Making Bela – A Tribute to Martin Landau

Posted in Film with tags , , on July 18, 2017 by telescoper

I was saddened yesterday to read of the death, at the age of 89, of the fine actor Martin Landau. His was a familiar face from my youth, from Mission Impossible and Space 1999 but I’ll remember Martin Landau best in Ed Wood  an affectionate biopic of the man often described as the worst film director in the history of Cinema, in which he played Bela Lugosi a performance that won him an Oscar for Best Supporting Actor in 1995. The New York Film Critic’ Circle report noted “The Oscar goes to Martin Landau, its shadow goes to Bela Lugosi.”

I wrote about Bela Lugosi here – blimey, was that really five years ago? – and am a firm admirer of him as an actor. Unfortunately his heavy Hungarian accent made it very difficult to land roles in which he could demonstrate his true talent. That, together with an opiate addiction, led his career into a downward spiral. He was firmly on the skids when he linked up with Ed Wood to make some execrable low budget horror movies.

In Ed Wood, Martin Landau’s performance is remarkable not least because he didn’t look at all like Bela Lugosi. He nevertheless managed to achieve something better than a mere impersonation, largely through his uncannily accurate interpretation of Lugosi’s speaking voice and body language. He somehow captured the essence of the character without merely mimicking him. The make-up helped, but wasn’t the main reason why Martin Landau was so wonderful as Lugosi. It was just great acting.

By way of a tribute to him, here’s a short but fascinating documentary called Making Bela:

R.I.P. Martin Landau (1928-2017)

Rondo alla Trad

Posted in Film, Jazz with tags , , , , on July 17, 2017 by telescoper

I think this will probably alienate serious jazz fans and serious classical music fans in equal measure, but I stumbled across this while searching for something else and couldn’t resit posting it here. It’s from the 1963 film Live it Up and it features Kenny Ball and his Jazzmen playing their arrangement of the famous Rondo alla Turca from the third movement Mozart’s Piano Sonata No. 11 (K331). It’s not as far fetched as you might think to perform this with a band led by a trumpet player because Mozart’s composition deliberately imitated the music of the Janissary marching bands which were much in vogue in Austria in the latter part of the 18th Century.

Anyway, when I clicked on this I thought I was going to hate it, but you know what? I rather like it!

The Brexit Non-negotiations

Posted in Politics with tags , , , on July 17, 2017 by telescoper

daviddavis

The above picture was taken in Brussels this morning, it shows British government minister David Davis MP (right, centre of three) and the chief negotiator for the European Union, Michel Barnier (left, centre of three).

Notice that the EU negotiating team has come prepared with stacks of paperwork (probably including the detailed briefing papers that have been published by the European Union). By contrast, the British team have brought no papers at all.

It turns out that David Davis spent just an hour or so in Brussels before returning to London. With the clock ticking on the UK’s departure from the EU you would think that the Minister would want to make full use of the negotiations to secure a good outcome for this country, but by all accounts his team have yet to produce any position papers at all, unless you count the calculatedly mean-spirited `offer’ to EU citizens resident in the UK, which falls well short of what the EU had already tabled some months ago.

So what’s going on?

All this is consistent with what I have always felt would be this government’s approach to the Brexit negotiations, which is not to negotiate at all. Their plan, as it has always been, is just to go through the motions until they able to find some pretext to storm out, blaming the EU for trying to bully them. The most likely time for the staged walkout is in the autumn, probably after the German federal elections.

This gambit will no doubt be supported by propaganda pieces in the Daily Express, Mail and Telegraph and it might just allow the Tories to cling onto power while the economy suffers as we crash out of the EU in the most disorderly fashion possible. Not to mention the chaos it will cause for EU residents in the UK and UK residents in the EU.

That is, I believe, the Government’s plan. It is why Theresa May called a snap election, hoping to build up a larger majority and a full parliamentary term to withstand the inevitable backlash. That gamble backfired, but the Conservatives are still in power and the plan remains in place.

So why has the Government decided to adopt this position? Simple. It does not have the wherewithal even to formulate a negotiating position, let alone deliver a successful outcome. No possible end result can deliver the economic and political benefits of remaining in the European Union. If we’re going to make people suffer, the reasoning goes, we might as well find a scapegoat to deflect criticism away from our poor choices.

And what about the EU position? Well, they hold all the cards so they won’t be worried. Their priority will be to take over all the business opportunities that we have decided we no longer want. Whatever happens with the negotiations, the UK leaves the EU in March 2019. That’s plenty of time for EU companies to relocate their operations to mainland Europe, to write British producers out of their supply chains, and to expand its portfolio of trade agreements to the further disadvantage of the UK economy.

I may of course be completely wrong about this view of how Brexit will pan out, but so far nobody has been able to convince me that I am. You could try, if you like, through the comments box,.

 

 

 

The Versatile Four

Posted in History, Jazz with tags , , , , , on July 14, 2017 by telescoper

I’ve posted a few examples of Jazz drummers recently, so I thought you might be interested in this, a rare recording of performance from the (pre-Jazz) Ragtime era that provides a good example of where  Jazz drumming came from. This track was recorded in London way back in 1916 and it’s remarkable for the clarity with which you can hear the drums, which in those days usually proved very difficult to capture.  The tune, Down Home Rag (written by Wilbur C. Sweatman) was a big hit at the time and remains in the traditional jazz repertoire to this day. It’s played by The Versatile Four an almost legendary ragtime band that I know very little about other than the personnel: Tony Tuck (banjo; born 1879 Virginia); Charles W. Mills (piano; born 1883 Illinois); Gus Haston (banjo, vocals; born 1880 Missouri); and  Charlie Johnson (drums; born 1885 Kentucky). I’m not sure who it is who blows the whistle, but it may well be the drummer.

Charlie Johnson’s playing of the drums may sound very old-fashioned and a bit staff to ears accustomed to the swinging style of the jazz era, and he no doubt used a very crude kit, but this recording shows what an absolutely superb musician he was. You can also clearly hear the influence of the sort of drum patterns used by military marching bands. As well being an interesting piece from the point of view of music history, the drummer suffuses this high-energy performance with a sense of knockabout fun that is guaranteed to bring a smile to even the most crabbed face!

 

 

The Early Stages of Cosmic Inflation

Posted in The Universe and Stuff with tags , , , , on July 13, 2017 by telescoper

When asked to cite the article that first presented the theory of the inflationary Universe most cosmologists would probably offer the famous paper published by Alan Guth in 1981.

However, I recently stumbled across a paper by Demosthenes Kazanas that was published (in the Astrophysical Journal Letters in 1980. I hadn’t seen this paper before a few days ago, and I don’t think it is very well known. Here is part of the front page:

You can get the full paper here.

I know that there were other papers floating around in 1980 that got part of the way to the theory of inflation, but this one seems very close to the theory, e.g. talking about exponential expansion in the context of the cosmological horizon problem.

Interestingly, while Guth (1981) has garnered many thousands of citations, Kazanas (1980) has been cited fewer than 300 times.

Does anyone know the story of this paper, and why it has largely  been overlooked by the exponentially-expanding literature on cosmic inflation? And,while I’m on the topic, can anyone suggest other early contributions to the theory that have been similarly neglected? Please let me know through the comments box below.

 

 

 

Der Doppelgänger

Posted in Mental Health, Music with tags , , on July 12, 2017 by telescoper

Writing yesterday about depersonalisation for some reason brought this song by Franz Schubert to mind. I heard it on the radio recently and found it profoundly moving. Der Doppelgänger is a setting of a poem by Heinrich Heine that Schubert composed in 1828 near the end of his life; it was published posthumously in 1929 as part of Schwanengesang.t’s relevance to the topic of depersonalisation lies in the middle verse, in which the poet describes seeing a tormented figure only to realise that the figure is he (the last line says `The Moon shows me my own form’):


Da steht auch ein Mensch und starrt in die Höhe,
Und ringt die Hände, vor Schmerzensgewalt;
Mir graust es, wenn ich sein Antlitz sehe –
Der Mond zeigt mir meine eigne Gestalt.

It’s a very bleak piece, its desolate atmosphere underlined by the inexorable piano accompaniment which consists mostly of block chords. I think you can tell that this is written by a man who knows his days are numbered, but the simplicity and beauty of the composition and pervading sense of loneliness and desolation mark it as a work of genius, which Schubert undoubtedly was.

The singer is the late great Dietrich Fischer-Dieskau.

The Shrinking Seasons at WNO

Posted in Opera with tags , , , , , , , , on July 12, 2017 by telescoper

I was excited to receive the brochure shown above for the 2017/18 season at Welsh National Opera, but although it contains some very exciting things there are also many signs that times are getting very tough at WNO.

This October sees the 100th anniversary of the Russian Revolution so it’s no surprise that the Autumn season has a distinctive Russian flavour. There’s Tchaikovsky’s Eugene Onegin, Mussorgky’s Khovanschina and Janáček’s From the House of the Dead. Yes, I know Janáček wasn’t Russian – but `From the House of the Dead’ is based on a novel by Fyodor Dostoyevsky, who was…

That looks like an interesting season, but there are only two performances of From the House of the Dead in Cardiff (both of which I think I’ll have to miss) and only three each of Eugene Onegin and Khovanschina. There’s also an additional performance of Johan Strauss’s light operetta Die Fledermaus, which is one of this year’s productions.

Spring 2018 sees performances of Puccini’s Tosca, Verdi’s La Forza del Destino and Mozart’s Don Giovanni which again looks like a nice season. I’ve seen the productions of Tosca and Don Giovanni before, but won’t mind seeing them again.

But the real disappointment is that there’s no Summer season at all. Austerity has clearly bitten very hard. For year’s I’ve been celebrating my birthday (which falls in June) by going to a WNO performance in Cardiff but I guess next year I’ll just have to do something else….

On drugs (and off them)

Posted in Mental Health with tags , , , , , , on July 11, 2017 by telescoper

I came across an interesting piece in the Guardian the other day written by Deborah Orr, who had just taken antidepressants for the first time (with unpleasant consequences). This was followed by an explanatory article by blogger and author Dean Burnett who explains that nobody really knows how anti-depressants work, and why it is not surprising that they can have unexpected side effects. I hope that the articles I mentioned above help make it clearer what is involved being on medication of this sort. These drugs are in widespread use, but ignorance about them is spread even wider.

I remember a while ago, when I was working at the University of Sussex, sitting on a bus in Brighton with two people behind me talking – in a very unhelpful and ill-informed way – about depression, and how anti-depressant drugs were a `soft option’. It made me quite angry listening to some of the comments they made but I didn’t intervene. I toyed with the idea of writing a blog then but I didn’t get round to it, partly because I didn’t really want all the staff and students in the School of which I was Head to know I was taking heavy medication for much of the time I was working there.  I only told a handful of people at the time. Now I am no longer in that job I think it’s safe to be a bit more open, and add a little bit here from my own experience to the articles mentioned above.

The most widespread anti-depressant drugs currently available are called Selective Serotonin Reuptake Inhibitors (the best-known of which, Fluoxetine, is known by the trade name Prozac). Deborah Orr’s article concerned her experience with an SSRI called Citalopram, which I was using about five years years ago. More recently, for much of the time I was at Sussex I was taking Paroxetine (trade name: Seroxat). The latter is not available on the National Health Service through a General Practioner, but must instead be prescribed by a consultant psychiatrist.

Anti-depressants are not only prescribed for the treatment of clinical depression but also for, e.g., anxiety disorder, panic disorder, and post-traumatic stress disorder. Nobody really knows why anti-depressants work against depression (although there is clinical evidence that they do), and there is even less understanding why (and, in some cases, evidence that) they are effective for these other conditions. Like many treatments they seem to have been discovered empirically, by trial and error.

As Dean Burnett explains in his article, SSRIs work by increasing the level of Serotonin (a monoamine neurotransmitter). However, taking an SSRI increases the level of Serotonin almost immediately whereas the effect on depression takes weeks to register. While low Serotonin levels may play a part in depressive illness, they’re clearly not the whole story.

My experience contrasts a bit with Deborah Orr’s, in that I have never experienced significant problems going onto this sort of medication – the worst by far has been when I’ve tried to quit. I had awful problems in the summer of 2012 largely as a result of trying to come off the medication I had been on since the previous autumn. The withdrawal symptoms then included shaking fits, insomnia, visual and auditory hallucinations, nausea, and hypervigilance.

The effect of this extreme collection of withdrawal symptoms was that I didn’t eat or sleep for a couple of weeks, and ended up in a high-dependency unit at a psychiatric hospital under sedation while they figured out what to do with me. Fortunately, I recovered well enough to return to work after a couple of months.

At the end of the summer of 2012, I was offered the job of Head of the School of Mathematical and Physical Sciences at Sussex University. I moved from Cardiff to Brighton in early 2013 to take up this new position. I hadn’t been there for long when my old problem returned. The stress of the job obviously played a role in this, and I soon realised that I couldn’t keep going without help from medication. It was then that I was tried out on Paroxetine, the dose being gradually increased until I was at the maximum recommended level (60mg daily).

While this medication was effective in controlling the panic disorder, it had some unpleasant side-effects, including: digestive problems; dizziness; difficulty in concentrating; fatigue; and the weirdest of all, a thing called depersonalisation. Deborah Orr describes the latter very well in her piece but she seems to have experienced it as soon as she started taking medication, whereas in my case it came on  gradually.

 I found myself living a kind of half-life, functioning reasonably well at work but not having the energy or enthusiasm to do very much else outside of working hours. Eventually I got fed up with it.  I felt I had to choose between staying in my job as Head of School (which meant carrying on taking the drugs indefinitely) or leaving to do something else (which would mean I might be able to quit the drugs). I picked the latter. The desire to come off medication wasn’t the only factor behind my decision to stand down from my job, but it played a big part.

I knew however that Paroxetine  is associated with notoriously difficult withdrawal symptoms so, mindful of my previous experience in 2012, I followed the medical instructions to the letter, gradually cutting down my dose over a couple of months during the course of the Autumn in 2016. I still had significant withdrawal symptoms, especially the insomnia, but not as bad as five years ago. I’m hoping that my current (part-time) job allows me to manage for the foreseeable future without the need for any medication – apart, perhaps, from the odd glass of fine wine!

So those are my experiences. All I can say that I hope I’ve convinced you that anti-depressants are not a `soft option’!

The Original Tainted Love

Posted in Music with tags , on July 11, 2017 by telescoper

Following on from last week’s post of the 1981 Soft Cell version of Tainted Love, I thought I’d post the original version of this song (for those of you who didn’t realise that the Soft Cell version was a cover). Here it is, as performed by Gloria Jones in 1964. It’s a quite different take, with a definitive Northern Soul sound, but it has the same backing riff as in the Soft Cell.

Incidentally, Gloria Jones later became the girlfriend of Marc Bolan, and it was she who was driving the car in 1977 that crashed into a tree killing Marc Bolan who was in the passenger seat. I didn’t make that connection until a chance conversation at the cricket on Saturday!

The Lord’s Day

Posted in Cricket with tags on July 8, 2017 by telescoper

I made it on time this morning to Lord’s to see the third day’s play of the First Test between England and South Africa from the brand new Warner Stand.

South Africa resumed on 214 for 5 chasing England’s first-innings total of 458. England’s bowlers bowled pretty well, but the batsmen, especially nightwatchman Philander, joined by wicketkeeper De Kock,  battled gamely and South Africa progressed to 361 all out, giving England a lead of 97.
England then resumed and batted slowly but safely to close on 119 for 1 off 51 overs, losing only Jennings for 33, ahead by 216. Cook was unbeaten on 59. They will be looking to push on tomorrow and try to build a lead of around 450 to try to force a result. There were definitely signs of turn and variable bounce  for the spinners so batting last may not be easy. 

Anyway, as always, it was a very enjoyable day, complete with Scottish entertainment in the luncheon interval:

Update: Checking the score at lunchtime on Sunday I discovered that England collapsed to 182 for 8, having been 139 for 1 at one stage. South Africa are now favourites to win this game, although England’s spinners will take heart from the fact that the ball is turning sharply.

Another update: the plot thickens. England managed to add another 50 runs courtesy of Bairstow and Wood, setting South Africa 331 to win. At tea they were 25 for 3. England definitely favourites again, but with South Africa’s two best batsmen Amla and De Kock at the crease..

Final update: 5.33pm. South Africa all out for  119. England win by 211 runs.