Midnight Blues

Posted in Jazz with tags , , on November 15, 2016 by telescoper

It’s amazing what you can find on Youtube…

This extraordinary recording of a slow blues was made in 1944. It’s extraordinary for two reasons.

One is that it is far longer than most discs of the time, and was recorded at 33 1/3 rpm rather than the 78 rpm that was usual for the time. The reason why that is extraordinary is that the long-playing record wasn’t introduced until 1948 so this track had to wait about five years until it was released commercially. The sound quality is unusually good for the period and it’s great to hear the musicians stretch out in a way that wasn’t possible on a 78rpm record. Notice also that it’s not just a string of solos, there are duets and ensemble passages , all very characteristic of authentic New Orleans music.

The other extraordinary thing is the band: Bunk Johnson (tpt) Jim Robinson (tmb); George Lewis (clt); Alcide “Slow Drag” Pavegaeu (bss); Lawrence Marrero (bjo); and Warren “Baby” Dodds (dms). Most of these musicians who had grown up in New Orleans but had not joined the mass exodus of great musicians (including  Louis Armstrong) who left for Chicago when Storyville was closed down in 1917. Most of the jazzmen who stayed behind fell into obscurity compared to those who left. Bandleader on this occasion,   Bunk Johnson was a case in point. He was born way back in 1879 and played with some of the legends of early New Orleans Jazz, a connection with history which was enough to make him a sort of “patron saint” of the revivalist movement when he was rediscovered in the 1940s.

One musician who had moved to Chicago (with his brother, clarinettist Johnny Dodds) was Baby Dodds, the first really great Jazz drummer, who had played alongside his brother and Louis Armstrong in  King Oliver’s Band as well as on the glorious Hot Fives and Hot Sevens. His playing is barely audible on most of those old records, but he is heard to good effect on this track.

Anyway, I think it’s a superb performance, dripping with nostalgia for an era of music that would have been lost had it not been for these priceless recordings…

 

 

A Question of Morality

Posted in History, Politics with tags , , on November 14, 2016 by telescoper

I floated the following hypothetical question on Twitter yesterday and was quite surprised at the response, so I thought I’d repeat it here and see what the reaction is.

Please make your choice before reading my opinion below the line.

Continue reading

Beard of the Year 2016 poll: Gary Lineker leads longlist of contenders named

Posted in Uncategorized on November 12, 2016 by telescoper

I voted for Moeen, but there’s still time to nominate your favourite for Beard of the Year 2016!

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Beard Liberation Front

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11th November

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Beard of the Year 2016 poll: Gary Lineker leads longlist of contenders named

lineker

The Beard Liberation Front the informal network of beard wearers has announced the longlist for the Beard of the Year 2016 poll.

Broadcaster Gary Lineker leads the longlist of contenders

In 2015 Weird Beard brewer Bryan Spooner won the vote.

The campaigners say that the award is specifically not about who has the best or most magnificent beard. Rather it focuses on the beard wearer who has made the most positive hirsute public impact during the year.

With the rise in hirsuteness there is now a longlist poll to prune down the contenders to 10 for the final vote which starts on 25th November. The winner is announced on 29th December.

BLF Organiser Keith Flett said, there is a greater diversity than ever on the…

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La Gravitation Universelle

Posted in Art with tags , on November 12, 2016 by telescoper

image

(René Magritte, 1943; oil on canvas)

Daphnis et Chloé at St David’s Hall

Posted in Music with tags , , , , , , , on November 11, 2016 by telescoper

Taking a short break from today’s duties – which are substantial – I’ve just got time to mention that last night I went once again to a concert at St David’s Hall in Cardiff. This time it was the BBC National Orchestra of Wales under the direction of conductor laureate Tadaaki Otaka, who were joined for the second half of the performance by the BBC National Chorus of Wales. The concert was broadcast live last night on BBC Radio 3, although I didn’t listen to it on the radio myself because I was there in person. In fact I only just got there in time because last night they switched on the Christmas lights in Cardiff city centre and I had to make my way through the crowds to get to St David’s Hall.

The programme began with an appetizer in the form Mozart’s, brief but dramatic overture to the opera Idomeneo which Mozart wrote when he was just 25. It’s interesting how much more attention one tends to pay to an overture when it’s detached from the main event it is supposed to precede. In fact you sometimes even find people talking during the overture at the Opera, which as far as I’m concerned is a crime of the most serious order. Anyway, the Idomeneo overture  is in a compact sonata form, which is something I’d never appreciated before despite having seen the Opera a number of times.

After that there was a memorable performance of  Prokofiev’s Second Violin Concerto with soloist Thomas Zehetmair. I’d never heard this piece before, and was captivated from the very opening in which the soloist enters alone without any orchestral preface or accompaniment. The piece consists of two sprightly and intense allegro movements either side of a more lyrical adagio. It’s a very virtuosic solo piece but also full of interesting melodies and innovative orchestration. I was sitting in the stalls directly in front of the cellos and basses who had to work phenomenally hard, sometimes doubling the melodic line of the much nimbler solo violin. Great stuff.

The interval was followed by a complete performance of the music to the ballet Daphnis et Chloé by Maurice Ravel. As is the case with Stravinsky’s Firebird (which I heard in St David’s Hall a few weeks ago) music from this ballet is often played in the form of a suite or, in the case of this ballet, two suites, but I have to say the whole is much greater than the sum of the suites. It’s a glorious (and very sensual) work, brilliantly orchestrated, full of vibrant colours and lush textures, and even more wonderful when accompanied by the wordless singing of the massed ranks of the BBC National Orchestra of Wales. The score lasts a full hour, but that time seemed to flash by in this performance which was extremely well received by a very appreciative audience.

Anyway, for the next month you can listen to the whole concert on the BBC iPlayer so feel free to add your comments below if you get the chance to hear it.

The only downside of the evening was that on the way out I bumped into disgraced former Conservative MP and current UKIP AM, Neil Hamilton, along with equally ghastly wife. So traumatised was I by that experience that I was forced to visit the Urban Tap House for a beer before walking home.

Famous Blue Raincoat – R.I.P. Leonard Cohen

Posted in Music, Poetry with tags , on November 11, 2016 by telescoper

leonard-cohen

I heard the news this morning of the death, at the age of 82, of the great Leonard Cohen (above). The media are full of appreciations of his work and comments from admirers. I can add very little except that so many of the comments I’ve seen on social media have described his death as like the loss of an old friend, which is exactly how I feel.  He often dealt with dark and troubling themes, but always with defiant humour instead of despair: “There’s a crack in everything, that’s how the light gets in”.

Sadly the light has gone out, this time for good. At least he will live on in our hearts through his music, though sadly he won’t live to win the Nobel Prize for Literature (which I think he deserved more than Bob Dylan).

As a tribute here is what I think is his best song, Famous Blue Raincoat

Rest in Peace, Leonard Cohen (1934-2016).

 

P.S. I don’t mind telling you that I’ve just about had enough of 2016.

 

 

 

The Last Post – Cardiff University Remembers

Posted in History with tags , , , , on November 11, 2016 by telescoper

 

If you think a lot has happened since July 1st this year, pause a moment to reflect on the fact that 100 years ago today the Battle of the Somme was still raging.

 

Lest we forget.

They Can’t Take That Away From Me

Posted in Jazz with tags , , , , , , , on November 10, 2016 by telescoper

This seems an appropriate piece of music for these days. It’s an unusual but deeply moving performance by the  legendary Lester Young who  was best known as a tenor saxophonist, but decided to play clarinet on two numbers that wound up on an album called Laughin’ to Keep from Cryin’. I have the original vinyl LP, which was issued on the Verve label, but it’s still waiting for me to transfer it to digital. The other members of the band are Roy Eldridge and Harry Edison (trumpets), Herb Ellis (guitar), Hank Jones (piano), George Duvivier (bass) and Mickey Sheen (drums).There were lots of problems making the record, apparently, but it did produce some fine music including this devastatingly tragic version of the standard They Can’t Take That Away From Me which is among the very best recordings he ever made.

At the time of this recording, in February 1958, Lester Young was terminally ill with cancer – he died just a year later at the age of 49.  Despite being barely able to stand, struggling with his breath control, and playing almost in slow motion, he manages to cast his fading light over this tune in a way that’s heartbreaking as well as beautiful.

Reflections on Quantum Backflow

Posted in Cute Problems, The Universe and Stuff with tags , , , , on November 10, 2016 by telescoper

Yesterday afternoon I attended a very interesting physics seminar by the splendidly-named Gandalf Lechner of the School of Mathematics here at Cardiff University. The topic was one I’d never thought about before, called quantum backflow. I went to the talk because I was intrigued by the abstract which had been circulated previously by email, the first part of which reads:

Suppose you are standing at a bus stop in the hope of catching a bus, but are unsure if the bus has passed the stop already. In that situation, common sense tells you that the longer you have to wait, the more likely it is that the bus has not passed the stop already. While this common sense intuition is perfectly accurate if you are waiting for a classical bus, waiting for a quantum bus is quite different: For a quantum bus, the probability of finding it to your left on measuring its position may increase with time, although the bus is moving from left to right with certainty. This peculiar quantum effect is known as backflow.

To be a little more precise about this, imagine you are standing at the origin (x=0). In the classical version of the situation you know that the bus is moving with some constant definite (but unknown) positive velocity v. In other words you know that it is moving from left to right, but you don’t know with what speed v or at what time t0 or from what position (x0<0) it set out. A little thought, (perhaps with the aid of some toy examples where you assign a probability distribution to v, t0 and x0) will convince you that the resulting probability distribution for moves from left to right with time in such a way that the probability of the bus still being to the left of the observer, L(t), represented by the proportion of the overall distribution that lies at x<0 generally decreases with time. Note that this is not what it says in the second sentence of the abstract; no doubt a deliberate mistake was put in to test the reader!

If we then stretch our imagination and suppose that the bus is not described by classical mechanics but by quantum mechanics then things change a bit.  If we insist that it is travelling from left to right then that means that the momentum-space representation of the wave function must be cut off for p<0 (corresponding to negative velocities). Assume that the bus is  a “free particle” described by the relevant Schrödinger equation.One can then calculate the evolution of the position-space wave function. Remember that these two representations of the wave function are just related by a Fourier transform. Solving the Schrödinger equation for the time evolution of the spatial wave function (with appropriately-chosen initial conditions) allows one to calculate how the probability of finding the particle at a given value of evolves with time. In contrast to the classical case, it is possible for the corresponding L(t) does not always decrease with time.

To put all this another way, the probability current in the classical case is always directed from left to right, but in the quantum case that isn’t necessarily true. One can see how this happens by thinking about what the wave function actually looks like: an imposed cutoff in momentum can imply a spatial wave function that is rather wiggly which means the probability distribution is wiggly too, but the detailed shape changes with time. As these wiggles pass the origin the area under the probability distribution to the left of the observer can go up as well as down. The particle may be going from left to right, but the associated probability flux can behave in a more complicated fashion, sometimes going in the opposite direction.

Another other way of thinking about it is that the particle velocity corresponds to the phase velocity of the wave function but the probability flux is controlled by the group velocity

For a more technical discussion of this phenomenon see this review article. The exact nature of the effect is dependent on the precise form of the initial conditions chosen and there are some quantum systems for which no backflow happens at all. The effect has never been detected experimentally, but a recent paper has suggested that it might be measured. Here is the abstract:

Quantum backflow is a classically forbidden effect consisting in a negative flux for states with negligible negative momentum components. It has never been observed experimentally so far. We derive a general relation that connects backflow with a critical value of the particle density, paving the way for the detection of backflow by a density measurement. To this end, we propose an explicit scheme with Bose-Einstein condensates, at reach with current experimental technologies. Remarkably, the application of a positive momentum kick, via a Bragg pulse, to a condensate with a positive velocity may cause a current flow in the negative direction.

Fascinating!

 

 

 

 

Morbid Symptoms and the Optimism of the Will

Posted in History, Politics with tags , on November 9, 2016 by telescoper

trump

So there we are then. It will soon be President Trump and I won my compensation bet, though to be honest I would have preferred to lose it. I have quite a number of friends and colleagues from the USA and all were distraught when it became clear that Trump was going to win. Perhaps not surprisingly, I don’t know any Trump supporters, either from the USA or elsewhere.

I’m not going to try to offer consoling platitudes. It must be an even scarier time for them than it is for the rest of us Citizens of the World. In the absence of anything better, all I can do is say that I’m so very sorry for the pain they’re feeling now.

I’m not going to attempt any sort of analysis of what led to Trump’s victory either. There’s a lot of twaddle already filling up the internet, much of which isn’t at all illuminating despite being written with the benefit of hindsight.

I will say, however, that the quote that sprang into my head when I checked the news on waking up this morning was the following, from Antonio Gramsci (from The Prison Notebooks, c1930):

The crisis consists precisely in the fact that the old is dying and the new cannot be born; in this interregnum a great variety of morbid symptoms appear.

Or if you prefer the original Italian:

La crisi consiste appunto nel fatto che il vecchio muore e il nuovo non può nascere: in questo interregno si verificano i fenomeni morbosi piú svariati.”

It seems to me that the old order – in the form of a broad consensus that has held in Western democracies since the end of World War 2 – is collapsing. Events like the election of Donald Trump and BrExit vote in the UK do not, however, represent the construction of a new order but are merely the death-bed convulsions of the old.

What the new world order will look like depends on what new political alignments and forms of governance can be established and whether this transformation takes place by peaceful and democratic means. I think there will be considerable social and economic upheaval in the next few years, and this will be a dangerous time if factions attempt to impose their will by violent means. It seems to me that what is vital is for people to be offered a positive vision for the future, something which today’s politicians – especially those on the left – seem unable or unwilling to do. Some of political parties may not survive, but then if they have outlived their usefulness or relevance then there’s no reason for them to.  What happens will depend entirely on who grasps the opportunities that this period of uncertainty will undoubtedly create. Clinging in despair to the wreckage of the past will put us in no position to grasp anything.

So I’ll end with another quote from Gramsci:

I’m a pessimist because of intelligence, but an optimist because of will.