Archive for the Poetry Category

Judgment Day

Posted in Poetry with tags , , on May 22, 2011 by telescoper

Well, I guess the Rapture didn’t come after all. Or maybe it did and I’m unsurprisingly not among the chosen few to be saved? I studiously avoided try to make fun of the whole thing, despite the fact that yesterday everyone seemed to be posting rapture jokes like there was no tomorrow.

Anyway, for those who were disappointed by the poor turnout for the Apocalypse here is another poem by R.S. Thomas; this one is called called Judgment Day

Yes, that’s how I was,
I know that face,
That bony figure
Without grace
Of flesh or limb;
In health happy,
Careless of the claim
Of the world’s sick
Or the world’s poor;
In pain craven –
Lord breathe once more
On that sad mirror
Let me be lost
In mist for ever
Rather than own
Such bleak reflections,
Let me go back
On my two knees
Slowly to undo
The knot of life
That was tied there.

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Human Life’s Mystery

Posted in Poetry with tags , on May 20, 2011 by telescoper

We sow the glebe, we reap the corn,
We build the house where we may rest,
And then, at moments, suddenly,
We look up to the great wide sky,
Inquiring wherefore we were born…
For earnest or for jest?

The senses folding thick and dark
About the stifled soul within,
We guess diviner things beyond,
And yearn to them with yearning fond;
We strike out blindly to a mark
Believed in, but not seen.

We vibrate to the pant and thrill
Wherewith Eternity has curled
In serpent-twine about God’s seat;
While, freshening upward to His feet,
In gradual growth His full-leaved will
Expands from world to world.

And, in the tumult and excess
Of act and passion under sun,
We sometimes hear-oh, soft and far,
As silver star did touch with star,
The kiss of Peace and Righteousness
Through all things that are done.

God keeps His holy mysteries
Just on the outside of man’s dream;
In diapason slow, we think
To hear their pinions rise and sink,
While they float pure beneath His eyes,
Like swans adown a stream.

Abstractions, are they, from the forms
Of His great beauty?-exaltations
From His great glory?-strong previsions
Of what we shall be?-intuitions
Of what we are-in calms and storms,
Beyond our peace and passions?

Things nameless! which, in passing so,
Do stroke us with a subtle grace.
We say, ‘Who passes?’-they are dumb.
We cannot see them go or come:
Their touches fall soft, cold, as snow
Upon a blind man’s face.

Yet, touching so, they draw above
Our common thoughts to Heaven’s unknown,
Our daily joy and pain advance
To a divine significance,
Our human love-O mortal love,
That light is not its own!

And sometimes horror chills our blood
To be so near such mystic Things,
And we wrap round us for defence
Our purple manners, moods of sense-
As angels from the face of God
Stand hidden in their wings.

And sometimes through life’s heavy swound
We grope for them!-with strangled breath
We stretch our hands abroad and try
To reach them in our agony,-
And widen, so, the broad life-wound
Which soon is large enough for death.

by Elizabeth Barrett Browning (1806-61)

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Of Many Worlds in this World

Posted in Poetry with tags , on May 12, 2011 by telescoper

Just like as in a Nest of Boxes round,
Degrees of Sizes in each Box are found:
So, in this World, may many others be
Thinner and less, and less still by degree:
Although they are not subject to our sense,
A World may be no bigger than Two-pence.
NATURE is curious, and such Works may shape,
Which our dull senses easily escape:
For Creatures, small as Atoms, may be there,
If every one a Creature’s Figure bear.
If Atoms Four, a World can make, then see
What several Worlds might in an Ear-ring be:
For, Millions of those Atoms may be in
The Head of one small, little, single Pin.
And if thus small, then Ladies may well wear
A World of Worlds, as Pendents in each Ear.

by Margaret Cavendish (1623-1673), Duchess of Newcastle upon Tyne. Her remarkable book The Blazing World was one of the first ever works of science fiction.

R.S. Thomas, a Short Biography

Posted in Poetry with tags , , , on April 25, 2011 by telescoper

I came across this short documentary about the poet R.S. Thomas on Youtube and thought I’d share it.

The documentary was made in anticipation of Thomas winning the 1996 Nobel Prize for Literature, for which he had been nominated. Sadly he didn’t win it, and the honour went to Seamus Heaney.

The film is only a few minutes long, but it says a lot about the man and his life as well as featuring two of his greatest poems. One, Children’s Song, I’ve posted before; the other is The Other, which is reproduced here:

There are nights that are so still
that I can hear the small owl calling
far off and a fox barking
miles away. It is then that I lie
in the lean hours awake listening
to the swell born somewhere in the Atlantic
rising and falling, rising and falling
wave on wave on the long shore
by the village, that is without light
and companionless. And the thought comes
of that other being who is awake, too,
letting our prayers break on him,
not like this for a few hours,
but for days, years, for eternity.

Apparently, at St Hywyn’s Church in Aberdaron, where Thomas was vicar for many years, you can see a large slate with this poem carved upon it; it is shown at the end of the short film. I don’t know why, but I have developed a curious longing to visit that place …

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The Sunset Poem

Posted in Poetry with tags , , , on April 24, 2011 by telescoper

I hope you’ve had as relaxing and peaceful an Easter as I have…I’ve done very little apart from sitting in the garden doing the crosswords. I thought I’d bid you good evening with this lovely piece of music. In fact it was one of the numbers we heard performed in fine style after the NAM conference dinner at Llandudno last week. It’s Rev. Eli Jenkins’ Prayer from Under Milk Wood, by Dylan Thomas which is also sometimes known as The Sunset Poem. It’s a different choir, though. This is the Dunvant Male Voice Choir and they’re filmed on the breezy clifftops overlooking the beautiful Rhossili Bay on the Gower Peninsula.

Every morning when I wake,
Dear Lord, a little prayer I make,
O please do keep Thy lovely eye
On all poor creatures born to die

And every evening at sun-down
I ask a blessing on the town,
For whether we last the night or no
I’m sure is always touch-and-go.

We are not wholly bad or good
Who live our lives under Milk Wood,
And Thou, I know, wilt be the first
To see our best side, not our worst.

O let us see another day!
Bless us all this night, I pray,
And to the sun we all will bow
And say, good-bye – but just for now!

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I was vicar of large things

Posted in Poetry with tags , on April 22, 2011 by telescoper

It seems appropriate to post something today – Good Friday – from the great Welsh poet R.S. Thomas. An Anglican clergyman, Thomas was vicar at St Hywyn’s Church (which was built 1137) in Aberdaron at the western tip of the Llŷn Peninsula. In this, one of his most famous poems, he speaks eloquently and movingly of the frustrations of his calling. I also managed to find a recording of the poet himself reading it.

and here is the text

I was vicar of large things
in a small parish. Small-minded
I will not say, there were depths
in some of them I shrank back
from, wells that the word “God”
fell into and died away,
and for all I know is still
falling. Who goes for water
to such must prepare for a long
wait. Their eyes looked at me
and were the remains of flowers
on an old grave. I was there,
I felt, to blow on ashes
that were too long cold. Often,
when I thought they were about
to unbar to me, the draught
out of their empty places
came whistling so that I wrapped
myself in the heavier clothing
of my calling, speaking of light and love
in the thickening shadows of their kitchens

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On the Train

Posted in Poetry with tags on April 18, 2011 by telescoper

This poem was written by Gillian Clarke on a train in October 1999, the day after a terrible rail accident just outside London Paddington Station in which 31 people lost their lives.

Cradled through England between flooded fields
rocking, rocking the rails, my head-phones on,
the black box of my Walkman on the table.
Hot tea trembles in its plastic cup.
I’m thinking of you waking in our bed
thinking of me on the train. Too soon to phone.

The radio speaks in the suburbs, in commuter towns,
in cars unloading children at school gates,
is silenced in dark parkways down the line
before locks click and footprints track the frost
and trains slide out of stations in the dawn
dreaming their way towards the blazing bone-ship.

The vodaphone you are calling
may have been switched off.
Please call later. And calling later,
calling later their phones ring in the rubble
and in the rubble of suburban kitchens
the wolves howl into silent telephones.

I phone. No answer. Where are you now?
The train moves homeward through the morning
Tonight I’ll be home safe, but talk to me, please.
Pick up the phone. Today I’m tolerant
of mobiles. Let them say it. I’ll say it too.
Darling, I’m on the train.

Storm

Posted in Poetry with tags on April 13, 2011 by telescoper

And now, as they say, for something completely different. I heard about this at a boozy dinner last Monday night and tracked it down on Youtube. I’m a bit late onto this gem, but I love it. See what you think. It’s by the brilliantly talented Tim Minchin. Oh, and there’s some (actually quite a lot of) off-colour language in it, so if that bothers you then please listen with earplugs in.


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Intimations of Immortality

Posted in Poetry with tags , on April 12, 2011 by telescoper

One of my very first blog posts was inspired by a book of poems by William Wordsworth. That piece included an excerpt from this poem, and since I’m a bit pressed for time these days I thought I’d post the whole thing. It also seems to suit a theme that’s been running through a few recent items. The full title is ODE: Intimations of Immortality from Reflections of Early Childhood, and it was written in the period 1803-1806. In the poem, Wordsworth returns to a theme he developed in Tintern Abbey, which provides an interesting contrast with this later masterpiece. You might disagree with Wordsworth’s metaphysical viewpoint, but I think few will argue that there’s sheer genius in his use of language.

I found a nice critique on the net, from which I decided to post the following extract:

Wordsworth consciously sets his speaker’s mind at odds with the atmosphere of joyous nature all around him, a rare move by a poet whose consciousness is so habitually in unity with nature. Understanding that his grief stems from his inability to experience the May morning as he would have in childhood, the speaker attempts to enter willfully into a state of cheerfulness; but he is able to find real happiness only when he realizes that “the philosophic mind” has given him the ability to understand nature in deeper, more human terms—as a source of metaphor and guidance for human life. This is very much the same pattern as “Tintern Abbey” ’s, but whereas in the earlier poem Wordsworth made himself joyful, and referred to the “music of humanity” only briefly, in the later poem he explicitly proposes that this music is the remedy for his mature grief.

The structure of the Immortality Ode is also unique in Wordsworth’s work; unlike his characteristically fluid, naturally spoken monologues, the Ode is written in a lilting, songlike cadence with frequent shifts in rhyme scheme and rhythm. Further, rather than progressively exploring a single idea from start to finish, the Ode jumps from idea to idea, always sticking close to the central scene, but frequently making surprising moves, as when the speaker begins to address the “Mighty Prophet” in the eighth stanza—only to reveal midway through his address that the mighty prophet is a six-year-old boy.

And here is the Ode in full. It’s a poem that moves me in ways I can’t explain.

THERE was a time when meadow, grove, and stream,
The earth, and every common sight,
To me did seem
Apparelled in celestial light,
The glory and the freshness of a dream.
It is not now as it hath been of yore;–
Turn wheresoe’er I may,
By night or day,
The things which I have seen I now can see no more.

II

The Rainbow comes and goes,
And lovely is the Rose,
The Moon doth with delight
Look round her when the heavens are bare,
Waters on a starry night
Are beautiful and fair;
The sunshine is a glorious birth;
But yet I know, where’er I go,
That there hath past away a glory from the earth.

III

Now, while the birds thus sing a joyous song,
And while the young lambs bound
As to the tabor’s sound,
To me alone there came a thought of grief:
A timely utterance gave that thought relief,
And I again am strong:
The cataracts blow their trumpets from the steep;
No more shall grief of mine the season wrong;
I hear the Echoes through the mountains throng,
The Winds come to me from the fields of sleep,
And all the earth is gay;
Land and sea
Give themselves up to jollity,
And with the heart of May
Doth every Beast keep holiday;–
Thou Child of Joy,
Shout round me, let me hear thy shouts, thou happy
Shepherd-boy!

IV

Ye blessed Creatures, I have heard the call
Ye to each other make; I see
The heavens laugh with you in your jubilee;
My heart is at your festival,
My head hath its coronal,
The fulness of your bliss, I feel–I feel it all.
Oh evil day! if I were sullen
While Earth herself is adorning,
This sweet May-morning,
And the Children are culling
On every side,
In a thousand valleys far and wide,
Fresh flowers; while the sun shines warm,
And the Babe leaps up on his Mother’s arm:–
I hear, I hear, with joy I hear!
–But there’s a Tree, of many, one,
A single Field which I have looked upon,
Both of them speak of something that is gone:
The Pansy at my feet
Doth the same tale repeat:
Whither is fled the visionary gleam?
Where is it now, the glory and the dream?

V

Our birth is but a sleep and a forgetting:
The Soul that rises with us, our life’s Star,
Hath had elsewhere its setting,
And cometh from afar:
Not in entire forgetfulness,
And not in utter nakedness,
But trailing clouds of glory do we come
From God, who is our home:
Heaven lies about us in our infancy!
Shades of the prison-house begin to close
Upon the growing Boy,
But He beholds the light, and whence it flows,
He sees it in his joy;
The Youth, who daily farther from the east
Must travel, still is Nature’s Priest,
And by the vision splendid
Is on his way attended;
At length the Man perceives it die away,
And fade into the light of common day.

VI

Earth fills her lap with pleasures of her own;
Yearnings she hath in her own natural kind,
And, even with something of a Mother’s mind,
And no unworthy aim,
The homely Nurse doth all she can
To make her Foster-child, her Inmate Man,
Forget the glories he hath known,
And that imperial palace whence he came.

VII

Behold the Child among his new-born blisses,
A six years’ Darling of a pigmy size!
See, where ‘mid work of his own hand he lies,
Fretted by sallies of his mother’s kisses,
With light upon him from his father’s eyes!
See, at his feet, some little plan or chart,
Some fragment from his dream of human life,
Shaped by himself with newly-learned art;
A wedding or a festival,
A mourning or a funeral;
And this hath now his heart,
And unto this he frames his song:
Then will he fit his tongue
To dialogues of business, love, or strife;
But it will not be long
Ere this be thrown aside,
And with new joy and pride
The little Actor cons another part;
Filling from time to time his “humorous stage”
With all the Persons, down to palsied Age,
That Life brings with her in her equipage;
As if his whole vocation
Were endless imitation.

VIII

Thou, whose exterior semblance doth belie
Thy Soul’s immensity;
Thou best Philosopher, who yet dost keep
Thy heritage, thou Eye among the blind,
That, deaf and silent, read’st the eternal deep,
Haunted for ever by the eternal mind,–
Mighty Prophet! Seer blest!
On whom those truths do rest,
Which we are toiling all our lives to find,
In darkness lost, the darkness of the grave;
Thou, over whom thy Immortality
Broods like the Day, a Master o’er a Slave,
A Presence which is not to be put by;
Thou little Child, yet glorious in the might
Of heaven-born freedom on thy being’s height,
Why with such earnest pains dost thou provoke
The years to bring the inevitable yoke,
Thus blindly with thy blessedness at strife?
Full soon thy Soul shall have her earthly freight,
And custom lie upon thee with a weight
Heavy as frost, and deep almost as life!

IX

O joy! that in our embers
Is something that doth live,
That nature yet remembers
What was so fugitive!
The thought of our past years in me doth breed
Perpetual benediction: not indeed
For that which is most worthy to be blest–
Delight and liberty, the simple creed
Of Childhood, whether busy or at rest,
With new-fledged hope still fluttering in his breast:–
Not for these I raise
The song of thanks and praise;
But for those obstinate questionings
Of sense and outward things,
Fallings from us, vanishings;
Blank misgivings of a Creature
Moving about in worlds not realised,
High instincts before which our mortal Nature
Did tremble like a guilty Thing surprised:
But for those first affections,
Those shadowy recollections,
Which, be they what they may,
Are yet the fountain light of all our day,
Are yet a master light of all our seeing;
Uphold us, cherish, and have power to make
Our noisy years seem moments in the being
Of the eternal Silence: truths that wake,
To perish never;
Which neither listlessness, nor mad endeavour,
Nor Man nor Boy,
Nor all that is at enmity with joy,
Can utterly abolish or destroy!
Hence in a season of calm weather
Though inland far we be,
Our Souls have sight of that immortal sea
Which brought us hither,
Can in a moment travel thither,
And see the Children sport upon the shore,
And hear the mighty waters rolling evermore.

X

Then sing, ye Birds, sing, sing a joyous song!
And let the young Lambs bound
As to the tabor’s sound!
We in thought will join your throng,
Ye that pipe and ye that play,
Ye that through your hearts to-day
Feel the gladness of the May!
What though the radiance which was once so bright
Be now for ever taken from my sight,
Though nothing can bring back the hour
Of splendour in the grass, of glory in the flower;
We will grieve not, rather find
Strength in what remains behind;
In the primal sympathy
Which having been must ever be;
In the soothing thoughts that spring
Out of human suffering;
In the faith that looks through death,
In years that bring the philosophic mind.

XI

And O, ye Fountains, Meadows, Hills, and Groves,
Forebode not any severing of our loves!
Yet in my heart of hearts I feel your might;
I only have relinquished one delight
To live beneath your more habitual sway.
I love the Brooks which down their channels fret,
Even more than when I tripped lightly as they;
The innocent brightness of a new-born Day
Is lovely yet;
The Clouds that gather round the setting sun
Do take a sober colouring from an eye
That hath kept watch o’er man’s mortality;
Another race hath been, and other palms are won.
Thanks to the human heart by which we live,
Thanks to its tenderness, its joys, and fears,
To me the meanest flower that blows can give
Thoughts that do often lie too deep for tears.


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Footprints in the Sands of Time

Posted in Poetry with tags , , on April 9, 2011 by telescoper

A busy day – and a beautiful one – and I’m off to a posh do this evening, so I just have time for a brief contribution. I thought I’d share these few verses from the inspirational poem A Psalm of Life by Henry Wadsworth Longfellow. I hope Tom Shanks reads them…

Tell me not, in mournful numbers,
Life is but an empty dream!
For the soul is dead that slumbers,
And things are not what they seem.

Life is real! Life is earnest!
And the grave is not its goal;
Dust thou art, to dust returnest,
Was not spoken of the soul.

In the world’s broad field of battle,
In the bivouac of Life,
Be not like dumb, driven cattle!
Be a hero in the strife!

Lives of great men all remind us
We can make our lives sublime,
And, departing, leave behind us
Footprints on the sands of time;

and here they are, read by the late great Paul Scofield:


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