Archive for the Music Category

Gershwin, Adams & Rachmaninov

Posted in Music with tags , , , , , , , , on January 28, 2012 by telescoper

Yesterday (Friday) being the last day of (relative) freedom before teaching resumes on Monday I took the opportunity to go to a concert by the Orchestra of Welsh National Opera at the splendid St David’s Hall in Cardiff. I had been looking forward to it for some time, as the programme featured two favourite pieces of mine, George Gershwin’s Rhapsody in Blue and John Adams’ The Chairman Dances (A Foxtrot for Orchestra), plus one longer piece that I’ve never heard live before, Symphony No. 2 (in E minor) by Sergei Rachmaninov.

There was a good crowd in St David’s last night, not surprisingly given the popularity of the pieces being performed. Conductor for the evening was Frédéric Chaslin, who led the orchestra from the piano during the opening number, Rhapsody in Blue. This is a very famous piece, and is played so often that it is in danger of becoming a bit of a cliché, especially when classical orchestras try too hard to sound like jazz musician; the piece was originally written for Paul Whiteman’s Orchestra. A case in point is the opening clarinet solo, which is often played like a ham-fisted parody. Not last night, though. Principal clarinettist of WNO Leslie Craven gave a very characterful rendition of the notoriously tricky opening, which seemed to inspire the orchestra into an excellent all-round performance. I particularly enjoyed seeing the cello section slapping the strings of their instruments much as a jazz-era double-bass player would.

Chaslin gave an idiosyncratic account of the piano part, to the extent that in the final solo passage before the finale he departed from the script entirely and interpolated an improvised section all of his own. Not everyone in the audience approved – there were a few tuts behind me – but it’s a piece undoubtedly inspired by jazz, so I don’t see anything wrong with doing this. I thought his ad-libbing was charming, and very witty. What I wasn’t so happy about were the changes in tempo, which were too exaggerated. I suppose conducting from the piano means you can do whatever you want, but I think he took the rubato too far. Some sections rely on strict rhythm for their sense of urgency, and I felt he got bogged down a bit in places. Still, on balance, it was very refreshing to hear an orchestra trying to do something different. Nothing hackneyed about last night’s performance, that’s for sure.

Next one up was The Chairman Dances by John Adams. This isn’t actually in the opera Nixon in China, which is what a lot of people seem to think. It was composed at the same time, but cut out and developed as a standalone concert piece. I posted a recording of this yesterday, so won’t say too much today, except that I thoroughly enjoyed my first live experience of this work. So did the orchestra by the look of it! It’s a hugely entertaining piece and had many in the audience tapping their feet along with it. As a matter of fact, I wouldn’t have minded getting up and dancing along myself..

Special mention has to go the percussion section of the orchestra for doing such an excellent job. The four xylophones were  a delight to listen to, and the drums, temple blocks, triangles and assorted ironmongery coped brilliantly with the intricate polyrhythms.

Then it was the interval, and a glass of wine before returing to savour the main piece of the evening, Rachmaninov’s Second Symphony. It’s a remarkable work because it’s not only a “proper” symphony in its construction and development but also the best part of an hour of one glorious melody after another. Rachmaninov’s music is not really very much like Mozart, but they certainly had a similar ear for the Big Tune! I particularly loved the third movement (Adagio), but I thought it was a magnificent performance throughout, not least because you could see how much both conductor and orchestra were enjoying themselves.

The end of the concert was met with rapturous applause from the (normally rather reticent) St Davids audience. Now I have to find the best recording I can of Rachmaninov’s Second Symphony so I can enjoy it again. Any suggestions?

Foxtrot for Orchestra

Posted in Music with tags , on January 27, 2012 by telescoper

Sitting in the office at the end of a long week, and looking forward to going to an interesting-sounding concert at St David’s Hall later on. I may get the chance to review it over the weekend, but in the meantime I thought I’d put up this version of one of the pieces I’m going to hear later. I think it’s great but I’ve never heard it live…

Giant Steps, from Astrophysics to Jazz

Posted in Jazz, The Universe and Stuff with tags , , , , on January 21, 2012 by telescoper

I’m indebted to Alan Heavens (currently of Edinburgh University, shortly to move to Imperial College) for drawing my attention to outstanding young jazz pianist and composer Dan Tepfer. I’ve been listening to quite a lot of Dan’s music, over the past few days and I think he’s brilliant. What’s even more interesting about him from the point of view of this blog is his background:  he is a former Astrophysics student (at the University of Edinburgh). He changed direction away from academic studies in order to focus on his music, relocated to New York and has subsequently received rave reviews for his performances both live and on various albums. He tours extensively in the USA and worldwide; next time he’s in the UK I’m definitely going to check out one of his live gigs. Do visit his website; as a taster here’s his  highly original (and pretty long) live version of the John Coltrane classic Giant Steps..

Weather Bird

Posted in Jazz with tags , , , on January 15, 2012 by telescoper

Time to try countering the melancholy mood that has settled on me over the last few days. I just heard this track on the radio and coincidentally it came up on a random play on my iPod on Friday too. Clearly someone up there is telling me to share it with you.

This gem, recorded in New York city in 1928, is a duet between Louis Armstrong (on trumpet) and Earl Hines (piano). Both were marvellous musicians in their own right but in combination they were dazzling. This piece  is obviously totally spontaneous and it’s almost miraculous how it holds together while the two men attempt mischievously to pull it in different directions. But hold together it certainly does; this piece takes “making it up as you go along” into another dimension altogether and the result is 2 minutes and 38 seconds of the most joyful music-making you can ever hope to hear..

Just a closer walk with thee

Posted in Music, Television, The Universe and Stuff with tags , , , on January 12, 2012 by telescoper

I saw this clip a few days ago, and had it in mind to post it at an appropriate time. Unfortunately when I got home today I learned some news that makes today seem all too appropriate. A distinguished and respected colleague, Prof. Steve Rawlings, of Oxford University was found dead last night. This is shocking and desperately sad news. I have no idea what happened but apparently the Oxfordshire police have arrested a 49-year old man on suspicion of murder. No doubt more information will emerge in due course.

The connection between this sombre piece of news and the clip I  intended to post should become obvious when I tell you that it depicts a funeral. Indeed the music featured, the hymn or spiritual Just a Closer Walk with Thee, was the main music chosen for the service when my father died,  just over four years ago. It’s a lovely old traditional tune that often  plays a central role in New Orleans style funerals, as shown here, and is a melody that, for me, has a deep associattion with loss and bereavement.

The clip is taken from the US TV series Treme. I haven’t seen Treme -if it has been shown on UK TV I missed it – but it’s set in New Orleans in the aftermath of the near destruction of the city by Hurricane Katrina in 2005. Not knowing anything about the TV series I only watched the clip because of the music, but I was mightily impressed by the way the scene was photographed and how careful the producers had been in getting the details just right, because a funeral in New Orleans is unlike any other.

The sashes, parasols, and exaggerated, swaying slow march seen in the film are in some sense almost comical, but  they are also at the same time solemn and immensely dignified. Defiant, even. I don’t think it’s just because I am a jazz fan that I find this video so moving. Perhaps it’s really because, faced with the awesome finality of death, every action we take in life is comical anyway, just as every word is ultimately banal. However, if a farce is what  it’s going to be, let’s just make sure it’s done the way we like it – especially at the end.

One of the commenters on Youtube put it thus:

it aint my time yet .but when it is thats the way i wanna go home

Amen to that. I don’t think Steve Rawlings was a jazz fan, but this is the best way I can think of to pay my respects.

She is what she is….

Posted in Music with tags , on January 8, 2012 by telescoper

..and, incredibly, she is 75 today!

Happy Birthday, Dame Shirley Bassey!

And on the basis that you can have too much of a good thing, here she is in 1966 singing Leonard Bernstein’s  lovely song Somewhere from West Side Story.

I’m your Man

Posted in Music with tags , on January 7, 2012 by telescoper

Backwater Blues

Posted in History, Jazz with tags , , , , on January 5, 2012 by telescoper

Although the risk of flooding has abated somewhat in these parts, the various alerts reminded me that I should post this classic piece of music. It’s not only a definitive example of the art of the blues, sung by the incomparable Bessie Smith with James P. Johnson on piano, but also an important piece of American social history, as it documents the Mississippi River flood of 1927, which brought death and devastation to seven southern states, including Tennessee and Arkansas as well as  Mississippi. It’s mistitled “Black Water” on the clip – it should be “Backwater”, but whatever its name it’s definitely the Blues.

 

Stormy Weather

Posted in Biographical, Jazz with tags , , on January 3, 2012 by telescoper

The weather has been inclement since New Year’s Eve, but today it got even worse.  Things are even more scary elsewhere in the UK; I heard from friends in Edinburgh that gusts of 102 mph have been recorded at the Royal Observatory, for example. I hope they’ve battened down the hatches. Here in Cardiff its pretty windy too, but the main problem has been heavy rain. There are flood alerts all across South Wales, including on the River Taff very close to my house as I write this. Since I’ve got a few things to do I think I’ll go and take a peek. The last time such a thing happened, the city’s flood defences held but the Taff did break its banks on Pontcanna Fields (which is actually meant to happen, to take the strain off the flood barriers nearer the city). Anyway I’ve got a few things to do so I think I’ll take a walk to the river and see how it looks. If I don’t come back please send a lifeboat.

In the meantime, here’s a piece of music to calm the storms, by the great Ella Fitzgerald accompanied by the equally great Joe Pass on guitar. ..

Well, back from a short trip down the Taff Embankment, here are a few pics of the scene…

The SWALEC Stadium is to the left, water level about 2m above the pitch right now, but protected by the embankment

The trees are usually above the water level, the nursery beyond is about 2m above current water level

I have seen the Taff higher than this, but only once!

White Water with Weeping Willow

The Millennium Stadium is just beyond the Bridge

RIP Sam Rivers

Posted in Jazz with tags , , , on December 31, 2011 by telescoper

I just read of the death, at the age of 88, of the legendary jazz musician Sam Rivers who passed away on 26th December. Sam Rivers was born in 1923 and started playing professionally during the bebop era of the early 1950s. Later he evolved a unique avant garde style that was nevertheless firmly based in the jazz traditions he had grown up with. He was probably best known as a tenor saxophonist, but could also play flute, clarinet, piano and viola.

I first heard Sam Rivers on Humphrey Lyttelton’s BBC Radio Show The Best of Jazz in 1979. Humph was clearly a great admirer of Sam Rivers, especially the superb trio he formed with the brilliant Thurman Barker (drums) and Dave Holland (bass). The energy and vitality of the track he played made a lasting impression on me. The album was called Contrasts, by the way, and the track in question called Zip. I bought the album straight away. At least almost straight away, because it wasn’t the sort of record you could buy in the shops; I had to send away for it.

The following video was made in Germany around the same time featuring the trio mentioned above. It’s in several parts so please click through if you want to see and hear Sam Rivers’ full repertoire of instruments.

It’s very sad to hear of the passing of such a wonderful musician and inspirational figure, but at least we still have the music. Rest in peace, Sam Rivers.