Astronomy Grant History (via The e-Astronomer)

Posted in Finance, Science Politics with tags , , , on February 4, 2011 by telescoper

Interesting view of astronomy grant funding versus time from AGP Chair Andy Lawrence.

Before commenting, I’m first going to calculate the Fourier Transform of Andy’s graph and analyse it in reciprocal space.

Astronomy Grant History Time for me to break a rule. As many of you will know, I am currently chairperson of STFC’s Astronomy Grants Panel. I have steered clear of discussing AGP business on this blog, for obvious reasons. However, the current round is now complete, so I can relax that rule somewhat. I wrote a chairman’s report which went out yesterday on the astrocommunity email list. Paul Crowther has put it on his website, so you can read it if you haven’t already. T … Read More

via The e-Astronomer


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Hen Wlad Fy Nhadau

Posted in Rugby with tags , , , on February 4, 2011 by telescoper

Today marks the start of this season’s RBS  Six Nations Rugby, which kicks off at 7.45pm at the Millennium Stadium here in Cardiff with Wales versus England. The town will be buzzing in the evening, overrun with rugby fans in various states of drunkenness but with that extra special atmosphere that makes this such a fantastic place to be on such occasions, even if you’re not in the ground. It promises to be a bit chaotic, but it’s always an extra special day in Cardiff when the old adversaries meet. I’m going to head off home slightly earlier than usual in order to avoid the crush and to get home in time to watch the match on TV.

The Six Nations is a difficult competition to predict, at least in terms of the results of the rugby games, but there’s one battle whose outcome you can bet your bottom dollar on, and that’s the crowd singing which is always won by the Welsh. I’ll probably be able to hear all the way from my house.

Get a load of this example, from a few years ago which at least gives some idea what I’m talking about. This is the stirring  Welsh National Anthem Hen Wlad Fy Nhadau (Land of My Fathers). And if you feel like singing along, here are the lyrics (in Welsh, of course):

Mae hen wlad fy nhadau yn annwyl i mi,
Gwlad beirdd a chantorion, enwogion o fri;
Ei gwrol ryfelwyr, gwladgarwyr tra mâd,
Tros ryddid gollasant eu gwaed.

Chorus:
Gwlad, Gwlad, pleidiol wyf i’m gwlad,
Tra môr yn fur i’r bur hoff bau,
O bydded i’r heniaith barhau.

Hen Gymru fynyddig, paradwys y bardd;
Pob dyffryn, pob clogwyn, i’m golwg sydd hardd
Trwy deimlad gwladgarol, mor swynol yw si
Ei nentydd, afonydd, i fi.

Chorus

Os treisiodd y gelyn fy ngwlad dan ei droed,
Mae hen iaith y Cymry mor fyw ag erioed,
Ni luddiwyd yr awen gan erchyll law brad,
Na thelyn berseiniol fy ngwlad.

Chorus

Astronomy Grants: Past, Present, and Future

Posted in Finance, Science Politics with tags , , , , on February 3, 2011 by telescoper

Just time to put my community service hat briefly in order draw the attention of all friendly astronomers to the report on the 2010 STFC Astronomy grant round that has been circulated by the AGP Chair, Andy Lawrence (aka the e-Astronomer).

There is a lot of important information in this report, not only about the statistics of the last round but also about the new grants system that will be in operation from this year onwards so you really should read it carefully, especially if you’re planning to submit a grant application in 2011.

The report has been circulated to the astrocommunity mailing list, so most of you out there will have seen it but for those of you who haven’t you can find it on Paul Crowther’s website here.

I haven’t got time today to add detailed comments of my own – it’s a UCAS day in Cardiff today (among other things) – but I may do so in future. However, please feel free to comment/react/moan but please remember not to shoot the messenger!


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Follow My Leader

Posted in Education, Science Politics with tags , , , on February 2, 2011 by telescoper

News broke today about  the dreaded “Letter from HEFCE” to heads of English higher education institutions informing them of their funding allocations for the near future. The cuts outlined in the funding letter were not entirely unexpected, but have nevertheless generated quite a lot of reaction – see, e.g., here. For those of you who can’t be bothered to read the Circular Letter, it is of the form:

Dear Vice-Chancellor or Principal,

You’re screwed.

Yours Sincerely,

HEFCE

One of the ramifications of the decisions made by the Higher Education Funding Council for England (for that is HEFCE) is that funding will be further cut for research rated a “mere” 2* in the 2008 Research Assessment Exercise. For those of you who prefer meaningless words to meaningless numbers-with-asterisks, 2* is translated in the HEFCE dictionary as “internationally recognised”. Obviously a waste of money then. By 2013 the only research that will be funded at all under the QR formula will be 3* (“internationally excellent) and 4* (world leading). Of course “world leading” won’t include “nationally leading”, as by then there won’t be anyone in England left to follow the survivors; everyone left after the cull will be doing their best to be a  “leader” in order to avoid being labelled a “follower”,  a crime for which the punishment is, apparently, death.

I only hope that this mad policy dismantling the Great Pyramind of Research from the bottom upwards isn’t pursued here in Wales too, otherwise I’ll soon be sitting next to the radiator in the local Wetherspoons drinking cheap beer with the rest of the prematurely terminated. For the time being, until HEFCW decides what do do, we in Wales have a stay of execution.

All this reminds me of a story I heard at a conference dinner years ago. I happened to be sitting next to someone Mrs X – the spouse of a physicist who shall remain nameless – who had for a time worked on undergraduate admissions for a Humanities Department of a  big American Ivy League university. One application for a place had been accompanied by a lukewarm recommendation from a high school teacher, containing a statement along the lines of John is definitely a follower rather than a leader. On this slim evidence of potential, my dining companion Mrs X decided to offer little Johnny a place.

Bewildered to hear that John had been admitted, the aforementioned teacher telephoned the Department and was put through to Mrs X. “But I thought I made it clear in my reference what I thought! Was the decision to let him in some sort of administrative error?”

“No,” said Mrs X.

“Let me explain. Every year this Department takes in about 500 undergraduate students. Virtually every  recommendation letter says this student is a leader rather than a follower. In the light of this huge number of leaders, I feel it is my duty every year to ensure that the Department contains at least one follower.”


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EPSRC : a capital affair (via The e-Astronomer)

Posted in Finance, Science Politics with tags , , , on February 2, 2011 by telescoper

If you think the grass is greener on the EPSRC side of the fence than on the STFC one, then you should read this post by the genial e-Astronomer. Times are tough…

I just came back from an EPSRC roadshow presentation to our University. Interesting to compare this to the STFC one we got a week or so back. Possibly the most striking thing, given that EPSRC is the biggest research council (budget 760M), is that the attendance was smaller than for the STFC show, and there was a much larger fraction of finance and admin people as opposed to scientists. I think this shows that despite all the troubles of the last … Read More

via The e-Astronomer

Mole Apocalypse

Posted in Bute Park, Uncategorized with tags , , on February 1, 2011 by telescoper

I recently mentioned in passing that the rodent control executive whose services I had cause to call on told me that most of his time these days is taken up with controlling an epidemic of moles whose activities are annoying the hell out of local people, especially those with lawns. On the way to work the other day I took a couple of pictures near the River Taff in Bute Park which show how severe the problem is…


If all this is the work of one critter he or she’s been very busy indeed!

Now, what was that line again?

“The houses are blind as moles (though moles see fine to-night in the snouting, velvet dingles)..”


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The Black Stars

Posted in Poetry, The Universe and Stuff with tags , , on February 1, 2011 by telescoper

Let no one sing again of love or war.

The order from which the cosmos took its name has been dissolved;
The heavenly legions are a tangle of monsters,
The universe – blind, violent, strange – assails us.
The sky is strewn with horrible dead suns,
Dense sediments of mangled atoms.
Only desperate heaviness emanates from them,
Not energy, not messages, not particles, not light.
Light itself falls back down, broken by its own weight,
And all of us human seed, we live and die for nothing,
The skies perpetually revolve in vain.

by Primo Levi (1919-1987), translated by Ruth Feldman and Brian Swann.


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Scale

Posted in The Universe and Stuff with tags , , , , , on January 31, 2011 by telescoper

A number of people drew my attention to this today. It’s definitely worth passing on to those of you who haven’t seen it already. Have a look at this  blog post too!


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Certain Scientists aren’t Good Scientists

Posted in Science Politics, The Universe and Stuff with tags , , , , , on January 30, 2011 by telescoper

Just time for a quickie today because tomorrow is the first day of teaching (in what we optimistically call the “Spring Semester”) and I’ve decided to head into the department this afternoon to prepare some handouts and concoct some appropriately fiendish examples for my first problem set.

I thought I’d take the opportunity to add a little postscript to some comments I made in a post earlier this week on the subject of misguided criticisms of science. Where I (sometimes) tend to agree with some such attacks is when they are aimed at scientists who have exaggerated levels of confidence in the certainty of their results. The point is that scientific results are always conditional, which is to say that they are of the form “IF we assume this theoretical framework and have accounted for all sources of error THEN we can say this”.

To give an example from my own field of cosmology we could say “IF we assume the general theory of relativity applies and the Universe is homogeneous and isotropic on large scales and we have dealt with all the instrumental uncertainties involved etc etc THEN 74% of the energy density in the Universe is in a form we don’t understand (i.e. dark energy).” We don’t know for sure that dark energy exists, although it’s a pretty solid inference, because it’s by no means certain that our assumptions – and there are a lot of them – are all correct.

Similar statements are made in the literature across the entire spectrum of science. We don’t deal with absolute truths, but always work within a given theoretical framework which we should always be aware might be wrong. Uncertainty also derives from measurement error and statistical noise. A scientist’s job is to deal with all these ifs buts and don’t-knows in as hard-nosed a way as possible.

The big problem is that, for a variety of reasons, many people out there don’t understand that this is the way science works. They think of science in terms of a collection of yes or no answers to well-posed questions, not the difficult and gradual process of gathering understanding from partial clues and (occasionally inspired) guesswork.

Why is this? There are several reasons. One is that our system of science education does not place sufficient emphasis on science-as-method as opposed to science-as-facts. Another is that the media don’t have time for scientists to explain the uncertainties. With only a two-minute slot on the news to explain cosmology to a viewer waiting for the football results all you can do is deliver a soundbite.
This is what I wrote in my book From Cosmos to Chaos:

Very few journalists or television producers know enough about science to report sensibly on the latest discoveries or controversies. As a result, important matters that the public needs to know about do not appear at all in the media, or if they do it is in such a garbled fashion that they do more harm than good. I have listened many times to radio interviews with scientists on the Today programme on BBC Radio 4. I even did such an interview once. It is a deeply frustrating experience. The scientist usually starts by explaining what the discovery is about in the way a scientist should, with careful statements of what is assumed, how the data is interpreted, and what other possible interpretations might be. The interviewer then loses patience and asks for a yes or no answer. The scientist tries to continue, but is badgered. Either the interview ends as a row, or the scientist ends up stating a grossly oversimplified version of the story.

Here’s another, more recent, example. A couple of weeks ago, a clutch of early release papers from the Planck satellite came out; I blogged about them here. Among these results were some interesting new insights concerning the nature of the Anomalous Microwave Emission (AME) from the Milky Way; the subject of an excellent presentation by Clive Dickinson at the conference where the results were announced.

The title of a story in National Geographic is typical of the coverage this result received:

Fastest Spinning Dust Found; Solves Cosmic “Fog” Puzzle

Now look at the actual result. The little bump in the middle is the contribution from the anomalous emission, and the curve underneath it shows the corresponding “spinning dust” model:

There’s certainly evidence that supports this interpretation, but it’s clearly nowhere near the level of “proof”. In fact, in Clive’s talk he stated the result as follows:

Plausible physical models appear to fit the data

OK, so that would never do for a headline in a popular magazine, but I hope I’ve made my point. There’s a big difference between what this particular scientist said and what was presented through the media.

I hope you’re not thinking that I’m criticising this bit of work. Having read the papers I think it’s excellent science.

But it’s not just the fault of the educationalists and the media. Certain scientists play this dangerous game themselves. Some enjoy their 15 minutes – or, more likely, two minutes – of fame so much that they will happily give the journalists what they want regardless of the consequences. Worse still, even in the refereed scientific literature you can find examples of scientists clearly overstating the confidence that should be placed in their results. We’re all human, of course, but my point is that a proper statement of the caveats is at least as much a part of good science as theoretical calculation, clever instrument design or accurate observation and experiment.

We can complain all we like about non-scientists making ill-informed criticisms of science, but we need to do a much better job at being honest about what little we really know and resist the temptation to be too certain.


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Never mind the Brahms, hear the Adams.

Posted in Music with tags , , , , , on January 29, 2011 by telescoper

People keep telling me how wonderful the music of Johannes Brahms is and, although he’s never been a favourite of mine, I’ve always been willing to accept that this was basically down to my ignorance and that I should persevere.

Yesterday I had an opportunity to have another go at Brahms, in the form of a concert by the BBC National Orchestra of Wales at St David’s Hall which comprised two pieces completely new to me, one of which was Brahms’ Piano Concerto No. 2 in B flat major, featuring Lars Vogt. Not knowing anything about the piece beforehand, other than that quite a few people I know told me it was brilliant, I went with as few preconceptions as possible.

This is a much larger work than the typical piano concerto.  Spread over four meaty movements rather than the more usual three, it lasts about 45 minutes and in places it feels more like a symphony which happens to a have a piano part than a piano concerto per se. I think I was expecting something more overtly virtuosic too, and this work isn’t really like that, although it must be hard to play because it requires quite a lot of muscle from time to time. There are passages of great beauty, especially in the elegaic slow (3rd) movement, wherein there is a beautiful singing cello part, and in the swelling orchestral climaxes of the first two movements. The intricate and very artful last movement involves so many different themes coming in an playing off against each other that it’s difficult to keep track.

Conducted by Thierry Fischer, the Orchestra was a bit slow to get into the swing of it and I felt some of the playing early on was a bit flat where it is clearly supposed to be full of heroic grandeur. Perhaps this was partly because of the disappointing attendance – St David’s Hall couldn’t have been half full despite a price of only £20 for stalls seats.

Apart from the slightly disappointing opening, I enjoyed this first part of the concert. A lot, in fact. I certainly found the music impressive in its craftsmanship and vision. But if you ask me if it moved me, I’d have to say no. It left me a bit cold, I’m afraid. I guess Brahms doesn’t really speak my language. On the other hand, this is a piece which probably should be heard more than once to appreciate it fully, as it is rather a lot to take in one go. I’m keen to get a good recording of it so I can do that at home. I’d welcome recommendations through the comments box, in fact, as my personal jury is still out as far as Brahms is concerned.

The second half of the concert was quite a different matter. John Adams wrote  Harmonielehre in 1985, about a hundred years after Brahms composed his second Piano Concerto. The title is taken from a book on musical composition by Arnold Schoenberg. The link between this and the Brahms work is not as tenuous as you might imagine, however, as Schoenberg started his compositional career writing in a late romantic style not so far removed from Brahms. It was only later that he turned to atonalism and, eventually, serialism.

Although its harmonic structure is  complex, and some of the structures Adams uses are similar to those you might find in Schoenberg, at least relatively early on while he was still experimenting,  Harmonielehre is  not really an atonal work. In each sequence the music does hover around a  tonal centre although it times the music strains against its own centre of gravity.

And although he deploys some devices associated with minimalism – insistent, percussive repetition, recurrent motifs, a quasi-static chordal framework and very gradual development and transformation – this isn’t really a minimalist work either.

It’s the fact that it’s so hard to categorize this work that makes it so fascinating and exciting. Other passages seem to echo other composers, especially Gustav Mahler (who died in 1911, the same year that Schoenberg wrote the book Harmonielehre). It’s as if Adams decided to take the end of the romantic period as a starting point but map out a very different route from there to that pioneered by Schoenberg.

If all this sounds very academic then I’m doing a great disservice to the piece. It’s actually a complete blast to listen to, from start to finish. It begins in exhilirating fashion with a thunderous breakneck sequence like a rollercoaster ride that eventually dissolves into a lyrical string theme. The second movement is where the strong echoes of Mahler can be found – there’s also a passage where a solo trumpet plays a lonely theme over disjointed chords which reminded me greatly of Miles Davies and Gil Evans. The last movement is in perfect contrast – fully of energy and exuberance, it ends with thrilling waves of sound crashing and reforming and crashing again. Nothing short of ecstatic.

I went to this concert almost completely preoccupied with the question of whether I would “get” Brahms’ Piano Concerto, but after the finale of Harmonielehre I had almost forgotten Brahms entirely. You could easily tell which piece the musicians enjoyed most too, as there were broad grins and mutual applause all across the stage as they took their bows. This was especially true of the percussionists, who were outnumbered by their instruments – bells, marimbas, xylophones, drums, you name it, so had to run backwards and forwards whenever needed to man the barricades.

The audience loved it too. Bravo.

P.S. The concert was recorded for broadcast on BBC Radio 3 at a future date.


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