Archive for the Art Category

Arrivé à Paris

Posted in Art with tags , , , on December 15, 2014 by telescoper

Well, here I am in a misty and murky and rather cold Paris. My first trip on the Eurostar from St Pancras as it happens. I’ve used the train to get to Paris before, but the last time was a long time ago when it departed from a temporary station at Waterloo. Anyway, there’s a direct train from Brighton to St Pancras International. Although it was about half an hour late, I still had time for a bite to eat before boarding. The train was pretty full, but ran on time and I got into Gare du Nord just before 4pm local time. A short (and inexpensive) trip on the Metro brought me to the hotel where I’ll be staying the night.

There is a conference going on in Paris this week about Planck but that’s not why I’m here. In fact I’m attending the opening of “Contact”, an exhibition by Olafur Eliasson at the Fondation Louis Vuitton.

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I was toying with the idea of combining this event with the Planck meeting, but (a) I’ve got too much to do to stay for the whole week and (b) I don’t think there’ll be much new at the Planck meeting anyway.

Anyway, Olafur very kindly asked me to write something for the  catalogue, as the exhibition has something of an astronomical theme and I guess that’s why I got the VIP invitation. There’s something called a cocktail dinatoire afterwards which I presume involves large amounts of alcohol. That may fortify me for the impending REF results, which are due out later this week..

Anyway, I’ll post about the exhibition if I get time tomorrow morning before the  journey home. It doesn’t open for the general public until Wednesday 17th December, by the way, in case you’re in Paris and thinking of taking a look for yourself.

Art Quiz

Posted in Art with tags , on December 14, 2014 by telescoper

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I have acquired (for safe keeping) the plaster-cast portrait bust shown in the above image. Anyone care to guess (a) who it is and (b) which artist made it? Hint: there is a physics theme….

Answers through the comments box please!

The Submarines of Burlington House

Posted in Art, Biographical on December 12, 2014 by telescoper

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I’m in London for the Monthly Open Meeting of the Royal Astronomical Society, followed by dinner with the Club. I just popped into the courtyard of Burlington House in front of the Royal Academy of Arts to see what was going on, and I found this giant fish tank full of tiny rusty submarines. Not sure what it represents but at least It makes a change! It’s part of an exhibition by Anselm Kiefer, apparently.

Graphic Display

Posted in Art, Biographical with tags , , , , on November 29, 2014 by telescoper

Two days ago, on Thursday, I had the pleasure of spending all day at an “Awayday” trying to work out how to implement the University of Sussex Strategic Plan, Making the Future. My main contribution was this beautifully clear diagram summarising a lengthy discussion on research strategy:
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Obviously the diagram needs no further explanation, but members of the audience were so impressed with it as a piece of graphic art that the end of the day I was asked to sign it.

Research Strategy

Now, who’s going to nominate me for the Turner Prize?

Ice Watch

Posted in Art, Politics with tags , , , , , , on October 30, 2014 by telescoper

I thought I’d share this video about an installation called Ice Watch, which involves one hundred tonnes of inland ice from Greenland meltinging on the Radhusplads, Copenhagen’s City Hall Square. With Ice Watch, Olafur Eliasson and Minik Rosing direct attention to the publication of the IPCC’s 5th Assessment Report on the Earth’s Climate. The ice now melted, which happened faster than expected owing to the unusually warm weather for this time of year…

 

 

 

Arrivederci L’Aquila!

Posted in Architecture, Biographical with tags , on October 17, 2014 by telescoper

So here I am, then. In the British Airways Lounge at Roma Fiumicino Airport waiting for a flight back to Gatport Airwick. This morning’s bus journey from L’Aquila was as incident-free as the outbound journey, and I actually got to the airport about 10 minutes early. As I always do I planned the journey so I’d arrive in plenty of time for my flight, so now I get to relax and drink free wine among the Business Class types until I’m called to totter to the gate.

Fiumicino is strange airport, clearly built in the 1960s with the intention that it should look futuristic but with the inevitable result that it now feels incredibly dated, like a 1950s Science Fiction film.

Anyway, I’ve at last got a bit of time to kill so I’ll take the opportunity to brush up on my Italian. Let’s try translating this:

gusto

It’s obvious of course. House of Wind.

Ciao Ciao

The Slow Rebirth of L’Aquila

Posted in Architecture with tags , on October 10, 2014 by telescoper

This morning there was a gap in the programme at the workshop I’m attending here in L’Aquila so I took the opportunity to dust off my camera and go for a walk around the town. It’s hard to convey in words the extent of the structural damage you can still see more than five years after the earthquake, so I’ll mainly let the pictures to the talking. What you see here is the rule rather than the exception. To preface the pictures, however, I’ll say that the main square, the Piazza del Duomo, which clearly used to be the hub of the city is a strange place now as most of the buildings around it are so badly damaged as to be unsafe. The few shops and cafes open basically operate out of the ground floor.

L’Aquila isn’t exactly a ghost town – there were quite a few people around last night when I walked back to my hotel after dinner – but it’s clearly a shadow of its former self. Only a few per cent of the properties near the city centre are habitable.

Leading out from the Piazza del Duomo is a labyrinth of narrow streets flanked by tall buildings, and most of the them now also unoccupied. The numerous shops inside the galleries that run alongside the larger thoroughfares are all closed. The earthquake happened in the early hours of the morning so there would not have been many people out and about at that time, but it would have been a terrifying experience to have been caught between rows of buildings shaking, with rubble falling down everywhere.

A couple of things are clear having walked around all morning. One is that if there’s so much work still to be done after 5 years then it will take a very long time indeed for L’Aquila to be rebuilt. You can find the phrase L’Aquila Rinasce all round the city, but if there is to be a rebirth it will be a slow and painful one. The other thing is that there must have been a very drastic triage to decide which buildings to repair and which to simply shore up and leave for later. Many seem to me to be so badly damaged that the only practical option is to knock them down and start again. Only a few are fully restored, most of them key civic institutions, although clearly a lot of work is going on in the historic centre especially on old churches.

Riverbed

Posted in Art with tags , , , , on August 20, 2014 by telescoper

Yesterday afternoon I skived off the last session of the workshop I’m attending and took the train to the small town of Humlebæk, which is about 35 north of Copenhagen and is the site of the Louisiana Museum of Modern Art. The purpose of my visit was to attend an invitation-only preview of a new installation by Olafur Eliasson called Riverbed. The invitation to this came relatively recently and it was only the coincidence of my being here at this workshop that made it possible for me to attend.

As it turned out, I arrived quite early and the weather was fine, so I took the chance to wander around the sculpture park before the main event. There are many fine works there. This, for example, is by Henry Moore:

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This one is by Henri Laurens

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And so to Riverbed. This is a large work featuring boulders and gravel, brought all the way from Iceland, which have been used to recreate a section of the landscape of Olafur’s native land. The distinctive colouring and granularity of the raw material produces terrain of a texture that must look very alien to anyone who has never been to Iceland. The installation is contained within a space which is contained within and divided by stark white-painted walls, with rectangular gaps where necessary to let the water through from room to room. These boundaries, with their geometrically precise edges, affect the experience of the naturalistic landscape in a very interesting way. The Riverbed itself may look “natural” but the structures surrounding it constantly remind you that it isn’t. Viewers are permitted to wander through the piece wherever they like and interact however they please, sitting down on a boulder, paddling in the stream or even just watching the other people (which is mainly what I did). I don’t know what’s more interesting, the work itself or the way people behave when inside it!

Here are some pictures I took, just to give you a flavour:

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Anyway, after that we adjourned for a drinks reception and a splendid dinner in the Boat House, which part of the Louisiana complex. Being neither an artist nor an art critic I felt a bit of an outsider, but I did get the chance to chat to quite a few interesting people including, by sheer coincidence, a recent graduate of the University of Sussex. The Boat House looks out towards the island of Hven, home of the observatory of Tycho Brahe, so naturally I took the opportunity to drink a toast to his memory:

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After that I had to return to Copenhagen to write my talk, as I was on first this morning at 9.30. This afternoon we have a bit of a break before the conference excursion and dinner this evening. The excursion happens to be to Louisiana Museum of Modern Art (although we’re all going by bus this time); dinner is in the cafeteria rather than the Boat House, though..

Awards Day at West Dean College

Posted in Art, Biographical, Education with tags , , , , , , on July 13, 2014 by telescoper

Last week was a very busy week at the University of Sussex (including the Graduation Ceremony for students in the School of Mathematical and Physical Sciences), and yesterday (Saturday) saw me attending another event on quasi-official business, this time at West Dean College, which is situated in West Sussex, a few miles North of Chichester.

The occasion for my visit there was Awards Day at the college, and I got the chance to go because one of our Pro-Vice Chancellors was unable to attend so I volunteered to go in her place. I didn’t know much about the College before yesterday, except that it is one of several institutions whose degree programmes are validated by the University of Sussex.

In fact, the College provides MA degrees, diplomas and short courses for students of all abilities, from the beginner to the advanced professional practitioner across a wide range of creative arts, design and conservation (including rare and old books, furniture, and clocks).  The various degree certificates, diplomas and other prizes were handed out to students of all ages, which was great to see. Before I go on I just like to congratulate them all again on their wonderful achievements, especially those creative arts students whose work we were able to view after the ceremony including prize-winning sculptures by Lotti V Closs. I even made a discreet inquiry about whether it was possible to buy some of the pieces…

Anyway, West Dean College is based in West Dean House, part of an ancient estate that was eventually inherited by the poet Edward James, a notable patron of the arts particularly famous for his support of the surrealist movement. The house was extensively modified during the late around about the turn of the twentieth century which presumably accounts for the distinctive arts-and-crafts look of some of the exterior.

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The house is surrounded by an estate of 6000 acres in beautiful countryside. Ownership of the house, the estate and the art collection housed therein was transferred to the Edward James Foundation, a charitable educational trust, in 1964.

Many sheep were in attendance, although they didn’t come to the actual ceremony. To be honest, it was a much grander setting than I’d imagined it would be. In fact I think the last time I saw a place like West Dean House it was the site of a Country House Murder during an episode of Midsomer Murders or some such. The awards ceremony was held held in a Marquee on the lawns which, in the muggy weather, was a little uncomfortable though the programmes came in very useful as fans. Fortunately it all passed off peacefully without any murders although I did see a large group of crows in the fields, if that counts.

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The manner of my arrival was much less grand than the location seemed to require. I took the train from Brighton to Chichester and then got a bus to West Dean. Being about half an hour early for the kickoff, I had time to walk around the grounds of the house. There’s a beautiful walled garden with many lovely flowers.

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I recognized  Crocosmia Lucifer and Phlox among the following..

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These curious but beautiful lantern-shaped flowers evidently belong to some type of lily, but I don’t know what kind. Any offers? (UPDATE: I am reliably informed that these are examples of Erythronium Pagoda
..)

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The walled garden is just one small part of the estate, which also comprises workshops and studios used by the students, a very nice dining room and bar area plus rooms for meetings and conferences. I enjoyed a quick tour of the facilities after the Awards Ceremony, but must go back some other time to have a proper look. The other gardens are fine too:

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And this pergola would put most garden varieties to shame!

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Anyway, since one of the Prizes presented yesterday was for blogging about conservation, I couldn’t resist advertising the West Dean College blogs. They have two, in fact, one for Conservation (here) and one for Visual Arts (here). These are both hosted on wordpress platforms, so if you’re following this blog on WordPress why not give them a follow too?

This Land is Mine

Posted in Art, History, Politics with tags , , on July 11, 2014 by telescoper

Brilliant video by Nina Paley on the tragedy and absurdity of armed conflict…