How many kinds of sweet flowers grow
In anEnglishIrishcountrysuburban garden?
I'll tell you now of some that I know
And those that I miss you'll surely pardon..
These are all wild flowers, often considered to be weeds, but I like having them in my garden!
In the light of Keir Starmer’s deplorable Faragist rhetoric about Britain becoming an ‘Island of Strangers’, and the obscene deportations and detentions without legal process of immigrants in the United States, I thought I’d repost this speech from the play Sir Thomas More which is widely attributed to William Shakespeare. It’s from Act 2 Scene 4, at which point in the drama Thomas More (who was then London’s Deputy Sheriff) is called upon to put down an anti-immigration riot in the Parish of St Martin Le Grand, that took place on 1st May 1517. In reality More’s intevention wasn’t effective, and it took the arrival of 5000 troops to disperse the mob.
As well as being powerful for many other reasons, this speech especially fascinating because a hand-written manuscript (thought to be by Shakespeare himself) survives and is kept in the British Library.
The backdrop to this story is that, between 1330 and 1550 about 64,000 immigrants from all across Europe came to England in search of better lives. Locals blamed them for taking their jobs and threatening their culture. Tensions reached breaking point in 1517 and a mob armed with stones, bricks, bats, boots and boiling water attacked the immigrants and looted their homes. Five hundred years on, and we still haven’t learned.
Here is the text of the opening part of the speech ‘This is the strangers case’.
Grant them removed, and grant that this your noise
Hath chid down all the majesty of England;
Imagine that you see the wretched strangers,
Their babies at their backs and their poor luggage,
Plodding to the ports and coasts for transportation,
And that you sit as kings in your desires,
Authority quite silent by your brawl,
And you in ruff of your opinions clothed;
What had you got? I’ll tell you: you had taught
How insolence and strong hand should prevail,
How order should be quelled; and by this pattern
Not one of you should live an aged man,
For other ruffians, as their fancies wrought,
With self same hand, self reasons, and self right,
Would shark on you, and men like ravenous fishes
Would feed on one another….
Say now the king
Should so much come too short of your great trespass
As but to banish you, whither would you go?
What country, by the nature of your error,
Should give you harbour? go you to France or Flanders,
To any German province, to Spain or Portugal,
Nay, any where that not adheres to England,
Why, you must needs be strangers: would you be pleased
To find a nation of such barbarous temper,
That, breaking out in hideous violence,
Would not afford you an abode on earth,
Whet their detested knives against your throats,
Spurn you like dogs, and like as if that God
Owed not nor made not you, nor that the claimants
Were not all appropriate to your comforts,
But chartered unto them, what would you think
To be thus used? this is the strangers case;
And this your mountainish inhumanity.
Better an Island of Strangers than an Island of Starmers, I’d say…
So here we are, then, with only a few days before examinations start (next Friday, 16th May). The examinations for my two modules take place on Monday 19th and Tuesday 27th May, and after that I’ll be busy with marking for a while.
Marking doesn’t just mean written examinations. I have been teaching a module on Computational Physics to 3rd Year students here in Maynooth, and 40% of the assessment for that is a mini-project (usually done in groups of two or three). Early on the term, I put up a list of 16 projects and asked them to pick first second and third choices so I could form groups in such a way that most students get to work on a project they have actively chosen.
Anyway, the deadline for projects to be handed in passed last week so I’ve got a stack of those to mark which, you will realise, why I am indulging in a displacement activity by writing this blog post. My plan is to mark these during this week so that they’re done before the written examinations come in, which means by next Monday (19th). This year we have had a bigger class than usual, so this I have quite a lot of marking to do.
Last week also saw the deadline for the last assignment in Particle Physics to be handed in. I want to mark those as soon as possible, but I’m not sure I’ll have time this week, but I should be able to do them before the exam on the 27th.
Incidentally, one of the submissions of the last assignment came with a note that this was the last assignment the student had done in Maynooth and that the first one he had done, when he was in his first year, was also set by me.
On Friday (9th May), the last day of undergraduate teaching at Maynooth, I gave the last lecture in my module on Particle Physics. I actually finished the syllabus on Tuesday (6th) so the final one was more a revision class than a lecture. I used it to go through some past examination questions and (try to) answer some general points raised by the class.
What surprised me about this lecture was that, as has usually been the case, there was more-or-less a full attendance. Examinations in Maynooth start on Friday (May 16th), but the Particle Physics examination is not until May 27th, near the end of the examination period. I therefore expected that many students would be concentrating on their revision for their other modules, which have exams earlier in the season or finishing their projects (which are due in before the exams start). There were one or two absences, but most came anyway. In fact there was even an extra student, one of our MSc students. When I saw him at the back of the lecture hall I asked, jokingly, why he had come. He replied “I haven’t got anything better to do”. I wasn’t sure how to interpret that!
That lecture was at 11am. Later that day, at 3pm, I gave a Departmental colloquium (which had quite a big audience). The title was Euclid: The Story So Far and the abstract was
The European Space Agency’s Euclid satellite was launched on 1st July 2023 and, after instrument calibration and performance verification, the main cosmological survey is now well under way. In this talk I will explain the main science goals of Euclid, give a brief summary of progress so far, showcase some of the science results already obtained, and set out the time line for future developments, including the main data releases and cosmological analysis.
The audience for these talks is very mixed: experimental and theoretical physics staff, postgraduates and even some undergraduate students (including some who were in my lecture earlier) so it was quite a general talk rather than one I might give to an specialist astrophysics audience. If you’re interested you can find the slides here.
Having a quick cup of tea after the end of the talk and before I headed off to catch the train, I talked briefly with a student who is taking his final examinations at Maynooth this year. He told me that I had actually given the first lecture he attended when he had just started his first year and the colloquium was the last talk he would attend at Maynooth. That would be the case for quite a few students in the audience, I suppose, but it won’t be true for any in future: I am no longer teaching any modules taken by first year students, and I’ll be retired when the current first year students graduate…
Last night’s concert at the National Concert Hall in Dublin was billed Shostakovich 50 because 2025 marks the 50th anniversity of the death in 1975 of Dmitri Shostakovich, whose First Symphony was performed after the interval, by the National Symphony Orchestra under the direction of guest conductor John Storgårds. As you can see, though, the programme was quite varied and no fewer than three other composers were represented.
The first piece was The Oceanides, tone poem by Jean Sibelius intended to evoke the sea nymphs of Greek mythology. It’s quite a short piece – only eleven minutes in performance – but full of movement, suggesting the ebb-and-flow of the sea and its different moods, from tranquil to stormy. Its place on the programme made it a good workout for the orchestra and a wonderful starter to whet their appetite of the audience for the rest of the menu.
After that appetizer we had a performance of the Rhapsody on a Theme by Paganini by Sergei Rachmaninov with soloist Yukine Kuroki at the piano. This piece comprises a set of 24 variations on a them from one of Paganini’s caprices for solo violin. The Rhapsody on a theme of Paganini is piece full of contrasts: sometimes pyrotechnical, sometimes lyrical. My favourite section is the 18th variation, in which a lovely romantic melody emerges and is picked up by the whole orchestra in a manner that’s very characteristic of Rachmaninov. This tune is just an inversion of the theme transposed into a different key and slowed down.
The Rachmaninov alone was worth the cost of the ticket. I was amazed how pianist Yukine Kuroki coped with the technical challenges of this work but also how she managed to generate so much power for a person of such slight build. Rachmaninov himself was quite a large man who had hands like shovels, so his work often places difficult demands on a soloist. Not last night, though, as Yukine Kuroki not only played with great accomplishment but also clearly enjoyed herself. In the passages during which the piano was not playing she was bouncing up and down and tapping her feet waiting for her cue. It was lovely to watch as well as to listen to. I’ll also mention that she was wearing a gorgeous one-shoulder dress with a vivid red colour.
After the wine break interval we returned for a piece that was new to me, the Symphony No. 3 ‘White Interment’ by Ukrainian composer Victoria Vita Polyova. This is described a symphony, but it doesn’t have the traditional structure in terms of movements. It has instead a rather static structure, consisting of thematic blocks based on a poem Now always snows. It’s a sombre and rather minimalist piece, with little of the development you would expect from a true symphony, but the sound world it creates is layered in interesting ways. I enjoyed the performance.
And finally we have the Symphony No. 1 by Dmitri Shostakovich which I don’t think I had heard in concert before. The most astonishing thing about this work was that he wrote it as a graduation piece for the St Petersburg Conservatory. Its first performance was in 1926, when the composer was only 19. It is a substanial work over four movements (the last two played without interruption) and there are passages within it in which you can see that he had already found much of the distinct voice that he used in his later compositions. This piece isn’t really reminiscent of any other composers, either.
The performance was excellent, with particularly strong work by the woodwinds and brass. It was very well received by the NCH audience which is always very generous with its applause.
It’s time for another update Saturday morning update of activity at the Open Journal of Astrophysics. After the record-breaking stats described in the last update , this week has been on the slow side with just one paper published. This brings the number in Volume 8 (2025) up to 55 and the total so far published by OJAp up to 290.
The paper to report is “Late-time growth weakly affects the significance of high-redshift massive galaxies” by Qianran Xia & Dragan Huterer (U. Michigan, USA) and Nhat-Minh Nguyen (U. Tokyo, Japan). This paper, which was published on Wednesday 7th May 2025, is published in the folder Cosmology and NonGalactic Astrophysics. It presents an argument that changes in the growth rate of perturbations at low redshift do not have much effect on predictions of the abundance of lassive galaxies at high redshift.
The overlay is here:
You can find the officially accepted version on arXiv here.
That’s all for now. I’ll do another update next week.
It’s about 6am and I’m back home after Darkness into Light. Despite having to get up at half past three in the morning, it was a very enjoyable event: a large crowd of at least a thousand, and a lovely morning without a cloud in the sky, not particularly warm, but an acceptable 8°C, and made all the more atmospheric by the mist, especially over the grounds of Carton House (the entrance to which we passed en route) and the birdsong of the dawn chorus.
The walk itself is about 5km, but I had to walk about 2km from home to get to the start at Maynooth GAA and about 2km home from there afterwards, so it was a good bit of exercise. More importantly, I raised €312.28 for Pieta. Thank you to everyone who contributed! The fundraiser will stay open until the end of June if you’d like to donate you still can!
And now, if you’ll excuse me, I think I’ll go back to bed for a couple of hours…
P.S. Darkness into Light is a national event, as you can read here.
Today has been such a busy day that I’ve only got time for a quick post. This morning was spent preparing and delivering a revision lecture, and this afternoon preparing and delivering a Departmental Colloquium. That done I headed straight for the railway station to get the train into Dublin and thence by foot to the National Concert Hall.
So here I am, sipping a glass of nicely chilled white wine as I wait for tonight’s performance. I’ll post a review tomorrow but, until then, Cheers!
Just a quick post to mention that this afternoon the Physics Department held a nice event about Equality, Diversity and Inclusion. Although today is the penultimate day of teaching, so many undergraduate students will have been busy finishing off their final assignments, it was well attended. I had to miss the first hour as I was involved in the Computational Physics lab until 4pm, so I missed the two presentations, but I took part in the panel discussion (that was largely about the results of a recent student survey held in the Department) and (of course) stayed for a glass of wine at the end. Well, done to the organizers (James, Emma and Graham) for organizing this event, which I hope will be the first of many!
With your permission (or indeed without it) please let me remind you that taking part in Darkness Into Light in Maynooth on Saturday, 10th May, from 4.15am, to raise vital funds for Pieta and people affected by suicide and self-harm. This is only a couple of days away so please donate if you can.
You can help keep Pieta’s essential services FREE and available to anyone who needs them by donating now to help me reach my fundraising goal. Every euro counts. Even a small donation can make a big impact. You can contribute to my fundraiser here.
Thank you so much for your support
In the Dark 