Ceci n’est pas un tapis de souris

Posted in Art, Education, Maynooth on April 7, 2023 by telescoper
It is now…

Easter Time and Sabbaticals

Posted in Biographical, Maynooth with tags on April 6, 2023 by telescoper

So it’s Maundy Thursday, i.e. the day before Good Friday, on which we are supposed to wash the feet of our disciples. Not having been issued with any disciples, I’ll have to give that bit a miss and just work as normal for the rest of today.

Tomorrow is a holiday, as is next Monday, Easter Monday. The rest of next week is a study break, a welcome pause before we embark on the rest of term.

There will still be three weeks of teaching before the end of the Semester when we return on 17th April, but I’ve actually done my last lecture in Computational Physics. I’ve taught them all the things they need for the rest of the module. When they get back students will be mainly working in groups on their mini-projects which are due in by 5th May. The other module I teach will carry on as usual until the end of term.

Anyway, the three weeks that have passed between the St Patrick’s Day study break and today have flown by, but at least I’ve kept up to date.

Yesterday I found out that I have been granted a sabbatical for half of next academic year. I had asked for a full year, but that wasn’t agreed, so I now have to decide whether to disappear from August 2023 to January 2024 or from February 2024 to July 2024. I’ve only got the Easter break to decide which option to take, so I’ll have to spend a bit of time trying to work out what to do. I had planned two different trips during a full-year sabbatical. I’ll probably have to drop one of them. I also made plans for my research students, which I’ll have to change. I’m sure I can work something out though.

My two biggest classes are in Semester 1 so I’d probably get more personal benefit from taking the first option, but it might be harder to find a replacement to teach these modules given the shorter notice. It will also be tricky to make the necessary arrangements with potential hosts elsewhere by August, which tends to motivate the second option. I’ll have to think about it.

The last time I had a sabbatical break was in 2005, when I was at the University of Nottingham. That also was just one semester. After an abortive attempt to get a J-1 visa so I could visit the University of California at Berkeley, I ended up going to Toronto, which was very nice, but instead of giving my teaching to someone else for the term I missed, it was just moved to the second semester so I had a double load when I returned. I hope nobody tries that trick this time!

At least this time there won’t be a problem with visas et cetera, as I intend to exploit the freedom of movement I have within the European Union…

A Jazz Centenary

Posted in History, Jazz with tags , , , , , on April 5, 2023 by telescoper
King Oliver’s Creole Jazz Band vintage 1923. From the left: Warren “Baby” Dodds (drums); Honore Dutrey (seated front, trombone); Joe “King” Oliver (standing rear, cornet); Louis Armstrong (seated front, cornet); Bill Johnson (standing rear, string bass and banjo); Johnny Dodds (seated front, clarinet); and Lil Hardin (piano)

I’ve been looking forward to this day because it marks an important jazz centenary. Or at least I think it does. There’s some contradictory evidence about whether it was April 5th 1923 or April 6th, or maybe both, when King Oliver‘s Creole Jazz Band did its first ever recording session at the Gennett studios in Richmond, Virginia. They recorded 20 sides in that session, which may well have involved two days with a break in between or working through the night.

These dates represent a remarkable occasion not only because King Oliver’s band was really the first jazz Supergroup, but also because it had been joined just a few months earlier by a young cornet player by the name of Louis Armstrong. This session therefore represent the first examples of Louis Armstrong ever heard on record.

It is somewhat surprising that this historic session happened at the Gennett studios. The band was based on Chicago, Illinois, and the studios were in Richmond, Virginia, so it required a long road trip to get there. Moreover the studio building wasn’t exactly in a prime location, as it was right next to a railroad line:

Musicians had to time their recordings so as to avoid the noise from passing trains. Still, records only lasted about 3 minutes in those days so presumably weren’t so frequent as to make it difficult to fit in a take between two of them! Recording techniques were rather primitive in those days though, and the sound quality that emerged isn’t great.

The lineup for the band is shown in the picture at the top of this page. It’s interesting to note that four of these musicians (Armstrong, Hardin, and the Dodds brothers) were to feature regularly from 1925 onwards in the classic Hot Fives and Hot Sevens. King Oliver’s band, however, had style that was very different from these later records, with a much greater emphasis on polyphony, much more complex arrangements, and much less emphasis on solos. Also, King Oliver’s band played to live audiences on a regular basis, but the Hot Fives and Hot Seven only ever performed as such in recording studios.

As far as I understand how this band worked, King Oliver made the arrangements. I don’t think they used full written scores, but tended to play from wonderfully intricate “head arrangements” worked out beforehand, with ensemble passages, gaps for breaks and solos, and King Oliver introducing the (usually very catchy themes). Armstrong and Johnny Dodds improvised a decorative counterpoint, and Honore Dutrey added harmonic breadth to the ensemble. This must have been a great learning experience for the young Louis Armstrong, has he had to develop a great ear for what was going on around him to play like this. I gather that Louis Armstrong often tended to play very loud so he was kept well in the background in these early Gennett sessions, but such a prodigious talent was never going to play second fiddle for long and in later sessions he effectively duets with King Oliver and swapped leads with him freely and completely intuitively, producing a sound that was entirely unique. I am always astonished by how much is going on in these old records, even if you can’t hear it all very well!

I’ve mentioned before that, over time, this classic type of polyphonic Jazz – derived from its New Orleans roots – gradually morphed into musical form dominated by much simpler arrangements and a succession of virtuoso solos. This change was also reflected in the differing fortunes of Louis Armstrong and King Oliver. The former went on to become an international celebrity, while the latter lost all his savings when his bank went bust during the Wall Street Crash and ended his life working as a janitor.

As well as Gennett, this band recorded with other labels in 1923 including Okeh and Columbia. Sadly however they split up at the end of 1923 over disagreements about a possible tour in 1924. Only about 40 sides were ever recorded King Oliver’s Creole Jazz Band. Many of them are absolutely marvelous.

This is the first track recorded by the band in April 1923. It’s called Just Gone. It’s a scratchy old record, with a rather compressed acoustic, so it’s like putting your next to one end of a tunnel leading back a hundred years, but it’s a good example of the Creole Jazz Band’s style. Joe Oliver’s lead cornet clearly influenced Louis Armstrong’s later style. You have to listen hard to hear Satchmo in the background on this track, but it’s worth the effort. You’re listening to a piece of music history, and a wonderful piece at that.

Nine Modern Poets

Posted in Biographical, Education, Literature with tags , , , , , , , , , , , on April 5, 2023 by telescoper

I recently acquired – at negligible expense – the above second-hand copy of the anthology Nine Modern Poets. I got a copy because this book was one we we studied when I was at school back in the 1970s. The First Edition was published way back in 1966, and it was reprinted until the mid-1980s but has long been superseded as a school poetry text by other anthologies. It has been out of print for many years so I had to find a second-hand copy via the internet. I bought some other second-hand anthologies too, which I may share in due course.

Anyway, the Nine Modern Poets are: W.B. Yeats, Wilfred Owen, T.S Eliot, John Betjeman, W.H. Auden, R.S. Thomas, Dylan Thomas, Philip Larkin, and Ted Hughes. Yes, they are all male.

Looking back it’s surprising to see John Betjeman in there, I’d have swapped him for Sylvia Plath (though her first collection, Colossus was only published in 1960 and the second, Ariel, in 1965 so these might have been too late), but the reason I look back on this book with some fondness, indeed nostalgia, is that it was this collection that introduced me to the poetry of R.S. Thomas, and I am very grateful to it for that.

Speak Out about Bullying in Academia

Posted in Harassment Bullying etc, Maynooth with tags , on April 4, 2023 by telescoper

I was interested to learn, via 9th Level Ireland, that local TD Bernard Durkan recently tabled a written question in the Dáil Éireann about harassment and bullying in Irish third-level institutions:

To ask the Minister for Education and Skills to indicate the extent to which his Department continues to monitor incidents of professional bullying throughout the higher education system; the extent to which bullying is evident in colleges throughout the country; the action taken or being taken to counter this; and if he will make a statement on the matter.

[15895/23]

The response from the Minister Simon Harris contains the following:

The Deputy will be aware that there are a number of Programme for Government (PfG) commitments aimed at addressing bullying, including a commitment to commission surveys of staff and students in the areas of harassment, sexual harassment, and bullying in higher education.

It also contains this:

The Deputy will also be familiar with the ‘Speak Out’ tool which my Department has funded. Speak Out is an online, anonymous reporting tool for staff, students and visitors to higher education institutions that was developed by the Psychological Counsellors in Higher Education Ireland with financial support from my Department, the Department of Education and the Higher Education Authority.

I must either have missed the news about Speak Out (or forgotten it) but I see that it can be accessed via my own institution, for example, here. Other universities and colleges have their own links. The dialogue page says:

The big problem with taking a bullying complaint further than mere anonymous reporting is that the legal definition of bullying is far less clear than the others. One definition I’ve found is:

Bullying is an ongoing and deliberate misuse of power in relationships through repeated verbal, physical and/or social behaviour that intends to cause physical, social and/or psychological harm.

Even this is problematic because “intent” is difficult to prove. Power relationships in academia are often distorted by the hierarchical management structures, so bullying is not just contained within the academic staff and students but also from senior management and to support staff. For that reason there’s a lot of this about. Reporting is good but I’m not sure what it actually achieves. Universities seem to be keen to hide bullying, conniving with those responsible shield them and avoid institutional harm, just as they do with harassment and other forms of abusive behaviour.

The Last Endeavour

Posted in Crosswords, Television with tags , , , , , , , on April 3, 2023 by telescoper
Shaun Evans (Morse) and Roger Allam (Thursday) in Endeavour

Although it was broadcast on ITV in the UK on March 12th this year, the very last episode (Exeunt) of the detective series Endeavour wasn’t broadcast on Irish TV until last night, Sunday 2nd April. This series was the prequel to the series Inspector Morse the last episode of which aired in 2000; the first of that series was broadcast in 1987. Endeavour, in case you don’t know is Inspector Morse’s first name, something he usually kept quiet about. The sequel series, Lewis ended in 2015 (after 9 series), so on Sunday the entire Morse franchise, originally based on the novels by Colin Dexter, drew to a close. I imagined it would be like saying goodbye to an old friend.

When Endeavour first started (in 2012) I was very skeptical that it would work. It was asking a lot of Shaun Evans to play the younger Inspector Morse (who was marvelously played in the original series by John Thaw). In any case I thought it might turn out to be a cheap attempt to cash in on the Morse theme. I was however pleasantly surprised at how good the early episodes were, and became a regular viewer.

I won’t go through the entire back story created for Morse in Endeavour but the Pilot was set in 1965 and introduced the character of Detective Inspector Fred Thursday who was the young Endeavour’s mentor when he joined the Oxfordshire Police as a Detective Constable. One of the mysteries created by this new character is why Morse never mentioned him in any of the 33 episodes of Inspector Morse. This conundrum was resolved, partly at least, in the final episode.

So what did I make of the final episode? I’m sorry to say that it was a bit of a mess and I was disappointed. The script seemed to be trying to resolve as many loose ends left by the previous programmes as possible, and the way this was done was at times highly implausible. For example, Morse is rescued from being double-crossed by a corrupt policeman Arthur Lott at Blenheim Vale by a gang of bikers intent on revenge for a drugs-related killing who beat Lott to death. But would they really have left another policeman and potential witness (Morse) go free, especially as Morse also happened to have on him a big bagful of cash?

There were some nice touches though, especially in the tie-ups with later Morse. At one point reference is made to Morse’s possible transfer to Cowley under DCI Macnutt (the real name of the great crossword setter Ximenes, precursor to Azed; Colin Dexter was a huge crossword fan). We know that’s what Morse must have done because Macnutt appears in an episode of Inspector Morse called Masonic Mysteries. Macnutt has retired from the police force and joined the clergy, but Morse consults him about old cases as he has worked with him in the past.

There’s also a brief mention of a character we don’t meet called Robert Lewis…

But the scene in Exeunt that has caused most comment is very near the end. Inspector Thursday (who has to leave Oxford in a hurry) has given his old army service revolver to Morse. We see Morse sitting in a churchyard, alone. He takes a single round and places it in the cylinder of the revolver, spins it like he is about to play Russian Roulette, and snaps the gun shut. The camera cuts to a long short of the church. We hear a gunshot, and birds flutter into the air. It seems Morse has pulled the trigger. But we know he can’t die because there are 33 episodes to come! Sure enough we see him a few minutes later, alive and well, going to choir practice. So what’s going on?

For what it’s worth, I think the interpretation of this can be found in another scene that happens a bit earlier. Morse, fresh from the escapade at Blenheim Vale arrives late at the marriage of Joan Thursday (the Inspector’s daughter) to Detective Sergeant Jim Strange. We know Morse has had the hots for Joan for all nine series, but has never done anything about it. When he arrives at the wedding reception he tells Joan that he loves her, that he’s loved her for years, but now it’s too late as she is married. She replies that it’s not too late and they kiss passionately in front of all the wedding guests…

…but no. The scene rewinds and this time Morse greets Joan by calling her Mrs Thursday. There’s no kissing, just a hug. Morse remains a bachelor until his dying day.

What the script has done at this point at the wedding is to give us a glimpse of an alternative history that reveals what’s going on in Morse’s mind. I think it prepares us for what comes later with the churchyard and the revolver. That is the same idea. Morse is depressed that he’ll never have Joan, and that all his colleagues are moving away or retiring. He thinks of suicide and the gunshot represents that thought. It’s another alternative history. The whole story could have ended there. But in reality, he doesn’t kill himself. Perhaps he pulls the trigger, but the chamber is empty. Or perhaps he just changes his mind.

I wish the final episode had been better, and it has to be said that some others of the 33 episodes weren’t great either, but there were some cracking episodes too and Endeavour has overall been very good indeed, especially the acting of Shaun Evans and Roger Allam (Thursday) and Anton Lesser (DCS Bright), whose voice is heard at the end reading from The Tempest:

Our revels now are ended. These our actors,
As I foretold you, were all spirits and
Are melted into air, into thin air:
And, like the baseless fabric of this vision,
The cloud-capp'd towers, the gorgeous palaces,
The solemn temples, the great globe itself,
Yea, all which it inherit, shall dissolve
And, like this insubstantial pageant faded,
Leave not a rack behind. We are such stuff
As dreams are made on, and our little life
Is rounded with a sleep.

P.S. All 36 episodes of Endeavour were written by the same man, Russell Lewis.

What’s a good Cosmological Model?

Posted in Books, The Universe and Stuff with tags , , , on April 2, 2023 by telescoper

Some years ago – actually about 30! – I wrote a book with George Ellis about the density of matter in the Universe. Many of the details in that book are of course out of date now but the main conclusions still stand. We started the book with a general discussion of cosmological models which I think also remains relevant today so I thought I’d do a quick recap here.

Anyone who takes even a passing interest in cosmology will know that it’s a field that’s not short of controversy, sometimes reinforced by a considerable level of dogmatism in opposing camps. In understanding why this is the case, it is perhaps helpful to note that much of the problem stems from philosophical disagreements about which are the appropriate criteria for choosing a “good” (or at least acceptable) theory of cosmology. Different approaches to cosmology develop theories aimed at satisfying different criteria, and preferences for the different approaches to a large extent reflect these different initial goals. It would help to clarify this situation if one could make explicit the issues relating to choices of this kind, and separate them from the more `physical’ issues that concern the interpretation of data.

The following philosophical diversion was intended to initiate a debate within the cosmological community. Some cosmologists in effect claim that there is no philosophical content in their work and that philosophy is an irrelevant and unnecessary distraction from their work as scientists. I would contend that they are, whether they like it or not, making philosophical (and, in many cases, metaphysical) assumptions, and it is better to have these out in the open than hidden.

To provide a starting point for, consider the following criteria, which might be applied in the wider context for scientific theories in general, encapsulating the essentials of this issue:

One can imagine a kind of rating system which judges cosmological models against each of these criteria. The point is that cosmologists from different backgrounds implicitly assign a different weighting to each of them, and therefore end up trying to achieve different goals to others. There is a possibility of both positive and negative ratings in each of these areas.

Note that such categories as “importance”, “intrinsic interest” and “plausibility” are not included. Insofar as they have any meaning apart from personal prejudice, they should be reflected in the categories above, and could perhaps be defined as aggregate estimates following on from the proposed categories.

Category 1(c) (“beauty”) is difficult to define objectively but nevertheless is quite widely used, and seems independent of the others; it is the one that is most problematic . Compare, for example, the apparently “beautiful” circular orbit model of the Solar System with the apparently ugly elliptic orbits found by Kepler. Only after Newton introduced his theory of gravitation did it become clear that beauty in this situation resided in the inverse-square law itself, rather than in the outcomes of that law. Some might therefore wish to omit this category.

One might think that category 1(a) (“logical consistency'”) would be mandatory, but this is not so, basically because we do not yet have a consistent Theory of Everything.

Again one might think that negative scores in 4(b) (`confirmation’) would disqualify a theory but, again, that is not necessarily so, because measurement processes, may involve systematic errors and observational results are all to some extent uncertain due to statistical limitations. Confirmation can therefore be queried. A theory might also be testable [4(a)] in principle, but perhaps not in practice at a given time because the technology may not exist to perform the necessary experiment or observation.

The idea is that even when there is disagreement about the relative merits of different models or theories, there is a possibility of
agreement on the degree to which the different approaches could and do meet these various criteria. Thus one can explore the degree to which each of these criteria is met by a particular cosmological model or approach to cosmology. We suggest that one can distinguish five broadly different approaches to cosmology, roughly corresponding to major developments at different historical epochs:

These approaches are not completely independent of each other, but any particular model will tend to focus more on one or other aspect and may even completely leave out others. Comparing them with the criteria above, one ends up with a star rating system something like that shown in the Table, in which George and I applied a fairly arbitrary scale to the assignment of the ratings!

To a large extent you can take your pick as to the weights you assign to each of these criteria, but my underlying views is that without a solid basis of experimental support [4(b)], or at least the possibility of confirmation [4(a)], a proposed theory is not a ‘good’ one from a scientific point of view. If one can say what one likes and cannot be proved wrong, one is free from the normal constraints of scientific discipline. This contrasts with a major thrust in modern cosmological thinking which emphasizes criteria [2] and [3] at the expense of [4].

Foirmlí agus Táblaí

Posted in Education, Maynooth with tags , , on April 1, 2023 by telescoper

I’ve written on here before about Log Tables but since I’ve recently acquired a set of my own I thought I’d celebrate by mentioning them again. This is what the term “Log Tables” refers to in Ireland:

This book is in regular use in schools and colleges throughout Ireland, but that the term is a shorthand for a booklet containing a general collection of mathematical formulae, scientific data and other bits of stuff that might come in useful to students. There are a lot more formulae than tables, but everyone has calculators now so those aren’t really necessary. There is no table of logarithms in the Log Tables, actually. I suppose much older versions did have more tables, but as these were phased out the name just stuck and they’re still called Log Tables.

The official book costs €4. I bought it in Maynooth’s excellent local independent bookshop. The man who served me knew exactly what I meant when I asked for Log Tables.

I’m old enough to remember actually using tables of logarithms (and other mathematical tables  of such things as square roots and trigonometric functions, in the form of lists of numbers) extensively at school. These were provided in this book of four-figure tables (which you can now buy for 1p on Amazon, plus p&p).

As a historical note I’ll point out that I was in the first year at my school that progressed to calculators rather than slide rules (in the third year) so I was never taught how to use the former. My set of four-figure tables which was so heavily used that it was falling to bits anyway, never got much use after that and I threw it out when I went to university despite the fact that I’m a notorious hoarder.

Students in Theoretical Physics at Maynooth are allowed to ask for Log Tables in any formal examination. The formulae contained therein are elementary in terms of physics, so won’t help very much with more advanced examinations, but I have no problem with students consulting the Log Tables if their mind goes a bit blank.  It seems to me that an examination shouldn’t be a memory test, and giving students the basic formulae as a starting point if anything allows the examiner to concentrate on testing what matters much more, i.e. the ability to formulate and solve a problem. The greatest challenge of science education at University level is, in my opinion, convincing students that their brain is much more than a memory device.

Here’s an example page that shows some elementary formulae for Mechanics with explanations as Gaeilge in English.

These formulae come up in Physics and/or Applied Mathematics at Leaving Certificate but we don’t require students taking Mechanics in the first year to have done either of those subjects so many students find pages such as this very helpful.

I was interested to learn that colleagues in the Department of Mathematics and Statistics here in Maynooth do not allow the use of Log Tables in examinations. I don’t know why.

Test Piece

Posted in Biographical, Jazz with tags on March 31, 2023 by telescoper

The newly enhanced version of this blog, improved at great expense, enables me to upload audio files. I thought I’d check out that facility by sharing this rendition of the tune Petite Fleur which was written in 1952 by the great Sidney Bechet but made famous by Monty Sunshine by a recording with Chris Barber’s band in 1959. The version here was performed in the 1990s in a little recording studio in Gateshead. Can you identify the clarinet player? (Hints: (i) it is not Sidney Bechet; (ii) nor is it Monty Sunshine; and (iii) it was my Dad playing the drums…)

Advanced Electromagnetism Theory Lecture Notes

Posted in Education, Maynooth, The Universe and Stuff with tags , , on March 31, 2023 by telescoper

As a member of academic staff who teaches in a publicly funded University, and in the spirit of the Open Access movement, I think that as far as possible I should put the content of my lectures in the public domain. I’ve decided today to do this with my final-year module on Advanced Electromagnetism. Here you go.

Any questions?

If you think that isn’t much for the 17 lectures I’ve given so far, just look at what I started with:

I reckon I’ve made quite a lot of progress!