The Importance of Taking Liberties

Posted in History, Literature, Politics, Television with tags , , , , on August 18, 2025 by telescoper

The last episode of Simon Schama‘s BBC TV series A History of Britain, called “The Two Winstons”, follows the story of the Second World War and its immediate aftermath through the eyes of two very different Englishmen, George Orwell and Winston Churchill. Near the end of the programme Schama talks about the year 1948, when a very sick Orwell wrote his last major novel, Nineteen Eighty-Four. I’ve reconstructed this section from the subtitles on my DVD of the series.

It starts with a direct quote from 1984

In our world there will be no love but the love of Big Brother, no laughter but that of triumph. No art, no science, no literature, no enjoyment, but always and only, Winston, there will be the thrill of power. If you want a picture of the future, imagine a boot stamping on a human face forever.

It continues with the voice of Simon Schama as narrator

To clear his head of the static hum of postwar London, Orwell went as far away as he could without actually leaving Britain, to the very edge of the kingdom – the Hebridean island of Jura. No electricity, no telephone, post twice a week, maybe.

And it was here, in the remotest cottage he could find, typing in bed with the machine on his knees, knowing he hadn’t long to live, that Orwell concentrated on what mattered most to him, and to Britain – the fate of freedom in the age of superpowers. As Churchill issued his grim warnings, Orwell created a common or garden plain man’s Winston – Winston Smith. The year was 1948.

When we think of 1984, most of us think of the tyranny of drabness and mass obedience ruled by Big Brother, a world of doublespeak where war is peace and lies are truth. But Orwell’s last masterpiece is most powerful and most lyrical when it describes Winston’s resistance to dictatorship, a guerrilla action fought, not with guns and barricades, but by literally taking liberties, a walk in the country, an act of love, the singing of an old nursery rhyme.

Winston Smith did all these forbidden things, prompted by a dim memory of a time when they were absolutely normal. The last refuge of freedom against Big Brother is memory. The greatest horror of 1984 is the dictator’s attempt to wipe out history.

I thought of the last sentence when I read about Donald Trump’s plan to rewrite American history for the 250th anniversary of the Declaration of Independence, but that’s just one example amid the rise of authoritarian regimes around the world. In the context of the TV programme, Schama was making a case for the importance of history as a discipline, but there is something else important to say: we should not forget the past but, perhaps even more importantly, neither should we forget about the future we wanted to see. The present is not the future I hoped for when I was younger, even in 1984, but the story isn’t over yet.

The Week Ahead

Posted in Education, Maynooth with tags , , , , , on August 17, 2025 by telescoper

Another weekend is almost over so, after spending most of this afternoon in the garden, I’ve retreated indoors to look at my calendar for the forthcoming week. I find a plethora of Examination Board meetings, one (tomorrow) for our Masters students who did their presentations on Friday and two for undergraduates who took repeat examinations in August (one for Mathematical Physics and one for Engineering, as I happen to have been teaching Engineering Mathematics this year). The two undergraduate boards are both on Thursday. All three of these should be relatively brief, but you never know…

There is another meeting tomorrow, Monday, about organizing our computational physics teaching for the new academic year. The merger of theoretical and experimental physics has given us the chance to coordinate the different computational modules offered by the two previous departments, but we need to make sure the teaching rooms are big enough and the computers have the correct software, etc. Fortunately I’m not actually teaching Computational Physics again until Semester 2 but we have to get it sorted in time for other modules happening in Semester 1.

In between Monday and Thursday I have two whole days with no meetings and no grading to do. I might be able to get on with some research, or at least with writing up some research I’ve already done.

Friday is a big day for the Irish higher education system, in that it’s the day students get their Leaving Certificate results. This year the grade inflation introduced during the pandemic is supposed to begin to unwind, but none of us outside the examination system knows how this will be achieved or what the results will be. If I had to bet I’d say that the CAO points needed for most courses at Maynooth will go down substantially, partly because of the deflation mentioned previously but also because The Management has decided that the University has to recruit more and more students and will drop entry standards as low as it needs to in order to meet its targets.

I don’t know how many students we will end up with for Academic Year 2025/6 but I do know that I will have retired before most of them complete their course. I used to find it a bit scary thinking about retirement, but not any more.

Fifty Years of The Rocky Horror Picture Show

Posted in Biographical, Film, LGBTQ+ with tags , , on August 17, 2025 by telescoper

Since I seem to be having a weekend dominated by feelings of nostalgia, I thought I would comment on a nice article I read yesterday about The Rocky Horror Picture Show, a cult film which got its first cinematic release fifty years ago in 1975. You can find the article here.

Here is a the original theatrical trailer:

The Rocky Horror Picture Show is redolent with nostalgia for my days in Brighton in the Eighties. For a time I lived in a shared house not far from the Duke of York’s Picture House which had fairly frequent late-night showings of Rocky Horror, but it wasn’t just a question of going to see the film. It was obligatory to dress up like the characters, join in the dancing, squirt water pistols to recreate the rain, throw rice during the wedding scene, etc.

The first time I went it took me ages to find an outfit resembling that of Dr. Frank-N-Furter, the mad scientist played by Tim Curry in the film. I eventually found suitable lingerie items in shops but failed when it came to the shoes. I couldn’t find stilettos in a size 11 anywhere. That’s probably just as well as I don’t think I’d have been able to walk in them anyway. I settled for a pair of Doctor Martens boots. I had longer hair in those days so a bit of gel did the trick for that, and a friend did the make-up for me. I had to shave my legs to wear the fishnet stockings too. I rather enjoyed dressing up, going to the show and, especially, the after-party…

I never got into the habit of cross-dressing, and haven’t got the figure for it now, but I am not at all ashamed to admit that I think some guys look very hot in lipstick and lingerie.

The Tower Records Experience

Posted in Biographical, Music with tags , , , , on August 16, 2025 by telescoper

I lived in London from late 1990 until the very end of 1998. One of my favourite places for shopping in those days was the excellent Tower Records. There were two stores then, but I only ever visited the one at Number 10 Piccadilly as it was very conveniently placed to skive off from meetings of the Royal Astronomical Society at Burlington House, which is just round the corner.

It wasn’t just the huge selection of records, tapes and CDs across all musical genres but also the extremely helpful and knowledgeable staff. I always found their advice very helpful and often left with many more things than I intended to buy when I went in.

Tower records was acquired by the Virgin Group in 2003 and the store in Piccadilly closed down completely in 2009. I haven’t been past the site recently, but I think it is vacant and awaiting redevelopment.

The reason for mentioning this is that Tower Records is alive and well and living in Dublin. There are two stores in the city but I’ve only ever been to the larger one in Dawson Street. It’s not as big as the one in Piccadilly, but it does have a very good selection of music (including a large section of classical music) and very friendly staff. It also has a wide range of hifi equipment, including turntables for those of us who have a vinyl collection. It also has an online service. The last thing I ordered from them was delivered to my house in Maynooth the next day at no charge.

It brought back a lot of memories when I first went inside as it has the same old yellow and red signage and very much the same vibe as the old London store; you can see some interior pictures here. Tower Records (Ireland) is highly recommended for those who are nostalgic for the old Tower Records (London) as well as those who just want to visit a proper, independent, music store. I hope it not only survives but prospers.

Weekly Update from the Open Journal of Astrophysics – 16/08/2025

Posted in OJAp Papers, Open Access, The Universe and Stuff with tags , , , , , , , , , , , , on August 16, 2025 by telescoper

It’s time once again for the usual update of papers published at the Open Journal of Astrophysics which I do every Saturday. Since the last update we have published two new papers, which brings the number in Volume 8 (2025) up to 116, and the total so far published by OJAp up to 351. The summer lull we always expected is now upon us, so this will be a shorter post than we have had of late.

The first paper to report this week is “The reflex instability: exponential growth of a large-scale mode in astrophysical discs” by Aurélien Crida (Université Côte d’Azur, France), Clément Baruteau (Université de Toulouse, France), Jean-François Gonzalez (Universite Claude Bernard Lyon 1, France), Frédéric Masset (Universidad Nacional Autonoma de México) and Paul Segretain, Philippine Griveaud, Héloïse Méheut & Elena Lega (Université Côte d’Azur).  This paper was published on Tuesday August 12th 2025 in the folder marked “Earth and Planetary Astrophysics“. It discusses a exponentially-growing instability in gas discs around stars caused by the motion of the central star in response to the disc.

The overlay – which you can make larger by clicking on it – is here:

You can find the officially accepted version on arXiv here.

The other paper this week, published in the folder Cosmology and Nongalactic Astrophysics, is “The galaxy-IGM connection in THESAN: the physics connecting the IGM Lyman-alpha opacity and galaxy density in the reionization epoch” by Enrico Garaldi (University of Tokyo, Japan), Verena Bellscheidt (Technical University of Munich, Germany), Aaron Smith (York University, Canada) and Rahul Kannan (University of Texas at Dallas, USA).  It presents a study of the relation between the Lyman-alpha effective optical depth of quasar sightlines and the distribution of galaxiesas as a probe of ionized regions around sources of photons. It was published on Wednesday August 13th 2025.

The overlay is here:

 

You can find the officially accepted version of the paper on arXiv here.

That concludes the papers for this week. I’ll do another update next weekend, though I expect things will remain relatively quiet until September.

Presentation Day

Posted in Education, mathematics, Maynooth with tags , , , on August 15, 2025 by telescoper

Today was the day of the last component of our MSc in Theoretical Physics and Mathematics here in Maynooth. The students handed in their dissertations on Monday and today they all gave presentations about their work. Listening to them all was very enjoyable, actually, as they were on a range of different topics, some purely mathematical, some statistical, and some more obviously physics. Moreover, they were all very good.

I often worry that assessing presentations is much more subjective than written work in physics and mathematics. In the event, however, we usually find good consistency in the scores awarded by staff in attendance. 

It also occurred to me during today’s presentations that we may make more use of such assessments to deal with the encroaching use of AI in project dissertations. One can get a good idea if someone has actually done and understood the work if they can present it in person and answer questions. That is, after all, the main reason we do viva voce examinations at PhD level.

Listening to talk after talk in a long session can be quite wearying – conferences are usually set up like that and they’re not often useful or interesting – but today’s session was fun. Not so much for the students I suppose, as there were a few signs of nerves. When all the talks were over the students trouped off en masse (presumably to the pub) as that was the end of their course. The staff remained behind to agree a set of marks and combine them with the other components of assessment, i.e. the marks for the dissertation. The examination board meets early next week, after which the final results will go forward to the University.

It was great to see the students all completing their course successfully, especially because it is (I think) such a demanding one. My only sadness is that we won’t see them until the conferring ceremonies in October. The Masters students have been regularly present in the Department throughout the whole year and I’ve had quite a lot of interest chats with them. I saw my own project student even more frequently, once a week for almost a year. We have to banish such thoughts now, though, as our thoughts turn to next year’s intake.

I don’t think any of the MSc students will read this – for all I know they’re still in the pub! – but in any case I’d like to say congratulations to them all and wish them all the very best for the future. They’ve earned it!

Man and Boy

Posted in Art, History with tags , , , , , on August 14, 2025 by telescoper

A young (male) person of my acquaintance sent me this picture a while ago. I think he found it here. I assume he thinks the old guy with the walking stick is me, and the boy is him. We’ll gloss over what he was trying to say by sending it to me but, whatever the reason, I found it intriguing.

The online description reads

Elderly man supported by boy, fresco of the Tomb of the Jugglers, Necropolis of Tarquinia (Unesco World Heritage List, 2004), Lazio, Italy, Etruscan civilization, 6th century BC.

This is from the Etruscan (i.e. pre-Roman) period and the best guess for the date is around 530 BC, so the first thing of interest is that, although it is damaged, it has survived pretty well. Fresco (paint on wet plaster, left to dry) is a very fragile medium and many made 1,000 years after this have not lasted as well. The reason for this is that the tomb was not unearthed until 1961, so it was undisturbed for about 2,500 years. The piece above is a section from a larger work that depicts a sort of funerary ritual.

Now to the description quoted above. For a start, the man is not all that “elderly” as his beard is not grey. He is however clearly older than the boy, who isn’t wearing a beard (nor anything else for that matter). The description says “supported by a boy” but if you look at the painting the older man is holding the younger man firmly by the wrist. That doesn’t look like “support” to me!

When I first saw this piece I assumed the older man was holding a staff or walking stick of some sort, but if you look at his right hand you’ll see his index finger extended as if he is pointing and the object in question is behind his hand. The stick also appears to be decorated, but I think it might be the trunk of a small tree; there are fig trees with fruit than hangs on the trunk, for example. It could be that the damaged area at the top of the stick represented foliage at the top. There are several depictions of trees elsewhere in the tomb.

Iinitially I thought the shapes under the original excerpt were meant to be waves, but it seems they are just part of an abstract frieze that runs all the way around.

So what can we infer from these clues? One interpretation is that the man with the beard is taking the boy away reluctantly for some nefarious activity? Sexual relationships between boys and older men were not uncommon in Greek civilisation so maybe that was also the case for the Etruscans?

But there is another interpretation, which I find more plausible given the context of the painting. The scenes in the centre and right represent the funeral rites, including music, but the man and boy (on the left) are clearly walking away from all that. Moreover, the figure in the central panel apparently standing in some sort of vessel looks very much like the boy in the panel above. Is the lid off to let him out, or is he about to be sealed in?

My reading of it, therefore, is that the boy is dead, and the man with the beard is no less than Charun, the demon charged with guiding the departed to the underworld. The name Charun is derived from the Greek Charon, but the character of Charun is quite different from the ferryman Charon. Anyway, he definitely looks like he’s taking the boy somewhere he doesn’t want to go, and Charun is often depicted wearing a skull cap as he is in the picture.

Now I definitely need to find out why my young friend sent me this…

Loose Ends of the Academic Year…

Posted in Biographical, Education, Maynooth with tags , , , , , , , , , on August 13, 2025 by telescoper

I know most people outside academia thing university staff are on a long holiday between June and September, but that’s not the case. This week we have been trying to sort out some of the loose ends of Academic Year 2024/5 before we start on planning for 2025/6. The matters to be dealt with include undergraduate, taught postgraduate, and research posgraduate.

To start with I’ve had to mark my undergraduate repeat (resit) examinations. The grades need to be checked and uploaded before the appropriate examination board meeting next week. That will resolve a number of progression issues, as well as hopefully allowing some students to retrieve credit from their final year and thus be allowed to graduate.

Another set of tasks related to our taught MSc students. They submitted their dissertations on Monday which now need to be read and graded before another examination board (next Monday). They also have to do their presentations, which take place this Friday (15th August).

The following week, the School leaving certificate results come out, at which point we’ll start to get some idea of how many students we will have entering the first year in September.

Today I heard that my PhD student Aoibhinn, who passed her viva voce examination way back in May, has had her thesis corrections formally approved. She now has to submit a bound copy of the thesis along with an electronic version thereof by September 6th at the latest. Then her degree has to be approved by the Faculty of Science & Engineering (on September 16th) followed by Academic Council on (29th September). Assuming those formalities are observed, she can receive her doctorate at one of the conferring ceremonies at the end of October.

Another thing I heard today is that Aoibhinn has been awarded a prestigious research fellowship from the Alexander von Humboldt Foundation but she needs her degree certificate before she can start. That’s a stricter policy than elsewhere, but it is Germany. It’s a bit frustrating, but that particular loose end will definitely be tied soon enough, after which Aoibhinn will be off to Germany for two years. Fortunately the start date of the fellowship is flexible. Congratulations to Aoibhinn!

Saturn, the Bringer of Old Age

Posted in Music with tags , , , on August 12, 2025 by telescoper

I listened to a Proms performance of Gustav Holst’s The Planets the other night. It’s a piece I’ve heard dozens of times, but it was definitely the first time that I felt the most resonance with the Fifth movement, “Saturn, the Bringer of Old Age“. According to Wikipedia, this was Holst’s favourite section. It comprises three parts, “a slow processional which rises to a frightening climax before fading away as if into the outer reaches of space”. The central part has a touch of Charles Ives about it, I think.

Generative AI in Physics?

Posted in Artificial Intelligence, Education, mathematics, Maynooth with tags , , , , , , , , , on August 11, 2025 by telescoper

As a new academic year approaches we are thinking about updating our rules for the use of Generative AI by physics students. The use of GenAI for writing essays, etc, has been a preoccupation for many academic teachers. Of course in Physics we ask our students to write reports and dissertations, but my interest in what we should do about the more mathematical and/or computational types of work. A few years ago I looked at how well ChatGPT could do our coursework assignments, especially Computational Physics, and it was hopeless. Now it’s much better, though still by no means flawless, and now there are also many other variants on the table.

The basic issue here relates to something that I have mentioned many times on this blog, which is the fact that modern universities place too much emphasis on assessment and not enough on genuine learning. Students may use GenAI to pass assessments, but if they do so they don’t learn as much as they would had they done the working out for themselves. In the jargon, the assessments are meant to be formative rather than purely summative.

There is a school of thought that has the opinion that formative assessments should not gain credit at all in the era of GenAI since “cheating” is likely to be widespread. The only secure method of assessment is through invigilated written examinations. Students will be up in arms if we cancel all the continuous assessment (CA), but a system based on 100% written examinations is one with which those of us of a certain age are very familiar.

Currently, most of our modules in theoretical physics in Maynooth involve 20% coursework and 80% unseen written examination. That is enough credit to ensure most students actually do the assignments, but the real purpose is that the students learn how to solve the sort of problems that might come up in the examination. A student who gets ChatGPT to do their coursework for them might get 20%, but they won’t know enough to pass the examination. More importantly they won’t have learnt anything. The learning is in the doing. It is the same for mathematical work as it is in a writing task; the student is supposed to think about the subject not just produce an essay.

Another set of issues arises with computational and numerical work. I’m currently teaching Computational Physics, so am particularly interested in what rules we might adopt for that subject. A default position favoured by some is that students should not use GenAI at all. I think that would be silly. Graduates will definitely be using CoPilot or equivalent if they write code in the world outside university so we should teach them how to use it properly and effectively.

In particular, such methods usually produce a plausible answer, but how can a student be sure it is correct? It seems to me that we should place an emphasis on what steps a student has taken to check an answer, which of course they should do whether they used GenAI or did it themselves. If it’s a piece of code to do a numerical integration of a differential equation, for example, the student should test it using known analytic solutions to check it gets them right. If it’s the answer to a mathematical problem, one can check whether it does indeed solve the original equation (with the appropriate boundary conditions).

Anyway, my reason for writing this piece is to see if anyone out there reading this blog has any advice to share, or even a link to their own Department’s policy on the use of GenAI in physics for me to copy adapt for use in Maynooth! My backup plan is to ask ChatGPT to generate an appropriate policy…