Jazz, STEM and the Creative Process

Posted in Art, Jazz, The Universe and Stuff with tags , , , , , , on January 23, 2016 by telescoper

The Times Higher has given me yet  another reason to be disgruntled this week, in the form of an article that talks about the possible effect of the proposed Teaching Excellence Framework (TEF) on “creative” subjects. What bothers me about this piece is not that it criticises the TEF – I think that’s an unworkable idea that will cause untold damage to the University system if, as seems likely, it is railroaded through for political reasons – but that the author (Nigel Carrington, Vice-Chancellor of the University of Arts London), like so many others, lazily implies that STEM disciplines are not creative. I think some of the most intensively creative people in the world are to be found in science and engineering and creativity is something we try very hard to nurture in students at Sussex University regardless of discipline.

Anyway, while feeling grumpy about this article, I remembered this video of an interview with the great jazz pianist, Bill Evans. Jazz is undoubtedly an intensely creative form, not only because it requires spontaneous real-time conversion of ideas into sounds. Evans talks with great passion and insight about creativity in music-making, but the striking thing about what he says at the  very beginning about the need to analyse your subject at a very elementary level before proceeding in order to create something that’s “real” applies equally well to, e.g. theoretical physics as it does to jazz.

In the following section he reiterates this point, but also stresses the discipline imposed by a particular form and why this does not limit creativity but makes it stronger.

It’s better to do something simple that is real. It’s something you can build on. because you know what you’re doing. Whereas, if you try to approximate something very advanced and don’t know what you’re doing, you can’t build on it.

No matter how far I might diverge or find freedom in this format, it only is free insofar that it has reference to the strictness of the original form. That’s what gives it its strength.

In much the same way, theoretical physics is not made less creative because it has to obey the strict rules of mathematics but more so. This is true also in the fine arts: the more limited the canvas the more creative the artist must be, but it also applies to, e.g. engineering design. Self-teaching is important in STEM subjects too: the only really effective way of learning, e.g. physics, is by devoting time to working through ideas in your own mind, not by sitting passively in lectures.

All subjects require technical skill, but there is more to being a great jazz musician than mastery of the instrument just as there’s more to being a research scientist than doing textbook problems. So here’s to creativity wherever it is found, and let’s have a bit more appreciation for the creative aspects of science and engineering!

 

 

 

Statement on the Litvinenko Case

Posted in Uncategorized with tags , , on January 22, 2016 by telescoper

Yesterday while I was at the Winter Graduation ceremony, one of the esteemed  Emeritus Professors in the Department of Physics of Astronomy, Norman Dombey, recorded two TV interviews about the Alexander Litvinenko case. Professor Dombey was an expert witness who contributed evidence to an inquiry that concluded that Mr Litvinenko was deliberately poisoned with radioactive Polonium, and that his murder was probably explicitly authorised by Vladimir Putin.

One of the interviews took place outside the Department:

Dombey

The other was filmed in my office while I was on graduation duty.

In case any KGB agents are in the habit of reading this blog, I wish to point out that the use of my office by Professor Dombey should not be taken as evidence that I endorse the conclusion that Vladimir Putin ordered the assassination of Mr Litvinenko. Even if that is probably the case.

 

 

Winter Graduation

Posted in Uncategorized on January 21, 2016 by telescoper

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A very busy week found me on graduation duty today at the Brighton Dome for the Winter Graduation for the School of Mathematical and Physical Sciences at the University of Sussex. In fact students from all the Science schools at Sussex graduated this morning, so it was quite a long ceremony but it was, as usual, made very enjoyable by the presence of the Chancellor, Sanjeev Bhaskar, who was at one point lifted clean off his feet by a strapping graduand. I’ve seen hugs, handshakes and selfish galore on the stage at The Dome. but I don’t think Ive ever seen the Chancellor get picked up before!

In the photograph above Sanjeev is presenting an honorary degree to a distinguished expert in the field of art conservation, Dr David Bomford. You can just see me on the far left.

Many congratulations to all those who graduated today!

Physics & Astronomy at Sussex – The Videos!

Posted in Brighton, Education with tags , , on January 20, 2016 by telescoper

So the annual University admissions cycle is getting into gear, which means I’ll be spending quite a few Saturdays giving talks and chatting to prospective students and their parents. As we prepare for  the first of Applicant Visit Days at the University of Sussex (on Saturday 23rd January) we’ve produced a number of videos featuring current students in the Department of Physics & Astronomy. I thought I’d share a couple here.

First here’s Anjelah, a student on our 4-year MPhys degree in Theoretical Physics. She still seems quite keen, despite having taken my Theoretical Physics module in her second year!

Here’s Joe, a 4-year MPhys (Physics) student:

And here’s another by Linn, who is on the BSc in Physics with Astrophysics degree:

You’ll notice that both of them talk about our dedicated study spaces, which the students really like. We’re one of the few Physics & Astronomy Departments in the UK – in fact the only that I know of – that has turned over the management of a large suite of rooms over to our students. We don’t just allow them to use the rooms 24 hours a day; we also give them a budget for furniture and books and they basically decide what they want and how to arrange it all. We also provide a constant supply of free tea and coffee (although I have to admit that I do pop in there from time to time and help myself too).

 

The Universe is inhomogeneous. Does it matter?

Posted in The Universe and Stuff with tags , on January 20, 2016 by telescoper

Interesting piece by Buchert et al. about the role of inhomogeneities in cosmology….

Adam Day's avatarCQG+

Yes! The biggest problem in cosmology—the apparent acceleration of the expansion of the Universe and the nature of dark energy—has stimulated a debate about “backreaction”, namely the effect of inhomogeneities in matter and geometry on the average evolution of the Universe. Our recent paper aims to close a chapter of that debate, to encourage exciting new research in the future.

Although matter in the Universe was extremely uniform when the cosmic microwave background radiation formed, since then gravitational instability led to

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Morning over the Marina

Posted in Brighton with tags on January 19, 2016 by telescoper

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Ligatures, Diphthongs and Supernovae

Posted in History, Pedantry, The Universe and Stuff with tags , , , , , , , , on January 18, 2016 by telescoper

At the weekend I noticed a nice article by John Butterworth on his Grauniad blog about where Gold comes from. Regular readers of this blog (Sid and Doris Bonkers) know that I am not at all pedantic but my attention was drawn to the plural of supernova in the preamble:

Supernovas

I have to confess that I much prefer the latin plural “supernovae” to the modernised “supernovas”, although most dictionaries (including the One True Chambers) give these both as valid forms.  In the interest of full disclosure I will point out that I did five years of Latin at school, and very much enjoyed it…

When I tweeted about my dislike for supernovas and preference for supernovae some replied that English words should have English plurals so that supernovas was preferred (although I wonder if that logic extends to, e.g. datums and phenomenons). Others said that supernovae was fine among experts but for science communication purposes it was better to say “supernovas” as this more obviously means “more than one supernova”. That’s a reasonable argument, but I have to admit I find it a little condescending to assume that an audience can cope with the idea of a massive star exploding as a consequence of gravitational collapse but be utterly bewildered by a straightforward latin plural.

One of the reasons I prefer the Latin plural – along with some other forms that may appear archaic, e.g. Nebulae – is that Astronomy is unique among sciences for having such a long history. Many astronomical terms derive from very ancient sources and in my view we should celebrate this fact because it’s part of the subject’s fascination. That’s just my opinion, of course. You are welcome to disagree with that too.

Anyway, you might be interested to know a couple of things. One is that the first use of “super-nova” recorded in the Oxford English Dictionary was in 1932 in a paper by Swedish astronomer Knut Lundmark. This word is however formed from “nova” (which means “new” in Latin) and the first use of this term in an astronomical setting was in a book by Tycho Brahe, published in 1573:

Brahe_book(I’ll leave it as an exercise to the student to translate the full title.)

Nowadays a nova is taken to be a much lower budget feature than a supernova but the “nova” described in Tycho’s book was was actually a supernova, SN1572 which he, along with many others, had observed the previous year. Historical novae were very often supernovae, in fact, because they are much brighter than mere novae. The real difference between these two classes of object wasn’t understood until the 20th Century, however, which is why the term supernova was coined much later than nova.

Anyway, back to pedantry.

A subsequent tweet from Roberto Trotta asserted  that in fact supernovae and supernovas are both wrong; the correct plural should be supernovæ, in which the two letters of the digraph “ae” are replaced with a single glyph known as a ligature. Often, as in this case, a ligature stands for a diphthong, a sort of composite vowel sound made by running two vowels together.   It’s one of the peculiarities of English that there are only five vowels, but these can represent quite different sounds depending on the context (and on the regional accent). This  means that English has many hidden diphthongs. For example,  the “o” in “no” is a diphthong in English. In languages such as Italian, in which the vowels are very pure, “no” is pronounced quite differently from English. The best test of whether a vowel is pure or not is whether your mouth changes shape as you pronounce it: your mouth moves as you say an English “no”, closing the vowel that stays open in the Italian “no”…

So, not all diphthongs are represented by ligatures. It’s also the case that not all ligatures represent diphthongs. Indeed some are composed entirely of consonants. My current employer’s logo features a ligature formed from the letters U and S:

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The use of the ligature æ arose in Mediaeval Latin (or should I say Mediæval?). In fact if you look at the frontispiece of the Brahe book shown above you will see a number of examples of it in its upper-case form Æ. I’m by no means an expert in such things but my guess is that the use of such ligatures in printed works was favoured simply to speed up the typesetting process – which was very primitive – by allowing the compositor to use a single piece of type to set two characters. However, it does appear in handwritten documents e.g. in Old English, long before printing was invented so easier typesetting doesn’t explain it all.

Use of the specific ligature in question caught on particularly well in Scandinavia where it eventually became promoted to a letter in its own right (“aesc”) and is listed as a separate vowel in the modern Danish and Norwegian alphabets.  Early word-processing and computer typesetting software generally couldn’t render ligatures because they were just too complicated, so their use fell out of favour in the Eighties, though there are significant exceptions to this rule. Latex, for example, always allowed ligatures to be created quite easily. Software – even Microsoft Word – is much more sophisticated than it used to be, so it’s now not so much of a problem to use ligatures in digital text. Maybe they will make a comeback!

Anyway, the use of æ was optional even in Mediaeval Latin so I don’t think it can be argued that supernovæ is really more correct than supernovae, though to go back to a point I made earlier, I do admit that a rambling discussion of ligatures and diphthongs would not add much to a public lecture on exploding stars.

 

“Stars” by Kandinsky

Posted in Art with tags , on January 17, 2016 by telescoper

No time for a proper post so I thought I’d fill a bit of space with Stars, or at least with a picture of the lithograph of that title by Wassily Kandinsky made, I think, in 1938. It is certainly a different kind of image from that produced by astronomers, but it does put me in mind of star-forming regions such as the Orion Nebula..

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Saturday Night Function

Posted in Jazz with tags , , on January 16, 2016 by telescoper

Well, it’s Saturday Night so I thought I’d post a bit of classic Jazz from the late twenties. This is from the superb Duke Ellington band, vintage 1929, which was resident at the Cotton Club in Harlem, New York City. I haven’t seen a personnel listing for this but the soloists are easy to identify: Barney Bigard on clarinet, James “Bubber” Miley on trumpet, and Joe “Tricky Sam” Nanton on trombone. The tune Saturday Night Function has become a traditional jazz standard but not many bands can get close to that unique Ellington sound, especially the growling trumpets. Enjoy!

How bad is Stormtrooper aim exactly?

Posted in Uncategorized on January 15, 2016 by telescoper

Here’s a tongue-in-cheek analysis of the inaccuracy of stormtroopers’ use of firearms in the Star Wars movies.

This is just one manifestation of a general phenomenon – bad guys are always terrible shots! At least in movies…

davehullo's avatarDelight Through Logical Misery

Stormtrooper_Gun A Stormtrooper gun. It’s possible they don’t know what these are for. Photo by Roy Kabanlit.

For some unknown reason, I’ve been thinking a lot about Star Wars recently. Going forward, I’ll assume you’ll be familiar with the events and characters of at least the first six films. If not, what have you been doing? Living in a recent, recent time in a galaxy that’s very close to here? Broadly speaking, this post inevitably contains minor spoilers for Episodes II−VI of the Star Wars films. If you haven’t seen them, inexplicably want to find out about Stormtrooper aim and don’t mind knowing some plot details, then feel free to read on.

There are some characteristics of characters or groups of characters within the Star Wars register that are widely held to be fact. This may be despite them not being explicitly stated within the films. Red lightsabers are for the…

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