As I am still in Spain for a for more days before the Christmas break I thought I would share a vaguely relevant piece of music, Spanish Key from the 1970 album Bitches Brew by Miles Davis. This I don’t have time to write a long piece about this album, but I will say that of all the abrupt changes of musical direction during the career of Miles Davis, this album is probably the most startling and many jazz fans – even ardent admirers of Miles Davis – don’t like it at all. Anyway, des goûts et des couleurs on ne discute pas…
This track is particularly interesting to me because I’ve long wondered about the title and the musical structure. I’m not at all sure, but it seems likely to me that the title indicates the relationship of this piece to the track Flamenco Sketches from the classic album Kind of Blue recorded over a decade earlier. In that album, Miles was experimenting with jazz based not on traditional keys and scales, but on modes. In Flamenco Sketches there is a section based on a major phrygian mode which is commonly used in flamenco music. Spanish Key is in a very different style – much faster for one thing – but it has a similar pattern involving changes from E to D to D (phrygian) to E (phrygian) and G (mixolydian). Apparently Miles gave minimal instruction to his musicians about what to play, but did have prearranged signals to shift from one mode to another, such as happens about 3:15 in the recording when he ushers in a guitar solo by John McLaughlin, and around 12:46 when the mood abruptly changes as Miles introduces a new theme. I also think it was a stroke of genius to include a bass clarinet on this album; on this track it adds a Moorish element to the Spanish tinge.
Anyway, there’s so much going on in this track that it’s more instructive to listen to it than write about it, so here you are. Enjoy!
In the Dark 