Archive for Thomas Cromwell

Two Poems by Sir Thomas Wyatt

Posted in History, Poetry with tags , , , , , , , on April 3, 2024 by telescoper

Another character who appears in Hilary Mantel’s novel Wolf Hall is Sir Thomas Wyatt (1503-1542) who was a diplomat and member of the Court of Henry VIII, as well as being a fine poet. I thought I would post two of his famous poems.

The first is a sonnet, written some time in the 1530s, is ostensibly a (loose) translation of Petrarch’s Una Candida Cerva and thus one of the first examples of a Petrarchan Sonnet written in English. That makes it interesting in its own right, but many people think that it is actually about Anne Boleyn. The use of hunting as a metaphor for courtly love was widespread and, despite being married, Wyatt seems to have had his eye on Anne Boleyn. As far as is known, however, they didn’t have a sexual relationship. Wyatt wisely backed off when he realized he was competing with Henry VIII (thinly disguised as “Caesar”) in the penultimate line; Noli me tangere means “do not touch me” in Latin.

Whoso list to hunt, I know where is an hind,
But as for me, hélas, I may no more.
The vain travail hath wearied me so sore,
I am of them that farthest cometh behind.
Yet may I by no means my wearied mind
Draw from the deer, but as she fleeth afore
Fainting I follow. I leave off therefore,
Sithens in a net I seek to hold the wind.
Who list her hunt, I put him out of doubt,
As well as I may spend his time in vain.
And graven with diamonds in letters plain
There is written, her fair neck round about:
Noli me tangere, for Caesar’s I am,
And wild for to hold, though I seem tame.

Wyatt was in fact confined to the Tower of London in 1536 on suspicion of having committed adultery with Anne Boleyn; adultery with the King’s wife was considered treason, a capital offence. While in the Tower, where he witnessed executions, possibly including that of Anne Boleyn herself and others accused of treason with her, he wrote this other famous poem

Who list his wealth and ease retain,
Himself let him unknown contain.
Press not too fast in at that gate
Where the return stands by disdain,
For sure, circa Regna tonat.

The high mountains are blasted oft
When the low valley is mild and soft.
Fortune with Health stands at debate.
The fall is grievous from aloft.
And sure, circa Regna tonat.

These bloody days have broken my heart.
My lust, my youth did them depart,
And blind desire of estate.
Who hastes to climb seeks to revert.
Of truth, circa Regna tonat.

The bell tower showed me such sight
That in my head sticks day and night.
There did I learn out of a grate,
For all favour, glory, or might,
That yet circa Regna tonat.

By proof, I say, there did I learn:
Wit helpeth not defence too yerne,
Of innocency to plead or prate.
Bear low, therefore, give God the stern,
For sure, circa Regna tonat.

The repeated Latin phrase circa Regna tonat is usually translated “Thunder rolls around the Throne”, a reference to the dangerous temperament of the King.

Wyatt was not executed in 1536, but released after the intervention of none other than Thomas Cromwell. It seems he had a habit of sailing rather close to the wind, and was in and out of trouble with the King, being charged again with treason in 1541 and again released. He died, apparently of natural causes, in 1541, at the age of 39.

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Thomas Cromwell and his Prayer-Book

Posted in Art, History with tags , , , , , , on April 1, 2024 by telescoper
(1532-1533, Oil on Panel, 78.1 cm × 64.1 cm) by Hans Holbein the Younger – The Frick Collection, Public Domain, https://commons.wikimedia.org/w/index.php?curid=207764

The famous portrait of Thomas Cromwell by Hans Holbein the Younger shown above is in fact a copy; the original is lost. There is another copy in the National Portrait Gallery in London, but it’s not as good. The original was painted around 1533, during the period covered by the novel Wolf Hall (which I reviewed yesterday) and is mentioned in the book. Holbein is known for having sometimes painted excessively flattering portraits – most notably of Anne of Cleves – but he doesn’t seem to have done that here. Cromwell is portrayed as dour, stern-faced and more than a little scary. He probably wanted people to fear him, so wouldn’t have minded this.

As well as the nature of the likeness, the composition is interesting. The subject seems to be squashed into the frame, and hemmed in by the table that juts out towards the viewer. He is also looking out towards the viewer’s left, though not simply staring into space; his eyes are definitely focussed on something. I’m not sure what all this is intended to convey, except that the table carries an ornate prayer-book (the Book of Hours) as if to say “look, here’s a symbol of how devout this man is”.

Interesting, just last year scholars published research that argues that the copy of the Hardouyn Hours which can be found in the Library at Trinity College, Cambridge, is precisely the book depicted on the table. If so, it’s a rare and perhaps unique example of an artefact seen in a Tudor painting that survives to this day.

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Wolf Hall by Hilary Mantel

Posted in History, Literature, Uncategorized with tags , , , , , , , on March 31, 2024 by telescoper

Still trying to use the spare time during my sabbatical to catch up on long-neglected reading, this Easter weekend – helped by the rainy weather – I finished Wolf Hall by Hilary Mantel, the first of her novels that I’ve read. This “historical novel” won the Booker Prize in 2009 and I understand was made into a play and a TV series, neither of which I have seen.

The novel is set in Tudor England in the reign of Henry VIII and revolves around Thomas Cromwell, who rose from lowly beginnings in Putney to be one of the powerful men in the country. Cromwell gets a surprisingly sympathetic treatment, at odds with most of the historical record which treats him largely as a cruel and unscrupulous character, undoubtedly clever but given to threats and torture if appeals to reason failed. From a 21st century perspective, it’s hard to find redeeming features in Cromwell. Or anyone else in this story, to be honest.

The historical events of the period covered by the book are dominated by Henry’s attempts to have his marriage of 24 years to Catherine of Aragon annulled so he could marry Anne Boleyn, along the way having himself declared the Supreme Governor of the Church in England, causing a split with Rome. Henry does marry Anne, and she bears him a daughter, destined to become Elizabeth I, though her second pregnancy ends in a miscarriage. The book ends in 1535 just after the execution of Thomas More, beheaded for refusing to swear the Oath of Supremacy.

(More was portrayed sympathetically in the play and film A Man For All Seasons though he was much disposed to persecution of alleged heretics, many of whom he caused to be burned at the stake for such terrible crimes as distributing copies of the Bible printed in English. Significant chunks of the penultimate chapter are lifted from the script of A Man For All Seasons but given a very different spin.)

Henry VIII is also portrayed in a somewhat flattering light; Anne Boleyn rather less so. Mary Tudor, Henry’s eldest daughter by Catherine of Aragon, cuts an unsurprisingly forlorn and intransigent. There are also significant appearances from other figures familiar from schoolboy history: Hugh Latimer, Cardinal Wolsey, and Thomas Cranmer; as well as those whose story is not often told, such as Mary Boleyn (Anne’s older sister). I have a feeling that Hilary Mantel was being deliberately courting controversy with her heterodox approach to characterization. She probably succeeded, as many professional historians are on record as hating Wolf Hall as much of it is of questionable accuracy and some is outright fiction.

Incidentally, one of the most negative reactions to this book that I’ve seen is from Eamon Duffy who is on record as detesting the historical figure of Thomas Cromwell and was “mystified by his makeover in Hilary Mantel’s Wolf Hall from a thuggish ruthless commoner to a thoughtful sensitive figure”. I mention this particularly because Eamon Duffy, an ecclesiastical historian, was my tutor when I was an undergraduate at Magdalene College, Cambridge.

On the other hand, Wolf Hall not meant to be a work of scholarly history: it is a novel and I think you have to judge it by the standards of whether it succeeds as a work of fiction. I would say that it does. Although rather long-winded in places – it’s about 640 pages long – it is vividly written and does bring this period to life with colour and energy, and a great deal of humour, while not shying away from the brutality of the time; the execution scenes are unflinchingly gruesome. The book may not be accurate in terms of actual history, but it certainly creates a credible alternative vision of the time.

It’s interesting that the title of this book is Wolf Hall when that particular place – the seat of the Seymour family – hardly figures in the book. However, one character does make a few appearances, Jane Seymour, who just a year after the ending of this book would become the third wife of Henry VIII. It also happened that Thomas Cromwell’s son, Gregory, married Jane’s sister, Elizabeth. I suppose I will have to read the next book in the trilogy, Bring Up The Bodies, to hear Mantel’s version of those events…

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