Archive for the Literature Category

The Tables Turned

Posted in Poetry with tags , on March 22, 2011 by telescoper

Up! up! my Friend, and quit your books;
Or surely you’ll grow double:
Up! up! my Friend, and clear your looks;
Why all this toil and trouble?

The sun above the mountain’s head,
A freshening lustre mellow
Through all the long green fields has spread,
His first sweet evening yellow.

Books! ’tis a dull and endless strife:
Come, hear the woodland linnet,
How sweet his music! on my life,
There’s more of wisdom in it.

And hark! how blithe the throstle sings!
He, too, is no mean preacher:
Come forth into the light of things,
Let Nature be your teacher.

She has a world of ready wealth,
Our minds and hearts to bless–
Spontaneous wisdom breathed by health,
Truth breathed by cheerfulness.

One impulse from a vernal wood
May teach you more of man,
Of moral evil and of good,
Than all the sages can.

Sweet is the lore which Nature brings;
Our meddling intellect
Mis-shapes the beauteous forms of things:–
We murder to dissect.

Enough of Science and of Art;
Close up those barren leaves;
Come forth, and bring with you a heart
That watches and receives.

by William Wordsworth (1770-1850).


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Time Long Past

Posted in Poetry with tags , on March 20, 2011 by telescoper

Like the ghost of a dear friend dead
Is Time long past.
A tone which is now forever fled,
A hope which is now forever past,
A love so sweet it could not last,
Was Time long past.

There were sweet dreams in the night
Of Time long past:
And, was it sadness or delight,
Each day a shadow onward cast
Which made us wish it yet might last
That Time long past.

There is regret, almost remorse,
For Time long past.
‘Tis like a child’s belovèd corse
A father watches, till at last
Beauty is like remembrance, cast
From Time long past.

by Percy Bysshe Shelley (1792-1822)


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Mutability

Posted in Poetry with tags , on March 17, 2011 by telescoper

We are the clouds that veil the midnight moon;
How restlessly they speed, and gleam, and quiver,
Streaking the darkness radiantly!–yet soon
Night closes round, and they are lost forever:

Or like forgotten lyres, whose dissonant strings
Give various response to each varying blast,
To whose frail frame no second motion brings
One mood or modulation like the last.

We rest.–A dream has power to poison sleep;
We rise.–One wandering thought pollutes the day;
We feel, conceive or reason, laugh or weep;
Embrace fond foe, or cast our cares away:

It is the same!–For, be it joy or sorrow,
The path of its departure still is free:
Man’s yesterday may ne’er be like his morrow;
Nought may endure but Mutability.

by Percy Bysshe Shelley (1792-1822)


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A Light Exists in Spring

Posted in Poetry with tags , on March 15, 2011 by telescoper

A light exists in spring
Not present on the year
At any other period.
When March is scarcely here

A color stands abroad
On solitary hills
That science cannot overtake,
But human nature feels.

It waits upon the lawn;
It shows the furthest tree
Upon the furthest slope we know;
It almost speaks to me.

Then, as horizons step,
Or noons report away,
Without the formula of sound,
It passes, and we stay:

A quality of loss
Affecting our content,
As trade had suddenly encroached
Upon a sacrament.

 

by Emily Dickinson (1830-86).



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Aurora Borealis

Posted in Poetry, The Universe and Stuff with tags , on March 8, 2011 by telescoper

What power disbands the Northern Lights
After their steely play?
The lonely watcher feels an awe
Of Nature’s sway,
As when appearing,
He marked their flashed uprearing
In the cold gloom–
Retreatings and advancings,
(Like dallyings of doom),
Transitions and enhancings,
And bloody ray.

The phantom-host has faded quite,
Splendor and Terror gone
Portent or promise–and gives way
To pale, meek Dawn;
The coming, going,
Alike in wonder showing–
Alike the God,
Decreeing and commanding
The million blades that glowed,
The muster and disbanding–
Midnight and Morn.

by Herman Melville (1819-1891)


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Another Poem for Another St David’s Day

Posted in Poetry with tags , , on March 1, 2011 by telescoper

It’s St David’s Day again. Tonight I’m off to the St David’s Day concert at St David’s Hall, which is being broadcast live on BBC Radio 3 and which should have a cracking atmosphere because it’s sold out. Since we’ve got front-row seats you might even hear me coughing! I’ll try to post a review in due course, either this evening or tomorrow morning.

In case you’re wondering, I’m up early this morning in order to get a full day’s work in before the concert which starts at 7pm and which will need me to leave work earlier than usual.

Last year I marked the occasion of St David’s Day with a poem by Dylan Thomas and I’ve noticed that quite a few people have been reading that post in the last few days. It seems appropriate therefore to post another poem this year. It’s only since coming to Wales – which I did less than four years ago – that I’ve discovered the poetry of R.S. Thomas and in that short time I’ve developed a respect bordering on reverence for his work. It seems entirely fitting that I put up an example of his poems on St David’s Day. I hope you enjoy it!

There Is A Being, They Say by R. S. Thomas (1913-2000)

There is a being, they say,
neither body nor spirit,
that is more power than reason, more reason
than love, whose origins
are unknown, who is apart
and with us, the silence
to which we appeal, the architect
of our failure. It takes the genes
and experiments with them and our children
are born blind, or seeing have
smooth hands that are the instruments
of destruction. It is the spoor
in the world’s dark leading away
from the discovered victim, the expression
the sky shows us after
an excess of spleen. It has gifts it
distributes to those least fitted
to use them. It is everywhere and
nowhere, and looks sideways into the shocked face
of life, challenging it to disown it.

And here is the poet himself reading it


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In February

Posted in Biographical, Poetry with tags , , on February 23, 2011 by telescoper

Another busy day – mainly filled with form-filling but also including a tutorial and a meeting of our cosmology discussion group – and tonight, for the second week running, I’m off to a lecture at Cardiff Scientific Society. This time it’s by our own Haley Gomez entitled Smoking Supernovae. And here am I trying to give up!

Anyway, I’m going to do what I usually do when I haven’t got time for a proper post and that is put up a bit of poetry. Appropriate for the time of year, in hopeful anticipation of the forthcoming spring, I offer you this (from a poem entitled In February written by Alice Meynell).

Rich meanings of the prophet-Spring adorn,
Unseen, this colourless sky of folded showers,
And folded winds; no blossom in the bowers;
A poet’s face asleep in this grey morn.
Now in the midst of the old world forlorn
A mystic child is set in these still hours.
I keep this time, even before the flowers,
Sacred to all the young and the unborn


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An Englishman in New York

Posted in Biographical, Literature, Music with tags , , , on February 20, 2011 by telescoper

Yesterday’s post about Bayesian statistics has generated over a thousand hits in just a day – highly unusual for a Saturday posting at In the Dark. I guess that proves that there’s a lot of interest out there in such matters, so I’ll return to the theme as soon as I have both the time and the energy, which might take a while because those are conjugate variables!

After yesterday’s exertions I felt like relaxing this morning, and I did so by transferring some of my old vinyl (and even shellac!) records into digital format using a USB turntable. I’m a bit frustrated by the fact that some of my favourite classic old jazz records aren’t available on Youtube and am thinking of correcting that at some point myself, despite my latent technophobia.

However, in the course of rooting about in my record collection I found a vinyl single of this record by Sting, the Ben Liebrand remix to be precise. It is, of course, a homage to the late Quentin Crisp whose book The Naked Civil Servant I read after seeing the wonderful film starring John Hurt, which was broadcast on the BBC in 1975, when I was 12. I found inspiration in both, for reasons I probably don’t need to spell out. Crisp emigrated to the United States in 1981 and lived the last years of his life in a dingy one-room apartment in New York City.

There’s another quasi-biographical connection with this record. When I was a little kid living in Benwell, my Dad used to play the drums with local jazz bands. At the time Sting (or plain Gordon Sumner as he was then known) was working as a supply teacher in the area and he played the double-bass with local groups too, including the Phoenix Jazz Band and the River City Jazz Band; the latter was certainly a band my father played with from time to time. My Dad once told me that he had played with Sting on a number of occasions, and he’d even practised in our garage, but I’m not sure how much of that is actually true.

Incidentally, in case you didn’t know, Sting got his nickname playing with jazz bands in the North-East. He always refused to wear the band uniforms but instead tended to turn up for gigs wearing a black and yellow hooped jumper which made him look a bit like a bee, hence the name.

This isn’t a jazz record, of course, but it does feature Branford Marsalis (brother of the trumpeter Wynton Marsalis) on soprano saxophone. I bought a soprano saxophone some time ago and tried to play along with the track just now – the chords aren’t very complicated so it shouldn’t have been too difficult even for an incompetent like me. However, I’m finding the soprano sax quite a recalcitrant beast which is very difficult to play in tune. I’m not sure why. I manage all right with its bigger brother the tenor sax. Perhaps it’s my embouchure? Or, as jazz musicians say, I haven’t got the chops?

I’ll just quote one particularly telling  verse from the lyrics:

Takes more than combat gear to make a man
Takes more than a license for a gun
Confront your enemies, avoid them when you can
A gentleman will walk but never run


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Ozymandias

Posted in Poetry with tags , , on February 16, 2011 by telescoper

Since I posted an item about Shelley a couple of days ago I’ll use that as an excuse to post this famous poem by him.It’s a well-known piece, but not a lot of people know that it was actually written in 1817, as part of a sonnet-writing contest between Shelley and Horace Smith.

I wonder why it always makes me think of STFC?

I met a traveller from an antique land
Who said: “Two vast and trunkless legs of stone
Stand in the desert. Near them on the sand,
Half sunk, a shattered visage lies, whose frown
And wrinkled lip and sneer of cold command
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them and the heart that fed.
And on the pedestal these words appear:
`My name is Ozymandias, King of Kings:
Look on my works, ye mighty, and despair!’
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare,
The lone and level sands stretch far away”.


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The Necessity of Atheism

Posted in History, Literature, The Universe and Stuff with tags , , , , , , , , on February 15, 2011 by telescoper

In the course of doing a crossword at the weekend, I learnt that the poet Percy Bysse Shelley was sent down from (i.e. kicked out of) Oxford University 200 years ago this month for writing a pamphlet entitled The Necessity of Atheism. He was at University College, in fact. A bit of googling around led me to the full text, which is well worth reading whatever your religious beliefs as it is a fascinating document. I’ll just quote a few excerpts here.

The main body of the tract begins There is No God, but this is followed by

This negation must be understood solely to affect a creative Deity. The hypothesis of a pervading Spirit co-eternal with the universe remains unshaken.

That’s pretty close to my own view, for what that’s worth.

More interestingly, Shelley goes on later in the work to talk about science and how it impacts upon belief. A couple of sections struck me particularly strongly, given my own scientific interests.

In one he tackles arguments for the existence of God based on Reason:

It is urged that man knows that whatever is must either have had a beginning, or have existed from all eternity, he also knows that whatever is not eternal must have had a cause. When this reasoning is applied to the universe, it is necessary to prove that it was created: until that is clearly demonstrated we may reasonably suppose that it has endured from all eternity. We must prove design before we can infer a designer. The only idea which we can form of causation is derivable from the constant conjunction of objects, and the consequent inference of one from the other. In a base where two propositions are diametrically opposite, the mind believes that which is least incomprehensible; — it is easier to suppose that the universe has existed from all eternity than to conceive a being beyond its limits capable of creating it: if the mind sinks beneath the weight of one, is it an alleviation to increase the intolerability of the burthen?

The other argument, which is founded on a Man’s knowledge of his own existence, stands thus. A man knows not only that he now is, but that once he was not; consequently there must have been a cause. But our idea of causation is alone derivable from the constant conjunction of objects and the consequent Inference of one from the other; and, reasoning experimentally, we can only infer from effects caused adequate to those effects. But there certainly is a generative power which is effected by certain instruments: we cannot prove that it is inherent in these instruments” nor is the contrary hypothesis capable of demonstration: we admit that the generative power is incomprehensible; but to suppose that the same effect is produced by an eternal, omniscient, omnipotent being leaves the cause in the same obscurity, but renders it more incomprehensible.

He thus reveals himself as an empiricist, a position he later amplifies with a curiously worded double-negative:

I confess that I am one of those who am unable to refuse my assent to the conclusion of those philosophers who assert that nothing exists but as it is perceived.

This is a philosophy I can’t agree with, but his use of words clearly suggests the young Shelley has been reading David Hume‘s analysis of causation.

Later he turns to the mystery of life and the sense of wonder it inspires.

Life and the world, or whatever we call that which we are and feel, is an astonishing thing. The mist of familiarity obscures from us the wonder of our being. We are struck with admiration at some of its transient modifications, but it is itself the great miracle. What are changes of empires, the wreck of dynasties, with the opinions which support them; what is the birth and the extinction of religious and of political systems, to life? What are the revolutions of the globe which we inhabit, and the operations of the elements of which it is composed, compared with life? What is the universe of stars, and suns, of which this inhabited earth is one, and their motions, and their destiny, compared with life? Life, the great miracle, we admire not because it is so miraculous. It is well that we are thus shielded by the familiarity of what is at once so certain and so unfathomable, from an astonishment which would otherwise absorb and overawe the functions of that which is its object.

Finally, I picked the following paragraph for its mention of astronomy:

If any artist, I do not say had executed, but had merely conceived in his mind the system of the sun, and the stars, and planets, they not existing, and had painted to us in words, or upon canvas, the spectacle now afforded by the nightly cope of heaven, and illustrated it by the wisdom of astronomy, great would be our admiration. Or had he imagined the scenery of this earth, the mountains, the seas, and the rivers; the grass, and the flowers, and the variety of the forms and masses of the leaves of the woods, and the colors which attend the setting and the rising sun, and the hues of the atmosphere, turbid or serene, these things not before existing, truly we should have been astonished, and it would not have been a vain boast to have said of such a man, Non merita nome di creatore, se non Iddio ed il Poeta. But how these things are looked on with little wonder, and to be conscious of them with intense delight is esteemed to be the distinguishing mark of a refined and extraordinary person. The multitude of men care not for them.

I think the multitude care just as little 200 years on.

P.S. The quotation is from the 16th Century Italian poet Torquato Tasso; in translation it reads “None deserve the name of Creator except God and the Poet”.


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