I’m indebted to Alan Heavens (currently of Edinburgh University, shortly to move to Imperial College) for drawing my attention to outstanding young jazz pianist and composer Dan Tepfer. I’ve been listening to quite a lot of Dan’s music, over the past few days and I think he’s brilliant. What’s even more interesting about him from the point of view of this blog is his background: he is a former Astrophysics student (at the University of Edinburgh). He changed direction away from academic studies in order to focus on his music, relocated to New York and has subsequently received rave reviews for his performances both live and on various albums. He tours extensively in the USA and worldwide; next time he’s in the UK I’m definitely going to check out one of his live gigs. Do visit his website; as a taster here’s his highly original (and pretty long) live version of the John Coltrane classic Giant Steps..
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Giant Steps, from Astrophysics to Jazz
Posted in Jazz, The Universe and Stuff with tags Astrophysics, Dan Tepfer, Giant Steps, Jazz, University of Edinburgh on January 21, 2012 by telescoperWeather Bird
Posted in Jazz with tags Earl Hines, Jazz, Louis Armstrong, Weather Bird on January 15, 2012 by telescoperTime to try countering the melancholy mood that has settled on me over the last few days. I just heard this track on the radio and coincidentally it came up on a random play on my iPod on Friday too. Clearly someone up there is telling me to share it with you.
This gem, recorded in New York city in 1928, is a duet between Louis Armstrong (on trumpet) and Earl Hines (piano). Both were marvellous musicians in their own right but in combination they were dazzling. This piece is obviously totally spontaneous and it’s almost miraculous how it holds together while the two men attempt mischievously to pull it in different directions. But hold together it certainly does; this piece takes “making it up as you go along” into another dimension altogether and the result is 2 minutes and 38 seconds of the most joyful music-making you can ever hope to hear..
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Posted in History, Jazz with tags Backwater Blues, Bessie Smith, Blues, James P. Johnson, Mississippi Flood of 1927 on January 5, 2012 by telescoperAlthough the risk of flooding has abated somewhat in these parts, the various alerts reminded me that I should post this classic piece of music. It’s not only a definitive example of the art of the blues, sung by the incomparable Bessie Smith with James P. Johnson on piano, but also an important piece of American social history, as it documents the Mississippi River flood of 1927, which brought death and devastation to seven southern states, including Tennessee and Arkansas as well as Mississippi. It’s mistitled “Black Water” on the clip – it should be “Backwater”, but whatever its name it’s definitely the Blues.
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Stormy Weather
Posted in Biographical, Jazz with tags Ella Fitzgerald, Joe Pass, Stormy Weather on January 3, 2012 by telescoperThe weather has been inclement since New Year’s Eve, but today it got even worse. Things are even more scary elsewhere in the UK; I heard from friends in Edinburgh that gusts of 102 mph have been recorded at the Royal Observatory, for example. I hope they’ve battened down the hatches. Here in Cardiff its pretty windy too, but the main problem has been heavy rain. There are flood alerts all across South Wales, including on the River Taff very close to my house as I write this. Since I’ve got a few things to do I think I’ll go and take a peek. The last time such a thing happened, the city’s flood defences held but the Taff did break its banks on Pontcanna Fields (which is actually meant to happen, to take the strain off the flood barriers nearer the city). Anyway I’ve got a few things to do so I think I’ll take a walk to the river and see how it looks. If I don’t come back please send a lifeboat.
In the meantime, here’s a piece of music to calm the storms, by the great Ella Fitzgerald accompanied by the equally great Joe Pass on guitar. ..
Well, back from a short trip down the Taff Embankment, here are a few pics of the scene…
The SWALEC Stadium is to the left, water level about 2m above the pitch right now, but protected by the embankment
The trees are usually above the water level, the nursery beyond is about 2m above current water level
I have seen the Taff higher than this, but only once!
White Water with Weeping Willow
The Millennium Stadium is just beyond the Bridge
Wanderlust
Posted in Jazz with tags Coleman Hawkins, Duke Ellington, Humphrey Lyttelton, Jazz on December 29, 2011 by telescoperI saw that someone posted this on Youtube, so couldn’t resist putting it on here. For a long time in the 70s and 80s this was used by Humphrey Lyttelton as the theme tune for his BBC Radio programme The Best of Jazz so it’s full of nostalgia for me as I used to listen to it every Monday night when I was school. Although quite a traditionalist in terms of his own music, Humph played all kinds of Jazz on his programme and in so doing introduced me to a great deal of music that I still love, thirty odd years later. The only problem with using this as his theme tune was that I never got to hear the whole thing all the way through, until I finally got around to buying the LP (which I still have).
This track, Wanderlust, is taken from the album Duke Ellington meets Coleman Hawkins and it features star performers from the Ellington Band of the early sixties, with the great Coleman Hawkins sitting in on tenor saxophone. It’s a fairly basic blues composition, of the type often played at jam sessions like this; Ellington himself doesn’t play a solo, but provides wonderful piano accompaniment throughout. The rest of the rhythm section comprises Aaron Bell (bass) and Sam Woodyard (drums). Soloists in order are: Johnny Hodges (alto sax), typically relaxed; Ray Nance on trumpet; Harry Carney (baritone sax); Lawrence Brown (trombone); and finally a longer contribution by the star of the show, Coleman Hawkins, whose climactic solo is superbly constructed around the simple blues chords, taking it into another dimension entirely, before an ensemble chorus after which Sam Woodyward whips it up in sixths and takes them home. A great record by a bunch of great musicians that manages to be simultaneously very typically Duke Ellington and very typically Coleman Hawkins.
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Posted in Jazz with tags Eric Dolphy, Free Jazz, Out to Lunch on December 19, 2011 by telescoperToday’s the day for our infamous annual departmental Christmas Lunch, which last year started at 12.30 and carried on until 3.30 the following morning (at least for me and a few other diehards). I thought I’d mark the occasion this year with an appropriate piece of music featuring one of my favourite jazz artists, saxophonist Eric Dolphy. This is the title track of the pioneering free jazz album Out to Lunch. This album is without doubt one of the high points of 1960s avant-garde jazz, primarily because of Dolphy’s extraordinary playing but also because of the brilliance of the other musicians. It’s a virtuoso performance all round, and it’s especially hard to believe that the superb drummer Tony Williams was only 18 when this track was recorded!
Unfortunately the original track is a bit too long for Youtube so this is in two parts; you’ll have to click through for the second bit.
Anyway, this would definitely be one of my Desert Island Discs and it probably also serves as an accurate musical illustration of the state my brain will be in later today. Enjoy!
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Posted in Jazz with tags Albert Ayler, Bye Bye Blackbird, Jazz on December 16, 2011 by telescoperI’ve posted about Albert Ayler before, but the excuse for posting this remarkable track is that it is preceded by a rare recording of him talking. It dates back to January 1963 and was recorded in Copenhagen; Ayler had relocated to Sweden in 1962 in the hope that he would find a freer artistic environment than was available in the USA at the time. In the spoken segment, he comes across as a very quiet and thoughtful young man and gives little hint of his troubled character, but his life was a constant struggle against depressive illness and critical disdain for his music. Especially moving is the phrase he utters at the end “One day, everything will be as it should be”. Sadly that wasn’t to be the case for him, and in 1970 he took his own life. The track is a standard tune, Bye Bye Blackbird, on which he uses his extraordinary saxophone tone to give voice to some of the pain he obviously couldn’t express in words.
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Posted in Jazz, Poetry with tags Christopher Logue, Poetry, red bird, Tony Kinsey on December 6, 2011 by telescoperDuring my enforced separation from the internet I heard the sad news of the death of the poet and political activist Christopher Logue. I therefore decided to repost the following poems, which first appeared on this blog on 3rd May 2009. Logue himself performed them with a Jazz group led by the drummer Tony Kinsey and I first heard them so long ago I can’t remember when. Anyway I’m immensely proud that my blog post made it into the references on Logue’s wikipedia page – and, before you ask, no I didn’t put it there myself!
I think these are beautiful poems made even more effective by the musical setting. In fact they are loose re-workings of some of the famous love poems of Pablo Neruda. Logue moved far away from the Neruda’s originals, but put them into impressionistic free verse, which he reads in his plummy English accent, while the band provides appropriate backing for the sentiments of the poetry as well as providing improvised passages in between the verses.
You can listen to the record Red Bird here.
Now read the lyrics:
1.
Lithe girl, brown girl
Sun that makes apples, stiffens the wheat
Made your body a joy
Tongue like a red bird dancing on ivory
To stretch your arm
Sun grabs at your hair
Like water was falling
Tantalize the sun if you dare
It will leave shadows that match you
Everywhere
Lithe girl, brown girl
Nothing draws me towards you
The heat within you beats me home
Like the sun at high noon
Knowing these things
Perhaps through
Knowing these things
I seek you out
Listening for your voice
For the brush of your arms against wheat
For your step among poppies grown underwater
Lithe girl, brown girl
2.
Steep gloom among pine trees
Waves’ surge breaking
Slow lights that interweave
A single bell
As the day’s end falls into your eyes
The earth starts singing in your body
As the waves sing in a white shell
And the rivers sing within you
And I grow outwards on them
As you direct them
Whither you make them run
I follow for you like a hare
Running reared upright to the hunter’s drum
You turn about me like a belt of clouds
the silence, though it is stupid
Mocks the hours I lay
Troubled by…… nothing
Your arms – translucent stones wherein I lie
Exhausted
And future kisses
Die
Lust
Your mysterious voice
Folds close echoes
That shift throughout the night
Much as the wind
Which moves darkly over the profitable fields
Folds down the wheat
From all its height
3.
In the hot depth of summer
The morning is close, storm-filled
Clouds shift –
White rags waving goodbye
Shaken by the frantic wind as it goes and
As it goes
The wind throbs over us
Love-making silenced
Among the trees like a tongue singing
A warning or just singing the wind throbs
And the quick sparrow’s flight is slapped by the wind
Swift thief destructive as waves
Weightless without form
Struck through and through with flame
Which breaks
Soughing its strength out
At the gates of the enormous, silent, summer wind
4.
That you may hear me
My words narrow occasionally
Like gull-tracks in the sand
Or I let them become
Tuneful beads
Mixed with the sound
Of a drunk hawk’s bell
Flick me your wrists…..
Soft as grape skin – yes
Softer than grapeskin I make them
Which is a kind of treachery against the world
Yet
You who clamber
Over all the desolations of mine
Gentle as ivy
Eat the words’ meaning
Before you came to me
Words were all that you now occupy
And now they’re no more these words
Than ever they knew of my sadness
Yet
Sometimes
Force and dead anguish still drags them
And yes
Malevolent dreams still betimes
Overwhelm them and then
In my bruised voice
You hear other bruised voices
Old agues crying out of old mouths
Do not be angry with me
Lest the wave of that anguish
Drown me again
Even as I sit
Threading a collar of beads for your hands
Softer than grape skin
Hung with a drunk hawk’s bell
I’ve grown accustomed to your face
Posted in Jazz with tags brad mehldau trio, Jazz on December 6, 2011 by telescoperHere’s a little treat. I’m sure I’ve mentioned on here before that there can hardly be a tune ever written that some jazz musician hasn’t taken a fancy to and done their own version that’s probably very different to what the composer intended. I came across this performance by the Brad Mehldau trio a while ago and thought I’d put it up here because I think it’s lovely. The song that forms the basis of their improvisation was originally entitled I’ve Grown Accustomed to Her Face (music by Frederick Loewe and lyrics by Alan Jay Lerner) for the musical My Fair Lady, in which it was memorably performed (if not exactly sung) by Rex Harrison.
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In the Dark 