My theoretical physics examination is coming up on Monday and the students are hard at working revising for it (or at least they should be) so I thought I’d lend a hand by deploying some digital technology in the form of the following online interactive video-based learning resource on Complex Analysis:
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Posted in Education, The Universe and Stuff with tags Complex Analysis, education, Hitler, mathematics, Physics, theoretical physics on May 15, 2015 by telescoperBeing Both
Posted in Music, Opera with tags Alice Coote, Being Both, Brighton Dome, Brighton Festival, English Concert on May 15, 2015 by telescoperMy third consecutive Brighton Festival event of the week was Being Both, which featured mezzo soprano Alice Coote along with the English Concert under the direction of Harry Bicket (at the dreaded harpsichord). The music for the evening was all provided by George Frideric Handel in the form of a wide selection of arias from his operas and oratorios. It wasn’t just a concert, though. Alice Coote acted as well as sang, and various props and visual references supplemented her performance. There were also few extras who spent most of the show painting a slogan on a screen behind the orchestra: “You who are more than one thing, You who exceed expectations”. I added the comma myself.
When Handel was writing operas it was pretty typical for the heroic male lead to be played by a castrato, so these parts were scored for rather high voices. It was only much later in the history of opera that these roles became associated with tenor voices. The register in which a castrato would naturally sing is somewhere around that of a female contralto or mezzo soprano or a male counter-tenor. Modern stagings of Handel’s operas therefore tend to cast the leading make character either as a counter-tenor (male), as a “trouser role” for a female singer, or simply as a female character with no attempt to disguise the singer’s gender. The latter option can be extremely interesting as it allows the production to cast an interesting light on the way gender influences our preconceptions about character. In Being Both we saw Alice Coote singing some roles that were intended to be sung by male artists and others by female artists; since it was the person singing and “being” both it successfully blurred the distinction between these roles as well as poking a bit of fun at the dated attitudes represented in the texts.
The best part of the performance was Alice Coote. She has a gorgeous voice and commanded the stage in superb style. As for the English Concert, I was alarmed by some truly awful horn playing in the opening number, but the brass section wasn’t used at all after that and the remainder of the orchestra (mainly strings) played pretty well. It’s the “semi-staging” that troubled me most. The use of props was unsubtle and gimmicky and the overall feel of the production rather pretentious. I found the slow painting of the slogan behind the orchestra a distraction both from Alice Coote’s performance and for the music. It seemed to me to be saying “if you’re not enjoying the show why not watch some paint dry as an alternative?”
Wonderful artist though Alice Coote is, I did find myself wishing for a bit more variety in the vocal parts. Handel’s operas involve an enormous range of contrasts in different combinations of different voices. Hearing a series of excerpts all performed in the same register by the same artist robs the works of the dramatic interplay that makes Handel’s operas and oratiorios so special. I suppose that just tells you that I find an proper Opera a much more interesting experience than a string of arias performed out of context.
Follow @telescoperThe Beautiful Cosmos of Ivor Cutler
Posted in Music, Poetry with tags Brighton Festival, Ivor Cutler, Phyllis King, Poetry, Vanishing Point on May 14, 2015 by telescoperNow fully in Brighton Festival mode, last night I went to the Theatre Royal for the first night (and indeed the English premiere) of The Beautiful Cosmos of Ivor Cutler, which continues until Saturday at the same venue. The show is a collaboration between Vanishing Point and the National Theatre of Scotland and continues at the Theatre Royal until Sunday (17th May).
If you don’t know who Ivor Cutler was, he was a Scottish poet and songwriter who gained a cult following through his many appearances on BBC Radio programmes, notably with John Peel. I was introduced to him by an undergraduate friend of mine, Richard Allen, himself a Scot, who loved Ivor Cutler’s poetry and had many cassette tapes of performances by the poet in which he either spoke the poems or sang them to a musical accompaniment, often a harmonium. I loved listening to Ivor Cutler’s voice on these recordings, which added an extra dimension of lugubriousness to the whimsical and at times downright bizarrely comic verses. Many of his poems are about the various bizarre ways in which people try (and usually fail) to communicate with each other. Some of these are joyously silly but they also, like the very best jokes, convey quite profound things about the limitations of language. Here, for example, is Ivor Cutler’s inimitable hymn to the joy of Morse Code:
Little Black Buzzer is one of the pieces included in The Beautiful Cosmos of Ivor Cutler, but the show is far more than a collection of the poet’s work. It’s also an exploration and celebration of the life of one of the great eccentrics, from his impoverished childhood, through his period of critical and popular success, his long relationship with another poet, Phyllis King , and his old age in which he suffered from dementia, arthritis and Parkinson’s disease. Music and poetry, life and death, joy and sadness, comedy and tragedy are all woven together in a fitting tribute to a unique individual who lived an extraordinary life.
I don’t need to describe the production in detail because there’s a video trailer that gives a very accurate idea:
My verdict on The Beautiful Cosmos of Ivor Cutler is that it’s the best thing I’ve seen in a theatre for decades. If you’re in Brighton then get yourself to the Theatre Royal and see this show. You won’t regret it.
P.S. The Beautiful Cosmos of the title comes from this poem, which I have posted before:
You are the centre of your little world
and I am of mine.
No one again we meet for tea
we’re two of a kind.
This is our universe…
cups of tea.
We have a beautiful cosmos,
you and me.
We have a beautiful cosmos.
What do we talk of whenever we meet:
nothing at all.
You sit with a sandwich,
I look at a roll.
Sometimes I open my mouth,
then shut it.
We have a beautiful cosmos,
you and me.
We have a beautiful cosmos.
You are the centre of your little world
and I am of mine.
No one again we meet for tea
we’re two of a kind.
This is our universe…
cups of tea.
We have a beautiful cosmos,
you and me.
We have a beautiful cosmos.
There will come soft rains
Posted in Poetry with tags Poetry, Sara Teasdale, There will come soft rains on May 13, 2015 by telescoperThere will come soft rains and the smell of the ground,
And swallows circling with their shimmering sound;
And frogs in the pools, singing at night,
And wild plum trees in tremulous white,
Robins will wear their feathery fire,
Whistling their whims on a low fence-wire;
And not one will know of the war, not one
Will care at last when it is done.
Not one would mind, neither bird nor tree,
If mankind perished utterly;
And Spring herself, when she woke at dawn,
Would scarcely know that we were gone.
by Sara Teasdale (1884-1933)
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R.I.P. Sir Sam Edwards
Posted in Biographical, Education, The Universe and Stuff with tags Analytical Dynamics, Lagrange's Equations, Physics, Sam Edwards, Sir Sam Edwards, Soft Condensed Matter, University of Cambridge on May 12, 2015 by telescoperI’ve only found out this morning that Professor Sir Sam Edwards passed away last week, on 7th May 2015 at the age of 87. Although I didn’t really know him at all on a personal level, I did come across him when I was an undergraduate student at the University of Cambridge in the 1980s, so I thought I would post a brief item to mark his passing and to pay my respects.
Sam Edwards taught a second-year course at Cambridge to Physics students,entitled Analytical Dynamics as a component of Part IB Advanced Physics. It would have been in 1984 that I took it. If memory serves, which is admittedly rather unlikely, this lecture course was optional and intended for those of us who intended to follow theoretical physics Part II, i.e. in the third year.
I have to admit that Sam Edwards was far from the best lecturer I’ve ever had, and I know I’m not alone in that opinion. In fact, not to put too fine a point on it, his lectures were largely incomprehensible and attendance at them fell sharply after the first few. They were, however, based on an excellent set of typewritten notes from which I learned a lot. It wasn’t at all usual for lecturers to hand out printed lecture notes in those days, but I am glad he did. In fact, I still have them now. Here is the first page:
It’s quite heavy stuff, but enormously useful. I have drawn on a few of the examples contained in his handout for my own lectures on related concepts in theoretical physics, so in a sense my students are gaining some benefit from his legacy.
At the time I was an undergraduate student I didn’t know much about the research interests of the lecturers, but I was fascinated to read in his Guardian obituary how much he contributed to the theoretical development of the field of soft condensed matter, which includes the physics of polymers. In those days – I was at Cambridge from 1982 to 1985 – this was a relatively small part of the activity in the Cavendish laboratory but it has grown substantially over the years.
I feel a bit guilty that I didn’t appreciate more at the time what a distinguished physicist he was, but he undoubtedly played a significant part in the environment at Cambridge that gave me such a good start in my own scientific career and was held in enormously high regard by friends and colleagues at Cambridge and beyond.
Rest in peace, Sir Sam Edwards (1928-2015).
Follow @telescoperExamination Time Again
Posted in Biographical, Education with tags education, Examinations, Physics, The Prelude, University of Sussex, William Wordsworth on May 11, 2015 by telescoperOnce again it’s time for examinations at the University of Sussex, so here’s a lazy rehash of my previous offerings on the subject that I’ve posted around this time each year since I started blogging.
My feelings about examinations agree pretty much with those of William Wordsworth, who studied at the same University as me, as expressed in this quotation from The Prelude:
Of College labours, of the Lecturer’s room
All studded round, as thick as chairs could stand,
With loyal students, faithful to their books,
Half-and-half idlers, hardy recusants,
And honest dunces–of important days,
Examinations, when the man was weighed
As in a balance! of excessive hopes,
Tremblings withal and commendable fears,
Small jealousies, and triumphs good or bad–
Let others that know more speak as they know.
Such glory was but little sought by me,
And little won.
It seems to me a great a pity that our system of education – both at School and University – places such a great emphasis on examination and assessment to the detriment of real learning. On previous occasions, before I moved to the University of Sussex, I’ve bemoaned the role that modularisation has played in this process, especially in my own discipline of physics.
Don’t get me wrong. I’m not opposed to modularisation in principle. I just think the way modules are used in many British universities fails to develop any understanding of the interconnection between different aspects of the subject. That’s an educational disaster because what is most exciting and compelling about physics is its essential unity. Splitting it into little boxes, taught on their own with no relationship to the other boxes, provides us with no scope to nurture the kind of lateral thinking that is key to the way physicists attempt to solve problems. The small size of many module makes the syllabus very “bitty” and fragmented. No sooner have you started to explore something at a proper level than the module is over. More advanced modules, following perhaps the following year, have to recap a large fraction of the earlier modules so there isn’t time to go as deep as one would like even over the whole curriculum.
In most UK universities (including Sussex), tudents take 120 “credits” in a year, split into two semesters. In many institutions, these are split into 10-credit modules with an examination at the end of each semester; there are two semesters per year. Laboratories, projects, and other continuously-assessed work do not involve a written examination, so the system means that a typical student will have 5 written examination papers in January and another 5 in May. Each paper is usually of two hours’ duration.
Such an arrangement means a heavy ratio of assessment to education, one that has risen sharply over the last decades, with the undeniable result that academic standards in physics have fallen across the sector. The system encourages students to think of modules as little bit-sized bits of education to be consumed and then forgotten. Instead of learning to rely on their brains to solve problems, students tend to approach learning by memorising chunks of their notes and regurgitating them in the exam. I find it very sad when students ask me what derivations they should memorize to prepare for examinations. A brain is so much more than a memory device. What we should be doing is giving students the confidence to think for themselves and use their intellect to its full potential rather than encouraging rote learning.
You can contrast this diet of examinations with the regime when I was an undergraduate. My entire degree result was based on six three-hour written examinations taken at the end of my final year, rather than something like 30 examinations taken over 3 years. Moreover, my finals were all in a three-day period. Morning and afternoon exams for three consecutive days is an ordeal I wouldn’t wish on anyone so I’m not saying the old days were better, but I do think we’ve gone far too far to the opposite extreme. The one good thing about the system I went through was that there was no possibility of passing examinations on memory alone. Since they were so close together there was no way of mugging up anything in between them. I only got through by figuring things out in the exam room.
I think the system we have here at the University of Sussex is much better than I’ve experienced elsewhere. For a start the basic module size is 15 credits. This means that students are usually only doing four things in parallel, and they consequently have fewer examinations, especially since they also take laboratory classes and other modules which don’t have a set examination at the end. There’s also a sizeable continuously assessed component (30%) for most modules so it doesn’t all rest on one paper. Although in my view there’s still too much emphasis on assessment and too little on the joy of finding things out, it’s much less pronounced than elsewhere. Maybe that’s one of the reasons why the Department of Physics & Astronomy does so consistently well in the National Student Survey?
We also have modules called Skills in Physics which focus on developing the problem-solving skills I mentioned above; these are taught through a mixture of lectures and small-group tutorials. I don’t know what the students think of these sessions, but I always enjoy them because the problems set for each session are generally a bit wacky, some of them being very testing. In fact I’d say that I’m very impressed at the technical level of the modules in the Department of Physics & Astronomy generally. I’ve been teaching Green’s Functions, Conformal Transformations and the Calculus of Variations to second-year students this semester. Those topics weren’t on the syllabus at all in my previous institution!
Anyway, my Theoretical Physics paper is next week (on 18th May) so I’ll find out if the students managed to learn anything despite having such a lousy lecturer. Which reminds me, I must remember to post some worked examples online to help them with their revision.
Follow @telescoper100 Years of Ladybird Books
Posted in Biographical, Education, Literature with tags 100 Years, Bexhill-on-Sea, De La Warr Pavilion, Ladybird Books, Ladybird by Design on May 10, 2015 by telescoperAnd now for something completely different.
Not a lot of people know that this year marks the centenary of Ladybird Books. That name is redolent with nostalgia for me and I suspect also for many other readers of this blog, as the Ladybird series played a major part in my education. I’ve written on a previous occasion about what a slow learner I was as a child – I didn’t really speak until I well after my third birthday – but once I got the hang of books I became a voracious reader, with the Ladybird series forming a large part of my diet. Once a month or so on a Friday in the School of Mathematical and Physical Sciences we have afternoon tea and cake just to bring staff and students together for an informal gathering. Each time the cake has a different theme and this time we decided to celebrate the centenary of Ladybird Books, not least because they played such a significant role in my education.
Here is the cake (designed by the inestimable Dorothy Lamb, who also knitted some Ladybird toys for the occasion). The two covers chosen were from the Ladbybird Junior Science Series, Lights, Mirrors and Lenses and Magnets, Bulbs and Batteries both of which editions were published in 1962. Seeing these covers again brought back a flood of memories of my own childhood in the 1960s.
I wish to make it clear that we did request, and were granted, copyright clearance by Penguin Books (who own the Ladybird imprint) to reproduce the covers, not that they lasted very long – about 20 minutes after that picture was taken the cake had been entirely consumed.
Anyway, we weren’t the only people in Sussex to be celebrating the centenary of Ladybird books. Today (10th May 2015) was the last day of an exhibition called Ladybird by Design at the splendid De La Warr Pavilion in Bexhill-on-Sea. If you missed it here’s a video describing it.
P.S. I should also mention that one of the interesting things about Sussex University is the abundance of ladybirds on Falmer campus. I’m not sure what makes it such an attractive residence for these fascinating creatures, but no doubt there will be an entomologist out there who can tell me!
Follow @telescoperThe polls and (all but one of) the forecasts WERE wrong. Ed Miliband was nowhere near becoming Prime Minister
Posted in Uncategorized on May 9, 2015 by telescoperFascinating detailed analysis of what went wrong with the opinion polls and Labour’s campaign strategy.
The Morning After…
Posted in Uncategorized on May 8, 2015 by telescoperJust time for a few comments on the General Election result.
Contrary to the picture painted by nearly all the opinion polls, which indicated an extremely close vote leading to a hung Parliament, it is clear that there will actually be a majority in the House of Commons for the Conservative Party. This isn’t the result I had hoped for, but at least it’s a clear outcome.
One question on my mind is how the opinion polls managed to get it so consistently wrong. They were so wrong, in fact, that most pundits didn’t believe the BBC’s exit poll showing a far stronger Tory voite. TAs it turns out, even the exit poll was an understimate of the Conservative vote. The actual share of the vote is about 37% Conservative to 31% Labour whereas the opinion polls suggested rough parity at 34% each.
It seems to me that there are three distinct (but not exlusive) possible explanations of this, although before discussing them I should point out that a 3% error is within the margin of most opinion polls. Fluctuations of this size were seen during the course of the campaign, but the long term average was pretty consistent, and offset from the actual result.
One explanation is that the turnout was fractionally higher among those who had expressed a preference for the Conservatives than those who had indicated that they would vote Labour. A few percent difference in this would have made a huge difference in key marginal seats. Perhaps the Conservatives just mobilized their voters more effectively. The other explanation is the reappearance of the “shy Tory”. This was generally accepted to be the reason why the opinion polls got it so wrong in the 1992 General Election. People might tell a pollster what they think he/she wants to hear, but actually vote differently when they get to the polling station. The last option is that some people may well change their mind when they see the ballot paper. Opinion polls generally only ask about the party, not the specific candidate. Perhaps seeing the name on the ballot paper makes a small difference?
Whatever the explanation the fact of the matter is that we have a Conservative majority government and whatever we think about that we just have to make the best of it, though I am worried about many things. The future of the National Health Service now hangs in the balance. And the fact that the SNP won 56 out of 59 seats in Scotland makes me wonder how the United Kingdom can possibly survive much longer. I wouldn’t bet against Scotland being an independent country within a few years at the most. It seems we will also have a referendum on whether to remain inside the EU…
As expected Caroline Lucas held onto her seat in Brighton Pavilion (winning by a very large margin). Labout took Hove by a narrow margin, but Nancy Platts fell just short of ousting Simon Kirby in my own constituency, Brighton Kemptown. Only 600 votes in it. Close, but no cigar for Nancy.
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