hunker down on their hands and knees
and sniff the problem
poke it with ungentle fingers
rub it raw with steel wool
wad it up in a ball and cackle
then pound it flat with little mallets
watch it rise like dough (uh oh)
resume its original shape
screech, swing at it with hatchets
spatter the walls with oozing fragments
stare horrified at the shattered bits
reassembling themselves, jump up
attack the problem with icepicks
gouge holes six inches deep
and seven inches across
(chew the mangled matter
spit it out and belch) kick the thing
into a corner, remove their belts
and beat it senseless, walk off
with the answer in their pockets.
Archive for Poetry
Mathematicians at Work
Posted in Poetry with tags Judith Saunders, Mathematicians at Work, Poetry on January 29, 2016 by telescoperStorm Warnings
Posted in Uncategorized with tags Adrienne Rich, Poetry, Storm Warnings on December 28, 2015 by telescoperThe glass has been falling all the afternoon,
And knowing better than the instrument
What winds are walking overhead, what zone
Of grey unrest is moving across the land,
I leave the book upon a pillowed chair
And walk from window to closed window, watching
Boughs strain against the sky
And think again, as often when the air
Moves inward toward a silent core of waiting,
How with a single purpose time has traveled
By secret currents of the undiscerned
Into this polar realm. Weather abroad
And weather in the heart alike come on
Regardless of prediction.
Between foreseeing and averting change
Lies all the mastery of elements
Which clocks and weatherglasses cannot alter.
Time in the hand is not control of time,
Nor shattered fragments of an instrument
A proof against the wind; the wind will rise,
We can only close the shutters.
I draw the curtains as the sky goes black
And set a match to candles sheathed in glass
Against the keyhole draught, the insistent whine
Of weather through the unsealed aperture.
This is our sole defense against the season;
These are the things we have learned to do
Who live in troubled regions.
by Adrienne Rich (1929-2012)
Elegy, by Coles
Posted in Music, Poetry, Uncategorized with tags Cecil Coles, Elegy, music, Poetry, Sic Juvat Perire, Thomas Moore on November 20, 2015 by telescoperLast night on Radio 3 there was a concert involving music by Cecil Coles (among others). Coles – who, as far as I know, was no relation – was killed in action in the First World War, in April 1918. In fact he was shot and mortally wounded by a sniper while working as a stretcher-bearer trying to rescue injured soldiers from a wood, a task for which he had volunteered. He was 29 when he died and not much of his work as a composer survives. In the interval of the Concert I heard this recording of a work by Coles, which I think is very touching. It’s a setting of one of the Elegiac Stanzas (“Sic Juvat Perire”) by Thomas Moore. Here’s the text:
When wearied wretches sink to sleep,
How heavenly soft their slumbers lie!
How sweet is death to those who weep,
To those who weep and long to die!
Saw you the soft and grassy bed,
Where flowrets deck the green earth’s breast?
‘Tis there I wish to lay my head,
‘Tis there I wish to sleep at rest.
Oh, let not tears embalm my tomb, —
None but the dews at twilight given!
Oh, let not sighs disturb the gloom, —
None but the whispering winds of heaven!
And here is the setting by Cecil Coles:
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Liberté
Posted in Poetry with tags Liberte, Paul Eluard, Poetry on November 15, 2015 by telescoperSur mes cahiers d’écolier
Sur mon pupitre et les arbres
Sur le sable sur la neige
J’écris ton nom
Sur toutes les pages lues
Sur toutes les pages blanches
Pierre sang papier ou cendre
J’écris ton nom
Sur les images dorées
Sur les armes des guerriers
Sur la couronne des rois
J’écris ton nom
Sur la jungle et le désert
Sur les nids sur les genêts
Sur l’écho de mon enfance
J’écris ton nom
Sur les merveilles des nuits
Sur le pain blanc des journées
Sur les saisons fiancées
J’écris ton nom
Sur tous mes chiffons d’azur
Sur l’étang soleil moisi
Sur le lac lune vivante
J’écris ton nom
Sur les champs sur l’horizon
Sur les ailes des oiseaux
Et sur le moulin des ombres
J’écris ton nom
Sur chaque bouffée d’aurore
Sur la mer sur les bateaux
Sur la montagne démente
J’écris ton nom
Sur la mousse des nuages
Sur les sueurs de l’orage
Sur la pluie épaisse et fade
J’écris ton nom
Sur les formes scintillantes
Sur les cloches des couleurs
Sur la vérité physique
J’écris ton nom
Sur les sentiers éveillés
Sur les routes déployées
Sur les places qui débordent
J’écris ton nom
Sur la lampe qui s’allume
Sur la lampe qui s’éteint
Sur mes maisons réunies
J’écris ton nom
Sur le fruit coupé en deux
Du miroir et de ma chambre
Sur mon lit coquille vide
J’écris ton nom
Sur mon chien gourmand et tendre
Sur ses oreilles dressées
Sur sa patte maladroite
J’écris ton nom
Sur le tremplin de ma porte
Sur les objets familiers
Sur le flot du feu béni
J’écris ton nom
Sur toute chair accordée
Sur le front de mes amis
Sur chaque main qui se tend
J’écris ton nom
Sur la vitre des surprises
Sur les lèvres attentives
Bien au-dessus du silence
J’écris ton nom
Sur mes refuges détruits
Sur mes phares écroulés
Sur les murs de mon ennui
J’écris ton nom
Sur l’absence sans désir
Sur la solitude nue
Sur les marches de la mort
J’écris ton nom
Sur la santé revenue
Sur le risque disparu
Sur l’espoir sans souvenir
J’écris ton nom
Et par le pouvoir d’un mot
Je recommence ma vie
Je suis né pour te connaître
Pour te nommer
Liberté.
by Paul Éluard (1895-1952)
Follow @telescoperAftermath, by Siegfried Sassoon
Posted in Poetry with tags Aftermath, Poem, Poetry, Remebrance Sunday, Siegfried Sassoon on November 8, 2015 by telescoperI think it is appropriate to post this poem by Siegfried Sassoon this Remembrance Sunday. I think it was composed sometime in 1919 and it appears in a collection published in 1920 with the same title as the poem. I think its message is clear, but it is also notable for its unusual metrical structure; it’s basically iambic but each line ends with a succession of three stressed syllables that causes the iambic rhythm to stumble. It’s a device used in classical Greek and Roman poetry to emphasize pain or discomfort on the one hand or struggle and determination on the other. Here it seems to convey both.
Have you forgotten yet?…
For the world’s events have rumbled on since those gagged days,
Like traffic checked while at the crossing of city-ways:
And the haunted gap in your mind has filled with thoughts that flow
Like clouds in the lit heaven of life; and you’re a man reprieved to go,
Taking your peaceful share of Time, with joy to spare.
But the past is just the same–and War’s a bloody game…
Have you forgotten yet?…
Look down, and swear by the slain of the War that you’ll never forget.
Do you remember the dark months you held the sector at Mametz–
The nights you watched and wired and dug and piled sandbags on parapets?
Do you remember the rats; and the stench
Of corpses rotting in front of the front-line trench–
And dawn coming, dirty-white, and chill with a hopeless rain?
Do you ever stop and ask, ‘Is it all going to happen again?’
Do you remember that hour of din before the attack–
And the anger, the blind compassion that seized and shook you then
As you peered at the doomed and haggard faces of your men?
Do you remember the stretcher-cases lurching back
With dying eyes and lolling heads–those ashen-grey
Masks of the lads who once were keen and kind and gay?
Have you forgotten yet?…
Look up, and swear by the green of the spring that you’ll never forget.
by Siegfried Sassoon (1896-1967)
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Posted in Poetry with tags Carl Sandburg, Fog, Poetry on November 2, 2015 by telescoper
The fog comes
on little cat feet.
It sits looking
over harbor and city
on silent haunches
and then moves on.
by Carl Sandburg (1878-1967)
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September’s Baccalaureate
Posted in Poetry with tags Emily Dickinson, Poetry, September's Baccalaureate on September 28, 2015 by telescoperSeptember’s Baccalaureate
A combination is
Of Crickets – Crows – and Retrospects
And a dissembling Breeze
That hints without assuming –
An Innuendo sear
That makes the Heart put up its Fun
And turn Philosopher.
by Emily Dickinson (1830-1886)
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Lock Me Away
Posted in Poetry with tags Clive James, Lock Me Away, Poetry on August 14, 2015 by telescoperIn the NHS psychiatric test
For classifying the mentally ill
You have to spell ‘world’ backwards.
Since I heard this, I can’t stop doing it.
The first time I tried pronouncing the results
I got a sudden flaring picture
Of Danny La Rue in short pants
With his mouth full of marshmallows.
He was giving his initial and surname
To a new schoolteacher.
Now every time I read the Guardian
I find its columns populated
By a thousand mumbling drag queens.
Why, though, do I never think
Of a French film composer
(Georges Delerue, pupil of
Darius Milhaud, composed the waltz
In Hiroshima, Mon Amour)
Identifying himself to a policeman
After being beaten up?
But can I truly say I never think of it
After I’ve just thought of it?
Maybe I’m going stun:
Dam, dab and dangerous to wonk.
You realise this ward you’ve led me into
Spelled backwards is the cloudy draw
Of the ghost-riders in the sky?
Listen to this palindrome
And tell me that it’s not my ticket out.
Able was I ere I saw Elba.
Do you know who I am, Dr La Rue?
by Clive James
The Small Window
Posted in Poetry with tags Poetry, R. S. Thomas, The Small Window on July 28, 2015 by telescoperIn Wales there are jewels
To gather, but with the eye
Only. A hill lights up
Suddenly; a field trembles
With colour and goes out
In its turn; in one day
You can witness the extent
Of the spectrum and grow rich
With looking. Have a care;
The wealth is for the few
And chosen. Those who crowd
A small window dirty it
With their breathing, though sublime
And inexhaustible the view.
Verity
Posted in Cricket, Poetry with tags cricket, Drummond Allison, Hedley Verity, Poetry on July 23, 2015 by telescoperSomething rather different from my usual poetry postings. This poem was written in memory of celebrated cricketer Hedley Verity, who was wounded in action in Caserta, Sicily and taken prisoner; he later died of his wounds in a Prisoner-of-War camp at the age of 38. It was a tragic end to a life that had given so much to the world of cricket.
The following is a brief account of his playing career taken from the website where I found the poem. You can find a longer biography here.
Verity was born in 1905 within sight of Headingley Cricket Ground. It seems strange to think that Verity was originally turned down by Yorkshire at trials in 1926, but he was eventually given a chance by the county in 1930 and, of course, became a fixture until the start of the war. He was the natural successor to that other great Yorkshire left-arm spinner, Wilfred Rhodes, whose career drew to a close in 1930 after an amazing 883 games for the county. Verity was never going to get close – Hitler saw to that – but he did turn out for Yorkshire 278 times and in that time he produced some remarkable bowling analyses.
In 1931 he took ten for 36 off 18.4 overs against Warwickshire at Leeds, but incredibly he bettered these figures the following season by taking ten for ten in 19.4 overs against Nottinghamshire, also at Headingley. They remain the county’s best bowling figures for an innings while Verity’s 17 for 91 against Essex at Leyton in 1933 remain Yorkshire’s best bowling in a match. Verity claimed nine wickets in an innings seven times for Yorkshire. He took 100 wickets in a season nine times and took 200 wickets in three consecutive seasons between 1935-37. He ended with 1,956 first-class wickets at an average of 14.9, took five wickets in an innings 164 times and ten wickets in a match 54 times. On 1 September, 1939, in the last first-class match before war was declared, he took seven for nine at Hove against Sussex.
The year after he first appeared for Yorkshire, Verity made his England debut against New Zealand at The Oval, finishing the game with four wickets. After that summer he was ignored until 1932/33, the Bodyline Series, in which he took 11 wickets, including Bradman twice. By the time his career was over, Verity had dismissed Bradman ten times, a figure matched only by Grimmett. As with his domestic career, Verity’s international performances threw up some astonishing bowling figures. He took eight for 43 and finished with match figures of 15 for 104 against Australia at Lord’s in 1934. His stamina was demonstrated during the 1938-39 tour of South Africa when he bowled 95.6 eight-ball overs in an innings at Durban, taking four for 184. By the time war arrived, Verity had taken 144 wickets at an average of 24.37.
During the war he was a captain in the Green Howards. He sustained his wounds in the battle of Catania in Sicily and died on 31 July, 1943. His grave is at Caserta Military Cemetery, some 16 miles from Naples.
Ironically, the poet, Drummond Allison, was also killed in action during World War 2.
The ruth and truth you taught have come full-circle
On that fell island all whose history lies,
Far now from Bramhall Lane and far from Scarborough
You recollect how foolish are the wise.
On this great ground more marvellous than Lord’s
– Time takes more spin than nineteen thirty four –
You face at last that vast that Bradman-shaming
Batsman whose cuts obey no natural law.
Run up again, as gravely smile as ever,
Veer without fear your left unlucky arm
In His so dark direction, but no length
However lovely can disturb the harm
That is His style, defer the winning drive
Or shake the crowd from their uproarious calm.
by Drummond Allison (1921-1943).
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