Archive for the Music Category

Spiegel im Spiegel

Posted in Biographical, Music with tags , , , on February 11, 2013 by telescoper

I’ve been so busy this last week that I really needed to unwind a bit on Sunday morning, for which purpose I picked this beautifully spare and sublimely contemplative piece by the great Estonian composer Arvo Pärt. This music always makes me think of the first line of the Desiderata

Go placidly amidst the noise and haste, and remember what peace there may be in silence

..except of course that it’s not silent.

Emotion and the Scientific Method

Posted in Biographical, Music, The Universe and Stuff with tags , , , , on February 10, 2013 by telescoper

There was an article in today’s Observer in which four scientists from different disciplines talk about how in various ways they all get a bit emotional about their science. The aim appears to correct “the mistaken view that scientists are unemotional people”. It’s quite an interesting piece to read, but I do think the “mistaken view” is very much a straw man. I think most people realize that scientists are humans rather than Vulcans and that as such they have just as many and as complex emotions as other people do. In fact it seems to me that the “mistaken view” may only be as prevalent as it is because so many people keep trying to refute it.

I think anyone who has worked in scientific research will recognize elements of the stories discussed in the Observer piece. On the positive side, cracking a challenging research problem can lead to a wonderful sense of euphoria. Even much smaller technical successes lead to a kind of inner contentment which is most agreeable. On the other hand, failure can lead to frustration and even anger. I’ve certainly shouted in rage at inanimate objects, but have never actually put my first through a monitor but I’ve been close to it when my code wouldn’t do what it’s supposed to. There are times in that sort of state when working relationships get a bit strained too. I don’t think I’ve ever really exploded in front of a close collaborator of mine, but have to admit that one one memorable occasion I completely lost it during a seminar….

So, yes. Scientists are people. They can be emotional. I’ve even known some who are quite frequently also tired. But there’s nothing wrong with that not only in private life but also in their work. In fact, I think it’s vital.

It seems to me that the most important element of scientific research is the part that we understand worst, namely the imaginative part. This encompasses all sorts of amazing things, from the creation of entirely new theories, to the clever design of an experiment, to some neat way of dealing with an unforeseen systematic error. Instances of pure creativity like this are essential to scientific progress, but we understand very little about how the human brain accomplishes them. Accordingly we also find it very difficult to teach creativity to science students.

Most science education focuses on the other, complementary, aspect of research, which is the purely rational part: working out the detailed ramifications of given theoretical ideas, performing measurements, testing and refining the theories, and so on. We call this “scientific method” (although that phrase is open to many interpretations). We concentrate on that aspect because we at have some sort of conception at least of what the scientific method is and how it works in practice. It involves the brain’s rational functions, and promotes the view of a scientist as intellectually detached, analytic, and (perhaps) emotionally cold.

But what we usually call the scientific method would be useless without the creative part. I’m by no means an expert on cognitive science, but I’d be willing to bet that there’s a strong connection between the “emotional” part of the brain’s activities and the existence of this creative spark. We’re used to that idea in the context of art, and I’m sure it’s also there in science.

That brings me to something else I’ve pondered over for a while. Regular readers of this blog will know that I post about music from time to time. I know my musical tastes aren’t everyone’s cup of tea, but bear with me for a moment. Some of the music (e.g. modern Jazz)  I like isn’t exactly easy listening – its technical complexity places a considerable burden on the listener to, well, listen. I’ve had comments on my musical offerings to the effect that it’s music of the head rather than of the heart. Well, I think music isn’t an either/or in this respect. I think the best music offers both intellectual and emotional experiences. Not always in equal degree, of course, but the head and the heart aren’t mutually exclusive. If we didn’t have both we’d have neither art nor science.

In fact we wouldn’t be human.

Goodbye-ee!

Posted in Biographical, Music, Television with tags , , on January 30, 2013 by telescoper

Winterreise – Im Dorfe

Posted in Music with tags , , , , on January 23, 2013 by telescoper

It’s quite difficult to catch the snow as it’s falling with a simple camera like the one on my Blackberry, but here’s an attempt taken yesterday…

As pure as the driven slush...

As pure as the driven slush…

 

Anyway, today it’s cold again and it’s started snowing again and I’m going to be working late again finishing this wretched report,  so I thought I’d take a quick break to post some suitably wintry music. This is from the wonderful recording of Winterreise by Benjamin Britten and Peter Pears, complete with sheet music so you can sing along. The piano accompaniments for Schubert’s songs are so simple only a genius could have written them…

Tough Tenors

Posted in Jazz with tags , , , on January 19, 2013 by telescoper

I found this on Youtube recently and couldn’t resist posting it. I actually have a vinyl LP of the album Tough Tenors, featuring Eddie “Lockjaw” Davis and Johnny Griffin as the eponymous rugged saxophonists, but it’s one I haven’t yet transferred to digital. As the album title suggests, Messrs Davis and Griffin play their instruments in a  very muscular fashion, so at teams it seems like music to lift weights by, but they play with a great deal of imagination too. Here, for example, is very original version of the Dizzy Gillespie/Chano Pozo composition Tin Tin Deo, with a particularly fabulous solo by Johnny Griffin.

P.S. The album was recorded in 1962, and the other musicians were Horace Parlan (piano), Ben Riley (drums) and Bud Catlett (bass).

Aida in Verona (2006)

Posted in Biographical, Opera, Uncategorized with tags , , , on January 10, 2013 by telescoper

I thought I’d try out the WordPress app for my Blackberry by posting this old picture, taken in the Arena di Verona while we were waiting for the start of the sumptuous production of Verdi’s Aida on 30th July 2006. The Opera doesn’t start there until it gets dark, but the evening sun was glinting on the gold pyramid sitting in the centre of the stage, so I couldn’t resist getting a picture. The late start meant we enjoyed a nice dinner before the performance, along with a very nice bottle of Amarone

Mingus – Oh Yeah!

Posted in Jazz, The Universe and Stuff with tags , , , , , on January 10, 2013 by telescoper

I noticed a news item this morning which explains that the Supernova Cosmology Project have found a supernova with a redshift of 1.71, which makes it the most distant one found so far  (about 10 billion light-years away).  That – and hopefully others at similar distances – should prove immensely useful  for working out how the expansion rate of the Universe has changed over its history and hence yield important clues about the nature of its contents, particularly the mysterious dark energy.

Of particular relevance to this blog is the name given to this supernova, Mingus, after the jazz musician and composer Charles Mingus. Both the discovery and the great choice of name are grounds for celebration, so here’s one of my favourite Mingus tracks – the delightfully carefree and exuberant Eat that Chicken, from the Album Oh Yeah. Enjoy!

Me and my horn….

Posted in Biographical, Music with tags , , on January 6, 2013 by telescoper

How will I amuse myself when I’ve got no TV or internet connection?

Here’s the answer…

IMG-20130106-00029

..although I’m not sure the neighbours are going to be very happy about it!

Resolution

Posted in Jazz with tags , , , , on January 1, 2013 by telescoper

Yesterday I happened to be listening to the classic album A Love Supreme made by the John Coltrane quartet in 1964. Since the second of the four “movements” (for what of a better word) of this work is called Resolution, I thought it would be a good thing to post on New Year’s Day to welcome everyone to 2013!

A Love Supreme is one of my favourite jazz albums, not only because it’s glorious music to listen to but also for its historical importance. Shortly after making this record Coltrane comprehensively changed his musical direction, abandoning many of the structures that underpinned his earlier work and adopting an approach heavily influenced by the free jazz of the likes of Ornette Coleman and, especially, Albert Ayler. Not everyone likes the music Coltrane made after he made that transition (in 1965) but having taken his earlier style to such a high peak as A Love Supreme he and the rest of the band no doubt felt they couldn’t go any further in that direction.

There are glimpses of the later freer approach in the third track, Pursuance, when the drum and saxophone interchanges between Elvin Jones and Coltrane threaten to break the regular tempo apart, and on this (the second) track Resolution, when McCoy Tyner abandons his usual single-note lines in favour of much more complex chordal improvisations. I think Coltrane’s solo on the last track, Psalm, is entirely improvised and , accompanied by Jones’ rising and falling drum rolls, it acquires a hauntingly solemn atmosphere which makes the hairs stand up on the back of my neck every time I hear it. What a fantastic drummer Elvin Jones was.

But I haven’t got time to analyse the whole album – another’s words are in any case no substitute for listening to this masterpiece yourself – so I’ll just mention that Resolution is based on an 8-bar theme that’s very reminiscent of the theme Africa featured on Africa/Brass made a couple of years earlier. To me it sounds like Coltrane is just itching to cut loose on this track. His saxophone tone has a harder edge than usual for that period, giving the piece an anguished, pleading feel. Elvin Jones is also magnificent, his polyrhythmic accents spurring Coltrane to a climactic solo.

The intensity of Resolution ignites an even more dramatic onslaught on the next track, Pursuance, basically a blues taken at a very fast tempo, before the mood changes completely for the final part, Psalm. And all this builds from the opening track, Acknowledgement, which closes with the whole group chanting the words A Love Supreme in unison to a simple four-note figure stated at the opening of the piece.

Four tracks amounting to just over 30 minutes of music, but a masterpiece by any standards.

Happy New Year!

Swingin’ Them Jingle Bells

Posted in Jazz with tags , on December 23, 2012 by telescoper

It’s with some trepidation that I find myself facing the long journey to Newcastle tomorrow. There’s been heavy rain overnight (even leading to a Flood Alert along the Taff near my house) and quite a lot of disruption on the railways today as a consequence. Nevertheless I’m determined to make an attempt to get into the Christmas spirit. If Fats Waller can’t do it, nobody can. Here’s his classic version of Jingle Bells on which the general atmosphere of hilarity and inspired chaos allows his superb musicianship to shine all the more brightly. Few ever managed to play Harlem Stride piano as well as Fats Waller, and he’s on top form in the opening choruses of this record.

Will I make it home on Christmas Eve? In the immortal words of Mr Waller “One never knows, do one?”