Archive for October, 2011

The Three Es for Lecturing

Posted in Education with tags , , , , on October 5, 2011 by telescoper

Yet another very busy day looms in front of me. I’m off to the smoky bigness of London for an examiners’ meeting at Queen Mary this afternoon, but before that I have to squeeze in my first tutorial of the year, with a group of fresh-faced freshers. Actually I don’t know if they’re fresh faced or not because I haven’t met them yet. I had my first teaching encounter with the first years yesterday morning during an exercise class on mechanics, which I enjoyed despite some teething troubles with the facilities in the room we were using. I was very happy with the way the students chipped freely in with answers whenever I asked questions, which is a good sign.

A while ago I attended a session on teaching for our new lecturers. Actually I didn’t attend most of it, I just dropped in at the end to deliver a few tips I’ve picked up from observing other lecturers. Here in Cardiff we have “peer observation” of lectures in which one member of teaching staff sits in on a lecture by another, followed by a feedback and discussion session. While I was at Nottingham it was a different system; two nominated staff members (myself and another Professor) sat in on  lectures by each of the other staff. It was a lot of work, but gave me the chance to see quite a lot of different approaches to teaching and was consequently very interesting.

Anyway, over the years it became obvious that there are some obvious basics which lecturers need to do in order to teach competently, including being prepared, talking sufficiently loudly, writing clearly (if relevant), and so on. And of course turning up at the right theatre at the right time. But there are also those things that turn mere competence into excellence. Of course there are many ways to lecture, and you have to put your own personality into what you do, but the main tips I’d pass on to make your lecturers really popular can be boiled down into the Three Es. I add that these are things that struck me while watching others lecture, rather than me claiming to be brilliant myself (which I know I’m not). Anyway, here we go:

Enthusiasm. The single most obvious response on student questionnaires about lecturing refers to enthusiasm. My take on this is that we’re all professional physicists, earning our keep by doing physics. If we can’t be enthusiastic about it then it’s clearly unreasonable to expect the students to get fired up. So convey the excitement of the subject! I don’t mean by descending into vacuous gee-whizz stuff, but by explaining how interesting things are when you look at them properly as a physicist, mathematics and all.

Engagement. This one cuts both ways. First it is essential to look at your audience, ask questions, and make them feel that they are part of a shared experience not just listening to a monologue. The latter might be fine for a public lecture, but if a teaching session is to be successful as a pedagogical exercise it can’t be passive. And if you ask a question of the audience, make your body language tell them that it’s not just rhetorical; if you don’t look like you want an answer, you won’t get one. More importantly, try to cultivate an atmosphere wherein the students feel they can contribute. You know you’ve succeeded in this when students point out mistakes you have made. On the other hand, you can’t take this too far. The lecturer is the person who is supposed to know the stuff so fundamentally there’s no symmetry between you and the audience. You have to be authoritative, though that doesn’t mean you have to behave like a schoolmaster. Know your subject, explain it well and you’ll earn respect without needing to bluster.

Entertainment. To be absolutely honest, I think lectures  are a  fairly useless as a way of teaching physics. That is not to say that they don’t have a role, which I think is to highlight key concepts and demonstrate their applicability;  the rest, the details, the nuts and bolts are best done by problem-based learning. I therefore think it does no harm at all if you make your lectures enjoyable as pieces of entertainment. By all means introduce the odd joke, refer to surprising examples, amusing analogies, and so on.  As long as you don’t overdo it, you’ll find that a bit of light relief will keep the attention levels up. A key element of this is spontaneity. A lecture should appear as if it develops naturally, in an almost improvised fashion. Of course your spontaneity will probably have to  be very carefully rehearsed, but the sense of a live performance always adds value. A lecture should be a happening, not just a presentation. Lecture demonstrations also play this role, although they seem to be deployed less frequently  nowadays than in the past. Being a showman doesn’t come naturally to everyone, and the audience will know if you’re forcing it so don’t act unnaturally, but at the very least try to move about. Believe me, watching a lecturer drone on for an hour while rooted to the spot is a very tedious experience. You’d be surprised how much difference it makes if you can convey at least the impression of being alive.

On this last point, I’ll offer a few quotes from a physicist who definitely knew a thing or two about lecturing, Michael Faraday. First his opinion was that the lecturer should not be

…glued to the table or screwed to the floor. He must by all means appear as a body distinct and separate from the things around, and must have some motion apart from that which they possess.

Conventional wisdom nowadays suggests that one should take breaks in lectures to stop students losing concentration. I’m not sure I agree with this, actually. It’s certainly the case that attention will flag if you persist with a dreary monotone for an hour, but  I think a lecture can have a natural dynamic to it which keeps the students interested by variation rather than interruption. Faraday also thought this.

A flame should be lighted at the commencement and kept alive with unremitting splendour to the end…I very much disapprove of breaks in the lecture.

Finally, here is one of my all-time  favourite physics quotes, Faraday’s take on the need for lectures to be entertaining:

..for though to all true philosophers science and nature will have charms innumerable in every dress, yet I am sorry to say that the generality of mankind cannot accompany us one short hour unless the path is strewn with flowers.

Well, that’s all I have time for, but please offer your own tips through the comments box if you feel so motivated!

Dark Energy’s Day

Posted in The Universe and Stuff with tags , , , on October 4, 2011 by telescoper

Following hard on the heels of the announcement of a Nobel Prize for cosmology earlier this morning, the European Space Agency has this afternoon officially announced the two candidates which have been chosen for its next M-class missions from a shortlist of three.

One of the successful candidates, EUCLID, is directly relevant to the topic covered by the Nobel Prize announced this morning. “Euclid will address key questions relevant to fundamental physics and cosmology, namely the nature of the mysterious dark energy and dark matter. Astronomers are now convinced that these substances dominate ordinary matter. Euclid would map the distribution of galaxies to reveal the underlying ‘dark’ architecture of the Universe.”

Now that it’s definitely been selected, I hope to devote time in due course for a longer post about EUCLID’s capabilities and intentions, but in the meantime I’ll just say that it’s been a very good day for Dark Energy.

P.S. The other successful candidate is called Solar Orbiter. Commiserations to advocates of the third mission on the shortlist of three, PLATO. Close, but no cigar…

Another Nobel Prize for Cosmology!

Posted in The Universe and Stuff with tags , , , , , , , on October 4, 2011 by telescoper

Just time in between teaching and meetings for a quick post on today’s announcement that the 2011 Nobel Prize for Physics has gone to Saul Perlmutter, Brian P. Schmidt and Adam G. Riess “for the discovery of the accelerating expansion of the Universe through observations of distant supernovae.”

I’ve taken the liberty of copying the following text from the press release on the Nobel Foundation website

In 1998, cosmology was shaken at its foundations as two research teams presented their findings. Headed by Saul Perlmutter, one of the teams had set to work in 1988. Brian Schmidt headed another team, launched at the end of 1994, where Adam Riess was to play a crucial role.

The research teams raced to map the Universe by locating the most distant supernovae. More sophisticated telescopes on the ground and in space, as well as more powerful computers and new digital imaging sensors (CCD, Nobel Prize in Physics in 2009), opened the possibility in the 1990s to add more pieces to the cosmological puzzle.

The teams used a particular kind of supernova, called type Ia supernova. It is an explosion of an old compact star that is as heavy as the Sun but as small as the Earth. A single such supernova can emit as much light as a whole galaxy. All in all, the two research teams found over 50 distant supernovae whose light was weaker than expected – this was a sign that the expansion of the Universe was accelerating. The potential pitfalls had been numerous, and the scientists found reassurance in the fact that both groups had reached the same astonishing conclusion.

For almost a century, the Universe has been known to be expanding as a consequence of the Big Bang about 14 billion years ago. However, the discovery that this expansion is accelerating is astounding. If the expansion will continue to speed up the Universe will end in ice.

The acceleration is thought to be driven by dark energy, but what that dark energy is remains an enigma – perhaps the greatest in physics today. What is known is that dark energy constitutes about three quarters of the Universe. Therefore the findings of the 2011 Nobel Laureates in Physics have helped to unveil a Universe that to a large extent is unknown to science. And everything is possible again.

I’m definitely among the skeptics when it comes to the standard interpretation of the supernova measurements, and more recent complementary data, in terms of dark energy. However this doesn’t diminish in any way my delight that these three scientists have been rewarded for their sterling observational efforts. The two groups involved in the Supernova Cosmology Project on the one hand, and the High Z Supernova Search, on the other, are both supreme examples of excellence in observational astronomy, taking on and overcoming what were previously thought to be insurmountable observational challenges. This award has been in the air for a few years now, and I’m delighted for all three scientists that their time has come at last. To my mind their discovery is all the more exciting because nobody really knows precisely what it is that they have discovered!

I know that Brian Schmidt is an occasional reader and commenter on this blog. I suspect he might be a little busy right now with the rest of the world’s media right to read this, let alone comment on here, but that won’t stop me congratulating him and the other winners on their achievement. I’m sure they’ll enjoy their visit to Stockholm!

Meanwhile the rest of us can bask in their reflected glory. There’s also been a huge amount of press interest in this announcement which has kept my phone ringing this morning. It’s only been five years since a Nobel Prize in physics went to cosmology, which says something for how exciting a field this is to work in!

UPDATE: There’s an interesting collection of quotes and reactions on the Guardian website, updated live.

UPDATE on the UPDATE: Yours truly gets a quote on the Nature News article about this!

Galaxies con Alma

Posted in The Universe and Stuff with tags , , , , on October 3, 2011 by telescoper

It’s back to School with a vengeance today, so not much time for the blog. However, I couldn’t resist mentioning the fact that the European Southern Observatory’s Atacama Large Millimetre Array, known to its friends as ALMA, has at last opened its eyes. Or at least some of them. ALMA in fact is an interferometer which eventually will comprise 66 dishes,   working together to with baselines as long 16km to synthesize a single huge aperture. The preliminary results that have just been released were obtained using just 16 dishes so they only offer a taste of what the full ALMA will do when it’s completed in 2013.

ALMA works in the millimetre wave region of the spectrum, operating at wavelengths between 0.3 and 9.6 mm. The overlap with the  wavelength range probed by the Herschel Space Observatory together with its much higher resolution than Herschel, which is a single telescope of only 3.5m diameter, makes the two very complementary: Herschel is good for surveying large parts of the sky, because it has a large field of view, whereas ALMA can do high-resolution follow-up of selected regions.

Anyway, here is ALMA’s view of the Antennae Galaxies (left) shown next to an optical image taken with the Very Large Telescope (VLT).

The system consists of two galaxies so close together that they interact strongly with each other via enormous tidal forces, hence the disturbed structure. The coloured regions in the ALMA image show radiation emanating from carbon monoxide present in huge clouds both in and between the galaxies. Altogether these clouds contain several billion solar masses worth of gas which has never been viewed before.

Telescoping

Posted in The Universe and Stuff with tags , , , , , on October 2, 2011 by telescoper

I stumbled upon the following cartoon on Youtube and, since it’s about a mad astronomer, I thought I’d post it here.

It strikes me how  comic depictions of astronomical observatories, such as the example on the left,  always seem to show the telescope pointing out of the dome like the barrel of a gun poking out of a turret, which they never do. I venture to suggest that a great many members of the general public think that’s how they work also. I wonder why?

Perhaps it’s connected with the origins of the verb form of telescope which the OED gives as

a. trans. To force or drive one into another (or into something else) after the manner of the sliding tubes of a hand-telescope: usually said in reference to railway carriages in a collision. Also fig. to combine, compress, or condense (a number of things) into a more compact or concise form; to combine or conflate (several things, or one thing with another); to shorten by compression.

b. intr. To slide, run, or be driven one into another (or into something else); to have its parts made to slide in this manner (see quot. 1882 for telescoping n. and adj. at Derivatives, s.v. telescoping below); to collapse so that its parts fall into one another (quot. 1905).

The inference being that large astronomical telescopes must extend in the same way as the much smaller hand-held variety. Anyway, this idea is taken to a ludicrious extreme in the cartoon, with hilarious consequences…

 

Indian Summer, a Poem

Posted in Poetry with tags , , on October 2, 2011 by telescoper

These are the days when birds come back,
A very few, a bird or two,
To take a backward look.

These are the days when skies put on
The old, old sophistries of June, —
A blue and gold mistake.

Oh, fraud that cannot cheat the bee,
Almost thy plausibility
Induces my belief,

Till ranks of seeds their witness bear,
And softly through the altered air
Hurries a timid leaf!

Oh, sacrament of summer days,
Oh, last communion in the haze,
Permit a child to join,

Thy sacred emblems to partake,
Thy consecrated bread to break,
Taste thine immortal wine!

by Emily Dickinson (1830-1886).

Indian Summer

Posted in Jazz with tags , on October 1, 2011 by telescoper

A chance comment on Twitter  concerning the origin of the phrase Indian Summer (which, contrary to popular belief, has nothing to do with India) reminded me of this lovely old recording by the late great Sidney Bechet. So since we’re currently experiencing an Indian Summer, why not bask in its glow?

“You gotta be in the Sun to feel the Sun” – Sidney Bechet.

Ode to Joy

Posted in Music with tags , , , , , , , on October 1, 2011 by telescoper

A very busy week for me ended with a very busy Friday including a postgraduate induction event followed by our annual postgaduate conference. It was actually a very enjoyable day with some really excellent talks by research students about their ongoing projects, but by the end of the afternoon I was definitely flagging.

Fortunately I’d planned a reward at the end of this week in the form of a concert at St David’s Hall, Cardiff, by the BBC National Orchestra of Wales and the BBC National Chorus of Wales with conductor Thierry Fischer. I bought a group of tickets for myself and some colleagues from work, hoping that it would prove an uplifting experience. We weren’t disappointed.

Before the interval (of which more anon) we heard On the Transmigration of Souls by John Adams. Written as a response to the events of September 11th  2001, this is an unusual composition involving orchestra, chorus, children’s choir, and pre-recorded tape. Opinions about this piece are generally pretty divided and that also proved to be the case with the half-a-dozen of us who attended last night. All thought the orchestral music was very good indeed, but some found the recorded bits intrusive and the text, which includes phrases from missing-persons posters and memorials posted around Ground Zero to be a mixture of the banal and the mawkish. I wasn’t as negative about these aspects as some seem to have been, but at the same time I didn’t feel the pre-recorded segments actually added very much and they did sometimes make it difficult to hear the subtle textures in the orchestra. And as for the text being “banal”, that seems to me to be entirely the point. It’s the everdayness of loss that makes grief so overwhelming.

Anyway, I thought it was a fascinating  piece and it’s definitely the first time I’ve seen the violin section of an orchestra come on stage with two violins each. Some passages call for altered tunings, so they swapped instruments regularly throughout the performance. The orchestra played wonderfully well, I should say, and the performance was warmly received by the audience.

Then came the interval, during which the fire alarm went off and we had to evacuate the concert hall. Fortunately it was a sultry evening – we’re in the midst of an early autumn heatwave here –  and it wasn’t at all unpleasant to get a bit of fresh air while they figured out what had caused the alarm.

When we got back in it became obvious that quite a few people had left, possibly because they thought the performance wouldn’t resume. Those that didn’t return missed an absolute treat.

I’m not even going to attempt a description of  Beethoven’s  “Choral” Symphony No. 9 in D Minor. Suffice to say that it’s one of the pinnacles of human achievement, made all the more remarkable by the fact that Beethoven was profoundly deaf when it was written. It’s a masterpiece of such dimensions that words are completely unnecessary to describe it, even if one could find words that were appropriate in the first place.  Moreover, I think it’s a piece you really have to hear live for it to really live. Our seats were almost at the front of the stalls, very near the stage and close enough for me to to be able to feel the fortissimo passages through the soles of my feet. Perhaps that’s the only way Beethoven himself ever heard this piece?

And as for last night’s performance, what can I say? The first, Allegro, movement, an entire symphony in itself, found the orchestra at the very peak of its collective prowess. Their playing was passionate and vivid, yet tightly disciplined and the orchestra seemed to be pervaded by a sense that it was an absolute privilege to be playing an undisputed masterpiece. I was so carried away that at the end of that movement an involuntary tear fell from my eye.

I’ll just add one other observation about this piece, concerning the final movement, based around Beethoven’s setting of parts of Schiller’s poem Ode to Joy to which Beethoven himself added some material.  This is so famous that I suspect it’s the only part of the symphony that many people have heard. Hearing it in the context of the entire work, however, makes it all the more dramatic and inspirational. It’s not just that you have to wait so long for the choir (who have been sitting patiently behind the orchestra for three movements) to let rip, but also that you’ve experienced so much wonderful music by the time you get there that the final is virtually guaranteed to leave you completely overwhelmed.

Sincerest thanks to Thierry Fischer and the BBC National Orchestra and Chorus of Wales for an absolutely unforgettable experience. Uplifting? Not half!

P.S. The performance was recorded for broadcast by BBC Radio 3 on October 3rd 2011 in Afternoon on 3  and will presumably be on iPlayer for a week after that. Do listen to it if you get the chance. Even if only a small  fraction of the atmosphere inside St David’s Hall makes its way into the airwaves then it will still be worth a listen..