Archive for the Literature Category

Aurora Borealis

Posted in Poetry, The Universe and Stuff with tags , on March 8, 2011 by telescoper

What power disbands the Northern Lights
After their steely play?
The lonely watcher feels an awe
Of Nature’s sway,
As when appearing,
He marked their flashed uprearing
In the cold gloom–
Retreatings and advancings,
(Like dallyings of doom),
Transitions and enhancings,
And bloody ray.

The phantom-host has faded quite,
Splendor and Terror gone
Portent or promise–and gives way
To pale, meek Dawn;
The coming, going,
Alike in wonder showing–
Alike the God,
Decreeing and commanding
The million blades that glowed,
The muster and disbanding–
Midnight and Morn.

by Herman Melville (1819-1891)


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Another Poem for Another St David’s Day

Posted in Poetry with tags , , on March 1, 2011 by telescoper

It’s St David’s Day again. Tonight I’m off to the St David’s Day concert at St David’s Hall, which is being broadcast live on BBC Radio 3 and which should have a cracking atmosphere because it’s sold out. Since we’ve got front-row seats you might even hear me coughing! I’ll try to post a review in due course, either this evening or tomorrow morning.

In case you’re wondering, I’m up early this morning in order to get a full day’s work in before the concert which starts at 7pm and which will need me to leave work earlier than usual.

Last year I marked the occasion of St David’s Day with a poem by Dylan Thomas and I’ve noticed that quite a few people have been reading that post in the last few days. It seems appropriate therefore to post another poem this year. It’s only since coming to Wales – which I did less than four years ago – that I’ve discovered the poetry of R.S. Thomas and in that short time I’ve developed a respect bordering on reverence for his work. It seems entirely fitting that I put up an example of his poems on St David’s Day. I hope you enjoy it!

There Is A Being, They Say by R. S. Thomas (1913-2000)

There is a being, they say,
neither body nor spirit,
that is more power than reason, more reason
than love, whose origins
are unknown, who is apart
and with us, the silence
to which we appeal, the architect
of our failure. It takes the genes
and experiments with them and our children
are born blind, or seeing have
smooth hands that are the instruments
of destruction. It is the spoor
in the world’s dark leading away
from the discovered victim, the expression
the sky shows us after
an excess of spleen. It has gifts it
distributes to those least fitted
to use them. It is everywhere and
nowhere, and looks sideways into the shocked face
of life, challenging it to disown it.

And here is the poet himself reading it


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In February

Posted in Biographical, Poetry with tags , , on February 23, 2011 by telescoper

Another busy day – mainly filled with form-filling but also including a tutorial and a meeting of our cosmology discussion group – and tonight, for the second week running, I’m off to a lecture at Cardiff Scientific Society. This time it’s by our own Haley Gomez entitled Smoking Supernovae. And here am I trying to give up!

Anyway, I’m going to do what I usually do when I haven’t got time for a proper post and that is put up a bit of poetry. Appropriate for the time of year, in hopeful anticipation of the forthcoming spring, I offer you this (from a poem entitled In February written by Alice Meynell).

Rich meanings of the prophet-Spring adorn,
Unseen, this colourless sky of folded showers,
And folded winds; no blossom in the bowers;
A poet’s face asleep in this grey morn.
Now in the midst of the old world forlorn
A mystic child is set in these still hours.
I keep this time, even before the flowers,
Sacred to all the young and the unborn


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An Englishman in New York

Posted in Biographical, Literature, Music with tags , , , on February 20, 2011 by telescoper

Yesterday’s post about Bayesian statistics has generated over a thousand hits in just a day – highly unusual for a Saturday posting at In the Dark. I guess that proves that there’s a lot of interest out there in such matters, so I’ll return to the theme as soon as I have both the time and the energy, which might take a while because those are conjugate variables!

After yesterday’s exertions I felt like relaxing this morning, and I did so by transferring some of my old vinyl (and even shellac!) records into digital format using a USB turntable. I’m a bit frustrated by the fact that some of my favourite classic old jazz records aren’t available on Youtube and am thinking of correcting that at some point myself, despite my latent technophobia.

However, in the course of rooting about in my record collection I found a vinyl single of this record by Sting, the Ben Liebrand remix to be precise. It is, of course, a homage to the late Quentin Crisp whose book The Naked Civil Servant I read after seeing the wonderful film starring John Hurt, which was broadcast on the BBC in 1975, when I was 12. I found inspiration in both, for reasons I probably don’t need to spell out. Crisp emigrated to the United States in 1981 and lived the last years of his life in a dingy one-room apartment in New York City.

There’s another quasi-biographical connection with this record. When I was a little kid living in Benwell, my Dad used to play the drums with local jazz bands. At the time Sting (or plain Gordon Sumner as he was then known) was working as a supply teacher in the area and he played the double-bass with local groups too, including the Phoenix Jazz Band and the River City Jazz Band; the latter was certainly a band my father played with from time to time. My Dad once told me that he had played with Sting on a number of occasions, and he’d even practised in our garage, but I’m not sure how much of that is actually true.

Incidentally, in case you didn’t know, Sting got his nickname playing with jazz bands in the North-East. He always refused to wear the band uniforms but instead tended to turn up for gigs wearing a black and yellow hooped jumper which made him look a bit like a bee, hence the name.

This isn’t a jazz record, of course, but it does feature Branford Marsalis (brother of the trumpeter Wynton Marsalis) on soprano saxophone. I bought a soprano saxophone some time ago and tried to play along with the track just now – the chords aren’t very complicated so it shouldn’t have been too difficult even for an incompetent like me. However, I’m finding the soprano sax quite a recalcitrant beast which is very difficult to play in tune. I’m not sure why. I manage all right with its bigger brother the tenor sax. Perhaps it’s my embouchure? Or, as jazz musicians say, I haven’t got the chops?

I’ll just quote one particularly telling  verse from the lyrics:

Takes more than combat gear to make a man
Takes more than a license for a gun
Confront your enemies, avoid them when you can
A gentleman will walk but never run


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Ozymandias

Posted in Poetry with tags , , on February 16, 2011 by telescoper

Since I posted an item about Shelley a couple of days ago I’ll use that as an excuse to post this famous poem by him.It’s a well-known piece, but not a lot of people know that it was actually written in 1817, as part of a sonnet-writing contest between Shelley and Horace Smith.

I wonder why it always makes me think of STFC?

I met a traveller from an antique land
Who said: “Two vast and trunkless legs of stone
Stand in the desert. Near them on the sand,
Half sunk, a shattered visage lies, whose frown
And wrinkled lip and sneer of cold command
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them and the heart that fed.
And on the pedestal these words appear:
`My name is Ozymandias, King of Kings:
Look on my works, ye mighty, and despair!’
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare,
The lone and level sands stretch far away”.


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The Necessity of Atheism

Posted in History, Literature, The Universe and Stuff with tags , , , , , , , , on February 15, 2011 by telescoper

In the course of doing a crossword at the weekend, I learnt that the poet Percy Bysse Shelley was sent down from (i.e. kicked out of) Oxford University 200 years ago this month for writing a pamphlet entitled The Necessity of Atheism. He was at University College, in fact. A bit of googling around led me to the full text, which is well worth reading whatever your religious beliefs as it is a fascinating document. I’ll just quote a few excerpts here.

The main body of the tract begins There is No God, but this is followed by

This negation must be understood solely to affect a creative Deity. The hypothesis of a pervading Spirit co-eternal with the universe remains unshaken.

That’s pretty close to my own view, for what that’s worth.

More interestingly, Shelley goes on later in the work to talk about science and how it impacts upon belief. A couple of sections struck me particularly strongly, given my own scientific interests.

In one he tackles arguments for the existence of God based on Reason:

It is urged that man knows that whatever is must either have had a beginning, or have existed from all eternity, he also knows that whatever is not eternal must have had a cause. When this reasoning is applied to the universe, it is necessary to prove that it was created: until that is clearly demonstrated we may reasonably suppose that it has endured from all eternity. We must prove design before we can infer a designer. The only idea which we can form of causation is derivable from the constant conjunction of objects, and the consequent inference of one from the other. In a base where two propositions are diametrically opposite, the mind believes that which is least incomprehensible; — it is easier to suppose that the universe has existed from all eternity than to conceive a being beyond its limits capable of creating it: if the mind sinks beneath the weight of one, is it an alleviation to increase the intolerability of the burthen?

The other argument, which is founded on a Man’s knowledge of his own existence, stands thus. A man knows not only that he now is, but that once he was not; consequently there must have been a cause. But our idea of causation is alone derivable from the constant conjunction of objects and the consequent Inference of one from the other; and, reasoning experimentally, we can only infer from effects caused adequate to those effects. But there certainly is a generative power which is effected by certain instruments: we cannot prove that it is inherent in these instruments” nor is the contrary hypothesis capable of demonstration: we admit that the generative power is incomprehensible; but to suppose that the same effect is produced by an eternal, omniscient, omnipotent being leaves the cause in the same obscurity, but renders it more incomprehensible.

He thus reveals himself as an empiricist, a position he later amplifies with a curiously worded double-negative:

I confess that I am one of those who am unable to refuse my assent to the conclusion of those philosophers who assert that nothing exists but as it is perceived.

This is a philosophy I can’t agree with, but his use of words clearly suggests the young Shelley has been reading David Hume‘s analysis of causation.

Later he turns to the mystery of life and the sense of wonder it inspires.

Life and the world, or whatever we call that which we are and feel, is an astonishing thing. The mist of familiarity obscures from us the wonder of our being. We are struck with admiration at some of its transient modifications, but it is itself the great miracle. What are changes of empires, the wreck of dynasties, with the opinions which support them; what is the birth and the extinction of religious and of political systems, to life? What are the revolutions of the globe which we inhabit, and the operations of the elements of which it is composed, compared with life? What is the universe of stars, and suns, of which this inhabited earth is one, and their motions, and their destiny, compared with life? Life, the great miracle, we admire not because it is so miraculous. It is well that we are thus shielded by the familiarity of what is at once so certain and so unfathomable, from an astonishment which would otherwise absorb and overawe the functions of that which is its object.

Finally, I picked the following paragraph for its mention of astronomy:

If any artist, I do not say had executed, but had merely conceived in his mind the system of the sun, and the stars, and planets, they not existing, and had painted to us in words, or upon canvas, the spectacle now afforded by the nightly cope of heaven, and illustrated it by the wisdom of astronomy, great would be our admiration. Or had he imagined the scenery of this earth, the mountains, the seas, and the rivers; the grass, and the flowers, and the variety of the forms and masses of the leaves of the woods, and the colors which attend the setting and the rising sun, and the hues of the atmosphere, turbid or serene, these things not before existing, truly we should have been astonished, and it would not have been a vain boast to have said of such a man, Non merita nome di creatore, se non Iddio ed il Poeta. But how these things are looked on with little wonder, and to be conscious of them with intense delight is esteemed to be the distinguishing mark of a refined and extraordinary person. The multitude of men care not for them.

I think the multitude care just as little 200 years on.

P.S. The quotation is from the 16th Century Italian poet Torquato Tasso; in translation it reads “None deserve the name of Creator except God and the Poet”.


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Children’s Song

Posted in Poetry with tags , , on February 9, 2011 by telescoper

We live in our own world,
A world that is too small
For you to stoop and enter
Even on hands and knees,
The adult subterfuge.
And though you probe and pry
With analytic eye,
And eavesdrop all our talk
With an amused look,
You cannot find the centre
Where we dance, where we play,
Where life is still asleep
Under the closed flower,
Under the smooth shell
Of eggs in the cupped nest
That mock the faded blue
Of your remoter heaven.

by R.S. Thomas (1913-2000)


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Number 8

Posted in Poetry, Rugby with tags , , , on February 6, 2011 by telescoper

I was tidying up this morning. During this rare episode of fastidiousness, I picked up a book of poetry called A Recipe for Water by Gillian Clarke. Among the lovely poems in this collection are a few inspired by Wales’ Grand Slam in the 2005 Six Nations Rugby. This is one of them, called Number 8. For those of you who aren’t rugby fans, the Number 8 is one of the forwards, the one who plays at the back of the scrum. In fact, it’s the only position that doesn’t have a name (other than “Number 8”); Numbers 1 and 3 are the props, 2 is the hooker, 4 & 5 are the locks, 6 and 7 are the flankers, 9 is the scrum-half, 10 the fly-half, 12 and 13 the inside- and outside-centres respectively, 11 and 14 the wingers and 15 the full-back. But the Number 8 is just the Number 8…

The poem is beautifully descriptive of the classic “pick-and-go” move from a set scrum during which, instead of channelling the ball to the scrum-half, the Number 8 unbinds, picks up the ball and surges forward (usually on the blind side, away from the backs in the three-quarter line).

And sometimes he’ll slip the knot of the scrum
with the ball on his palm, and run with it
hand on heart, out of the mud and bone,

the way a lovely muscle of river
will loosen the branchy tangle
that blocks its way,

and making a break for it flow,
sleek and dangerous
over the weir.


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The Black Stars

Posted in Poetry, The Universe and Stuff with tags , , on February 1, 2011 by telescoper

Let no one sing again of love or war.

The order from which the cosmos took its name has been dissolved;
The heavenly legions are a tangle of monsters,
The universe – blind, violent, strange – assails us.
The sky is strewn with horrible dead suns,
Dense sediments of mangled atoms.
Only desperate heaviness emanates from them,
Not energy, not messages, not particles, not light.
Light itself falls back down, broken by its own weight,
And all of us human seed, we live and die for nothing,
The skies perpetually revolve in vain.

by Primo Levi (1919-1987), translated by Ruth Feldman and Brian Swann.


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Invictus

Posted in Poetry with tags , , on January 27, 2011 by telescoper

I’ve been thinking of sharing this poem – and especially the superb reading of it by Alan Bates – with you for quite a while. There’s no compelling personal reason for choosing today to so, in fact. I’m not myself labouring in the “fell clutch of circumstance”; neither have the “bludgeonings of chance” fallen particularly hard on my head recently. Nevertheless, this poem has been on my mind for quite a while and, anyway, we all need a bit of inspiration from time to time. This certainly does that job for me, as I hope it will for those who are having a tough time of it these days.

Invictus was written by Victorian poet W.E. Henley as a response to having much of his left leg amputated. I’m not a particular fan of Henley’s verse in general – some of it is unpleasantly jingoistic – but I love this poem’s dignified yet forceful expression of resolute defiance in the face of adversity and injustice. It may be a bit “stiff upper lip” for some of you, but there you go.

Among those who have found solace or inspiration in this poem is Nelson Mandela, who kept it close by during the long years of his incarceration in the dreadful prison on Robben Island, a place I visited on a trip to Cape Town a few years ago; I can tell you that it’s every bit as grim as you might imagine. I’m sure he could teach all of us a thing or two about dignified defiance.

Out of the night that covers me,
Black as the Pit from pole to pole,
I thank whatever gods may be
For my unconquerable soul.

In the fell clutch of circumstance
I have not winced nor cried aloud.
Under the bludgeonings of chance
My head is bloody, but unbowed.

Beyond this place of wrath and tears
Looms but the Horror of the shade,
And yet the menace of the years
Finds, and shall find, me unafraid.

It matters not how strait the gate,
How charged with punishments the scroll.
I am the master of my fate:
I am the captain of my soul.

And here’s the magnificent reading of the piece by the late Alan Bates.


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