Archive for the Music Category

Resolution

Posted in Jazz with tags , , , , on January 1, 2013 by telescoper

Yesterday I happened to be listening to the classic album A Love Supreme made by the John Coltrane quartet in 1964. Since the second of the four “movements” (for what of a better word) of this work is called Resolution, I thought it would be a good thing to post on New Year’s Day to welcome everyone to 2013!

A Love Supreme is one of my favourite jazz albums, not only because it’s glorious music to listen to but also for its historical importance. Shortly after making this record Coltrane comprehensively changed his musical direction, abandoning many of the structures that underpinned his earlier work and adopting an approach heavily influenced by the free jazz of the likes of Ornette Coleman and, especially, Albert Ayler. Not everyone likes the music Coltrane made after he made that transition (in 1965) but having taken his earlier style to such a high peak as A Love Supreme he and the rest of the band no doubt felt they couldn’t go any further in that direction.

There are glimpses of the later freer approach in the third track, Pursuance, when the drum and saxophone interchanges between Elvin Jones and Coltrane threaten to break the regular tempo apart, and on this (the second) track Resolution, when McCoy Tyner abandons his usual single-note lines in favour of much more complex chordal improvisations. I think Coltrane’s solo on the last track, Psalm, is entirely improvised and , accompanied by Jones’ rising and falling drum rolls, it acquires a hauntingly solemn atmosphere which makes the hairs stand up on the back of my neck every time I hear it. What a fantastic drummer Elvin Jones was.

But I haven’t got time to analyse the whole album – another’s words are in any case no substitute for listening to this masterpiece yourself – so I’ll just mention that Resolution is based on an 8-bar theme that’s very reminiscent of the theme Africa featured on Africa/Brass made a couple of years earlier. To me it sounds like Coltrane is just itching to cut loose on this track. His saxophone tone has a harder edge than usual for that period, giving the piece an anguished, pleading feel. Elvin Jones is also magnificent, his polyrhythmic accents spurring Coltrane to a climactic solo.

The intensity of Resolution ignites an even more dramatic onslaught on the next track, Pursuance, basically a blues taken at a very fast tempo, before the mood changes completely for the final part, Psalm. And all this builds from the opening track, Acknowledgement, which closes with the whole group chanting the words A Love Supreme in unison to a simple four-note figure stated at the opening of the piece.

Four tracks amounting to just over 30 minutes of music, but a masterpiece by any standards.

Happy New Year!

Swingin’ Them Jingle Bells

Posted in Jazz with tags , on December 23, 2012 by telescoper

It’s with some trepidation that I find myself facing the long journey to Newcastle tomorrow. There’s been heavy rain overnight (even leading to a Flood Alert along the Taff near my house) and quite a lot of disruption on the railways today as a consequence. Nevertheless I’m determined to make an attempt to get into the Christmas spirit. If Fats Waller can’t do it, nobody can. Here’s his classic version of Jingle Bells on which the general atmosphere of hilarity and inspired chaos allows his superb musicianship to shine all the more brightly. Few ever managed to play Harlem Stride piano as well as Fats Waller, and he’s on top form in the opening choruses of this record.

Will I make it home on Christmas Eve? In the immortal words of Mr Waller “One never knows, do one?”

Talking about Winterreise

Posted in Music with tags , , , on December 18, 2012 by telescoper

Well, here’s a find! A fascinating bit of film featuring Benjamin Britten and Peter Pears discussing and performing Franz Schubert‘s great song cycle, Winterreise.

The Lord is listenin’ to ya, Hallelujah!

Posted in Jazz with tags , , , , , , , on December 2, 2012 by telescoper

It’s a cold and dreary Sunday and I’m definitely in need of a pick-me-up, so I thought I’d share this you. It was recorded live in 1981 by the Carla Bley Band and can be found on a superb album called, appropriately enough, Carla Bley Live! When this record came out I was an avid listener to Humphrey Lyttelton’s radio show The Best of Jazz and he chose this magnificent track featuring the trombonist Gary Valente as a taster for the album. It became one of the all-time favourites on his show and he played it a number of times over the years.  It’s also one of the most-played tracks on my iPod, as I find it very uplifting on long and wearisome train journeys.

The trombone is usually described as a brass instrument, but Gary Valente makes  his sound more like it’s made of wrought iron; Humph described the sound as as “like that of a wounded bison”. Anyway, ignore the rather dull pictures of churches used in the video, and just listen to one of the  most overwhelming performances in all of Jazz; the immensity of Valente’s trombone sound is at times almost terrifying. And if you’re one of those people who dislikes Jazz that’s stylistically dated later than about 1945, give this a hearing because it’s absolutely drenched in the Blues and Gospel traditions. I’ll even let you call it awesome

P.S. No, I haven’t gone religious, but this track disproves the old theory that the devil has the best music…

Diamond Lights

Posted in Football, Music, Science Politics with tags , , , on November 27, 2012 by telescoper

Apparently there’s been a posh do this evening at the Royal Society to celebrate the 10th Anniversary of the Diamond Light Source. In fact the Diamond Light Source has its own anniversary blog that’s been posting celebratory things for a while; the actual anniversary being celebrated was the signing of the agreement to set up the Diamond Light Source, which happened on March 27th 2002. Actual operations didn’t commence until 2007, at a total cost of £260m, which is when STFC was created and told to pick up the tab for running the facility which, together with a few other things, precipitated a financial crisis from which UK particle physics and astronomy are only just starting to recover.

I don’t be churlish about the good science the Diamond Light Sources is undoubtedly doing so I thought I’d mark the anniversary here. The blog I mentioned above has a video page but it sadly doesn’t contain the video I most expected to see. This, Diamond Lights, was released – or did it escape? – in 1987 and it “stars” Glen Hoddle and Chris Waddle who, as singers, were both excellent footballers. I’m surprised STFC Chief Executive John Womersley didn’t record a cover version of this as part of the anniversary celebrations…

Jackson Jeffrey Jackson

Posted in Jazz with tags , , , on November 25, 2012 by telescoper

It’s Sunday and once again I have to go into the office in order to get next week’s teaching sorted out, so no time for one of my long boring weekend specials. However, I thought I’d continue the theme of yesterday’s offering (?) with this clip of Jackson Jeffrey Jackson demonstrating his unique trumpet style after a short interview with the great Louis Balfour. Nice. Don’t ask me what the tune is though. After all, this is Jazz!

Find Me

Posted in Music with tags on November 24, 2012 by telescoper

Just doing what little I can to give a bit of publicity to the lovely Elaine Barrett. Enjoy.

Physics and other things that make life worth living…

Posted in Biographical, Education, Jazz, Music, The Universe and Stuff with tags , , , , , on November 24, 2012 by telescoper

Yesterday we hosted a seminar by João Magueijo from Imperial College. It was a really interesting talk but the visit also a number of staff and students, including myself, the chance to chat to João about various things. In my case that primarily meant catching up on one another’s news, since we haven’t talked since early summer and a lot has happened since then. Then we had drinks, more drinks, dinner, drinks and then cocktails, finishing about 2am. A fairly standard night out with João, actually.

Among the topics discussed in the course of an increasingly drunken conversation was the fact that physicist Stephon Alexander had recently moved to Dartmouth College, a prestigious Ivy League institution in New Hampshire. I don’t know Stephon very well at all as I don’t really work in the same area as him. In fact, we’ve only ever met once – at a Cosmology School in Morocco (in 1996 or thereabouts); he was a graduate student and I was giving some lectures. On the left you can see a snap of him I took at that time. Can that really have been so long ago?

Anyway, I’ll resist the temptation to bemoan the passage of time and all that and get back to the point which is the connection that formed in my head between Stephon, yesterday’s post about the trials and tribulations facing prospective PhD students, and an older post of mine about  the importance of not forgetting to live a life while you do a PhD.

The point is that although there are many things that may deter or prevent an undergraduate from taking the plunge into graduate studies, one thing shouldn’t put you off and that is the belief that doing a PhD is like joining a monastery in that it requires you to give up a lot of other things and retreat from the outside world. Frankly, that’s bollocks. If I’m permitted to quote myself:

I had plenty of outside interests (including music, sport and nightlife)  and took time out regularly to indulge them. I didn’t – and still don’t – feel any guilt about doing that. I’m not a robot. And neither are you.

In other words, doing a PhD does not require you to give up the things that make life worth living. Actually, if you’re doing a physics PhD then physics itself should be one of the things that make life worth living for you, so I should rephrase that as “giving up any of the other things that make life worth living”.

Having a wide range of experiences and interests to draw on can even help with your research:

In fact, I can think of many times during my graduate studies when I was completely stuck on a problem – to the extent that it was seriously bothering me. On such occasions I learned to take a break. I often found that going for a walk, doing a crossword, or just trying to think about something else for a while, allowed me to return to the problem fresher and with new ideas. I think the brain gets into a rut if you try to make it work in one mode all the time.

I’d say that to be a good research student by no means requires you to be a monomaniac. And this is where Stephon comes in. As well as being a Professor of Theoretical Physics, Stephon is an extremely talented Jazz musician. He’s even had saxophone lessons from the great Ornette Coleman. I have to admit he has a few technical problems with his instrument in this clip, but I’m using him as an example here because I also love Jazz and, although I have a negligible amount of talent as a musician, have rudimentary knowledge of how to play the saxophone. In fact, I remember chatting to him in a bar in Casablanca way back in ’96 and music was the sole topic of conversation.

Anyway, in the following clip Stephon talks about how music actually helped him solve a research problem. It’s basically an extended riff on the opening notes of the John Coltrane classic Giant Steps which, incidentally, I posted about here.

Giving Thanks

Posted in Music, Poetry with tags , , , on November 22, 2012 by telescoper

I almost forgot to post something to mark this very special day which is celebrated throughout the civilised world. Yes, of course, it is the Feast of St Cecilia. And not only that, it is Benjamin Britten‘s birthday. So why not kill two birds with one stone? And I don’t mean turkeys…

Dexter Gordon

Posted in Jazz with tags , on November 13, 2012 by telescoper

Here’s a lovely and rare video of a performance by Dexter Gordon, playing What’s New in 1963 (after a characteristically jaunty introduction by him) which I just had to post. Actually, he reminds me a lot of Barack Obama in this clip…

It also gives me the excuse to post one of my all-time favourite Jazz photographs, which happens also to show Dexter Gordon but was taken in 1948 by the great Herman Leonard. Jazz clubs just haven’t been the same since the smoking ban…