Archive for Particle Physics

Unravelling CERN

Posted in Science Politics, The Universe and Stuff with tags , , on May 13, 2009 by telescoper

A disturbing piece of news passed me by last week. One of the founder members, Austria, has decided to pull out of CERN, the home of the much-vaunted Large Hadron Collider. The announcement was made on 8th May 2009, but I missed it at the time owing to my trip to Berlin.

Austria, a founder member of CERN, has been a member of the 20-nation body since 1959, but its justification for leaving, according to Austria’s Minister for Science Johannes Hahn, is that the CERN subscription ties up about 70% of the nation’s budget for international research. To quote him

“In the meantime there have been diverse research projects in the European Union which offer a very large number of different scientists’ perspectives..”

Austria only contributes 2.2 percent of CERN’s budget, but it will be the first country to leave the organization since Spain’s departure in 1969. Spain rejoined in 1983. According to a statement,

“CERN would be sorry to lose Austria as one of its member states and sincerely believes that it would be in Austria’s best interests to remain a member..”

The immediate consequence of this will be a (small) increase in the subscriptions payable by other member nations in order to plug the funding gap left by Austria’s departure. However, particle physicists will probably see this as a very worrying precedent that might signal to other funding bodies that they could think the previously unthinkable and follow Austria’s example.

The CERN subscription payable by the United Kingdom comes from the budget of the Science and Technology Facilities Council (STFC). Although it amounts to about £82 million, this is about 16% of the STFC budget, which is a much smaller fraction than in the case of Austria. However, the consequences of one of the larger contributors like the UK pulling out of CERN would be extremely serious, because of the large increases in remaining subscriptions that would be needed to fill the gap that would be created.

All this puts even more pressure on the Large Hadron Collider to produce the goods and it also reinforces the view I expressed in one of my first ever blog posts that we may be nearing the time when nations decide that Big Science is just too expensive and  too esoteric to be worth investing in…

STOP PRESS:  New just in from Thomas (below) reveals that the Austrians have done a U-bahn U-turn and are not, after all, going to pull out of CERN.

For more information, see the story in Physics World.

Turkeys and Angels

Posted in Uncategorized with tags , , , , , , , on March 4, 2009 by telescoper

Travelling to London on Saturday to see Doctor Atomic, I read an interesting piece in the Guardian review by Salman Rushdie. The general theme was inspired by the fact that a film director once told him that all movies made from novels were “rubbish”.

I was reminded of that piece today when I had a quick look at cosmic variance and found a post about the forthcoming film Angels and Demons by Dan Brown, author of The Da Vinci Code.  The post is mainly about the fact that Angels and Demons is based in the world of particle physics so some educational materials have been generated to cash in on it, so to speak. Nothing wrong with that as an idea. Every little helps.

The problem for me is that the film is  directed by Ron Howard and stars Tom Hanks. This is the same combination that took Brown’s enjoyably preposterous page-turner and made it into one of the worst pieces of cobbled-together garbage that I’ve ever seen in a cinema. The novel isn’t so bad for what it is, a formulaic but fairly well crafted thriller. The film is excruciating. The book of Angels and Demons is not as good as the book of the Da Vinci Code, so I shan’t be rushing to see the film when it is released in the UK, particle physics content notwithstanding.

This is only one example of a book being turned into a terrible film, but I can think of many counter-examples to the assertion that they’re all rubbish. Of course it helps if the book you start with isn’t rubbish itself.  As a recent example I  think of Atonement by Ian McEwan, a great book  turned into a pretty good film.

But the example that for me really refutes the argument is Death in Venice, by Thomas Mann:  a brilliant and disturbing novella about  physical and spiritual decay turned into a stunning visual masterpiece of a film by Luchino Visconti. The story is about the growing obsession of ageing writer Gustav von Aschenbach with a young Polish boy, Tadzio, in a city beset by a cholera epidemic. It’s not a story about paedophilia (nor even, in fact, particularly about homosexuality) although it doesn’t shrink from either of those themes. As the critic Lawrence J.  Quirk put it

Some shots of Björn Andrésen, the Tadzio of the film, could be extracted from the frame and hung on the walls of the Louvre or the Vatican in Rome. For this is not a pretty youngster who is supposed to represent an object of perverted lust; that was neither novelist Mann’s nor director-screen writer Visconti’s intention. Rather, this is a symbol of a beauty allied to those which inspired Michelangelo‘s David and Da Vinci‘s Mona Lisa, and which moved Dante to seek ultimate aesthetic catharsis in the distant figure of Beatrice.

In other words Tadzio symbolises beauty in a primarily aesthetic sense rather than a sexual one. Or maybe I protest too much.

The film is beautiful to look at and is held together by a riveting central performance by the late Dirk Bogarde in probably his greatest acting role. Here is the closing scene of the film, La Morte del Professore sulla Spiaggia, languidly paced but emotionally and erotically charged. Aschenbach, wearing make-up and with the  hair dye used to disguise his age melting in the heat, suffers a heart attack and dies while Tadzio stands in the sea, like an angel beckoning him  to a better world.

The music is the 4th movement (Adagietto) from Mahler‘s 5th Symphony. If ever there was music to die for, this is it.

And if this is a bit morbid for your taste, maybe you can suggest other great novels made into great movies?

Particle Physics – The Opera

Posted in Opera, The Universe and Stuff with tags , , , , on January 8, 2009 by telescoper

A new season is about to start at English National Opera and I’ve been spending a lot of time and money recently getting tickets for some of the operas, as well as organizing the logistics of getting to and from London. Among the forthcoming productions is a revival of Nicholas Hytner’s production of Mozart’s The Magic Flute (Die Zauberflöte, K. 620).

I can’t remember how many times I have seen this opera performed nor in how many different productions. It’s a wonderful creation because it manages to combine being utterly daft with being somehow immensely profound. The plot makes no sense at all, the settings are ridiculous (e.g. “rocks with water and a cavern of fire”), and the whole thing appears to be little more than a pantomime. Since it’s Mozart, though, there is one ingredient you can’t quibble with: a seemingly unending sequence of gorgeous music.

When I first saw The Magic Flute I thought it was just a silly but sublime piece of entertainment not worth digging into too deeply. I wondered why so many pompous people seemed to take it so terribly seriously. Real life doesn’t really make much sense, so why would anyone demand that an opera be any less ridiculous? Nevertheless, there is a vast industry devoted to unravelling the supposed “mystery” of this opera, with all its references to magic and freemasonry.

But now I can unveil the true solution of problem contained within the riddle encoded in the conundrum that surrounds the enigma that has puzzled so many Opera fans for so long. I have definitive proof that this opera is not about freemasons or magic or revolutionary politics.

Actually it is about particle physics.

To see how I arrived at this conclusion note the following figure which shows the principal elementary particles contained within the standard model of particle physics:

To the left of this picture are the fermions, divided into two sets of particles labelled “quarks” and “leptons”. Each of these consists of three pairs (“isospin doublets”), each pair defining a “generation”. This structure of twos and threes is perfectly represented in The Magic Flute.

Let’s consider the leptons first. These can be clearly identified with the three ladies who lust after the hero Tamino in Act 1. This emotional charge is clearly analogous to the electromagnetic charge carried by the massive leptons (the electron, muon and tauon, lying along the bottom of the diagram). The other components in the leptonic sector must be the three boys who pop up every now and again to help Papageno with useful advice about when to jangle his magic bells. These must therefore be the neutrinos, which are less massive than the ladies, and are also neutral (although I hesitate to suggest that this means they should be castrati). They don’t play a very big part in the show because they participate only in weak interactions.

Next we have the quarks, also arrayed in three generations of pairs. These interact more strongly than the leptons and are also more colourful. The first generation is easy to identify, from the phenomenology of the Opera, as consisting of the hero Tamino (d for down) and his beloved Pamina (u for up); her voice is higher than his, hence the identification. The second generation must comprise the crazy birdcatcher Papageno (s for strange) and his alluring madchen who is called Papagena (c for charmed). That just leaves the final pairing which clearly is the basso profundo and fount of all wisdom Sarastro (b for bass bottom) and my favourite character and role model the Queen of the Night (t for top).

To provide corroboration of the identification of the Queen of the Night with the “top” quark, here is a clip from Youtube of a bevy of famous operatic sopranos having a go at the immensely different coloratura passage from the Act 1 aria “O Zittre Nicht, mein leiber Sohn” culminating in a spectacular top F that lies beyond the range of most particle accelerators, never mind singers.

There’s some splendid frocks in there too.

The Queen of the Night isn’t actually in the Opera very much. After this aria in Act 1 she disappears until the middle of Act 2, probably because she needs to have a lie down. When she comes back on she sings another glass-shattering aria (Der Hölle Rache kocht in meinem Herzen), which I like to listen to when I’m writing referee reports. The first line translates as “The rage of hell is boiling in my heart”.

The remaining members of the cast – The Speaker and Monostatos, as well as sundry priests, slaves, enchanted animals and the chorus – must make up the so-called Force carriers at the left of the table, which are bosons, but I haven’t had time to go through the identifications in detail. They’re just the supporting cast anyway. And there is one particle missing from the picture, the Higgs boson. This accounts for the masses of other particles by exerting a kind of drag on them so it clearly must be the Dragon from Act 1.

Who put the Bang in Big Bang?

Posted in The Universe and Stuff with tags , , , , , on December 29, 2008 by telescoper

Back from the frozen North, having had a very nice time over Christmas, I thought it was time to reactivate my blog and to redress the rather shameful lack of science on what is supposed to be a science blog. Rather than writing a brand new post, though, I’m going to cheat like a TV Chef by sticking up something that I did earlier. I’ve  had the following piece floating around on my laptop for a while so I thought I’d rehash it and post it on here. It is based on an article that was published in a heavily revised and shortened form in New Scientist in 2007, where it attracted some splenetic responses despite there not being anything particular controversial in it! It’s not particularly topical, but there you go. The television is full of repeats these days too.

Around twenty-five years ago a young physicist came up with what seemed at first to be an absurd idea: that, for a brief moment in the very distant past, just after the Big Bang, something weird happened to gravity that made it push rather than pull.  During this time the Universe went through an ultra-short episode of ultra-fast expansion. The physicist in question, Alan Guth, couldn’t prove that this “inflation” had happened nor could he suggest a compelling physical reason why it should, but the idea seemed nevertheless to solve several major problems in cosmology.

Twenty five years later on, Guth is a professor at MIT and inflation is now well established as an essential component of the standard model of cosmology. But should it be? After all, we still don’t know what caused it and there is little direct evidence that it actually took place. Data from probes of the cosmic microwave background seem to be consistent with the idea that inflation happened, but how confident can we be that it is really a part of the Universe’s history?

According to the Big Bang theory, the Universe was born in a dense fireball which has been expanding and cooling for about 14 billion years. The basic elements of this theory have been in place for over eighty years, but it is only in the last decade or so that a detailed model has been constructed which fits most of the available observations with reasonable precision. The problem is that the Big Bang model is seriously incomplete. The fact that we do not understand the nature of the dark matter and dark energy that appears to fill the Universe is a serious shortcoming. Even worse, we have no way at all of describing the very beginning of the Universe, which appears in the equations used by cosmologists as a “singularity”- a point of infinite density that defies any sensible theoretical calculation. We have no way to define a priori the initial conditions that determine the subsequent evolution of the Big Bang, so we have to try to infer from observations, rather than deduce by theory, the parameters that govern it.

The establishment of the new standard model (known in the trade as the “concordance” cosmology) is now allowing astrophysicists to turn back the clock in order to understand the very early stages of the Universe’s history and hopefully to understand the answer to the ultimate question of what happened at the Big Bang itself and thus answer the question “How did the Universe Begin?”

Paradoxically, it is observations on the largest scales accessible to technology that provide the best clues about the earliest stages of cosmic evolution. In effect, the Universe acts like a microscope: primordial structures smaller than atoms are blown up to astronomical scales by the expansion of the Universe. This also allows particle physicists to use cosmological observations to probe structures too small to be resolved in laboratory experiments.

Our ability to reconstruct the history of our Universe, or at least to attempt this feat, depends on the fact that light travels with a finite speed. The further away we see a light source, the further back in time its light was emitted. We can now observe light from stars in distant galaxies emitted when the Universe was less than one-sixth of its current size. In fact we can see even further back than this using microwave radiation rather than optical light. Our Universe is bathed in a faint glow of microwaves produced when it was about one-thousandth of its current size and had a temperature of thousands of degrees, rather than the chilly three degrees above absolute zero that characterizes the present-day Universe. The existence of this cosmic background radiation is one of the key pieces of evidence in favour of the Big Bang model; it was first detected in 1964 by Arno Penzias and Robert Wilson who subsequently won the Nobel Prize for their discovery.

The process by which the standard cosmological model was assembled has been a gradual one, but it culminated with recent results from the Wilkinson Microwave Anisotropy Probe (WMAP). For several years this satellite has been mapping the properties of the cosmic microwave background and how it varies across the sky. Small variations in the temperature of the sky result from sound waves excited in the hot plasma of the primordial fireball. These have characteristic properties that allow us to probe the early Universe in much the same way that solar astronomers use observations of the surface of the Sun to understand its inner structure,  a technique known as helioseismology. The detection of the primaeval sound waves is one of the triumphs of modern cosmology, not least because their amplitude tells us precisely how loud the Big Bang really was.

The pattern of fluctuations in the cosmic radiation also allows us to probe one of the exciting predictions of Einstein’s general theory of relativity: that space should be curved by the presence of matter or energy. Measurements from WMAP reveal that our Universe is very special: it has very little curvature, and so has a very finely balanced energy budget: the positive energy of the expansion almost exactly cancels the negative energy relating of gravitational attraction. The Universe is (very nearly) flat.

The observed geometry of the Universe provides a strong piece of evidence that there is an mysterious and overwhelming preponderance of dark stuff in our Universe. We can’t see this dark matter and dark energy directly, but we know it must be there because we know the overall budget is balanced. If only economics were as simple as physics.

Computer Simulation of the Cosmic Web

The concordance cosmology has been constructed not only from observations of the cosmic microwave background, but also using hints supplied by observations of distant supernovae and by the so-called “cosmic web” – the pattern seen in the large-scale distribution of galaxies which appears to match the properties calculated from computer simulations like the one shown above, courtesy of Volker Springel. The picture that has emerged to account for these disparate clues is consistent with the idea that the Universe is dominated by a blend of dark energy and dark matter, and in which the early stages of cosmic evolution involved an episode of accelerated expansion called inflation.

A quarter of a century ago, our understanding of the state of the Universe was much less precise than today’s concordance cosmology. In those days it was a domain in which theoretical speculation dominated over measurement and observation. Available technology simply wasn’t up to the task of performing large-scale galaxy surveys or detecting slight ripples in the cosmic microwave background. The lack of stringent experimental constraints made cosmology a theorists’ paradise in which many imaginative and esoteric ideas blossomed. Not all of these survived to be included in the concordance model, but inflation proved to be one of the hardiest (and indeed most beautiful) flowers in the cosmological garden.

Although some of the concepts involved had been formulated in the 1970s by Alexei Starobinsky, it was Alan Guth who in 1981 produced the paper in which the inflationary Universe picture first crystallized. At this time cosmologists didn’t know that the Universe was as flat as we now think it to be, but it was still a puzzle to understand why it was even anywhere near flat. There was no particular reason why the Universe should not be extremely curved. After all, the great theoretical breakthrough of Einstein’s general theory of relativity was the realization that space could be curved. Wasn’t it a bit strange that after all the effort needed to establish the connection between energy and curvature, our Universe decided to be flat? Of all the possible initial conditions for the Universe, isn’t this very improbable? As well as being nearly flat, our Universe is also astonishingly smooth. Although it contains galaxies that cluster into immense chains over a hundred million light years long, on scales of billions of light years it is almost featureless. This also seems surprising. Why is the celestial tablecloth so immaculately ironed?

Guth grappled with these questions and realized that they could be resolved rather elegantly if only the force of gravity could be persuaded to change its sign for a very short time just after the Big Bang. If gravity could push rather than pull, then the expansion of the Universe could speed up rather than slow down. Then the Universe could inflate by an enormous factor (1060 or more) in next to no time and, even if it were initially curved and wrinkled, all memory of this messy starting configuration would be lost. Our present-day Universe would be very flat and very smooth no matter how it had started out.

But how could this bizarre period of anti-gravity be realized? Guth hit upon a simple physical mechanism by which inflation might just work in practice. It relied on the fact that in the extreme conditions pertaining just after the Big Bang, matter does not behave according to the classical laws describing gases and liquids but instead must be described by quantum field theory. The simplest type of quantum field is called a scalar field; such objects are associated with particles that have no spin. Modern particle theory involves many scalar fields which are not observed in low-energy interactions, but which may well dominate affairs at the extreme energies of the primordial fireball.

Classical fluids can undergo what is called a phase transition if they are heated or cooled. Water for example, exists in the form of steam at high temperature but it condenses into a liquid as it cools. A similar thing happens with scalar fields: their configuration is expected to change as the Universe expands and cools. Phase transitions do not happen instantaneously, however, and sometimes the substance involved gets trapped in an uncomfortable state in between where it was and where it wants to be. Guth realized that if a scalar field got stuck in such a “false” state, energy – in a form known as vacuum energy – could become available to drive the Universe into accelerated expansion.We don’t know which scalar field of the many that may exist theoretically is responsible for generating inflation, but whatever it is, it is now dubbed the inflaton.

This mechanism is an echo of a much earlier idea introduced to the world of cosmology by Albert Einstein in 1916. He didn’t use the term vacuum energy; he called it a cosmological constant. He also didn’t imagine that it arose from quantum fields but considered it to be a modification of the law of gravity. Nevertheless, Einstein’s cosmological constant idea was incorporated by Willem de Sitter into a theoretical model of an accelerating Universe. This is essentially the same mathematics that is used in modern inflationary cosmology.  The connection between scalar fields and the cosmological constant may also eventually explain why our Universe seems to be accelerating now, but that would require a scalar field with a much lower effective energy scale than that required to drive inflation. Perhaps dark energy is some kind of shadow of the inflaton

Guth wasn’t the sole creator of inflation. Andy Albrecht and Paul Steinhardt, Andrei Linde, Alexei Starobinsky, and many others, produced different and, in some cases, more compelling variations on the basic theme. It was almost as if it was an idea whose time had come. Suddenly inflation was an indispensable part of cosmological theory. Literally hundreds of versions of it appeared in the leading scientific journals: old inflation, new inflation, chaotic inflation, extended inflation, and so on. Out of this activity came the realization that a phase transition as such wasn’t really necessary, all that mattered was that the field should find itself in a configuration where the vacuum energy dominated. It was also realized that other theories not involving scalar fields could behave as if they did. Modified gravity theories or theories with extra space-time dimensions provide ways of mimicking scalar fields with rather different physics. And if inflation could work with one scalar field, why not have inflation with two or more? The only problem was that there wasn’t a shred of evidence that inflation had actually happened.

This episode provides a fascinating glimpse into the historical and sociological development of cosmology in the eighties and nineties. Inflation is undoubtedly a beautiful idea. But the problems it solves were theoretical problems, not observational ones. For example, the apparent fine-tuning of the flatness of the Universe can be traced back to the absence of a theory of initial conditions for the Universe. Inflation turns an initially curved universe into a flat one, but the fact that the Universe appears to be flat doesn’t prove that inflation happened. There are initial conditions that lead to present-day flatness even without the intervention of an inflationary epoch. One might argue that these are special and therefore “improbable”, and consequently that it is more probable that inflation happened than that it didn’t. But on the other hand, without a proper theory of the initial conditions, how can we say which are more probable? Based on this kind of argument alone, we would probably never really know whether we live in an inflationary Universe or not.

But there is another thread in the story of inflation that makes it much more compelling as a scientific theory because it makes direct contact with observations. Although it was not the original motivation for the idea, Guth and others realized very early on that if a scalar field were responsible for inflation then it should be governed by the usual rules governing quantum fields. One of the things that quantum physics tells us is that nothing evolves entirely smoothly. Heisenberg’s famous Uncertainty Principle imposes a degree of unpredictability of the behaviour of the inflaton. The most important ramification of this is that although inflation smooths away any primordial wrinkles in the fabric of space-time, in the process it lays down others of its own. The inflationary wrinkles are really ripples, and are caused by wave-like fluctuations in the density of matter travelling through the Universe like sound waves travelling through air. Without these fluctuations the cosmos would be smooth and featureless, containing no variations in density or pressure and therefore no sound waves. Even if it began in a fireball, such a Universe would be silent. Inflation puts the Bang in Big Bang.

The acoustic oscillations generated by inflation have a broad spectrum (they comprise oscillations with a wide range of wavelengths), they are of small amplitude (about one hundred thousandth of the background); they are spatially random and have Gaussian statistics (like waves on the surface of the sea; this is the most disordered state); they are adiabatic (matter and radiation fluctuate together) and they are formed coherently.  This last point is perhaps the most important. Because inflation happens so rapidly all of the acoustic “modes” are excited at the same time. Hitting a metal pipe with a hammer generates a wide range of sound frequencies, but all the different modes of the start their oscillations at the same time. The result is not just random noise but something moderately tuneful. The Big Bang wasn’t exactly melodic, but there is a discernible relic of the coherent nature of the sound waves in the pattern of cosmic microwave temperature fluctuations seen by WMAP. The acoustic peaks seen in the WMAP angular spectrum  provide compelling evidence that whatever generated the pattern did so coherently.
 

There are very few alternative theories on the table that are capable of reproducing the WMAP results. Some interesting possibilities have emerged recently from string theory. Since this theory requires more space-time dimensions than the four we are used to, something has to be done with the extra ones we don’t observe. They could be wrapped up so small we can’t perceive them. Or, as is assumed in braneworld cosmologies our four-dimensional universe exists as a subspace (called a “brane”) embedded within a larger dimensional space; we don’t see the extra dimensions because we are confined on the subspace. These ideas may one day lead to a viable alternative to inflationary orthodoxy. But it is early days and not all the calculations needed to establish this theory have yet been done. In any case, not every cosmologist feels the urge to make cosmology consistent with string theory, which has even less evidence in favour of it than inflation. Some of the wilder outpourings of string-inspired cosmology seem to me to be the physics equivalent of nausea-induced vomiting.

So did inflation really happen? Does WMAP prove it? Will we ever know?

It is difficult to talk sensibly about scientific proof of phenomena that are so far removed from everyday experience. At what level can we prove anything in astronomy, even on the relatively small scale of the Solar System? We all accept that the Earth goes around the Sun, but do we really even know for sure that the Universe is expanding? I would say that the latter hypothesis has survived so many tests and is consistent with so many other aspects of cosmology that it has become, for pragmatic reasons, an indispensable part our world view. I would hesitate, though, to say that it was proven beyond all reasonable doubt. The same goes for inflation. It is a beautiful idea that fits snugly within the standard cosmological and binds many parts of it together. But that doesn’t necessarily make it true. Many theories are beautiful, but that is not sufficient to prove them right. When generating theoretical ideas scientists should be fearlessly radical, but when it comes to interpreting evidence we should all be unflinchingly conservative. WMAP has also provided a tantalizing glimpse into the future of cosmology, and yet more stringent tests of the standard framework that currently underpins it. Primordial fluctuations produce not only a pattern of temperature variations over the sky, but also a corresponding pattern of polarization. This is fiendishly difficult to measure, partly because it is such a weak signal (only a few percent of the temperature signal) and partly because the primordial microwaves are heavily polluted by polarized radiation from our own Galaxy. Although WMAP achieved the detection of this polarization, the published map is heavily corrupted by foregrounds.

Future generations of experiments, such as the Planck Surveyor (due for launch in 2009), will have to grapple with the thorny issue of foreground subtraction if substantial progress is to be made. But there is a crucial target that justifies these endeavours. Inflation does not just produce acoustic waves, it also generates different modes of fluctuation, called gravitational waves, that involve twisting deformations of space-time. Inflationary models connect the properties of acoustic and gravitational fluctuations so if the latter can be detected the implications for the theory are profound. Gravitational waves produce very particular form of polarization pattern (called the B-mode) which can’t be generated by acoustic waves so this seems a promising way to test inflation. Unfortunately the B-mode signal is very weak and the experience of WMAP suggests it might be swamped by foregrounds. But it is definitely worth a go, because it would add considerably to the evidence in favour of inflation as an element of physical reality

Besides providing strong evidence for the concordance cosmology, the WMAP satellite has also furnished some tantalizing evidence that there may be something missing. Not all the properties of the microwave sky seem consistent with the model. For example, the temperature pattern should be structureless, mirroring the random Gaussian fluctuations of the primordial density perturbations. In reality the data contains tentative evidence of strange alignments, such as the so-called “Axis of Evil” discovered by Kate Land and Joao Magueijo. These anomalies could be systematic errors in the data, or perhaps residual problems with the foreground that have to be subtracted, but they could also indicate the presence of things that can’t be described within the standard model. Cosmology is now a mature and (perhaps) respectable science: the coming together of theory and observation in the standard concordance model is a great advance in our understanding of the Universe and how it works. But it should be remembered that there are still many gaps in our knowledge. We don’t know the form of the dark matter. We don’t have any real understanding of dark energy.  We don’t know for sure if inflation happened and we are certainly a long way from being able to identify the inflaton. In a way we are as confused as we ever were about how the Universe began. But now, perhaps, we are confused on a higher level and for better reasons…

Nobel Sur-prize

Posted in The Universe and Stuff with tags , , on October 7, 2008 by telescoper

I was waiting for the letter from Stockholm, but it didn’t come. Maybe next year…

Anyway, this year’s Nobel Prize for Physics has been awarded to Yoichiro Nambu (half the prize) and the other half is split between
Makoto Kobayashi and Toshihide Maskawa. All three are extremely distinguished physicists and their contributions certainly deserve to be rewarded. But, in the case of Kobayashi and Maskawa, the Nobel Foundation has made a startling omission that I really can’t understand at all and which even threatens to undermine the prestige of the prize itself.

The work for which these two were given half the Nobel Prize this year relates to the broken symmetry displayed by weak interactions between quarks. We now know that there are three generations of quarks, each containing quarks of two different flavours. The first generation contains the up (u) and the down (d), the second the strange (s) and the charmed (c), and the third has the bottom (b) and the top (t). OK, so the names are daft, but physicists have never been good at names.

The world of quarks is different to penetrate becauses quarks interact via the strong force which binds them close together into hadrons which are either baryons (three quarks) or mesons (a quark and an anti-quark).

But there are other kinds of particles too, the leptons. These are also arranged in three generations but each of these families contains a charged particle and a neutrino. The first generation is an electron and a neutrino, the second a muon and its neutrino, and the third has the tau and another neutrino. One might think that the three quark generations and the three lepton generations might have some deep equivalence between them, but leptons aren’t quarks so can’t interact at all by the strong interaction. Quarks and leptons can both interact via the weak interaction (the force responsible for radioactive beta-decay).

Weak interactions between leptons conserve generation, so the total number of particles of electron type is never changed (ignoring neutrino oscillations, which have only relatively recently been discovered). It seemed natural to assume that weak interactions between quarks should do the same thing, forbidding processes that hop between generations. Unfortunately, however, this is not the case. There are weak interactions that appear to convert u and/or d quarks into c and/or s quarks, but these seem to be relatively feeble compared to interactions within a generation, which seem to happen with about the same strength for quarks as they do for leptons. This all suggests that there is some sort of symmetry lurking somewhere in there, but it’s not quite what one might have anticipated.

The explanation of this was proposed by Nicola Cabibbo who, using a model in which there are only two quark generations, developed the idea that states of pure quark flavour (“u” or “d”, say) are not really what the weak interaction “sees”. In other words, the quark flavour states are not proper eigenstates of the weak interaction. All that is needed is to imagine that the required eigenstates are a linear combination of the flavour states and, Bob’s your uncle, quark generation needn’t be conserved. This phenomenon is called Quark Mixing. What makes it simple for only two generations is that it can be described entirely by one number: the Cabibbo angle, which measures how much the quark flavour basis is misaligned with the weak interaction basis. The angle is small so the symmetry is only slightly broken.

Kobayashi and Maskawa generalized the work of Cabibbo to the case of three quark generations. That’s actually quite a substantial task as the description of mixing in this case requires not just a single number but a 3×3 matrix each of whose entries is complex. This matrix is universally called the Cabibbo-Kobayashi-Maskawa (CKM) matrix and it now crops up all over the standard model of particle physics.

And there’s the rub. Why on Earth was Cabibbo not awarded a share of this year’s prize? I was shocked and saddened to find out that he’d been passed over despite the fact that his work so obviously led the way. I can think of no reason why he was omitted. It’s outrageous. I even feel sorry for Kobayashi and Maskawa, because there is certain to be such an outcry about this gaffe that it may detract from their success.

But really