People often accuse us cosmologists of making shit up, but at least we’re not as bad as cosmetologists (with whom we’re sometimes confused, at least in America)…
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Making shit up..
Posted in Uncategorized with tags cosmetics, Cosmology on August 21, 2011 by telescoperNow’s The Time
Posted in Jazz with tags Blues, Charlie Parker, Now's the time on August 20, 2011 by telescoperI’m up early and going to be out of here for the day, so here’s a bit of music to keep you going. It’s another of Charlie Parker‘s variations on the blues in F, this time called Now’s the Time. It’s definitely one of the bluesiest of Bird’s blues, and indeed it’s quite close to the usual 12-bar chord progression:
| F7| F7| F7 |F7 | B♭7| B♭7| F7| F 7| C7| B♭7| F7| F7|
In fact this goes – if I’ve heard it right –
| F7| F7 | F7| F7| B♭7| B♭7|F7| D7| Gmi| C7| F7| C7|
No doubt people will correct* me for having cloth ears if I’m wrong but in any case it’s an all-time classic, so enjoy!
*Indeed so, and a more accurate set of changes that has been suggested to me is
F7|Bb7|F7|Cmi7 F7| Bb7|Bb7|F7|D7#9| Gmi7|C7|F7 D7|Gmi7 F7|
Follow @telescoperAstronomy Look-alikes, No. 62
Posted in Astronomy Lookalikes with tags Subir Sarkar, Viv Richards on August 19, 2011 by telescoperI’d say that Professor Subir Sarkar of Oxford University bears more than a passing resemblance to cricketing legend Sir Vivian “Viv” Richards, although I couldn’t comment on whether that extends to his batting ability…

Subir Sarkar

Viv Richards
Artikulation
Posted in Art, Music with tags Artikulation, George Ligeti, Rainer Wehinger on August 18, 2011 by telescoperI just spent an amusing evening watching a football match with the sound turned off on the TV and some experimental compositions by George Ligeti playing on my sound system. I thoroughly recommend playing music instead of listening to the commentators, by the way; it’s much more fun! Anyway, a piece that worked particularly well was the pioneering electronic composition Artikulation (1958). Having a look on Youtube I found this wonderful video which adds an even more appropriate visual to Ligeti’s extraordinary sound world than a football match, in the form of a graphical score (created by Rainer Wehinger) which you can follow along as the music plays.
To quote from an explanatory article I found on the web:
In order to capture the dynamics of the performance Rainer abandoned the conventions of standard notation, concluding it was ineffective in dealing with compositions devoid of regular meter and harmonic scale. The alternative system he developed relied on color, shape, width and position to capture Ligeti’s work. Color in the score was used to denote pitch or timbre, combs represented noise, dots marked impulses and the width of the elements indicated their duration. The video below maps Ligeti’s compostion on to Rainer’s graphical score to demonstrate how effectively it describes the performance.
I imagine many readers of this blog won’t agree with me, but I find the result absolutely fascinating. The visual score has an abstract beauty on its own, but together with the music it creates a particularly interesting effect; each page of the score had me trying to imagine in my mind’s ear what was going to happen next….
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Posted in Poetry, The Universe and Stuff with tags astronomy, Cosmology, Haiku, Physics, Poetry on August 18, 2011 by telescoperIn view of my current rather hectic schedule – why else would I be up at this ungodly hour? – I thought I’d combine another bit of recycling with some audience participation. I’ve updated below the list of Haiku I posted some time ago with some new ones I’ve jotted down at random intervals over the intervening months.
How about a few Haiku of your own on themes connected to astronomy, cosmology or physics?
Don’t be worried about making the style of your contributions too authentic, just make sure they are 17 syllables in total, and split into three lines of 5, 7 and 5 syllables respectively.
Here are some of my own to get you started:
Quantum Gravity:
The troublesome double-act
Of Little and Large
Gravity’s waves are
Traceless; which does not mean they
Can never be found
The Big Bang wasn’t
So big, at least not when you
Think in decibels.
Cosmological
Constant and Dark Energy
Are vacuous names
Microwave Background
Photons remember a time
When they were hotter
Isotropic and
Homogeneous metric?
Robertson-Walker
Galaxies evolve
In a complicated way
We don’t understand
Acceleration:
Type Ia Supernovae
Gave us the first clue
Cosmic Inflation
Could have stretched the Universe
And made it flatter
Astrophysicist
Is what I’m told is my Job
Title. Whatever.
“Clusters look cool,” said
Sunyaev and Zel’dovich,
“because they are hot”.
Gaussianity
is produced by inflation,
normally speaking.
Gravity waves are
a kind of perturbation;
they make you tensor
Bubble collisions
Leave marks in the C-M-B
To please A. Linde
This Haiku contains
“Baryon Oscillations”
in its middle line.
What should we build next:
S-K-A or E-L-T?
Or maybe neither…?
J W* S T,
(the James Webb Space Telescope);
long name, big budget
* “W” has to be pronounced “dubya” for this one to work!
Contributions welcome via the comments box. The best one gets a chance to win Bully’s star prize.
Follow @telescoperThe Hawking Paradox on BBC iPlayer
Posted in The Universe and Stuff with tags BBC, Horizon, Stephen Hawking, University of Nottingham on August 17, 2011 by telescoperI just heard at lunchtime that a TV programme I was in was recently repeated on BBC4 and is consequently now available on BBC i Player, so I thought I’d advertise it on here. I didn’t see the broadcast myself, because I scarcely watch TV these days.
The programme was originally made for the BBC TV series Horizon and first broadcast in the UK in 2005. You’ll find yours truly in a couple of places, when I was working at the University of Nottingham and had more hair. In fact I got quite a bit of stick, from some people at a certain University I used to attend, for being insufficiently reverential in my comments about Stephen Hawking but, for what it’s worth, I stand by everything I said. I do admire him enormously as a physicist, but I think his very genuine contributions are sometimes lost in the cult that has developed around him.
Anyway, I thought the programme turned out relatively well but you can watch it yourself by clicking here and form your own opinion!
Follow @telescoperMore on MacGuffins
Posted in Science Politics, The Universe and Stuff with tags Alfred Hitchcock, Cosmology, Dark Energy, Large Hadron Collider, MacGuffin, Movies, Particle Physics, Science, Supersymmetry on August 17, 2011 by telescoperI’m very pressed for time this week so I thought I’d cheat by resurrecting and updating an old post from way back when I had just started blogging, about three years ago. I thought of doing this because I just came across a Youtube clip of the late great Alfred Hitchcock, which you’ll now find in the post. I’ve also made a couple of minor editorial changes, but basically it’s a recycled piece and you should therefore read it for environmental reasons.
–0–
Unpick the plot of any thriller or suspense movie and the chances are that somewhere within it you will find lurking at least one MacGuffin. This might be a tangible thing, such the eponymous sculpture of a Falcon in the archetypal noir classic The Maltese Falcon or it may be rather nebulous, like the “top secret plans” in Hitchcock’s The Thirty Nine Steps. Its true character may be never fully revealed, such as in the case of the glowing contents of the briefcase in Pulp Fiction , which is a classic example of the “undisclosed object” type of MacGuffin. Or it may be scarily obvious, like a doomsday machine or some other “Big Dumb Object” you might find in a science fiction thriller. It may even not be a real thing at all. It could be an event or an idea or even something that doesn’t exist in any real sense at all, such the fictitious decoy character George Kaplan in North by Northwest.
Whatever it is or is not, the MacGuffin is responsible for kick-starting the plot. It makes the characters embark upon the course of action they take as the tale begins to unfold. This plot device was particularly beloved by Alfred Hitchcock (who was responsible for introducing the word to the film industry). Hitchcock was however always at pains to ensure that the MacGuffin never played as an important a role in the mind of the audience as it did for the protagonists. As the plot twists and turns – as it usually does in such films – and its own momentum carries the story forward, the importance of the MacGuffin tends to fade, and by the end we have often forgotten all about it. Hitchcock’s movies rarely bother to explain their MacGuffin(s) in much detail and they often confuse the issue even further by mixing genuine MacGuffins with mere red herrings.
Here is the man himself explaining the concept at the beginning of this clip. (The rest of the interview is also enjoyable, convering such diverse topics as laxatives, ravens and nudity..)
North by North West is a fine example of a multi-MacGuffin movie. The centre of its convoluted plot involves espionage and the smuggling of what is only cursorily described as “government secrets”. But although this is behind the whole story, it is the emerging romance, accidental betrayal and frantic rescue involving the lead characters played by Cary Grant and Eve Marie Saint that really engages the characters and the audience as the film gathers pace. The MacGuffin is a trigger, but it soon fades into the background as other factors take over.
There’s nothing particular new about the idea of a MacGuffin. I suppose the ultimate example is the Holy Grail in the tales of King Arthur and the Knights of the Round Table and, much more recently, the Da Vinci Code. The original Grail itself is basically a peg on which to hang a series of otherwise disconnected stories. It is barely mentioned once each individual story has started and, of course, is never found.
Physicists are fond of describing things as “The Holy Grail” of their subject, such as the Higgs Boson or gravitational waves. This always seemed to me to be an unfortunate description, as the Grail quest consumed a huge amount of resources in a predictably fruitless hunt for something whose significance could be seen to be dubious at the outset.The MacGuffin Effect nevertheless continues to reveal itself in science, although in different forms to those found in Hollywood.
The Large Hadron Collider (LHC), switched on to the accompaniment of great fanfares a few years ago, provides a nice example of how the MacGuffin actually works pretty much backwards in the world of Big Science. To the public, the LHC was built to detect the Higgs Boson, a hypothetical beastie introduced to account for the masses of other particles. If it exists the high-energy collisions engineered by LHC should reveal its presence. The Higgs Boson is thus the LHC’s own MacGuffin. Or at least it would be if it were really the reason why LHC has been built. In fact there are dozens of experiments at CERN and many of them have very different motivations from the quest for the Higgs, such as evidence for supersymmetry.
Particle physicists are not daft, however, and they have realised that the public and, perhaps more importantly, government funding agencies need to have a really big hook to hang such a big bag of money on. Hence the emergence of the Higgs as a sort of master MacGuffin, concocted specifically for public consumption, which is much more effective politically than the plethora of mini-MacGuffins which, to be honest, would be a fairer description of the real state of affairs.
Even this MacGuffin has its problems, though. The Higgs mechanism is notoriously difficult to explain to the public, so some have resorted to a less specific but more misleading version: “The Big Bang”. As I’ve already griped, the LHC will never generate energies anything like the Big Bang did, so I don’t have any time for the language of the “Big Bang Machine”, even as a MacGuffin.
While particle physicists might pretend to be doing cosmology, we astrophysicists have to contend with MacGuffins of our own. One of the most important discoveries we have made about the Universe in the last decade is that its expansion seems to be accelerating. Since gravity usually tugs on things and makes them slow down, the only explanation that we’ve thought of for this perverse situation is that there is something out there in empty space that pushes rather than pulls. This has various possible names, but Dark Energy is probably the most popular, adding an appropriately noirish edge to this particular MacGuffin. It has even taken over in prominence from its much older relative, Dark Matter, although that one is still very much around.
We have very little idea what Dark Energy is, where it comes from, or how it relates to other forms of energy we are more familiar with, so observational astronomers have jumped in with various grandiose strategies to find out more about it. This has spawned a booming industry in surveys of the distant Universe (such as the Dark Energy Survey) all aimed ostensibly at unravelling the mystery of the Dark Energy. It seems that to get any funding at all for cosmology these days you have to sprinkle the phrase “Dark Energy” liberally throughout your grant applications.
The old-fashioned “observational” way of doing astronomy – by looking at things hard enough until something exciting appears (which it does with surprising regularity) – has been replaced by a more “experimental” approach, more like that of the LHC. We can no longer do deep surveys of galaxies to find out what’s out there. We have to do it “to constrain models of Dark Energy”. This is just one example of the not necessarily positive influence that particle physics has had on astronomy in recent times and it has been criticised very forcefully by Simon White.
Whatever the motivation for doing these projects now, they will undoubtedly lead to new discoveries. But my own view is that there will never be a solution of the Dark Energy problem until it is understood much better at a conceptual level, and that will probably mean major revisions of our theories of both gravity and matter. I venture to speculate that in twenty years or so people will look back on the obsession with Dark Energy with some amusement, as our theoretical language will have moved on sufficiently to make it seem irrelevant.
But that’s how it goes with MacGuffins. Even the Maltese Falcon turned out to be a fake in the end.
Follow @telescoperDeep River
Posted in Literature with tags Elizabeth Stride, Peter Ackroyd, Princess Alice Disaster, Thames: Sacred River on August 16, 2011 by telescoperI’ve just finished reading a strange but wonderful book entitled Thames: Sacred River written by Peter Ackroyd. On one level it’s a kind of biography of the River Thames, from prehistoric times to the present day, but it’s much more complex and involving than a simple narrative history. What Ackroyd does is to look a the river from many different angles, each time focussing on a different aspect. There are chapters on connections between the Thames and human life- religious observance, art and artists, poetry and literature, commerce and crime and so on – as well as its wildlife, geology and other physical properties. As you can probably imagine, this means that the book jumps backwards and forwards through history, often visiting the same period many times but from a different perspective.
Rather like the river whose progress it charts, this book is both large and meandering. I have to admit that at times I found it heavy going. Ackroyd’s prose is often magisterial in its beauty, but he does get a bit grandiose every now and then. I got a bit irritated by his persistent use of the word “riverine”, for example. I’ve nothing against the word itself, but he uses it with such regularity that you can predict when the next appearance is due, as if he’d allowed him a certain number at the outset and determined to spread them uniformly through the text.
Despite all that, what makes this book so wonderful is that, for all its majestic sweep, it’s also full of rich and fascinating detail. Surprising little tidbits of information appear on practically every page to illustrate some aspect of the river, some playful and amusing, others dark and disturbing. Ackroyd’s mastery of the little details is really marvellous and it more than compensates for his occasional verbosity. I’d heartily recommend this as a work that can be read all the way through, but is also very rewarding to dip into.
As usual with my little reviews I’m not going to give a systematic description of the book, but just pick something that struck me as a read it to try to convey an impression of the content. Near the end there’s a chapter about a particularly dark side of the Thames, namely its association with death by drowning. For a start I was staggered to read that there are approximately 400 suicides each year involving people jumping into the Thames at some point along its length; most, but by no means all, of these happen in London. It’s also striking that this figure appears not to have changed much over the past couple of centuries. The Thames seems to be a magnet for the suicidal. Not long ago, a young French lady travelled all the way to London from Paris, specifically to throw herself in the Thames.
But, of course, not all deaths by drowning are suicides. Over the centuries countless unfortunate people have lost their lives by falling accidentally into the water. The worst peacetime loss of life in the history of the Thames occurred on September 3rd 1878 when a paddle steamer, the Princess Alice, collided with a collier and sank almost immediately. Many passengers on the Alice died by drowning, but most of those that didn’t drown suffered the perhaps worse fate of being poisoned by the heavily polluted water in the river. Many of those rescued died in the ensuing days and weeks of unknown ailments almost certainly caused the range toxic materials that were routinely dumped in the Thames in thos days. It’s estimated that around 700 people died altogether as a result of the sinking of the Princess Alice.
I knew about this terrible event before reading Ackroyd’s book, as it features prominently in others I read about the East End of London when I lived there, years ago. However, one particularly unsettling coincidence had escaped my attention until now. Apparently, one of the very few survivors of the Princess Alice disaster was a young woman by the name of Elizabeth Stride. She lived another ten years, in fact. But her ultimate fate was to be no happier than the many who died in 1878. On 30th September 1888 she became the third victim of Jack the Ripper….
Follow @telescoperThe inexorable decline of English culture
Posted in Crosswords with tags Crossword, Guardian Crossword 25394, Paul, UK riots on August 15, 2011 by telescoperAs politicians, journalists and academics struggle to explain the recent outbreaks of violent disorder in English cities, I think it’s time for me to provide the definitive analysis. I believe that the sense of alienation, disenchantment and despair that seems to be sweeping the country can be traced back to a single appalling event, the occurrence of which was surely enough to drive even the most law-abiding citizen into acts of wanton destruction. The enormity of the offence perpetrated against the cultural fabric of our society cannot be overestimated, as it casts doubt on the very survival of western civilisation.
So what is this thing of which I speak? I’ll tell you, although I can hardly bring myself to talk about it. There was an error in last week’s Guardian Prize Crossword.
The shocking evidence for this breakdown of all that is right and good can be seen in stark graphic terms below:
The offending item, which can be found in the bottom left hand corner, is 22 down, the clue to which reads
9’s heart lifted, I gathered, over 7’s opener (6)
The answer to 9 across is BEETHOVEN, which serves to suggest a definition of a piece by said composer. “Heart lifted” is CORE written upside down, “I gathered” means that you stick an “I” in that, and “7’s opener” is A (from ALBION). The answer is then clearly EROICA…
Except – oh the shame of it! – the Guardian setter, Paul, clearly can’t spell and thus it appears in the completed grid above as ERIOCA. I can think of no clearer evidence for the descent of our country into anarchy and chaos.
I rest my case. There’s no doubt in my mind that this outrage was the real reason for the recent outbreak of riots. Or, as Paul would no doubt say, “roits”.
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