Today (1st July) is Canada Day so here is something by Canada’s finest, the great Leonard Cohen.
We miss you, Leonard.
This is the faith from which we start:
Men shall know commonwealth again
From bitter searching of the heart
We rise to play a greater part
Saddened to hear of the death last week of the great Jazz trombonist Curtis Fuller I’ve been thinking of an appropriate track to play. Fuller had a long and distinguished career alongside many great artists which makes it difficult to pick just one track as a tribute, but as so often is the case I found myself gravitating back to the late 1950s which I think is probably my favourite period in Jazz history.
Thus I settled on a track from the studio album Blue Train recorded in 1957 by a sextet led by John Coltrane and featuring Curtis Fuller (trombone) and Lee Morgan (trumpet) with Kenny Drew on piano, Paul Chambers (bass) and Philly Joe Jones on drums. It’s a superb album which is a must-have for any serious collector of this music. I thought I had already posted a track from this album on here, actually, but apparently I haven’t.
John Coltrane is now an established as one of the leading figures in the development of modern Jazz but this record is a reminder that he achieved recognition somewhat later in his life than many other soloists. At 31, he wasn’t exactly old when this album was recorded in 1957 but he was certainly no newcomer either. Obviously it took him a while to find his voice. By contrast the trumpeter Lee Morgan was, astonishingly, only 19 when this record was made; Curtis Fuller was in his mid-twenties.
Everyone plays beautifully on all the tracks on this album, and the blend of trumpet tenor sax and trombone in the ensemble gives this band a very distinctive sound, but I’ve picked a track on which Curtis Fuller really excels as a soloist. The rest of the tunes being based on the blues, this is actually the only ballad on the album, written by Jerome Kern and Johnny Mercer, and called I’m Old Fashioned…
R.I.P. Curtis Fuller (1932-2021)
Follow @telescoperWhen (if?) this Covid business ends I hope we’ll remember the things that kept us going through it. Here is one of the socially distanced concerts broadcast by RTÉ Lyric FM*. I hope that in a few years’ time people will look back on recordings of events like this and understand what a weird time it has been. People come and go, but the music continues.
I found the performance of the incidental music by Jean Sibelius for Pelléas et Mélisande starting at about 24.40 very moving, the isolation of the orchestra and the emptiness of the hall, enhancing the extraordinarily beautiful music. I think fans of The Sky At Night will enjoy it too…
P.S. It was the 22nd birthday of RTE Lyric FM on May 1st 2021..
Follow @telescoperToday is International Jazz Day which gives me an excuse to post this documentary about the late great Humphrey Lyttelton the anniversary of whose death was last weekend; he passed away on 25th April 2008.
I particularly like this programme because, as well as talking about his own career as a musician and bandleader and as brilliant chairman of the panel show I’m Sorry I Haven’t A Clue, it mentions his radio show The Best of Jazz which I listened to avidly every Monday night and from which I learned a huge amount about the music that I love so much. I taped many of these broadcasts actually, but have long since lost the cassettes. Although his own music was in the mainstream he always played a wide selection of Jazz tracks both ancient and modern on his programme and introduced me to many artists I would otherwise never have heard of.
Follow @telescoperFirst performed in 1963, this classic anthem of the civil rights movement in the USA the words to this song (written by Billy Taylor) seem to me to have a few relevance in this time of enforced isolation.
Follow @telescoperFrom the album Cookin’ by the Miles Davis Quintet* of 1957 here is a classic.
*John Coltrane was in the Quintet but doesn’t play on this track: the musicians are Miles Davis (tp), Red Gardland (p), Paul Chambers (b) and Philly Joe Jones (d).
Follow @telescoperI was just about to have an early night when I saw the news of the death at the age of 79 of legendary jazz pianist Chick Corea. Yet another of the Greats is no more.
In the circumstances I’ll just put up one example that demonstrates his talents both as a pianist and a composer. Chick Corea was in at the start of jazz fusion in the late Sixties when he joined Miles Davis’s band. At that time and through the 1970s he frequently performed on electric piano superb records such as In A Silent Way and Bitches Brew. He played on a huge range of records sometimes as leader, sometimes as a sideman and sometimes in a duet. One of the first jazz albums I bought was a live recording of a concert in Zurich in 1979 together with vibraphonist Gary Burton. I’ll certainly be playing that this weekend.
This track was recorded at a live performance in 2013 and released on the album Trilogy. It is a great example of him stretching out on a version of his own tune Armando’s Rhumba, of which he has recorded many very different versions, and which is now a jazz standard. The drummer is Brian Blade and the bassist Christian McBride.
Rest in peace, Chick Corea (1941-2021)
Follow @telescoperI just updated my Coronavirus page with the days statistics for Ireland (1024 new cases, 12 deaths). We’re obviously well past the Christmas peak but cases are falling very slowly. At this rate we’ll still have several hundred a day by the end of February (which, incidentally will be a year since the first Covid-19 case was recorded in Ireland).
Unlocking with case levels in the hundreds before Christmas was a disaster and I sincerely hope there’s no repeat of that foolishness.
Anyway, the current state of play remind me of this track from a great album called Trouble in Mind which I bought as a vinyl LP about 40 years ago. It’s by Archie Shepp (tenor sax) and Horace Parlan (Piano). Both made their reputations as avant garde jazz musicians but in this album they went back to the roots and explored the classic blues repertoire. Goin’ Down Slow dates back to 1941 and it’s a standard 12-bar blues (usually performed in B♭). Horace Parlan passed away in 2017, but Archie Shepp is still going strong.
Follow @telescoper
I was just relaxing by listening to the superb album Old and New Dreams (vintage 1977) and thought I’d share a track here given the ongoing prevalence of lockdown dreams. This album was actually the debut album by the Quartet of the same name that featured Dewey Redman on tenor sax, Don Cherry on trumpet, Charlie Harden on bass and Ed Blackwell on drums. I love the balance they achieved between free improvisation and swing and the interplay between the different instruments. Just listen to Charlie Haden’s playing on this, holding everything together rhythmically but also leading it in so many different directions! This is called Augmented…
Follow @telescoper
In the Dark 