Archive for the Literature Category

The force that through the green fuse drives the flower

Posted in Poetry with tags on July 19, 2011 by telescoper

The force that through the green fuse drives the flower
Drives my green age; that blasts the roots of trees
Is my destroyer.
And I am dumb to tell the crooked rose
My youth is bent by the same wintry fever.

The force that drives the water through the rocks
Drives my red blood; that dries the mouthing streams
Turns mine to wax.
And I am dumb to mouth unto my veins
How at the mountain spring the same mouth sucks.

The hand that whirls the water in the pool
Stirs the quicksand; that ropes the blowing wind
Hauls my shroud sail.
And I am dumb to tell the hanging man
How of my clay is made the hangman’s lime.

The lips of time leech to the fountain head;
Love drips and gathers, but the fallen blood
Shall calm her sores.
And I am dumb to tell a weather’s wind
How time has ticked a heaven round the stars.

And I am dumb to tell the lover’s tomb
How at my sheet goes the same crooked worm.

by Dylan Thomas (1914-1953)

P.S. This has been among my list of poems to post for some time now, and only today I find that cosmic variance have beaten me to it!

 

The Perils of Modern Living

Posted in Poetry, The Universe and Stuff with tags , , , on July 15, 2011 by telescoper

Well up above the tropostrata
There is a region stark and stellar
Where, on a streak of anti-matter
Lived Dr. Edward Anti-Teller.

Remote from Fusion’s origin,
He lived unguessed and unawares
With all his antikith and kin,
And kept macassars on his chairs.

One morning, idling by the sea,
He spied a tin of monstrous girth
That bore three letters: A. E. C.
Out stepped a visitor from Earth.

Then, shouting gladly o’er the sands,
Met two who in their alien ways
Were like as lentils. Their right hands
Clasped, and the rest was gamma rays.

by Prof. Harold P. Furth (1930-2002)

Come, Night

Posted in Poetry with tags , on July 13, 2011 by telescoper

Come, night; come, Romeo; come, thou day in night;
For thou wilt lie upon the wings of night
Whiter than new snow on a raven’s back.
Come, gentle night, come, loving, black-brow’d night,
Give me my Romeo; and, when he shall die,
Take him and cut him out in little stars,
And he will make the face of heaven so fine
That all the world will be in love with night
And pay no worship to the garish sun.

From Romeo and Juliet, Act III Scene 2, by William Shakespeare.

The Knife Man

Posted in History, Literature with tags , , , , , , , , , , , on July 9, 2011 by telescoper

It looks set to be the proverbial wet weekend here in Cardiff and I’m waiting for a pause in the rain before going out to do my Saturday shopping. Having done the crossword already, I should be cleaning the house but instead I thought I’d post a quick comment about the fascinating book I’ve just finished reading.

The Knife Man, by Wendy Moore, is an account of “The Extraordinary Life and Times of John Hunter, Father of Modern Surgery”. It’s a measure of my ignorance about medical history that I didn’t even know who John Hunter was when I started reading this, although I had heard of the Hunterian Museum without realising who it was named after.

I won’t give a lengthy account of Hunter’s biography; that’s done very well elsewhere on the net and indeed in the book, which I thoroughly recommend. It is worth emphasizing, however, what a remarkable man he was. Born in Scotland in 1728, he didn’t go to University and received no formal medical training. He went to London in 1748 in order to become assistant to his brother William, a noted surgeon at the time. John’s primary rsponsibility was to help with the dissection of human cadavers during William’s anatomy classes. He soon became fascinated by anatomy and himself became extremely adept at dissection. He received some medical training in London, had a spell as an army surgeon and eventually set up a private medical practice in London at which he ran his own anatomy classes for paying students. He became one of the top surgeons in London and attended to the needs of many prominent Georgian figures, including King George III.

But, as impressive as it was, his medical career wasn’t the most remarkable thing about Hunter’s life. His interests extended far beyond human anatomy and from an early age he was an avid collector of all sorts of animals, alive and dead. As he became wealthier through his medical practice and lectures he spent increasing amounts of cash on acquiring rare specimens, which he usually dissected in order to understand them better. He also collected specimens of diseased human organs, bones, and fossils. There was a very dark side to this work too. The grisly business of acquiring fresh human human corpses led him to make connections with graverobbers. Worse, he also experimented on human specimens, usually members of London’s poor. He did pay them for their pains, but that’s hardly the point.

Hunter’s studies led him to conclude – years before Darwin – that species were not fixed and immutable but that animal populations altered over time, with some creatures becoming extinct. Although he doesn’t seem to have used the word “evolution”, his work in this area was certainly heading in that direction. He was made a Fellow of the Royal Society in 1767.

Above all I think what stands out about Hunter was that he pioneered the use of the scientific method in the field of medicine. His lack of formal training meant that he wasn’t steeped in the dogma or orthodox medicine which had led to many bizarre and/or dangerous practices. One wonders what chain of reasoning had led doctors to suppose that pumping tobacco smoke into a patient’s anus using specially constructed bellows could possibly have any therapeutic value!

Hunter learned primarily from experience. He knew, for example, that major surgery in Georgian times was very likely to kill the patient. There were no anaesthetics, so death by shock was a strong possibility. Loss of blood was a danger, too, unless the operation was completed extremely quickly. Moreover, doctors at the time – Hunter included – had no idea about how infections were spread and surgeons would often operate with instruments encrusted with the blood of previous victim. In the (unlikely) event of a patient surviving the agony of, say, an amputation, they would probably die of  some form of infection within a few days anyway. Hunter’s policy in the light of all this was to refuse to operate unless the situation was truly desperate.

For example, when Hunter was an army surgeon, the prevailing attitude to gunshot wounds was that the bullet had to be removed at all costs. Moreover, it was believed that gunpowder was poisonous, so entry wounds were usually “enlarged” to remove tissue that had been blackened or burnt. One day, a group of British soldiers had come under fire and several had been badly injured. They escaped the ambush and holed up in a farmhouse, where they were found a few days later. One had two bullets in his thigh, another had one in his chest. However, although seriously ill, all were still alive. Hunter knew that if men in that condition had been brought into his field hospital and operated on in the usual manner, they would all almost certainly have died. After this experience Hunter was extremely reluctant to operate at all on battlefield injuries unless they were immediately life-threatening, and often decided to let nature take its course with flesh wounds.

The Knife Man contains many more examples of Hunter’s pionering use of empirical evidence in medicine and, as such, is well worth reading by anyone interested in the scientific method. It also provides a fascinating insight into life in Georgian London. Notable characters appear in extremely unexpected ways in Hunter’s story:

  • James Boswell made frequent visits to Covent Garden  in order to the employ the services of local prostitutes, which was apparently quite normal for Georgian gentry, as was the consequence – a lifelong problem with gonorrhea, which Hunter tried to treat him for.
  • Hunter attended the birth of George Gordon (later Lord) Byron, who was born with a congenital deformity,  possibly a club foot. Hunter told his mother that it could probably be cured if he wore a specially constructed boot during infancy, but she didn’t take his advice.
  • Joseph Haydn was a frequent visitor to the Hunter residence during his time in London; he even wrote set some poems by Anne Hunter (John’s wife) to music. There were rumours of an affair, in fact. He also suffered from a nasal polyp, about which he sought Hunter’s advice. When the nature of the required surgery was explained to him, Haydn decided not to have it operated on.

I could give more examples, but that’s 1000 words, and it’s now sunny outside, so you’ll have to go and read the book, which I  recommend heartily. However, I really should point out that it’s not for the squeamish. The primitive surgical procedures deployed in the 18th Century are described in excrutiating detail and parts of the book make for very uncomfortable reading. If you don’t think you can cope with a detailed account of an operation, without anaesthetic,  to remove stone from a patient’s bladder, then perhaps this isn’t a book for you!

Villanelle for the News of the World

Posted in Poetry with tags , , , , , on July 8, 2011 by telescoper

Time will say nothing but I told you so,
News International knows the price  to pay;
If I could tell you I would let you know.

If we should weep when Murdoch flaunts his dough,
If we should care what other papers say,
Time will say nothing but I told you so.

There are no fortunes to be told, although,
Because I hate you more than I can say,
If I could tell you I would let you know.

The winds must come from Wapping when they blow,
The Press Commission doesn’t know which way;
Time will say nothing but I told you so.

Perhaps the readers really want it so,
The tabloids seriously intend to stay;
If I could tell you I would let you know.

Suppose the hacks all get up and go,
And all the Brooks and Coulsons run away?
Will time say nothing but I told you so?
If I could tell you I would let you know.

(with apologies to W.H. Auden)

Feynman on Poetry

Posted in Poetry, The Universe and Stuff with tags , on July 6, 2011 by telescoper

Poets say science takes away from the beauty of the stars – mere globs of gas atoms. I too can see the stars on a desert night, and feel them. But do I see less or more? The vastness of the heavens stretches my imagination – stuck on this carousel my little eye can catch one – million – year – old light. A vast pattern – of which I am a part… What is the pattern, or the meaning, or the why? It does not do harm to the mystery to know a little about it. For far more marvelous is the truth than any artists of the past imagined it. Why do the poets of the present not speak of it? What men are poets who can speak of Jupiter if he were a man, but if he is an immense spinning sphere of methane and ammonia must be silent?

Richard Feynman (1918-1988)

After Summer Rain

Posted in Poetry with tags , , on July 6, 2011 by telescoper

All day the rain has filled the apple-trees,
And stilled the orchard grasses of their mirth,
Turning these acres green and silvered seas
That drowned the summer musics of the earth.
Now that this clearer twilight takes the hill,
This thin, belated radiance, moving by,
Bird-calls return, and odours, rainy still,
And colours glinting through the earth and sky.

Here where I watch the robins from the lane,
That pirouette and preen among the leaves,
These swift, wet-winged arrivals in the rain
Have spilled a wisdom from their dripping eaves,–
And beauty still is more than daily bread,
For fevered minds, and hearts discomforted.

by David Morton (1886-1957)

Feynman on Wine

Posted in Poetry, The Universe and Stuff with tags , on July 5, 2011 by telescoper

A poet once said, ‘The whole universe is in a glass of wine.’ We will probably never know in what sense he meant it, for poets do not write to be understood. But it is true that if we look at a glass of wine closely enough we see the entire universe. There are the things of physics: the twisting liquid which evaporates depending on the wind and weather, the reflection in the glass; and our imagination adds atoms. The glass is a distillation of the earth’s rocks, and in its composition we see the secrets of the universe’s age, and the evolution of stars. What strange array of chemicals are in the wine? How did they come to be? There are the ferments, the enzymes, the substrates, and the products. There in wine is found the great generalization; all life is fermentation. Nobody can discover the chemistry of wine without discovering, as did Louis Pasteur, the cause of much disease. How vivid is the claret, pressing its existence into the consciousness that watches it! If our small minds, for some convenience, divide this glass of wine, this universe, into parts — physics, biology, geology, astronomy, psychology, and so on — remember that nature does not know it! So let us put it all back together, not forgetting ultimately what it is for. Let it give us one more final pleasure; drink it and forget it all!

Richard Feynman (1918-1988)

 

In July

Posted in Poetry with tags , on July 2, 2011 by telescoper

Why do I make no poems? Good my friend
Now is there silence through the summer woods,
In whose green depths and lawny solitudes
The light is dreaming; voicings clear ascend
Now from no hollow where glad rivulets wend,
But murmurings low of inarticulate moods,
Softer than stir of unfledged cushat broods,
Breathe, till o’er drowsed the heavy flower-heads bend.
Now sleep the crystal and heart-charmed waves
Round white, sunstricken rocks the noontide long,
Or ‘mid the coolness of dim lighted caves
Sway in a trance of vague deliciousness;
And I,–I am too deep in joy’s excess
For the imperfect impulse of a song.

by Edward Dowden (1843-1913)

For Sidney Bechet

Posted in Jazz, Poetry with tags , , , , on June 26, 2011 by telescoper

Just stumbled across this excellent documentary about the great Sidney Bechet and couldn’t resist posting it alongside the poem by Philip Larkin that follows it, which is called For Sidney Bechet. Watching great jazz musicians play, including the rare clips of Bechet shown in the video, the thought always comes into my mind that if you took the instrument away from them, it would just carry on playing by itself…

That note you hold, narrowing and rising, shakes
Like New Orleans reflected on the water,
And in all ears appropriate falsehood wakes,

Building for some a legendary Quarter
Of balconies, flower-baskets and quadrilles,
Everyone making love and going shares

Oh, play that thing! Mute glorious Storyvilles
Others may license, grouping around their chairs
Sporting-house girls like circus tigers (priced

Far above rubies) to pretend their fads,
While scholars manqués nod around unnoticed
Wrapped up in personnels like old plaids.

On me your voice falls as they say love should,
Like an enormous yes. My Crescent City
Is where your speech alone is understood,

And greeted as the natural noise of good,
Scattering long-haired grief and scored pity.