Acceleration:
Type Ia Supernovae
Gave us the first clue

Cosmic Inflation
Could have stretched the Universe
And made it flatter

Astrophysicist
Is what I’m told is my Job
Title. Whatever.

“Clusters look cool,”  said
Sunyaev and Zel’dovich,
“because they are hot”.

Gaussianity
is produced by inflation,
normally speaking.

Gravity waves are
a kind of perturbation;
they make you tensor

Bubble collisions
Leave marks in the C-M-B
To please A. Linde

This Haiku contains
“Baryon Oscillations”
in its middle line.

What should we build next:
S-K-A or E-L-T?
Or maybe neither…?

J W* S T,
(the James Webb Space Telescope);
long name, big budget

* “W” has to be pronounced “dubya” for this one to work!

Contributions welcome via the comments box. The best one gets a chance to win Bully’s star prize.

Deep River

Posted in Literature with tags , , , on August 16, 2011 by telescoper

I’ve just finished reading a strange but wonderful book entitled Thames: Sacred River written by Peter Ackroyd. On one level it’s a kind of biography of the River Thames, from prehistoric times to the present day, but it’s much more complex and involving than a simple narrative history. What Ackroyd does is to look a the river from many different angles, each time focussing on a different aspect. There are chapters on connections between the Thames and human life- religious observance, art and artists, poetry and literature, commerce and crime and so on – as well as its wildlife, geology and other physical properties. As you can probably imagine, this means that the book jumps backwards and forwards through history, often visiting the same period many times but from a different perspective.

Rather like the river whose progress it charts, this book is both large and meandering.  I have to admit that at times I found it heavy going. Ackroyd’s prose is often magisterial in its beauty, but he does get a bit grandiose every now and then. I got a bit irritated by his persistent use of the word “riverine”, for example. I’ve nothing against the word itself, but he uses it with such regularity that you can predict when the next appearance is due, as if he’d  allowed him a certain number at the outset and determined to spread them uniformly through the text.

Despite all that, what makes this book so wonderful  is that,  for all its majestic sweep, it’s also full of rich and fascinating detail. Surprising little tidbits of information appear on practically every page to illustrate some aspect of the river, some playful and amusing, others dark and disturbing. Ackroyd’s mastery of the little details is really marvellous and it more than compensates for his occasional verbosity. I’d heartily recommend this as a work that can be read all the way through, but is also very rewarding to dip into.

As usual with my little reviews I’m not going to give a systematic description of the book, but just pick something that struck me as a read it to try to convey an impression of the content.  Near the end there’s a chapter about a particularly dark side of the Thames,  namely its association with death by drowning. For a start I was staggered to read that there are approximately 400 suicides each year involving people jumping into the Thames at some point along its length; most, but by no means all, of these happen in London. It’s also striking that this figure appears not to have changed much over the past couple of centuries. The Thames seems to be a magnet for the suicidal. Not long ago, a young French lady travelled all the way to London from Paris, specifically to throw herself in the Thames.

But, of course, not all deaths by drowning are suicides. Over the centuries countless unfortunate people have lost their lives by falling accidentally into the water. The worst peacetime  loss of life in the history of the Thames occurred on September 3rd 1878 when a paddle steamer, the Princess Alice, collided with a collier and sank almost immediately. Many passengers on the Alice died by drowning, but most of those that didn’t drown suffered the perhaps worse fate of being poisoned by the heavily polluted water in the river. Many of those rescued died in the ensuing days and weeks of unknown ailments almost certainly caused the range toxic materials that were routinely dumped in the Thames in thos days. It’s estimated that around 700 people died altogether as a result of the sinking of the Princess Alice.

I knew about this terrible event before reading Ackroyd’s book, as it features prominently in others I read about the East End of London when I  lived there, years ago. However, one particularly unsettling  coincidence  had escaped my attention until now. Apparently, one of the very few survivors of the Princess Alice disaster was a young woman by the name of Elizabeth Stride. She lived another ten years, in fact. But her ultimate fate was to be no happier than the many who died in 1878. On 30th September 1888 she became the third victim of Jack the Ripper….

There is a pleasure in the pathless woods

Posted in Poetry with tags , , on August 12, 2011 by telescoper

There is a pleasure in the pathless woods,
There is a rapture on the lonely shore,
There is society, where none intrudes,
By the deep sea, and music in its roar:
I love not man the less, but Nature more,
From these our interviews, in which I steal
From all I may be, or have been before,
To mingle with the Universe, and feel
What I can ne’er express, yet cannot all conceal.

by George Gordon, Lord Byron (1788-1824)