Archive for the Television Category

No Cox please, we’re British…

Posted in Television, The Universe and Stuff with tags , , , , , , , on March 29, 2011 by telescoper

The final episode of the BBC television series Wonders of the Universe was broadcast this weekend. Apparently it’s been incredibly popular, winning huge plaudits for its presenter Brian Cox, and perhaps inspiring the next generation of budding cosmologists the way Carl Sagan did thirty-odd years ago with his series Cosmos.

Grumpy old cosmologists (i.e. people like myself) who have watched it are a bit baffled by the peculiar choices of location – seemingly chosen simply in order to be expensive, without any relevance to the topic being discussed – the intrusive (and rather ghastly) music, and the personality cult generated by the constant focus on the dreamy-eyed presenter. But of course the series wasn’t made for people like us, so we’ve got no right to complain. If he does a great job getting the younger generation interested in science, then that’s enough for me. I can always watch Miss Marple on the other side instead.

But walking into work this morning I suddenly realised the real reason why I don’t really like Wonders of the Universe. It’s got nothing to do with the things I mentioned above. It’s because it’s just not British enough.

I’m not saying that Brian Cox isn’t British. Obviously he is. Although I do quibble with him being labelled as a “northerner”. Actually, he’s from Manchester. The North is in fact that part of England that extends southwards from the Scottish border to the Tyne. The Midlands start with Gateshead and include Yorkshire, Manchester and Liverpool and all those places whose inhabitants wish they were from the North, but aren’t really hard enough.

Anyway, I just put that bit in to inform non-British readers of this blog about the facts of UK geography. It’s not really relevant to the main point of the piece.

The problem with Wonders of the Universe is betrayed by its title. The word “wonders” suggests that the Universe is wonder-ful, or even, in a word which has cropped up in the series a few times, “awesome”. No authentic British person, and certainly not one who’s forty-something, would ever use the word “awesome” without being paid a lot of money to do so. It just doesn’t ring true.

I reckon it doesn’t do to be too impressed by anything on TV these days (especially if its accompanied by awful music), but there is a particularly good reason for not being taken in by all this talk about “Wonders”, and that is that the Universe is basically a load of rubbish.

Take this thing, for example.

It’s a galaxy (the Andromeda Nebula, M31, to be precise). We live in a similar article, in fact. Of course it looks quite pretty on the surface, but when you look at them with a physicist’s eye galaxies are really not all they’re cracked up to be.

We live in a relatively crowded part of our galaxy on a small planet orbiting a fairly insignificant star called the Sun. Now you’ve got me started on the Sun. I know it supplies the Earth with all its energy, but it does so pretty badly, all things considered. The Sun only radiates a fraction of a milliwatt per kilogram. That’s hopeless! Pound for pound, a human being radiates more than a thousand times as much. All in all, stars are drastically overrated: bloated, wasteful, inefficient and  not even slightly awesome. They’re only noticeable because they’re big. And we all know that size shouldn’t really matter.

But even in what purports to be an interesting neighbourhood of our Galaxy, the nearest star is 4.5 light years from the Sun. To get that in perspective, imagine the Sun is the size of a golfball. On the same scale, where is the nearest star?

The answer to that will probably surprise you, as it does my students when I give this example in lectures. The answer is, in fact, on the order of a thousand kilometres away. That’s the distance from Cardiff to, say, Munich. What a dull landscape our Galaxy possesses. In between one little golf ball in Wales and another one in Germany there’s nothing of any interest at all, just a featureless incomprehensible void not worthy of the most perfunctory second thought; it’s usually called France.

So galaxies aren’t dazzlingly beautiful jewels of the heavens. They’re flimsy, insubstantial things more like the cheap tat you can find on QVC. What’s worse is that they’re also full of a grubby mixture of soot and dust. Indeed, some are so filthy that you can hardly see any stars at all. Somebody needs to give the Universe a good clean. I suppose you just can’t get the help these days.

And then there’s the Big Bang. Well, I don’t need to go on about that because I’ve already posted about it. Suffice to say that the Big Bang wasn’t anywhere near as Big as you’ve been led to believe. The volume was between about 115 and 120 decibels. Quite loud, but many rock concerts are louder. Very disappointing. If I’d been in charge I would have put on something much more spectacular.

In any case the Big Bang happened a very long time ago. The Universe is now a cold and desolate place, lit by a few feeble stars and warmed only by the fading glow of the heat given off when it was all so much younger and more exciting. It’s as if we inhabit a shabby downmarket retirement home, warmed only by the feeble radiation given off by a puny electric fire as we occupy ourselves as best we can until Armageddon comes.

No, the Universe isn’t wonderful at all. In fact, it’s basically a bit crummy. It’s only superficially impressive because it’s quite large, and it doesn’t do to be impressed by things just because they are large. That would be vulgar.

Digression: I just remembered a story about a loudmouthed Texan who owned a big ranch and who was visiting the English countryside on holiday. Chatting to locals in the village pub he boasted that it took him several days to drive around his ranch. A farmer replied “Yes. I used to have a car like that.”

We British just don’t like showy things. It’s in our genes. We’re fundamentally a rather drab and dowdy race. We don’t really enjoy being astonished either. We prefer things we can find fault with over things that intimidate us with their splendour. We’re much more likely to tut disapprovingly than stare open-mouthed in amazement at something that seems pointlessly ostentatious. If pushed, we might even write a letter of complaint to the Council.

Ultimately, however, the fact is that whatever we think about it, we’re stuck with it. Just like the trains, the government and the weather. Nothing we can do about it, so we might as well just soldier on. That’s the British way.

So you can rest assured that none of this Wonders of the Universe stuff will distract us for long from getting on with the important things in life, such as watching Coronation Street.

Professor Brian Cox is 43.


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Our Place in the Universe

Posted in Television, The Universe and Stuff with tags , , , on February 9, 2011 by telescoper

I suspect I’m not the only person working in astronomy who found inspiration in Carl Sagan‘s epic TV series Cosmos, which was broadcast on British television when I was at Secondary School. Although the graphics are a bit dated now, and the language perhaps a bit florid for modern tastes, it has lost nothing of its splendour or profundity which is largely due to the charisma (and beautiful writing) of the presenter. It’s also in stark contrast to the simple-minded stuff served up by modern so-called science programmes. Here’s a little taster, which brought back happy memories to me, and I hope will do the same for fellow astronomers-of-a-certain-age.

We live on an insignificant planet of a humdrum star lost in a galaxy tucked away in some forgotten corner of a Universe in which there are far more galaxies than people. We make our World significant by the courage of our questions, and by the depth of our answers.


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Playing to The Gallery 

Posted in Music, Television with tags , , , on January 19, 2009 by telescoper

I was very sad yesterday to hear of the death at the age of 83 of the pioneering children TV’s presenter Tony Hart.  The newspapers and television have been filled with suitably glowing tributes to him, because he was not only a superb presenter but also a warm and generous person. That’s quite a rare combination in the world of television, so I’m told.

I knew of him primarily through Vision On, a programme which I watched avidly as a child, and only found out much later on that it was intended to be for deaf children. The show involved comedy sketches and cartoons, as well as Tony Hart’s contributions which involved creating works of art live in front of the camera. He hardly ever spoke and used only the simplest of materials to create very beautiful things with the idea that this would inspire his audience to get in touch with their artistic side without making it look too much like a lesson. He did it brilliantly.

Here’s the middle chunk of a broadcast from 1975 which will bring it all bank to those of you of a certain age like me, but notable also in that it includes Sylvester McCoy who later became the 7th Doctor Who:

Best of all, this segment ends with my favourite bit, The Gallery, accompanied by a piece of music which is almost as redolent with nostalgia for me as the theme from Doctor Who. The track concerned is called Left Bank Two and was performed by the Noveltones; it can be heard here in full. Just a trio of vibraphone, guitar and drums played with brushes, I think it’s a masterpiece of relaxed simplicity. Nobody got his collar wet playing it, that’s for sure. It’s the sort of music you might have expected to hear in a smart cocktail bar in the early 60s but is now inextricably linked to The Gallery.

I was struck watching the above clip just how good the childrens’ drawings and paintings were too. I tried several times to get something shown in The Gallery, but never succeeded.

Professor Who?

Posted in Biographical, Music, Television, The Universe and Stuff with tags , , , , , on January 7, 2009 by telescoper

As a Professor of Astrophysics I am often asked “Why on Earth did you take up such a crazy subject?”

I guess many astronomers, physicists and other scientists have to answer this sort of question. For many of them there is probably a romantic reason, such as seeing the rings of Saturn or the majesty of the Milky Way on a dark night. Others will probably have been inspired by TV documentary series such as The Sky at Night, Carl Sagan’s Cosmos or even Horizon which, believe it or not, actually used to be quite good but which is nowadays uniformly dire. Or it could have been something a bit more mundane but no less stimulating such as a very good science teacher at school.

When I’m asked this question I’d love to be able to put my hand on my heart and give an answer of that sort but the truth is really quite a long way from those possibilities. The thing that probably did more than anything else to get me interested in science was a Science Fiction TV series or rather not exactly the series but the opening titles.

The first episode of Doctor Who was broadcast in the year of my birth, so I don’t remember it at all, but I do remember the astonishing effect the credits had on my imagination when I saw later episodes as a small child. Here are some tests for the sequence as it appeared in the very first series featuring William Hartnell as the first Doctor.

To a younger audience it probably all seems quite tame, but I think there’s a haunting, unearthly beauty to the shapes conjured up by Bernard Lodge. Having virtually no budget for graphics, he experimented in a darkened studio with an old-fashioned TV camera and a piece of black card with Doctor Who written on it in white. He created the spooky kaleidoscopic patterns you see by simply pointing the camera so it could see into its own monitor, thus producing a sort of electronic hall of mirrors.

What is so fascinating to me is how a relatively simple underlying concept could produce a rich assortment of patterns, particularly how they seem to take on an almost organic aspect as they merge and transform. I’ve continued to be struck by the idea that complexity could be produced by relatively simple natural laws which is one of the essential features of astrophysics and cosmology. As a practical demonstration of the universality of physics this sequence takes some beating.

As well as these strange and wonderful images, the titles also featured a pioneering piece of electronic music. Officially the composer was Ron Grainer, but he wasn’t very interested in the commission and simply scribbled the theme down and left it to the BBC to turn it into something useable. In stepped the wonderful Delia Derbyshire, unsung heroine of the BBC Radiophonic Workshop who, with only the crudest electronic equipment available, turned it into a little masterpiece. Ethereal yet propulsive, the original theme from Doctor Who is definitely one of my absolute favourite pieces of music and I’m glad to see that Delia Derbyshire is now receiving the acclaim she deserves from serious music critics.

It’s ironic that I’ve now moved to Cardiff where new programmes of Doctor Who and its spin-off, the anagrammatic Torchwood, are made. One of the great things about the early episodes of Doctor Who was that the technology simply didn’t exist to do very good special effects. The scripts were consequently very careful to let the viewers’ imagination do all the work. That’s what made it so good. I’m pleased that the more recent incarnations of this show also don’t go overboard on the visuals. Perhaps thats a conscious attempt to appeal to people who saw the old ones as well as those too young to have done so. It’s just a pity the modern opening title music is so bad…

Anyway, I still love Doctor Who after all these years. It must sound daft to say that it inspired me to take up astrophysics, but it’s truer than any other explanation I can think of. Of course the career path is slightly different from a Timelord, but only slightly.

At any rate I think The Doctor is overdue for promotion. How about Professor Who?